Omnium Gatherum: October 30, 2018

An irregular hodgepodge of links gathered together … Omnium Gatherum for October 30, 2018

If you’d like to participate, head over to Omnium Gatherum on the BBS, or suggest something.

  • Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural by Peter Bebergal, from TarcherPerigee

    Berbergal Strange Frequencies

    “A journey through the attempts artists, scientists, and tinkerers have made to imagine and communicate with the otherworldly using various technologies, from cameras to radiowaves.

    Strange Frequencies takes readers on an extraordinary narrative and historical journey to discover how people have used technology in an effort to search for our own immortality. Bebergal builds his own ghostly gadgets to reach the other side, too, and follows the path of famous inventors, engineers, seekers, and seers who attempted to answer life’s ultimate mysteries. He finds that not only are technological innovations potent metaphors keeping our spiritual explorations alive, but literal tools through which to experiment the boundaries of the physical world and our own psyches.

    Peter takes the reader alongside as he explores:
    * the legend of the golem and the strange history of automata;
    * a photographer who is trying to capture the physical manifestation of spirits;
    * a homemaker who has recorded voicemails from the dead;
    * a stage magician who combines magic and technology to alter his audience’s consciousness;
    * and more.”

  • The season of the witch: how Sabrina and co are casting their spell over TV. Diverse, digitally savvy and definitely feminist, our screens are full of witches who embody a new imagining of the original ‘nasty woman’” — Charlotte Richardson Andrews, The Guardian UK; talking, in part, with Christina Oakley Harrington of Treadwells

    “So will the interest in witches last or is it a passing spell? ‘We’ll have to wait and see,’ says [Christina] Oakley Harrington. ‘For some, it’ll be a fashion trend. They’re drawn to the aesthetic rather than the actual practice. But for a certain proportion – a small one, I think – it’ll waken something innate, intense and lasting.’

    Even if she falls out of vogue – which doesn’t look likely, given this autumn’s TV programming – the witch is always with us, says MacCormack. ‘The occult never goes away. People are desperate for alternative paradigms of practice and activism because the current ones simply don’t work.'”

  • One Truth and One Spirit: Aleister Crowley’s Spiritual Legacy by Keith Readdy, foreword by Vere Chappell; due in December, from Ibis Press

    Readdy One Truth and One Spirit

    “Based upon academic research at the University of Amsterdam’s Center for the History of Hermetic Philosophy and Related Currents, One Truth and One Spirit is a much-needed work that covers a previously unexplored history of the modern religious movement known as Thelema. This work details the theoretical framework of Aleister Crowley’s spiritual legacy in the O.T.O. and the A∴A∴ and covers the years of Thelema since Crowley’s death in 1947.

    One Truth and One Spirit approaches a complex topic with a complex history, with exhaustive citations and sources, but it is written for anyone interested in the subject of Thelema. The author utilizes published source material as well as previously unavailable information, which makes this a unique contribution to the available literature.

    One Truth and One Spirit is expected to be of interest to the novice, the scholar, and the seasoned practitioner of Thelema. The work provides a general historical overview of Thelema from a theoretical vantage point, explores the historical development of the movement from the 1960s to the 1990s, and applies the author’s own critical discussions on the topic itself.”

  • The Satanic Temple says Netflix’s ‘Sabrina’ stole Baphomet statue design, is ‘taking legal action’” — Alyssa Pereira, SFGATE; from the Devil-Made-Me-Do-It dept.

    “‘I feel that the use of our particular image that is recognized as our own central icon (being) displayed fictionally as central to some cannibalistic cult has real world damaging effects for us,’ he said.

    [Lucien] Greaves added that he isn’t looking for any kind of fix to the situation other than a retraction by Netflix of the visual representation — however that can happen.

    ‘I want them to take it out,’ he said. ‘It looks like it’s a CGI facsimile to begin with. I don’t know how much work that takes, but I simply refuse to have our monument used in this way in perpetuity. I don’t want our monument to be associated with this.'”

