This third collection of Bone comics is the first that I have read in its original black-and-white format. I read the two previous volumes in the colorized editions from the Scholastic GRAFIX imprint. While I respect author/artist Smith for realizing his vision in the independent black-and-white comics market, and at the hazard of offending purist afficianados, I have to say that the comic is more attractive, readable, and compelling with the high-quality colors of the later reprints.
As far as the story goes, it takes a major turn in this segment: the “serious” fantasy plot about the political history of the valley, and the roles of Rose and Thorn in that history are revealed, along with more detail about their foes. None of these revelations should come as any great surprise to the attentive reader, though, and none of them are in any way contrary to fantasy conventions. All of this plot explication comes at a price, which is that of considerably less comedy. There is still a humorous parallel narrative about the Bone brothers’ return to the Barrel-Haven tavern, and the development of Fone Bone’s poetic talents continues amusingly on page 120. But on the whole, there is more action and intrigue, and less of the wry humor that was so characteristic of the earlier books.
The “Moby Bone” dream episode is supposed to be a highlight of this volume, and it certainly did its job well enough. But I thought it paled next to the more elaborate and involved dream sequences in Sim’s Cerebus.
The final page advises readers that we have reached the “End of Part One.” Even though the plot proper seems still to be barely getting off the ground, this does seem like a reasonable point to pause.