Category Archives: The Triumph of Victor Benjamin Neuburg

Victory Benjamin Neuburg

Collected works by the poet, magickal partner and initiate Victor Benjamin Neuburg (Frater Omnia Vincam / Lampada Tradam)

Richard Kaczynski at Atlantis Bookshop on May 19th, 2014

Richard Kaczynski will be presenting “Two Agnostics: Victor Neuburg and J. F. C. Fuller, B.C. (Before Crowley), During, and After”, a talk about his research around three Hermetic Library figures: Aleister Crowley, Victor Benjamin Neuburg and John Frederick Charles Fuller, at Atlantis Bookshop in London, on May 19th, 2014 starting at 7pm, £10, and they have requested that you RSVP to book a place.

“We are very pleased to welcome Richard Kaczynski back to The Atlantis Bookshop on a flying visit and for one night only, to talk about his current research on Victor Neuberg and JFC Fuller, both heavily influenced by Aleister Crowley.” [via]

The Mass of the Phoenix public and private

Coph Nia, a local body of Ordo Templi Orientis in the valley of Eugene, OR, whose body master is Hermetic Library fellow David Richard Jones sent a sheet with two version of Liber XLIV, The Mass of the Phoenix; one is the familiar version which is a eucharistic ritual for an individual Magician, and the other is a version you may or may not know about, a version once ‘ordained for public service’, which is designed as a public eucharistic ritual that predates the Gnostic Mass, which was first published in The International in March 1918 and written in 1915 during Russian tour of Crowley’s Ragged Ragtime Girls troupe, as a Thelemic ritual designed for public service. This last “was publicly performed, in London, by Crowley, Leila Waddell & possibly Victor Neuburg” in 1913, and you can find it published in Equinox IV 2, p 370, as a footnote to Liber CDXV, Opus Lutetianum or The Paris Working. This handy reference has arrived and is now part of the collection at the Reading Room.

Coph Nia Mass of the Phoenix

Excerpt from The Argument That Took the Wrong Turning

Here’s an excerpt, pages 1–8, from The Argument That Took the Wrong Turning: A Vindication of Priest/ess and Queer Gnostic Mass in Reply to T Polyphilus by Michael Effertz, which is offered at the Reading Room courtesy of the author. While you may have had a chance to read T Polyphilus’ review previously posted and heard various other responses about Priest/ess, unless you have had access to one of the few privately printed and distributed volumes, this may be your first glimpse of Effertz’s argument, as well as the tone and tenor, as it appears in the book; and unless you have acquired one of the new editions with which it is offered this may be your first chance to read some of the substance contained within the new pamphlet.

Michael Effertz's The Argument That Took the Wrong Turning from Luxor Media Group

I thank E.G.C. Bishop T Polyphilus for his critical review1 of my book, Priest/ess: In Advocacy of Queer Gnostic Mass. Polyphilus kindly prefaces his critique with the observation that “significant expense and care” went into the production of what became an “attractive little book.” In writing and designing the private edition of Priest/ess, I resolved to evince the same commitment to quality that Crowley once stressed in a letter to Frank Bennett, writing that “it has always been a point of honor with us to make our publications physically worthy of their contents.”2 The Bishop may not share my estimation of Priest/ess’ contents, but his praise is nevertheless well received. It is for this reason that I have endeavored to ensure that the trade edition, handsomely bound in hardcover and released in both a standard and deluxe edition, will likewise please the reader in form.

With this supplementary essay, I offer a reply to Polyphilus’ review in the same spirit as the arguments given in Priest/ess. As such, I will neither speculate as to Polyphilus’ motives nor ascribe to him any ill will in criticizing my work. I cannot say with certainty, and so will not assert, whether the errors in his review indicate an accidental or a willful misunderstanding of my arguments. I will, therefore, focus on the content of the review itself, checking its claims against the facts of each case rather than dwelling on the character of the author or his possible intentions. Where a misunderstanding is evident, I lay the fault squarely on my own deficient exposition; this will require the occasional reiteration of points originally made in the Priest/ess, in which I anticipated several of the criticisms made in Polyphilus’ review.

