Tag Archives: illuminati

Omnium Gatherum: June 25th, 2014

An irregular hodgepodge of links gathered together … Omnium Gatherum for June 25th, 2014

Eddy Stevens' Magical Paintings
Eddy Stevens’ Magical Paintings Capture The Bond Between Woman And Horse — Ellyn Ruddick-Sunstein, Beautiful/Decay

 

  • UNEARTHED IN PARIS: The Tomb of Golden Dawn Founder S.L. MacGregor Mathers — David Griffin, Golden Dawn Blog [HT Spiral Nature]

    Considering the importance of the Vault of the Adepti to the Golden Dawn and of the Tomb of the Founder, Christian Rosenkreutz, to the entire Rosicrucian movement, the discovery of the tomb of the Golden Dawn’s Rosicrucian founder, S.L. MacGregor Mathers (nearly 120 years after his death), is an event of unparalleled Rosicrucian and magickal importance.

    MacGregor Mathers tomb in Paris 2014

     

  • The Necklace of Power — Nicholaj de Mattos Frisvold, The Starry Cave

    Sacred necklaces, guias or elekes are a form of talismans with a rich and long history both as sacred decoration, as an extension of the witches ladder or cord and in the form of prayer beads, they be the Hindu mala or the Catholic rosary to Freya’s brisingamen. In Lucumi a set of elekes are given to mark the first step towards initiation where the candidate binds himself to the godparents responsible for giving the elekes.

  • 12 Undeniable Signs That The Illuminati Is EVERYWHERE — Julia Edelman, CollegeHumor [HT disinformation]

    No one is safe, but especially you (I don’t know why, you just seem sort of fragile and susceptible to accidents). At any rate, the Illuminati grows stronger every day, and it is only a matter of time before they control every aspect of your life — no detail too small. It would be too dangerous to overlook the evidence. Let this carefully curated list of Illuminati hotspots guide you, strike fear into your heart, and who knows, maybe even protect you. Godspeed.

  • Tim Lambesis quoted at Christian Heavy Metal Band Frontman Admits He’s Actually an Atheist — Kyle Chayka, Time [HT disinformation]

    In the process of trying to defend my faith, I started thinking the other point of view was the stronger one.

    In 12 years of touring with As I Lay Dying, I would say maybe one in 10 Christian bands we toured with were actually Christian bands.

  • A Reader Writes of his Experience Among the Dark Enlightenment Types — Mark Shea, Catholic and Enjoying It! [HT disinformation]

    The thing about nascent movements like this is that it’s hard to know when to pay attention and when to ignore them. If you ignore them they can grow in the dark, like mushrooms on dung. If you make too much fuss, you can attract idiots–particularly extremist idiots–who automatically assume that anything normal people find objectionable must be awesome, radical, and “not PC” and therefore good.

  • Dan Harms has been posting a series about “Charm Stick” objects at Charm Sticks and Charm Wands: A Little-Noted Item of Folklore, More on Charm Sticks and Charm Wands and Charm Wands and Charm Sticks: The Final Chapter? over on Papers Falling from an Attic Window.

    According to Hughes, these curious shepherd’s crooks first appeared in the 1770s as part of a fashion fad, possibly inspired by ceremonial maces. They saw a resurgence in the 1820s, and they continued to be known throughout the nineteenth century. The first clue that we have as to their use as “charm sticks” is in Soames’ Curiosities of Literature, from 1847, dealing with superstitious practices in Devon.

    At this point, it seems that the glass rods were originally created as fashion accessories, which later became associated with disease and good luck, and later became explicitly connected with spirits.

  • Five False Rumors About Aleister Crowley — Brandy Williams, Star and Snake

    His behavior is minutely chronicled by his biographers; whatever we think of him, we should at least get the facts of his life straight.

  • Nathan Kesling, tweet

    Solomon spearing a prostrate female demon

     

  • Sarah Veale, tweet

     

  • Older Than the Rolling Stones — Douglas Quenqua, The New York Times [HT disinformation]

    Could it be that Stonehenge was actually a prehistoric glockenspiel?

    “Everybody’s been running a silent movie of prehistory for so long,” [Paul Devereux] said. “We’re only just now trying to recover the soundtrack.”

  • An Occult History of the Television Set — Geoff Manaugh, BLDGBLOG [HT Spiral Nature]; about Stefan Andriopoulos’ Ghostly Apparitions: German Idealism, the Gothic Novel, and Optical Media

    The origin of the television set was heavily shrouded in both spiritualism and the occult, Stefan Andriopoulos writes in his new book Ghostly Apparitions. In fact, as its very name implies, the television was first conceived as a technical device for seeing at a distance: like the telephone (speaking at a distance) and telescope (viewing at a distance), the television was intended as an almost magical box through which we could watch distant events unfold, a kind of technological crystal ball.

