poverty is an economic catastrophe, inseparable from the power of greedy oligarchs and avaricious plutocrats indifferent to the misery of poor children, elderly and disabled citizens, and working people.
Magick, Music and Ritual 16, the Hermetic Library Anthology Album issued for 2021, Sun in Sagittarius, An Vvii, from the Hermetic Library Anthology project is now released for immediate digital download.
Please join the Hermetic Library in thanking and promoting these artists who have contributed their work to this benefit anthology album project by picking up this release. Please also spread the word to people you think may be interested in the work of artists who combine magick, music and ritual.
Be sure to also check out the entire Hermetic Library Anthology project, all the previous releases; and consider picking up the digital download of this album and any other that strikes your fancy to help support the work of the library!
The full tracklist for the 2021 anthology album consists of 13 tracks by 11 artists:
- Blasting Rod – Mirror Moon Ascending [Yukito Okazaki Re-Mix] 03:26
- David Hunger – Swansong 05:19
- Children of Osiris – Hayiel 04:39
- Choronzon – Skin Now Breathing For The First Time 05:04
- Raava – Cernunnos 03:38
- Sun Duel – Caller At The Crossroads 01:30
- Black Lesbian Fishermen – A Nice Cup of Dee 05:36
- Jake Kobrin – Enochian Call 14:08
- Steven Brent – Blue and Gold 03:13
- Raava – Vlčí Duše 04:15
- Choronzon – Alien and Innocent 03:50
- Brian Redfern – The Crown 03:29
- Nostril Flair – Moazagoatl 08:06
Magick, Music and Ritual 16, the anthology album release for 2021 from the Anthology Project, the 10th year of anthologies, is being released for the 25th anniversary of the December 3, 1996 birthday of the Hermetic Library, with a playlist of 13 tracks by 11 artists, new and returning voices, for this Hermetic Library Anthology Album.
Our cover includes art by Choronzon, for this current year in the Thelemic Calendar, An V:vii (2021 e.v.), which represents the docosade of Atu V, the Hierophant and the year of Atu VII, The Chariot. We also have a total of three alternative covers, included with the album download at Bandcamp, that features additional artwork by P Emerson Williams.
Please join the Hermetic Library in promoting these artists who have contributed their work to this benefit anthology album project. Please also spread the word about these anthology albums to people you think may be interested in the work of artists who combine magick, music and ritual.
The best way to add this anthology, as well as previous releases and future Hermetic Library albums, to your personal music collection is through the Patron campaign at Patreon. New Patrons receive a gratis download code for a previous anthology release of their choice in addition to all the other patronage rewards they may receive. Consider becoming a Patron today!
During these plague years, I’m delighted to be able to share this new anthology album. Curating and sharing these is a highlight of my year, and I’m glad to have this album as part of the ongoing anthology cycle that has now lasted for 10 years. Though there’s been changes, and variations, and a lacuna, these have been a constant welcome rhythm through the years for me. Hopefully for others as well, this can provide some joy and comfort that the cycles in our lives continue no matter how rough the road may be along the way.
The Hermetic Library at Hermetic.com has an overall vision of Archiving, Engaging and Encouraging the living Esoteric Tradition, Hermeticism, Aleister Crowley’s Thelema, and more through Open Access Occultism for 25 years. Yes, this is the 25th year, the silver anniversary, of the library!
I started the benefit anthology project to help promote newer works in the Esoteric Tradition to the audience of the Hermetic Library and beyond. The anthology project also further raises awareness about the corpus and culture of magick and ritual. The site itself was started in 1996 and has ever since consistently been an extremely popular resource for students and researchers interested in the Esoteric Tradition. I encourage you to check out Hermetic Library and everything in the collection there, if you aren’t already familiar with it, as that’s the reason this project exists and may also offer inspiration to you.
Production by John Griogair Bell
Cover art by P Emerson Williams
All songs used with permission. All rights reserved.
Hermetic Library Fellow T Polyphilus reviews Pure War [Amazon, Bookshop, Publisher, Local Library] by Paul Virilio and Sylvère Lotringer, trans. Mark Polizzotti and Brian O’Keeffe, part of the Semiotext(e) / Foreign Agents series.
“I am the warrior Lord of the Forties: the Eighties cower before me, & are abased.” CCXX III:46
Pure War is a book-length interview — arbitrarily broken into chapters — of Paul Virilio by Sylvère Lotringer. Urbanist intellectual Virilio is a theorist of the mechanisms by which war drives technology (and vice versa), and the inventor of dromology as the study of how “speed” transforms social relations. His authorities on military theory include J.F.C. Fuller (57, 69). Virilio posits an essential conflict between military and civil society, or more hypostatically, between war and politics. Although the Pure War interview took place in 1983, during what the participants did not know was the twilight of the Cold War, the trends which Virilio describes have only intensified in the following decades. He sees war with the upper hand, and politics teetering on the edge of an exterminating abyss.
