Tag Archives: Arthur Loves Plastic

Omnium Gatherum: Feb 12th, 2014

An irregular hodgepodge of links gathered together …

David Richard Jones The Circumference and the Hieroglyphic Monad
Hermetic Library fellow David Richard JonesThe Circumference and the Hieroglyphic Monad, part III of his In Operibus Sigillo Dei Aemeth, and is based on an observation by Clay Holden, of The John Dee Publication Project, that “the geometry of the Monad as analyzed and expected in Theorem XXIII when applied to a circle subdivides the circumference of a circle into seven equal divisions with almost perfect elegance.”

 

  • Lon Milo DuQuette’s “I’m Scared” is a new political single.

  • Aleister Crowley’s invocation to coffee, recorded in his diaries, was recently a randomly popular old post.

    “O coffee! By the mighty Name of Power do I invoke thee, consecrating thee to the Service of the Magic of Light. Let the pulsations of my heart be strong and regular and slow! Let my brain be wakeful and active in its supreme task of self-control! That my desired end may be effected through Thy strength, Adonai, unto Whom be the Glory for ever! Amen without lie, and Amen, and Amen of Amen.”

  • Earliest footprints outside Africa discovered in Norfolk” — Pallab Ghosh, BBC News; from the wonder-what-the-sea-washed-away-the-other-291999999-days-we-weren’t-watching dept.

    “The footprints are more than 800,000 years old and were found on the shores of Happisburgh. … The sea has now washed away the prints – but not before they were recorded”

  • Lake of beer prayer attributed to St Brigid, via T Thorn Coyle; from the has-Ra-finally-gotten-Sekhmet-to-chill-out-yet dept.

    “I’d sit with the men, the women of God
    There by the lake of beer.
    We’d be drinking good health forever
    And every drop would be a prayer.”

  • Archaeologists Have Found the Oldest Roman Temple” — Alice Robb, New Republic; from the exploring-ancient-temples-hidden-under-watery-depths-in-spite-of-Lovecraft dept.

    “Archaeologists have long suspected that the oldest Roman temple lay at the foot of the legendary Capitoline Hill, but it’s only recently that they’ve managed to excavate the waterlogged Sant’Omobono site with modern techniques.

    ‘The temple’s much more interesting than anybody expected,’ said Albert Ammerman, an archaeologist at Colgate University who worked on the dig. ‘It’s beautiful down there.’”

  • Mysteria Misc. Maxima: February 7th, 2014” — Sarah Veale, Invocatio blog; from the πάντα-ῥεῖ dept.

    “This will be the last MMM for the foreseeable future. … So please join me in bidding a fond adieu to the MMM and enjoy this final link round-up…”

  • On the Arbitrary Appellation of Magic in Antiquity” — Sarah Veale, Invocatio; from the i-am-large-i-contain-multitudes dept.

    “While a good definition suggests that magical practices are rites and rituals that exist on the margins of cultural norms (Dickie, 38), the point is that, when we look at the evidence, what is labelled magic is a moving target. The label stays the same, but the content changes depending on the situation at hand. The label is not so much about the practices themselves, but rather about the status of those practices.”

  • The Ritual of the Duck” — Sarah Anne Lawless; from the together-with-all-the-appurtenances-thereto dept.

    “Yesterday I made Aves Flying Ointment. A recipe I created a couple of years ago combining the traditional herbs with the more grisly shapeshifting ingredients of bird fat, bird bone dust, and feather ashes.”

  • Tveir Hrafnar: Sorcery in Silver” — Sarah Anne Lawless; from the my-precious dept.

    SAL: Your work is a wonderful rarity in that it caters to occultists, sorcerers, and traditional witches who most jewelers ignore in favour of the much bigger market of neopagans. Was this intentional or were you simply following your influences and passions?
    AW: Mostly following my passions and influences. I am self centered in my art and would rather make what speaks to me than what I think the market would buy. It’s a ‘go for what you know’ kind of thing. Hopefully there are enough folks out there with similar aesthetics and interests to keep things rolling.”

  • Read Sappho’s ‘new’ poem” — Tim Whitmarsh, The Guardian; from the he-said-she-said dept

    “They whose fortune the king of Olympus wishes
    Now to turn from trouble
    to [ … ] are blessed
    and lucky beyond compare.”

  • A New Sapphic Poem ~ Wading into the Morass” — David Meadows, rogueclassicism; from the he-said-she-maybe-said dept.

    “In case you haven’t heard, Dirk Obbink has recently announced the discovery/publication of two ‘new’ poems by Sappho and they’re causing quite the flurry of activity on blogospheres (as you may have already seen), twitterspheres (ditto), and no doubt, in private emails and departmental coffee lounges around the world.”

  • Charlemagne’s bones are (probably) real” — The Local; from the dem-dry-bones dept.