In his brief review, Polyphilus makes a series of claims about Priest/ess, the Gnostic Mass, and related subjects, which I will address seriatim. These include the claims that:

  1. I am wrong about the purpose of E.G.C. clergy,
  2. Nobody has the generic right to ordination or to serve as an ordained member of the clergy in the performance of E.G.C. rituals,
  3. Clergy do not have the authority to impose their own interpretation on the Gnostic Mass, because it is not a vehicle for personal expression,
  4. I obscure and misrepresent E.G.C. policy concerning private and public celebrations of queer Gnostic Mass,
  5. For public Gnostic Masses, E.G.C. policy requires Priests who are socially masculine in their life outside the temple and Priestesses who are similarly feminine,
  6. Restricting queer Gnostic Mass to private celebrations enhances it, and
  7. Prohibiting public queer Gnostic Masses does not “closet” queer personal relationships.

In addition to these explicit claims, Polyphilus insinuates that there are still more issues at stake and criticisms to be made, but opts not to specify in the course of his review what those issues are beyond alluding to their magical and doctrinal nature. E.G.C. policy, he argues, is constructed with a view toward assuring the simultaneous fulfillment of three effects or purposes of the Gnostic Mass (magical, communal, and doctrinal), even when individual celebrants do not consciously comprehend all three. Polyphilus directs the reader to his essay “Discourse on the Sixth Article,” wherein he elucidates his views on these three purposes of the Mass. The essay genuinely rewards study. Contrary to settling the question of queer Gnostic Mass against its acceptance, the three purposes of the Mass proposed by Polyphilus provide us with fertile ground for defending the propriety of its public celebration. While we cannot scrutinize his reasons for dismissing queer Gnostic Mass on magical, communal, and doctrinal grounds, since those reasons are not divulged in his review, we can make our own assessment of the merits of public queer Gnostic Mass as it might pertain to these matters with reference to the wealth of published and publicly available writings by Crowley on the Mass, the Eucharist, the O.T.O. and its various degrees, magick, sex and gender, and other kindred subjects. As Polyphilus’ review is consciously informed by his concept of the three purposes of the Gnostic Mass, we turn first to an evaluation of the magical, communal, and doctrinal considerations at the heart of his critique.

The Magical Purpose of the Gnostic Mass

Polyphilus cites magical issues as under the purview of the E.G.C. in the oversight of its clergy, which issues motivate and guide the construction and enforcement of E.G.C. policy in prohibiting public celebrations of queer Gnostic Mass. In so stating, Polyphilus implies, without evidence or explanation, that public celebrations of queer Gnostic Mass could not fulfill the magical purpose of the Mass. Presumably, the problem of magical bankruptcy is evaded through private celebration.

Of the magical purpose of the Gnostic Mass, Polyphilus writes:

The Magical effect for the individual
Is the one that Crowley explains in Magick in Theory and Practice:
The communicant is gradually made divine,
Being brought swallow by swallow
Towards Knowledge and Conversation of the Holy Guardian Angel
And to the ultimate attainment that lies beyond.
And this effect is secret in the sense that it is utterly ineffable.3

We may then reasonably infer Polyphilus to contend that communicants in a public celebration of a queer Gnostic Mass could not be “gradually made divine, being brought swallow by swallow towards the Knowledge and Conversation of the Holy Guardian Angel and to the ultimate attainment that lies beyond.” Such a suggestion is contradicted by Crowley’s teachings concerning magical ritual and the Eucharist, as documented in his diaries and other works. For example, in defining the universal object of magical ritual, Crowley instructs the magician to use ritual to confront weaknesses in his understanding and offers sexual identity as one such area for exploration:

There is a single main definition of the object of all magical ritual. It is the uniting of the Microcosm with the Macrocosm. The Supreme and Complete Ritual is therefore the Invocation of the Holy Guardian Angel; or, in the language of Mysticism, Union with God.

