William Blake and his Illustrations to The Divine Comedy in Ideas of Good and Evil by William Butler Yeats.
“William Blake was the first writer of modern times to preach the indissoluble marriage of all great art with symbol.” [via]
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Consider also:
- “In the illustrations of Purgatory there is a serene beauty, and one finds his Dante and Virgil climbing among the rough rocks under a cloudy sun, and in their sleep upon the smooth steps towards the summit, a placid, marmoreal, tender, starry rapture.”
- “There had been allegorists and teachers of allegory in plenty, but the symbolic imagination, or, as Blake preferred to call it, ‘vision,’ is not allegory, being ‘representation of what actually exists really and unchangeably.'”
- “If ‘the world of imagination’ was ‘the world of eternity,’ as this doctrine implied, it was of less importance to know men and nature than to distinguish the beings and substances of imagination from those of a more perishable kind, created by the phantasy, in uninspired moments, out of memory and whim”
- “A symbol is indeed the only possible expression of some invisible essence, a transparent lamp about a spiritual flame; while allegory is one of many possible representations of an embodied thing, or familiar principle, and belongs to fancy and not to imagination: the one is a revelation, the other an amusement.”
- “His praise of a severe art had been beyond price had his age rested a moment to listen”