William Blake and his Illustrations to The Divine Comedy in Ideas of Good and Evil by William Butler Yeats.
“here and there among the pictures born of sensation and memory is the murmuring of a new ritual, the glimmering of new talismans and symbols” [via]
Share this:
- Click to share on Facebook (Opens in new window)
- Click to share on Twitter (Opens in new window)
- Click to share on Tumblr (Opens in new window)
- Click to share on Mastodon (Opens in new window)
- Click to share on Reddit (Opens in new window)
- Click to share on Pinterest (Opens in new window)
- Click to share on Pocket (Opens in new window)
- Click to email a link to a friend (Opens in new window)
Consider also:
- “I would teach you the new ritual of ‘Arrivism’: If you would realize God you must first re-create your God within. You can become God by expurgating—for what is without is an exhausting-transudating past.”
- “but the immortal part makes all his labours vain, and turns his pyramids to ‘grains of sand,’ his ‘pillars’ to ‘dust on the fly’s wing,’ and makes of ‘his starry heavens a moth of gold and silver mocking his anxious grasp.'”
- “he finally escaped from ‘temptations and perturbations’ which sought to destroy ‘the imaginative power’ at ‘the hands of Venetian and Flemish Demons.'”
- “To cover the imperishable lineaments of beauty with shadows and reflected lights was to fall into the power of his ‘Vala,’ the indolent fascination of nature, the woman divinity who is so often described in ‘the prophetic books’ as ‘sweet pestilence,’ and whose children weave webs to take the souls of men”
- “This letter may have been the expression of a moment’s enthusiasm, but was more probably rooted in one of those intuitions of coming technical power which every creator feels, and learns to rely upon; for all his greatest work was done, and the principles of his art were formulated, after this date. Except a word here and there, his writings hitherto had not dealt with the principles of art except remotely and by implication; but now he wrote much upon them, and not in obscure symbolic verse, but in emphatic prose, and explicit if not very poetical rhyme.”