II. His Ruling Symbols from The Philosophy of Shelley’s Poetry in Ideas of Good and Evil by William Butler Yeats.
“as a cold and changeable fire set in the bare heavens, she governs alike chastity and the joyless idle drifting hither and thither of generated things” [via]
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Consider also:
- “The Moon is the most changeable of symbols, and not merely because it is the symbol of change. As mistress of the waters she governs the life of instinct and the generation of things”
- “Cold, he says, causes life in the world, and heat causes life among the gods, and the constellation of the cup is set in the heavens near the sign Cancer, because it is there that the souls descending from the Milky Way receive their draught of the intoxicating cold drink of generation.”
- “often caves are, he says, symbols of ‘all invisible power; because as caves are obscure and dark, so the essence of all these powers is occult,’ and quotes a lost hymn to Apollo to prove that nymphs living in caves fed men ‘from intellectual fountains’; and he contends that fountains and rivers symbolize generation, and that the word nymph ‘is commonly applied to all souls descending into generation,’ and that the two gates of Homer’s cave are the gate of generation and the gate of ascent through death to the gods, the gate of cold and moisture, and the gate of heat and fire.”
- “It is only by ancient symbols, by symbols that have numberless meanings beside the one or two the writer lays an emphasis upon, or the half-score he knows of, that any highly subjective art can escape from the barrenness and shallowness of a too conscious arrangement, into the abundance and depth of nature.”
- “His early romances and much throughout his poetry show how strong a fascination the traditions of magic and of the magical philosophy had cast over his mind, and one can hardly suppose that he had not brooded over their doctrine of symbols or signatures, though I do not find anything to show that he gave it any deep study.”