    Andriopoulos’s book puts the TV into a long line of other “optical media” that go back at least as far as popular Renaissance experiments involving technologically-induced illusions, such as concave mirrors, magic lanterns, disorienting walls of smoke, and other “ghostly apparitions” and “phantasmagoric projections” created by specialty devices. These were conjuring tricks, sure—mere public spectacles, so to speak—but successfully achieving them required sophisticated understandings of basic physical factors such as light, shadow, and acoustics, making an audience see—and, most importantly, believe in—the illusion.

  • A Journey To Avebury: Stewart Lee Interviews Julian Cope — Stewart Lee, The Quietus

    [Julian] Cope’s sentence structures collapse into rhythmic repetition and editorially suspect sub-clause clusters, three at one point all ending in the same three words, and all heroically deliberate. One section attempts to convey a character’s drugged confusion by repeating variations on the same three letters for five pages. The fool persists in his folly. He becomes wise. Likewise the eighty minute drones of cope’s Queen Elizabeth records were a conscious choice. “Yes,” he agrees, “I didn’t just stumble across a sound and then forget to turn it off. And I worked really hard on the cadences of the book, on the rhythms. That’s the musician part of me. People will get it who wish to get it but I don’t want to turn on tossers.”

    “It’s like Christianity,” Cope says, brilliantly comparing his fiction debut with a major world religion of some 2000 years standing, “If you’re going to stand on street corners shouting you’re only going to pick up people who are utterly lost. I don’t want people attaching themselves to me who are lost. I want them to already be in some way on a trip. It’s demanding but great art is demanding. I really wanted to write something that people could complete themselves.”

  • There Are No ‘Sheeple’ — Marcel Voltlucka [HT disinformation]

    Just remember that you were likely a “sheep” once too.

    Alas, this sort of insular arrogance is not only more prevalent than we’d like to admit, it’s our own worst enemy. The idea of stupid, hopeless “sheeple” evokes the contempt that a hardcore Statist has for human ability, reason, freedom, and – for lack of a better word – spirit.

  • The occult conspiracy hidden in the new emoji — Jess Zimmerman, The Daily Dot

    In short, the bell, book, and candle are used to damn people to hell. And sure, they’re all objects, but they’re not the same kind of objects! What are they doing together? What’s going on?

  • Four Imperatives — Michael Gilleland, Laudator Temporis Acti

    Drink, eat, have fun, make love.

  • A Third Century A.D. Inscription from Eumeneia — Michael Gilleland, Laudator Temporis Acti

    I did not have much wealth or much property for my livelihood, but I worked hard and gained a modicum of learning. This enabled me to assist my friends, as far as I was able, freely putting the ability I had at the disposal of all. Helping anyone who was in need was a joy to me, as, in the case of other people, prosperity brings joy to the heart. Let no one deluded in his wealth harbour proud thoughts, for there is one Hades and an equal end for all. Is someone great in possessions? He receives no more, (but) the same measure of earth for a tomb. Hasten, mortals, gladden your souls at all times as (allegedly) a pleasant way of life is also the measure of existence. So, friends. After this, no more of this—for what more is there?

  • Let’s Agree to Disagree, Part II — Michael Gilleland, Laudator Temporis Acti

    Many men tend to contradict on every point,
    but contradicting rightly’s out of vogue.
    Well, as for them there’s one old saw that’s all we need:
    ‘you can keep your opinion, I’ll keep mine.’
    But the intelligent are soon persuadable
    by reason, and they’re easiest to teach.

  • Why I left the OTO — Psyche, Spiral Nature

    It’s no secret that in the Gnostic Mass, this central rite, involves a (fully dressed) priest, a (usually naked) woman on the altar, a simulation of hetero sex initiated by the priest, and a simulation of fellatio performed by the priestess. There’s a lot more involved — more people, more symbolism, magick words, all that great stuff — but these two roles are fixed. A woman may never serve as the priest, and a man may never lay upon the altar. When I asked about that, the instructor burst out laughing, “What, with some dude’s dong on the altar?” He was amused and horrified in equal parts.

    I should stress that I don’t hold this lodge at fault, nor, necessarily, its members. They’re passing along the tradition as it’s given to them. Ok, they weren’t challenging it — true — but they didn’t invent it. They made it clear that any deviations in the performance of the Gnostic Mass meant it was no longer an OTO rite. This was it. I could learn to accept it, or leave.