As I reflect on the relevant changes since the publication of Pure War, I observe that the ongoing militarization of society has meant that some technologies of speed (e.g. SST) have been withdrawn from the civil sphere while being advanced in the military one. Virilio contemplated the dromological potential of the orbital laser, but the Internet and the predator drone both suit his model without being instanced by it. Also, the advancing commercialization of the US military (Halliburton food service, Blackwater/XE mercenaries, etc.) vindicates Virilio’s observations, as war further frees itself from politics. The spasm of US militarism during which the President was almost universally referenced as the “Commander in Chief” has subsided somewhat, but not due to any reduction in the dedication of US resources to the military. Virilio’s notions about endocolonization could hardly be more apt to the current American scene, in which the massive military expenditures of the first decade of the century are being exacted from the civil society of the second.
As an interviewer, Lotringer asks few actual questions. His contributions often seem to be attempts to condense Virilio’s theses more pithily, for instance: “The peak of speed is the extermination of space. The end of time is absolute deterritorialization.” (74) These remarks then goad Virilio into clarifications and enlargements.
Virilio offers a genealogy in which civil society (originally the city) was actually twin-born with military society from pre-civilized “tumults” of all-against-all violence. He posits this in contradistinction to the model of trade as the basis for civilization. According to him, war has evolved from tactics (pre-martial violence), through strategy (control of space), to logistics (control of time). The global fruition of logistics is the “pure war” in which humanity is increasingly subject to a non-human technological agenda predicated on abstract, hyperreal conflict.
The fascination with and prioritization of war does not mean that Virilio sides with it against politics — quite the reverse. Virilio himself is a Christian who opposes theocracy in favor of civil liberty, and in fact he declares, “Pure War is the absolute idol.” (171) All of his prescience is somewhat gloomy in that respect, even if I don’t share his values. He does credit the regime of nuclear deterrence positively with reawakening a religious sense in the secular world; he even calls Nietzschean atheism “the abomination of desolation.” For someone who doesn’t worship the Crowned and Conquering Child, he seems nevertheless to have the number of the Lord of the Aeon.
O nameless splendour of the Gods,
Begotten hardly of Heaven!
Unspoken treasure of the abodes
Beyond the lightning levin!
No misery, no despair may pay
The joy to hold thee for a day!
Aleister Crowley, The Argonauts
Hermetic Library Fellow T Polyphilus reviews The League of Extraordinary Gentlemen: Century 1969 [Amazon, Amazon (Collected), Local Library] by Alan Moore, Kevin O’Neill, &al.
The bad and the good of the latest regarding Mina Harker and her peculiar company:
Moore’s alternate history in this book is not compelling (“hippy fascism” in the US?)–I thought that Warren Ellis’ Planetary did a far better job of this sort of thing. Unsurprisingly, as The League of Extraordinary Gentlemen has progressed through the 20th century, it has come more and more to seem like an inferior version of Planetary, which started out doing for the 20th century what The League originally did for the 19th.
Moorcock “crossover” homages? They’re not exciting to me the way they would have been when I was a teenager. Modeling the villain on Aleister Crowley — as was set up in 1910? Meh. Professed Magus Moore either proves that he has no idea what a moonchild is (and has never bothered to read Crowley’s novel of that name), or he’s gratuitously throwing dust in the eyes of the profane.
There were lots of fun little in-jokes; the incorporation of Rosemary’s Baby into the plotline was a nice touch. I couldn’t help feeling that I was missing dozens of cameos in O’Neill’s crowded panels.
The art in the psychedelic sequences is great! I also thought that Moore’s rewrite of “Sympathy for the Devil” was just splendid.
Listen, you! We expect nothing from you…we have burnt our hope as far as you are concerned…we want to speak to the ones who are prepared to stop eating their food. Misery is your food… scum-filth party politics is your food…when will you look down and see what is on the end of your fork – the naked lunch? We give up, you little people, your tenacity, your insistence on little wretched miseries amazes us. Stop reading this now. Because it is highly unlikely that you are one of those able to understand us.
This novel is beautifully written. I felt like it was very demanding of my attention, because although styles and speakers vary in the course of the text, there are no full page-stop chapter breaks. In the absence of dialogue, paragraphs tend to run for multiple pages, and the prose (sometimes breaking into poetry or incantation) has an insistent restlessness in keeping with its subject matter–especially in the first half, where a narcotized sleep is an ambivalent power for desired healing or feared imprisonment.
“I never learned to live awake. I was trained for sleep. Oh let me sleep and sleep my life away. And if the pressure of true memory wakes me before I need, if the urgency of what I should be doing stabs into my sleep, then for God’s sake doctor, for goodness sake, give me drugs and put me back to dreaming again.” (139)
This waking/sleep dialectic is one of the features that insinuates a mystical subtext throughout. Others include the intimation of people destined for companionship, the foreboding of illusion in consensual phenomena, and reflections on the urge to engender praeterhumanity in our children.
There are many different levels of storytelling involved, of which the outermost is a set of clinical notes and correspondence surrounding the hospitalization of a man with what seems to be traumatic amnesia. Within that setting are conversations, and within those are dreams and memories. In one dream an entire governance of the solar system is set forth as background to the protagonist’s sense of dislocation and urgency. In an unreliable memory, guerrilla warfare becomes the setting for a tragic encounter with idyllic nature.
Others have noted that this is a book worth re-reading, and I’m inclined to agree.