(Radio Free Clear Light)
The scientists known to millions as RFCL have introduced a series of fractal equations that lead to cognitive chaos. Through experimentation with sex, drugs, and other mind wave manipulators, they have developed a method to control the chaos through a bizarre device known as ITFC.
The casual user may traverse magnetic temporality through a crystalline lattice of hypnagogic chanting and electronic sound.
Magicians and other visionaries who are aware of the device may succeed in remembering all they have not been or done. In clinical studies such practitioners refer to themselves as both the agents and the experiencers of phenomena. They claim that they have traveled to the dimension next door to ours, where the primordial sphere stirs in death’s dream.
The device enables the first opening of The Gate; enabling mind displacement, personality reconstruction, reality manipulation, and unencumbered travel between spheres. RFCL recommends use of the device as a means for permeating the universe and hyper-dimensions with benign intelligence.
Radio Free Clear Light is a collective of artists devoted to experimental, electro-acoustic improvisation music as a collaborative mystical practice. Our approach draws its inspiration from Thelemic and Discordian thought, and other schools of esoteric wisdom. We use digital and analog electronics, found sound sources, vocals and a variable set of traditional musical instruments in an improvisational process that yields results as eerie as they are sublime. Stylistically speaking, our output contains elements of dark ambient, industrial, dub, IDM, minimalism, noise, shamanic and psychedelic musics, drones and free jazz.
Central to our philosophy is that all people are musicians, whether or not they believe themselves to be. It is our intent to create spaces of musical freedom where all people are participants, actively creating the unique and changing soundscape with their presence and sustained attention. In this way, the music created is always site-specific, altered each moment by the environment and musical contributions of the those in attendance.
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