  • Warburg Institute: library saved from Nazis awaits its fate: Collection could be broken up in legal action over 1944 deed of trust — Jack Grove, Times Higher Education

    Four years after Warburg’s death, the collection of about 80,000 books, many rare Renaissance volumes, was moved to London as Nazism took hold in 1930s Germany. However, the University of London is now seeking to challenge the status of the deed of trust it signed in 1944 when accepting the collection.

    That document promised to maintain and preserve the collection “in perpetuity” as “an independent unit” – a pledge that now appears onerous as the Warburg runs a reported £500,000 annual deficit.

    Professor Grafton meanwhile raised concerns over the future of the “highly skilled librarians” at the Warburg, which also has a small number of academic staff who supervise arts and humanities graduate students each year.

    Further, there is speculation that a court defeat would mean that the collection would return to Hamburg where much of the Warburg family is still based. The US-based branch of the Warburg family are also known to have taken a keen interest in the case.

  • #HowILibrary

    ALA How do you library? 2014

     

 

If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.

The Choronzon Machine

The Choronzon Machine: a Multi-media Multi-cultural Multi-subcultural Ritual Opera by the Metamophic Ritual Theatre company, written and more by Orryelle Defenestrate-Bascule (credited on the cover as Orryelle Bascule-Defenestrate), with music by The HarleQuintet, a 2006 DVD of enhanced live performances from 2001, is part of the collection at the Reading Room.

Metamorphic Ritual Theatre Orryelle Defenstrate-Bascule The Choronzon Machine

I picked this up a few years ago primarily for the track “Melek Taus“, about a figure of importance with the Feri Tradition which I also later found mentioned in relation to Aleister Crowley’s Aiwass, and to a lesser degree because of the name of The HarleQuintet.

“In the ritual theatrickall-musical device we call The Chrononzon Machine the Audience Initiates follow the Fool Initiate’s journey through the Great Wheel of the TARO/ROTA, as he cycles through different refractions of Self as reflected through the archetypes of the Major Arcana. On one level this is a personal journey, as the Fool with a child’s innocence heedlessly plunges past the dweller on the threshold and into the Abyss. Through a series of ordeals he confronts and accepts the shadow of Choronzon as he progressively opens to ever more layers of complexity in the hidden mechanisms of the universe. The journey brings him eventually full circle back to the innocence of Zero but with a new layer of Wisdom and Understanding …

The Play is also socio-historical, as The Fool apprehends the escalating frenzy of ‘progress’ & technology in the post-modern world; which the audience also must deal with. It is they, after all, who are controlling the Machine—putting the 33.3¢ Illuminati coins—collected by the Jackal—in it which make the cogs start turning to generate each new scene of coupled polar cards …

Of course it’s not real, it’s just a Play, an Illusion generated by the Magicians for the Audience—a collectively willed hallucination. Is there a play? Is there a ritual? The HarleQuin de-faced itself. The machine goes on … Civilizations rise & crumble and fall. Were they ever There at All?” — back cover

The Choronzon Machine Ritual Opera was performed 3.33 times in Melbourne (Australia) on 2001. The original footage of the already spectacular live production is now further enhanced with effects, animations, and diverse studio-recorded music into a feature-length film.” — back cover

Ferdinando Buscema: magic, wonder, and Boing Boing: Ingenuity

Ferdinando Buscema: magic, wonder, and Boing Boing: Ingenuity” [HT Phil Legard, also] is a video including features of interest such as Erik Davis’ TechGnosis: Myth, Magic, and Mysticism in the Age of Information, David B Metcalfe’s Lullian wheel, Robert Anton Wilson, the art of memory, & more of relevant interest peppered throughout; culminated by an invocation of the accomplishment of the Great Work.

“Ferdinando Buscema is a magic experience designer whose work draws from mechanical engineering, sleight-of-hand, and his explorations of hermetic traditions. We couldn’t have asked for a more astonishing opening presentation at Boing Boing: Ingenuity, our theatrical experience that took place at a former Masonic Lodge in San Francisco on August 18. During his performance, video above, Buscema revealed the final secret of the Illuminati, and guessed my password, which I have since changed. We look forward to future collaborations with Ferdinando whose wizardry and warmth is an inspiration to Happy Mutants everywhere! Get illuminated.”

Aleister Crowley and the Aeon of Horus

Aleister Crowley and the Aeon of Horus: History. Magick. Psychedelia. Ufology. by Paul Weston, the 2009 paperback from Avalonian Aeon Publications, is part of the collection at the Reading Room.