    “Researchers confirmed on Wednesday evening — 1,200 years to the day since Charlemagne died — that the 94 bones and bone fragments taken from the supposed resting place of the King of the Franks and founder of what was to become the Holy Roman Empire came from a tall, thin, older man.”

  • Charlemagne’s bones found in his coffin” — The History Blog; from the in-the-last-place-you-looked dept.

    “That may seem obvious, but given how often he was exhumed and reburied and parts of him given away as relics, it’s actually quite notable that the collection of bones in the Karlsschrein, the Shrine of Charlemagne, and other reliquaries in the Aachen Cathedral all appear to come from the same person who matches contemporary descriptions of the Frankish king.”

  • Babylonian Tale of Round Ark Draws Ire From Christian Circles” — Alan Boyle, NBC News; from the ark-you-glad-you-to-see-me-or-is-that-a-clay-tablet-in-your-pocket dept.

    “A recently deciphered 4,000-year-old clay tablet from ancient Mesopotamia is putting a new spin on the biblical tale of the flood and Noah’s Ark — and that’s causing consternation among some Christian fundamentalists.”

  • Hermetic Library anthology artist Arthur Loves Plastic‘s new Get Happy.

  • Cranky Roman Guy on The Golden Globes; from the plus-ça-change-plus-c’est-la-même-chose dept.

    “If you doubted that this is the age of Discord reigning supreme, you have an annual rite in which you give #GoldenGlobes to beautiful women.”

  • A Preliminary Analysis of the Botany, Zoology, and Mineralogy of the Voynich Manuscript” — A O Tucker et al.; from the-effect-of-gamma-rays-on-man-in-the-moon-marigolds dept.

    “We note that the style of the drawings in the Voynich Ms. is similar to 16th century codices from Mexico (e.g., Codex Cruz-Badianus). With this prompt, we have identified a total of 37 of the 303 plants illustrated in the Voynich Ms. (roughly 12.5% of the total), the six principal animals, and the single illustrated mineral. The primary geographical distribution of these materials, identified so far, is from Texas, west to California, south to Nicaragua, pointing to a botanic garden in central Mexico, quite possibly Huaztepec (Morelos). A search of surviving codices and manuscripts from Nueva España in the 16th century, reveals the calligraphy of the Voynich Ms. to be similar to the Codex Osuna (1563-1566, Mexico City). Loan-words for the plant and animal names have been identified from Classical Nahuatl, Spanish, Taino, and Mixtec. The main text, however, seems to be in an extinct dialect of Nahuatl from central Mexico, possibly Morelos or Puebla.”

  • Norse Rune code cracked” — Medievalists.net; about “Ráð þat, If You Can!” — K Jonas Norby; from the missed-it-missed-it dept.

    “‘It’s like solving a puzzle,’ said Nordby to the Norwegian website forskning.no. ‘Gradually I began to see a pattern in what was apparently meaningless combinations of runes.’

    However, those thinking that the coded runes will reveal deep secrets of the Norse will be disappointed. The messages found so far seem to be either used in learning or have a playful tone. In one case the message was ‘Kiss me’. Nordby explains ‘We have little reason to believe that rune codes should hide sensitive messages, people often wrote short everyday messages.’

    In many instances those who wrote the coded runes also left comments urging the readers to try to figure it out. Sometimes they would also boast of their abilities at writing the codes.”

  • O D fuckin abbot.” — Medium Ævum; from the orking-cows dept.

    O D fuckin abbot

  • Hollywood Calls” — Feral House; from the your-name-will-go-up-in-bright-lights dept.

    “Since we’re in Hollywood we’ve signed an option agreement for a Sundance Channel television series based on the Feral House book, Sex and Rockets, about the occult rocket scientist Jack Parsons.”

  • The end of Yeats: work and women in his last days in France” — Lara Marlowe, Irish Times; from the speak-before-your-breath-is-done dept.

    “Like his alter ego Cuchulain in the play he had just written, Yeats was dying surrounded by women.”

The Silent Now

 

The Silent Now
(Moscatiello/Conley/Stanton)

Arthur Loves Plastic is the tech maven/electronic keyboardist Bev Stanton, who specializes in creating sonic-worlds with breathable atmospheres. Guest chanteuse Lisa Moscatiello has been called a “twice blessed” possessor of magic by Billboard Magazine. Lyricist Craig Conley (a.k.a. Prof. Oddfellow) is a lexicographer of magic words and serves as an eccentric scholar for a variety of major (as well as secretive) publishers.

Follow Arthur Loves Plastic via
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THE SILENT NOW
by Craig Conley

Listen to this golden moment
just before the rain.
Hear the leaf that’s gently gliding;
the cardinal’s hushed refrain.

Stand upon this precipice,
the point where language falls away.

Words should be like glass, transparent,
windows seen right through.
Leaving just the poet’s meaning,
were the glass removed.

