This latest in a long line of H.P. Lovecraft pastiches is a sequel to Hay’s bogus Necronomicon of the 70’s, and it reassembles all the usual suspects from that project for … more of the same. Mr Hay’s editorial style is unusual in that, whereas the editor’s normal job is to prune irrelevancies leaving a concise text, here he has left nothing BUT irrelevancies to baffle the reader’s mind. From the crocodile-infested cover to Colin Wilson’s rambling introduction to Patricia Shore’s oblique concluding essay we are left feeling strangely … unfulfilled. It is especially ironic to see that Robert Turner is behind this, as he spent a good portion of his Elizabethan Magic fulminating against the Golden Dawn for making “inauthentic” additions to Dee’s Enochian system, and now he’s marketing THIS as the decoded contents of Dee’s cypher manuscripts! The supposed “main text” itself is rather inadequate and certainly nothing compared to the original it attempts to ape.
(Quite honestly, if these people continue to take their own insipidities and pass them off as my work, I will have no choice but to take the matter up with my Patrons.
– A. Alhazred )