“Classical Studies student Sarah Veale talks about her experiences with the program including how quickly she was able to learn to read classical languages like Latin and Greek. She also speaks about the wide variety of career opportunities available to graduates of the Classical Studies program including the professional benefits that come with an understanding of ancient history.”
“Anatomy Occultus is a study of the Tree of Life in its anthropomorphic Adam Kadmon form.
This original piece of fine art from CHUKART is sold exclusively through Dove & Serpent Oasis. These are high quality, limited edition print. Each one is signed and numbered by the artist.”
Esotericism and the Academy: Rejected Knowledge in Western Culture by Wouter J Hanegraaff, from Cambridge University Press, previously only available as a 2012 hardcover, is due to release as a paperback tomorrow, March 6th, 2014.
“Academics tend to look on ‘esoteric’, ‘occult’ or ‘magical’ beliefs with contempt, but are usually ignorant about the religious and philosophical traditions to which these terms refer, or their relevance to intellectual history. Wouter Hanegraaff tells the neglected story of how intellectuals since the Renaissance have tried to come to terms with a cluster of ‘pagan’ ideas from late antiquity that challenged the foundations of biblical religion and Greek rationality. Expelled from the academy on the basis of Protestant and Enlightenment polemics, these traditions have come to be perceived as the Other by which academics define their identity to the present day. Hanegraaff grounds his discussion in a meticulous study of primary and secondary sources, taking the reader on an exciting intellectual voyage from the fifteenth century to the present day and asking what implications the forgotten history of exclusion has for established textbook narratives of religion, philosophy and science.” [via]
Hyleal, Pri-material, Catholic, or Universal Natural Chaos: Excerpts from the Companion Volume to Amphitheatre of Eternal Wisdom by Henricus Khunrath, selected and translated by Russell Yoder, from Salamander and Sons, scheduled to be published already, but coming soon, will be available via Weiser Antiquarian Books.
“Hyleal, Pri-material, Catholic, or Universal Natural Chaos consists of excerpts from the companion volume to Henricus Khunrath’s alchemical classic, Amphitheatrum sapientiae aeternae (or, Amphitheatre of Eternal Wisdom).
Englished for the first time by Russell Yoder, Hyleal, Pri-material, Catholic, or Universal Natural Chaos is initially concerned with Magnesia (the “Magnet of the Lord” and “universal raw Stone of the Wise that is to be found in Nature”), the Green Lion of Nature (the “fiery spark or ray of the World’s Soul, or Light of Nature” that is “the naturally, conceivably catholic All”) and Our Chaos or Hyle (“the World’s First Water … [the] Fountain [from which] all material things have their first origin” which is the “Fundament or Foundation, the Basis of the World that God Himself put in place … [which] the edifice of the entire earth is set upon …”).
Embodying a kind of Christianised natural magic influenced as much by kabbalah, natural philosophy and the works of Paracelsus as by Lutheran pietism and devotion, the Divinely inspired and particular revelations of Hyleal, Pri-material, Catholic, or Universal Natural Chaos extend to include heavenly influences and the timing of the work, Azoth or Living Mercury (“not quicksilver, nor something taken out of or from him, but Mercurius – that which the Philosophers speak of!”), Salt of Magnesia (“often called Sal Petra or Sal Peter, Sal Alkali, Sal Gemma or the Noble Rock-salt … from the radical Humidity of the whole World”), and the artful and natural elevation of plants, animals and minerals “to the highest Natural Perfection” towards “true Regeneration and more than perfect Multiplication of Metals [and] an exceedingly powerful Universal Medicine …”
Includes a brief but highly insightful tract in verse ‘from F.R.C.’ on the subject of Our Chaos – Hyle – published as part of The Golden Rose (1704), almost 100 years after the publication of Khunrath’s Amphitheatrum, and exactly 90 years after the appearance of the Rosicrucian manifesto Fama Fraternitatis R.C. (1614).”
Three Treatises of Art: Alchemy for the Behmenist Adept, The Little Alchemical Farmer, and The Lead of the Wise and Its Dual Species by Two Anonymous Authors and Adam Michael Birkholz, translated by Russell Yoder, from Salamander and Sons, scheduled to be published already, but coming soon, will be available via Weiser Antiquarian Books.
“These Three Treatises of Art – namely Alchemy for the Behmenist Adept, The Little Alchemical Farmer and The Lead of the Wise and Its Dual Species – have been translated by Russell Yoder. Two of the three are presented in English for the first time, while the third is presented anew for the first time since the 18th century.
