The sixth volume of Amelia Peabody’s adventures swerves somewhat from the criminal mystery precedent of the earlier books. This episode is instead concerned with the Emerson-Peabody family’s discovery of (and captivity in) a lost civilization in the Sudan, where Cushite-exported pharaonic customs have survived into the late 19th century. There is, however, plenty of intrigue and skulduggery, not to mention the most plain violence on display in any of the series’ books thus far.
Despite the emphasis on action, there is something especially bookish about this volume, with notable attention given to popular 19th-century English literature. The author confesses that The Last Camel Died at Noon is an homage to the work of H. Rider Haggard, and there are many references throughout the novel to Haggard’s books She and King Solomon’s Mines, both of which are fodder for the central narrative. In addition, Wilkie Collins’ seminal 19th-century mystery The Moonstone is given a part to play.
The longish story is broken into two parts: first the archeological expedition to the Sudan and the circumstances that drew them to the Holy Mountain in the desert wilderness, and then the events of their stay and eventual escape. This book, unlike its predecessors, also benefits from a small handful of maps and line illustrations. The latter tend to depict relevant art and artifacts, of which a typically amusing example is the carved relief of a “Queen of Meroe spearing captives with girlish enthusiasm.” (312)
The final chapter of the book seems to intimate an impending change to the scope and arrangements of Peabody’s family, but I suppose it will be necessary to read the next installment to find out whether and how that comes to pass.