  • CBS All Access Renews Ridley Scott-Produced ‘Strange Angel’ for Season 2. Drama is based on George Pendle’s book based on the real-life story of Jack Parsons” — Tim Baysinger, The Wrap

    “In season two, the U.S. is fully engaged in World War II, transforming Jack’s rocketry work into a lucrative business and further entrenching him in the military-industrial complex. While Jack’s career takes off, he and his wife Susan’s devotion to their new occult religion grows, leading them to invite the sex cult into their Pasadena mansion and to forge a personal relationship with the group’s notorious founder, Aleister Crowley himself.”

  • Claypool Lennon Delirium Preview New LP ‘South of Reality’ With Psychedelic Song. Les Claypool, Sean Lennon issue ‘Blood and Rockets,’ plot spring U.S. tour dates” — Ryan Reed, Rolling Stone

    “The experimental psych-rock duo previewed the LP with the six-and-a-half-minute ‘Blood and Rockets,’ a sprawling epic that finds Lennon and Claypool crooning and snarling, respectively, over spacey synths and chiming guitars. ‘How high does your rocket fly?’ Lennon sings on the chorus, his voice elevated to a blissful falsetto. ‘Better be careful ’cause you just might set the world on fire.’

    As Lennon tells Rolling Stone, the song’s dark lyrics document ‘the lascivious exploits of famed JPL rocket scientist Jack Parsons, the man who not only helped America get to the moon with liquid fuel technology, but was also a Magister Templi in Aleister Crowley’s cult, the Ordo Templi Orientis.’ He added that Parsons ‘sadly passed away in a violent explosion during a secretive alchemical experiment at his house in Pasadena.'”

  • Dr. Bronner’s” — Quartz

    “The Dr. Bronner’s brand has taken a long journey from hippie California to $120 million global business. It was an even longer one for Emanuel Heilbronner, scion of German soapmakers: He fled the rise of the Nazis in his 20s, was institutionalized in his 30s, saw his company go bankrupt in his 70s, and was selling a million bottles of soap a year when he died at 89 in 1997. Since then, his grandsons have continued the trajectory while trying to translate his arcane, utopian personal philosophy to the business world.”

  • Inside the abandoned Aleister Crowley house of West Cornwall. There are plenty of abandoned houses in Cornwall, but only one has tales that involve Aleister Crowley, the Dalai Lama, Virginia Woolf, famous artists and the murder of a celebrity” — Greg Martin, Cornwall Live; about Carn Cottage near Zennor in Cornwall

    “Mention the ‘Aleister Crowley house’ in conversation with someone in West Cornwall, and you could either get a knowing look or a frosty silence. Despite being dead for more than 80 years, the English occultist who was branded a Satanist and ‘the wickedest man in the world’ is still controversial enough to stir up ill-feeling in those who would rather his links with Cornwall, however small, were forgotten.

    And then there are those who will tell you in hushed tones that they have visited the house – often as a dare. The bravest will claim they have spent the night there, writing their names on the walls to document their courage, but the more honest will tell you they got too scared to hang around.

    For the most part, though, it seems those who have heard about the ‘Aleister Crowley house’ in West Cornwall, know very little about it, including where it is.”

  • Lineage of the Magi. Faith in ‘lineage’ or Apostolic Succession has cast a shadow over organised occult communities for centuries.” — Oliver St. John, Ordo Astri; a sample article from an upcoming book, due in 2018, but no release date announced, Babalon Unveiled! Thelemic Monographs

    “The proper role and function of a magical Order is to serve others in the Great Work. The role of the members of such an organisation is to assist men and women with their initiation. The service, if freely given, does not require external validation from patriarchs or peers. True initiation cannot be given, bestowed or conferred by any man or woman to any other. What can be passed on, given or validated in that way is worthless in spiritual terms. In fact, it is worse than that, for it conveys self-importance and, ultimately, betrayal for the soul—a bitter cup indeed. Investment of power in lineage is therefore a misdirection of the will and a wasting of the energy of the self.”

