While I’ve been ruminating on the availability of trees, Peeta has been struggling with how to maintain his identity. His purity of self.
Suzanne Collins, The Hunger Games [Amazon, Bookshop, Publisher, Local Library]
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Consider also:
- “Chibi acted as she always did. Her interest was in her own natural talents, and the animal and plant kingdoms. The human world was of no concern.”
- “Saint, hero, and poet are all inspired; the difference is that saint and hero work in their “… own flesh and blood and not in paper or parchment…” (PASL, 333). Their very lives are works of art, because they have permanently found the anti-self, and so, live in an inspired ecstasy. The poet lives in the tension between inspiration and the workaday world. According to this theory, the ecstatic state of mind, immersion in the anti-self, allows the daimon to inspire the artist.”
- “His brow furrowed. It irritated him that he should have gone through this hideous process so long without stopping once to question it.”
- “I want everyone watching—whether you’re on the Capitol or the rebel side—to stop for just a moment and think about what this war could mean. For human beings. We almost went extinct fighting one another before. Now our numbers are even fewer. Our conditions more tenuous. Is this really what we want to do? Kill ourselves off completely? In the hopes that—what? Some decent species will inherit the smoking remains of the earth?”
- “The problem of Cagliostro will not be solved by our historians until they study the true nature of man in its normal and abnormal aspects, when they may, perhaps, discover the fact that two personalities may inhabit one physical organism, and that a man may, perhaps, be a Cagliostro at one time and a Balsamo at another.”