I was recently surprised to find Bone mentioned among a list of indispensable comics works in Neil Gaiman’s introduction to The Best of the Spirit. Remarking this fact to my Other Reader in a local comics shop, along with the circumstance that I had never read Bone and hadn’t ever had it personally recommended to me, multiple store personnel, overhearing, piped up that they followed the title themselves and recommended it strongly. So, now I’ve finished the collection of the first six issues from the early 1990s, and I did enjoy it. It was somewhat different from my expectations.
Given its origins as a black-and-white underground comic, along with the art style and presentation of the covers, I was expecting something like the early issues of Dave Sim’s Cerebus (at that point a Conan parody featuring an aardvark), and in fact protagonist Fone Bone bears more than a passing resemblance to the young Cerebus as drawn in Sim’s later work. But as I read the Bone comics, I was most reminded of the work of Charles M. Schulz. It was as if the writer/artist of Peanuts at the height of his powers had decided to undertake a fantasy epic. The pacing of the dialogue, the facial expressiveness of the characters, the telescoping of major events into the gutter between two panels, all showed the sort of technique that I associate with Schulz’s best work.
This first volume introduces a robust set of characters, and sets a dramatic tableau, but it does not complete a plot arc. I’m sure I’ll read at least one more collection.