Visions of Enchantment at Cambridge on Mar 17th-18th, 2014

Visions of Enchantment conference 2014

Visions of Enchantment: Occultism, Spirituality & Visual Culture is an international conference at University of Cambridge on March 17th-18th, 2014 [HT Erik Davis].

Additionally, although there is very little time left, you may be interested in the call for papers still open through October 31st, 2013.

“This two-day conference is a collaboration between the Department of History of Art, University of Cambridge and the Arts University Bournemouth and is organised in association with the European Society for the Study of Western Esotericism (ESSWE).

It seeks to investigate the formative role that occultism and spirituality have played in the creation of both Western and non-Western visual and material cultures. The conference aims to provide a stimulating platform for the presentation of innovative research in this field as well as to encourage dialogue and exchange between academics with a specific research interest in art and occultism.” [via]

 

“This two-day conference seeks to investigate the formative role that occultism and magic have played in Western and non-Western visual and material culture. It aims to present original research in this field as well as to establish a productive dialogue between academics with a particular research interest in occultism and visual culture.

We invite proposals from a variety of disciplines and perspectives, provided that they present innovative insights into visual, symbolic or material aspects of the esoteric tradition, covering a broad spectrum of geographic regions and historical periods.

Acceptable topics may include, but are by no means limited to, the following areas:

* Alchemy and Hermetic symbolism;
* Astrology and astrological illustrations;
* Witchcraft, black magic and sorcery;
* Talismans, totems, fetishes and other apotropaic objects;
* Occult aspects of Jewish, Christian and Islamic art;
* Theosophy and modern visual culture;
* The visual and material culture of other occult movements;
* Surrealism and the politics of the occult;
* Spirituality and occultism in other avant-garde movements;
* Occult art, counter-culture and radical politics;
* Women artists and the occult;
* Gendered, sexual and ‘queer’ ramifications of esoteric art;
* Photography, spiritism, séances and automatism;
* The supernatural in avant-garde cinema;
* Occultism and magic in contemporary visual culture.” [via]