  • What Maniac does (and doesn’t) get right about the Bible and the Gnostics” — Michael Collett, ABC News AU

    “It’s a clever scene in a powerful show — Emma Stone and Jonah Hill’s Maniac, you might have heard the buzz about it — but don’t take it as a history lesson.”

    “One person whose ears perked up when they heard this bit of dialogue during a weekend Netflix binge was Dr Robert Myles, a New Testament lecturer at Murdoch University.

    He helped us take the scene apart.”

  • Mysteries of the Great Beast Aleister Crowley: A Liturgical Cycle for Thelemites by Dionysius Rogers, aka Hermetic Library Fellow T Polyphilus; out in paperback, with digital release due tomorrow

    Rogers Mysteries of the Great Beast Aleister Crowley

    “These Mysteries are a set of congregational rituals commemorating the attainments of Aleister Crowley, the Prophet of Thelema. Although originally developed for and with the cooperation of local O.T.O. groups, they are suitable for performance by any Thelemites. They can be conducted on the “unholy days” to reflect their historical inspiration, or in a day-long festival which arranges them into a single larger event.”

  • The Ghost Story Persists in American Literature. Why?” — Parul Sehgal, New York Times [HT Arts & Letters Daily]

    “The ghost story shape-shifts because ghosts themselves are so protean — they emanate from specific cultural fears and fantasies. They emerge from their time, which is why Jacobeans saw ghosts wearing pale shrouds and Victorians saw them draped in black bombazine. It’s tempting to regard these apparitions as dark mirrors — Tell me what you fear and I’ll tell you who you are.”

    “However, ghost stories are never just reflections. They are social critiques camouflaged with cobwebs; the past clamoring for redress.”

  • So-Called ‘Witch Caves’ Suggest Underground Network Helped Accused Witches Escape Salem” — Deborah Becker, WBUR

    “Salem is well known for its gruesome history of witch trials and the stories of those executed in the anti-witch hysteria.

    But it’s also believed that there was a network of people in the area who secretly worked to help those accused of witchcraft escape from Salem to safety.

    Local historians say that in 1693 some people suspected of witchcraft traveled to what is now the Framingham/Ashland area to hide in ‘witch caves.'”

  • Dialectics of Darkness” — Egil Asprem, Inference [HT Arts & Letters Daily]; a review of The Myth of Disenchantment: Magic, Modernity, and the Birth of the Human Sciences by Jason Josephson-Storm, from University of Chicago Press

    “Historical evidence is easily neglected, Josephson-Storm argues, when it crosses the grain of what we ought to believe. Disenchantment is a foundational myth of the new human sciences that emerged during the nineteenth century. By treating magic and religion as anachronisms, anthropology and sociology reinforced the myth of disenchantment, while promoting their own claim to scientific status. A taboo invites its own subversion. So, too, with disenchantment. The disavowal of the occult typically involved the public rejection and the private embrace of various enchantments.”

  • Why Hilma af Klint’s Occult Spirituality Makes Her the Perfect Artist for Our Technologically Disrupted Time. At the Guggenheim, ‘Hilma af Klint: Paintings for the Future’ makes you rethink what it means to be modern.” — Ben Davis, ArtNet News; about Hilma af Klint: Paintings for the Future at the Guggenheim

    Davis Artnet Why Hilma af Klints Occult Spirituality Makes Perfect Artist

    “Hilma af Klint’s example shows the symbolic power that a woman artist could draw both in spite of and because of the constraints put on her by her time period and her culture, making her a convincing heroine for today. But there is another aspect of Hilma af Klint that makes her oeuvre enter into harmonic relation with the present.

    That is her occultism.”

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