Alchemy for the Behmenist Adept
Alchemy for the Behmenist Adept (or, Idea Chemiæ Bohmianæ Adeptæ): The Preparation of the Philosopher’s Stone According to Jacob Bohm (Amsterdam, 1690) is a rare and significant attempt to systematise Jacob Boehme’s Hermetic corpus. Drawing upon the High Dutch Philosopher’s works – including Aurora: Die Morgenröte im Aufgang, The Threefold Life of Man, De Signatura Rerum (or, Signature of All Things), Mysterium Pansophicum (or, Earthly and Heavenly Mystery and the Image of the Soul), Mysterium Magnum, Clavis, and Sixty-two Theosophic Epistles – Alchemy for the Behmenist Adept is concerned with “the preparation of the great Wonder-Stone of the Wise, the signs and colour which appear in the Work, their force and effect, and what commonly and especially to take heed of while at work …”
The Little Alchemical Farmer
A sublimely humourous pastorale, The Little Alchemical Farmer (or, Der Kleine Bauer) succinctly illustrates the familiar adage that “when the novice or apprentice is ready the Master appears.” Encountered on the path “between two Mountains,” this “fine old Farmer” is a keeper of high Mystery who generously expounds upon the crude ‘Second Matter’ and the conjunction of the red and white Star-flowers (the ‘red man’ and ‘white woman’) to become “the Prima Materia ‘of all metals’.” Before vanishing into the Mountain itself, this elderly ‘country gentleman’ describes the origin and root of all metals, the ignorance of the senses and the importance of prayer, “the white Mercurial Lily-sap” (‘Azot’ or ‘Gluten Aquilae’), and “[t]he sulphuric, incombustible, fixed, red lily juice” (‘Laton’ or ‘Leo Rubeus’), and emphasises that although “from the nature of these [white and red] flowers, precious stones and pearls grow forth,” the “highest object [of concern] is to further knowledge of God, and long life, and recovery from all diseases.”
The Lead of the Wise and Its Dual Species
A Treatise entitled ‘The Lead of the Wise and Its Dual Species’, with Selected Notes, from Compass of the Wise (Compendium of the Golden and Rosie Cross) by Adam Michael Birkholz (Berlin, 1782) elaborates upon Saturn – that “fiend, foe, and death of all metals” who is also “their resurrection and life” – and the spirit of this “child-eater, father, brother, sister, destroyer of all planets, friend and enemy …” In addition to describing this “right philosophical water of separation, which by its sharpness cuts all metals and minerals,” The Lead of the Wise and Its Dual Species discusses the properties of “our raw philosophical matter,” the principal Key to the work (“our magical fire”), the female Gold or Suns, the prophet Ezekiel, “the Boneless Fish [‘Euhmais’] which swims around in the philosophical seas,” the preparation of the philosophical ferment of leaven, the amalgamation of “the true philosophical gold … with a Mercury of Saturn,” and significantly more.”
Songs for the Witch Woman by John Whiteside “Jack” Parsons and Marjorie Cameron, with commentaries by William Breeze, George Pendle and Margaret Haines, from Fulgur, is due to release on March 17th, 2014, in limited hardback and even more limited, 156 hand-numbered, deluxe editions, which will be of interest.
“There are few modern love stories as passionate and poignant as the relationship between rocket scientist Jack Parsons and his artist lover, Marjorie Cameron. At once a muse, occult student and primal force of nature — a woman he proclaimed as his ‘elemental’ in a letter to Aleister Crowley — Cameron fascinated, troubled and inspired Parsons.
Songs for the Witch Woman is a project born from this turbulent love story. A series of poems written by Parsons reveal his feelings toward his often absent lover. And beside these words are images from the hand of Cameron, illustrating and echoing the intimate themes.
After Parsons’ tragic death in June 1952 we find the notebook in which this work was recorded continues, as a bereaved Cameron keeps a diary of her magical working in Lamb Canyon, California. In the dark desert her words become a raw lament as she attempts to gain contact with her Holy Guardian Angel. And throughout the working, the memory of Jack is never far from her mind.
Now published more than sixty years after it was written, Songs for the Witch Woman stands as a testament to lasting power of love and loss.
This book represents a creative collaboration between two of the most important names in 20th century occultism. It includes:
· The poems, drawings and diary entries published together for the first time.
· A facsimile of the original 1950s notebook with text by Parsons and illustrations by Cameron.
· The texts have also been corrected and typeset alongside a second suite of pen and ink drawings that Cameron produced for the work after 1952.
· Contextual commentaries from William Breeze, George Pendle and Margaret Haines.” [via]