All other magical rituals are particular cases of this general principle, and the only excuse for doing them is that it sometimes occurs that one particular portion of the Microcosm is so weak that its imperfection or impurity would vitiate the Macrocosm of which it is the image, eidolon, or reflection. For example, God is above sex; and therefore neither man nor woman as such can be said fully to understand, much less to represent, God. It is therefore incumbent on the male Magician to cultivate those female virtues in which he is deficient, and this task he must of course accomplish without in any way impairing his virility. It will then be lawful for a Magician to invoke Isis, and identify himself with her; if he fail to do this, his apprehension of the Universe when he attains samādhi will lack the conception of maternity. The result will be a metaphysical and—by corollary—ethical limitation in the Religion which he founds. Judaism and Islām are striking examples of this failure.4

Ritual offers the magician one avenue for symbolically uniting diverse elements within his being, though it is by no means the only method for achieving such union:

The doctrine here put forth is that the initiate cannot be polluted by any particular environment. He accepts and enjoys everything that is proper to his nature. Thus, a man’s sexual character is one form of his self-expression; he unites Hadit with Nuit sacramentally when he satisfies his instinct of physical love. Of course, this is only one partial projection; to govern, to fight, and so on, must fulfil other needs. We must not imagine that any form of activity is ipso facto incapable of supplying the elements of an Eucharist: suum cuique [Lat. “to each his own”]. Observe, however, the constant factor in this enumeration of the practices proper to “hermits:” it is ecstatic delight.5

The actual or symbolic union of the self with another, or even of different aspects of the self within oneself, is characterized by Crowley as the key to preparing the Eucharist, which process may be carried out through methods proper to the nature of each individual. This notion resonates alongside the previous passage with Liber A’ASH, which proclaims:

All holy things and all symbolic things shall be my sacraments.6

Among those Gnostic sacraments is semen, which Crowley says may possess different potencies depending upon one’s point of view:

Semen itself is mercury, the river of life flowing throughout the generations. That is fluid mercury. What is (from the point of view of life) waste, is knowledge. Hence the opposition between knowledge and life. One is homo- and the other heterosexuality. Those are reconciled in Mercury, who is wisdom.7

As with all opposing points of view, it is the work of the magician to reconcile these contradictions in a higher understanding. In this “fluid mercury” Crowley finds one resolution to the “opposition between knowledge and life” in a single Eucharist, which may elevate the communicant to divinity. Crowley provides us with an unambiguous illustration of the transformative power of this type of Eucharist in his notes to the Cephaloedium Working, which sacrament was prepared initially by two men together:

[…]
(7) Make Iacchaion God, by Ether. 

(8) Sacrifice him to the Beast, who thus becomes God. Use here the accendat & the right Mantram, the Tu qui es & the Quia Patris.8 

The “accendat,” “Tu qui es,” and “Quia Patris” all refer to the Grimorium Sanctissimum, ritual instructions for a mass along analogous lines to that of the Gnostic Mass (e.g., the consecration and dressing in ritual vestments of the “priest” by the “maiden,” speeches from “The Ship,” etc.) Another queer interpretation of the mass formula given in Grimorium Sanctissimum is provided in the Paris Working, during which Crowley assumed the role of “maiden” to Victor Neuburg’s “priest.” Throughout his diaries and instructions, Crowley evinces an understanding of the Eucharist that reconciles heterosexuality and homosexuality, life and knowledge, in one transcendent wisdom.

Polyphilus’ implicit contention that a Eucharist produced by a queer pairing cannot lead one “swallow by swallow” to Knowledge and Conversation of the Holy Guardian Angel seems especially strange, given Crowley’s description of the relation between the Adept and his Angel:

In a secret code the Adept affirms that he is of the same sex (so to speak) as his Angel. It is not a union of opposites to produce a tertium quid [Lat. “third thing”], but a realization of identity, like the return to consciousness from delirium, whose ecstasy bears no fruit involving new responsibilities, new possibilities of sorrow, but is all-sufficient to itself, with neither past nor future.

The “peeled wand” is the creative Energy of the Angel, stripped of all veils, pointing to the Zenith, ready and eager to act. The Adept exclaims with joy that he has aspired to unite himself with this Idea, and has attained.