Paul Weston's Aleister Crowley and the Aeon of Horus from Avalonian Aeon Publications

“Whilst ‘dealing with diverse and extraordinary subjects,’ this book focuses particularly on the Beast, and the various individuals, movements and madnesses that have followed on from him. Discussions of Crowley, Thelema, magick, and mysticism lead to explorations of the life and thought of Gerald Gardner, Kenneth Grant, L. Ron Hubbard, Timothy Leary, Jack Parsons, Robert Anton Wilson and others. The author also explores a number of bizarre and sometimes bewildering subjects, from the atom bomb and hallucinogens, to Nazi occultism, UFO’s and ‘the Sirius Mystery’, with various divergences and forays into sixties popular culture, Illuminati, Men in Black, the Church of Satan, the Process Church, Manson murders, the Thule Society, ‘New Aeon English Qabalah’, and the alleged secret United States government research into time travel said to have been conducted at Montauk Air Force Station. One reviewer has not unreasonably likened the work to that of Robert Anton Wilson on account of its scope and sometimes deliberately surreal perspectives.” [via]

 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.

Join in for the next round of the Eclectic, Esoteric Postal Potlatch

I haven’t talked about the Eclectic, Esoteric Postal Potlatch in a while, but just sent off a bunch of fun stuff via post today and was thinking how much more fun it would be with even more people participating.

As a kid, in my family, we had a tradition of doing what we called “christmas stockings” each year, but there was so much bizarre being exchanged that we needed garbage bags to hold each person’s haul. I don’t propose sending that kind of volume to people, but I have in mind a crazy, fun grab bag of esoteric strangeness very similar to that for each person participating. Another example that comes to mind are the old boxes of tchotchkes put together by Steve Jackson Games for the Illuminati board game, with stickers and photocopied flyers and little rubber fnords. But, to make it real, and really bizarre, I need your help in both accumulating things to send and in being someone I send things to!

Check out the full page about the idea, and consider becoming part of the project, but, here’s the gist to remind everyone.

Here’s the simplest explanation of what I’m thinking: If people send me things then I’ll send them things. What arrives and what is sent would be up to those involved. I would never sell or reveal the participant list, but would use addresses of participants to merely to send occasional envelopes or packages, maybe once a month or quarterly. There would be two ways to get on the participant list, but this would be completely open to individuals, music groups, publishers, and so on:

  • first, and simplest, is to send something in; For those sending things in, something reciprocal would be sent based on what I can afford to post or, better yet, on their SASE or how much postage they include inside for me to use on return post to them.
  • second, and really great, is to become a supporter of the library. For supporters, depending on how much postage their support reasonably allowed beyond helping with hosting the site and so on, I would send quarterly or monthly something fun from the supplies donated and gathered.

Really any variety of interesting tchotchkes people sent in limited pretty much only by their imaginations and my ability to post those imaginations back to others. Also, I might be able to occasionally send supporters an Hermetic Library t-shirt or maybe some promotional books if I can interest any publishers or authors in contributing. But, really, who knows what fun we might generate with this? Let’s turn my office into an homage to what Archee McPhee’s would be if they were dabbling in the dark and esoteric arts!

So, one who is participating might variously send in and get things in return like:

  • bookmarks
  • stickers
  • mix tapes
  • CDs
  • used books
  • rituals, poetry, essays
  • booklets, brochures, flyers

I’m not looking to have sent to me or to resend things that evoke the black helicopters, SWAT teams or HAZMAT teams; but, just about anything else that the postal system will deliver could be part of this.

Anyhow, why not join the fun and make the fun funner and funnier together with a side of eldritch tentacles?

A Comprehensive Guide to the Illuminati, the Conspiracy Theory That Connects Jay-Z and Queen Elizabeth

A Comprehensive Guide to the Illuminati, the Conspiracy Theory That Connects Jay-Z and Queen Elizabeth” is an amusing little initiation for the perplexed into recent and ongoing apoplectic apophenia about Illuminati and so forth by Max Read over at Gawker.

“Why did Jay-Z and Beyoncé name their kid ‘Blue Ivy’? What was the deal with Madonna’s Super Bowl halftime show? Why did Whitney Houston die? Some people might say that ‘famous people are weird and sad’ is the answer to all three questions. But no, the answer is: The Illuminati. Who? Allow us to explain.

Note: to best service our readers, we’ve divided this guide into two sections — first, the believer’s guide; second, the skeptic’s guide.”

“Rather than speak of conspiracy theory we might instead try to construct a poetics of conspiracy. A conspiracy would be treated like an aesthetic construct, or a language-construct, and could be analyzed like a text. Robert Anton Wilson has done this with his vast and playful ‘Illuminati’ fantasy. We can also use conspiracy theory as a weapon of agit-prop.” The Ontological Status of Conspiracy Theory by Hakim Bey