Here on the horizon’s edge—
the vagueness of destiny.

Conclusions and
beginnings coexist
in the silent now.
The corner of
this world upon your map
plainly shows you how.

Listen for the pause in music,
the stillness in the dance.
Calligraphic circled spaces,
emptiness enhanced.

Thread through the needle’s eye,
and sew on ad infinitum.

Conclusions and
beginnings coexist
in the silent now.
The corner of
this world upon your map
plainly shows you how.

Conclusions and
beginnings coexist
in the silent now.
The corner of
this world upon your map
plainly shows you how.

Pause here long enough to notice,
life is all in jest.
If you refuse to verbalize it,
you can’t be outguessed.

Weave intention with compassion,
a sutra is a stitch in time.

The predicate
and the antecedent are
silently understood.
I’d spell them out
in a wide vocabulary
if words only could.

Conclusions and
beginnings coexist
in the silent now.
The corner of
this world upon your map
plainly shows you how.

 

Magick, Music and Ritual 9, the Fall 2013 anthology album from the Hermetic Library
Hermetic Library Anthology Project – Magick Music and Ritual 9

 

The Hermetic Library Anthology Album – Magic, Music and Ritual 9

Magick, Music and Ritual 9, the Fall 2013 album, from the Hermetic Library Anthology project is now released for immediate digital download and is also available as part of the complete music collection 2010-2013.

Magick, Music and Ritual 9, the Fall 2013 anthology album from the Hermetic Library

 

Please join the Hermetic Library in thanking and promoting these artists who have contributed their work to this benefit anthology album project by picking up this release. Please also spread the word to people you think may be interested in the work of artists who combine magick, music and ritual.

Be sure to also check out the entire Hermetic Library Anthology project, all the previous releases; and consider picking up the digital download of this album and any other that strikes your fancy to help support the work of the library!

 

 

The full tracklist for this Fall 2013 anthology album consists of 16 tracks in two parts:

Part I

  1. 0=2 – Dwellers in Silence 05:38
  2. Yöri Bjartsdottir – Aethyr 03:04
  3. The Howling Larsons – Mask of Winter 04:31
  4. Arthur Loves Plastic – Silent Now 04:40
  5. Yöri Bjartsdottir – North (H3x3n Remix) 03:26
  6. United Gods – Speculative Speculum IX 2013 04:16
  7. Dessicant – Return 09:45
  8. Malifick Satyrino – Facing Destiny 05:25
  9. Sun Duel – A Ladder 07:00

Part II

  1. 0=2 – Enchanters 05:15
  2. Radio Free Clear Light – Labyrinth (Remix 2013) 05:04
  3. idaydream – hand in hand we explore the inferno 03:06
  4. Twelve Hides – The 57th Step of the Pyramid 07:07
  5. Antibarbarus – Zum schwarzen Ferkel (Oktober Mix) 04:33
  6. Radio Free Clear Light – In the Company of the White Rabbit 03:17
  7. y3mk – Malkunofat 04:32

 

The ninth issue from the Hermetic Library Anthology Project is being released on Samhain in Fall 2013, at 15° Scorpio. This is the final album in the second full year of releases, and completes all four quarters in 2013. Magic, Music and Ritual 9 brings together 16 tracks, from new and returning artists, with over an hour of new music in this ongoing series.

The artwork and design of this issue was created by Mustafa al-Laylah. This is the fourth of a full series of covers which has spanned the entire year. The cover design of this issue is the upper left quadrant from the full set of covers this year which can be combined to make a larger image, a collectable poster that combines the elements of all four seasons. The upper left quadrant, in this case, being related to a position on the wheel of the year and the typical correspondences between this time of year, this Fall season, and various things associated such as magical weapon, element, zodiac, cherub and so on. Mustafa has done a great job in combining various correspondences into a compelling and interesting image for this cover, and we can all look forward to seeing the whole image revealed through the rest of the year.

The Hermetic Library at Hermetic.com has an overall vision of Archiving, Engaging and Encouraging the living Western Esoteric Tradition. I started the benefit anthology project to help promote newer works in the Western Esoteric Tradition to the audience of the Hermetic Library and beyond. The anthology project also further raises awareness about the corpus and culture of magick and ritual.

I encourage you to check out the Hermetic Library at Hermetic.com, if you aren’t already familiar with it, as that’s the reason this project exists and may also offer inspiration to you. The site was started in 1996 and has ever since consistently been an extremely popular resource for students and researchers interested in the Western Esoteric Tradition.

Please join the Hermetic Library in promoting these artists who have contributed their work to this benefit anthology album project. Please also spread the word about these anthology albums to people you think may be interested in the work of artists who combine magick, music and ritual.

Hermetic Library
Hermetic Library Anthology Project

Production by John Griogair Bell
Artwork and Design by Mustafa al-Laylah

All songs used with permission. All rights reserved.