Thus concludes the description of the relations of the Adept and his Angel so far as the element of Earth, the concrete and manifest aspect of Nature, is concerned. The whole illusion has been destroyed; the bread has become the body of God.9

As was delineated above, the sacrament by which bread is transmuted into the “body of God” may take any of various forms. Heterosexual union, whether actual or symbolic, is a commonly cited formula for effecting this transmutation. In Liber Aleph, Crowley provides commentary on “the ultimate attainment that lies beyond” and the manner in which homosexual formulae are efficacious in achieving this attainment:

O my Son, behold now the Mystery and Virtue of the Silver Star! For of these Four Works not one leadeth to the Crown, because Tetragrammaton hath His Root only in Chokmah. So therefore the Formula of the Rosy Cross availeth no more in the Highest. Now then in the Pentagram are Two Lines that invoke Spirit, though they lead not thereunto, and they are the Works of Hé with Hé, and of Yod with Vau. Of these twain the former is a Work Magical of the Nature of Musick, and it draweth down the Fire of the HIGHER by Seduction or Bewitchment. Shall I say Enchantment? Shall I say Incantation? It is Song. But Bewitchment is a Work opposite thereunto, whose Effect formulateth itself by direct Creation in the Sphere of its Purpose and Intent. But there remain yet Two of the Eight Works, namely the straight Aspiration of the Chiah or Creator in thee to the Crown, and the Surrender of the Nephesch or Animal Soul to the Possession thereof; and these be the twin geodesic Formulæ of the Final Attainment, being Archetypes of the Paths of Magick (the one) and Mysticism (the other) unto the End.10

If we agree with Polyphilus and assert that the magical purpose of the Gnostic Mass is to lead one to the “Final” or “ultimate attainment,” then one may reasonably maintain that the formula of the Gnostic Mass must be, by that fact, robust and flexible enough to find expression in “the Works of Hé with Hé, and of Yod with Vau” as well as those of Yod with Hé and Vau with Hé.

Though it remains unclear why, from the standpoint of E.G.C. policy and its hierarchy, a private celebration of queer Gnostic Mass could adequately fulfill the magical purpose of the Mass while a public celebration could not, a thorough survey of Crowley’s writings on the subject of the magical effect of the Mass, as Polyphilus describes it, offers decisive evidence in favor of the efficacy of queer Gnostic Mass, public and private.

 

1. T Polyphilus. “Priest/ess.” The Hermetic Library Blog. The Hermetic Library. 20 Feb. 2013. <http://library.hrmtc.com/2013/02/20/priest-ess/>.

2. Crowley, Aleister. The Progradior Correspondence: Letters by Aleister Crowley, Frank Bennett, C.S. Jones, & Others. Ed. Keith Richmond. York Beach, ME: 2009. 84.

3. T Polyphilus. “Discourse on the Sixth Article.” Vigorous Food & Divine Madness. The Hermetic Library, n.d. 22 Feb. 2013. <http://hermetic.com/dionysos/art6.htm>. [Formatting and emphasis as in original].

4. Crowley, Aleister. “The Principles of Ritual.” Magick: Liber ABA, Book 4. 2nd ed. York Beach: Red Wheel/Weiser, 2004. 144. [emphasis in original].

5. New Comment to AL, II:24, Magical and Philosophical Commentaries on the Book of the Law. Symonds, John and Kenneth Grant, eds. Montreal: 93 Publishing, 1974. 200.

6. Liber A’ASH Vel Capricorni Pneumatici, 20. The Holy Books of Thelema. 1st ed. York Beach: Samuel Weiser, 1983.

7. “The Paris Working.” The Vision & The Voice with Commentary and Other Papers. Boston: Red Wheel/Weiser, 1998. 363.

8. “The Cephaloedium Working.” The Hermetic Library, n.d. 22 Feb. 2013. <http://hermetic.com/crowley/cephaloedium.html>. [emphasis added].

9. “Commentary to Liber 65 – Chapter I.” Commentaries on the Holy Books and Other Papers. York Beach, Samuel Weiser, 1996. 98-99.

10. “On the Four Major Operations of the Microcosmic Star.” Liber Aleph. York Beach: Red Wheel/Weiser, 2003. 107.

I.NSIT N.ATURAE R.EGINA I.SIS

ALL the hot summer I lay in the darkness,

Calling on the winds to pass by me and slay me,

Slay me with light in the heat of the summer;

But the winds had no answer for one who was fallen

Asleep by the wayside, with no lyre to charm them,

No voice of the lyre, and no song to charm them.

 

Late as I lay there asleep by the wayside,

I heard a voice call to me, low in the silence,

There in the darkness the summer called to me:

“thou who art hidden in the green silence,

Let a time of quietness come now upon thee.

Lay thine head on the earth and slumber on her bosom:

Time and the gods shall pass darkling before thee.”

There in the silence I lay, and I heeded

The slow voice that called me, the grave hand that beckoned,

That beckoned me on through the hall of the silence.

 

There in the silence there was a green goddess,

Folden her wings, and her hands dumbly folden,

Laying in her lay, as though asleep in the darkness.

 

Then did I hail her: “O mother, my mother,

Syren of the silence, dumb voice of the darkness,

How shall I have speech of Thee, who know not Thy speaking?

How shall I behold Thee, who art hidden in the darkness?

Lo! I bend mine eyes before Thee, and no sign dost Thou vouchsafe me;

I whisper love-words before Thee, and I know not if Thou hear me,

Thou who art the darling of the Night and of the Silence;

Yellow art Thou as the sunlight through the corn-fields,

Bright as the sun-dawn on the snow-clad mountains,

Slow as the voice of the great green gliding River.

Calmly in Thy silence am I come to rest me,

Now from the world the light hath slowly faded;

I have left the groves of Pan that I might gaze upon Thee,

Gaze upon the Virgin that before Time was begotten,

Mother of Chronos, and the old gods before him,

Child of the womb of the Silence, whose father

Is the unknown breath of the most secret Goddess,

Whose name whoso hath heard is smitten to madness.

 

“Now do I come before Thee in Thy temple,

With offerings from the oak-woods and the breath of the water

That girds the earth with a girdle of green starlight;

And all the austerity of the brooding summer,

And all the wonder of the starlit spaces

That stare down awesomely upon the lonely marshes,

And the bogs with sucking lips, and the pools that charm the wanderer

Till he forgets the world, and rushes to sleep upon them.”

 

And still there was silence, and the voice of the world swept by me,

Making in mine ears the noise of tumbling waters;

But two voices I heard, and they spake one to the other:

“Who stands with downcast eyes in the temple of our Lady?”

And the answer: “A wanderer from the world who hath sought the halls of silence;

Yet knoweth he not the Bride of the Darkness,

Her of the sable wings, and eyes of terrible blindness

That see through the worlds and find nothing and nothing,

Who would smite the worlds to peace, save that so she would perish,

And cannot, for that she is a goddess silent and immortal,

Utterly immortal in the gods’ eternal darkness.”

 

And the first voice cried: “Oh, that we might perish,

And become as pearls of blackness on the breast of the silence,

Lending the waste places of the world our darkness,

That the vision might burst in the brain of the seer,

And we be formed anew, and reborn in the light world.”

 

But the other voice was silent, and the noise of waters swept me

Back into the world, and I lay asleep on a hill-side.

Bearing for evermore the heart of a goddess,

And the brain of a man, and the wings of the morning

Clipped by the shears of the silence; so must I wander lonely,

Nor know of the light till I enter into the darkness.

 

OMNIA VINCAM (Victor B Neuburg), Equinox I iv

(Obtained in invocation, June 9–10, 1910 O.S.)

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

In The Temple

The subtle-souled dim radiant queen

Burns like a bale-fire through the mist;

The slender earth is bright and green,

Emerald, gray and amethyst;

The wavering breeze has slowly kissed

The way between

Her zone and wrist.

Pale guardian of the altar-flame,

Syren of old, perfidious song,

A murmuring runnel lately came

In streaming hate of mortal wrong.

Wait, for, my goddess, not for long

The snake is tame. …

See! He is strong!

The wide-set temple-pillars gleam,

As marble white, and tall as pines;

The doorway to immortal dream

Lies through the temple’s purple shrines.

Behold, pure queen, the magic signs.

Let words out-stream

As mingled wines! …

Victor B Neuburg, Equinox I iv

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

Aleister Crowley in the Mouth of Hell

Aleister Crowley in the Mouth of Hell: The screenplay never filmed by Carlos Atanes, previously mentioned, is now available.

Carlos Atanes' Aleister Crowley in the Mouth of Hell

“Underground filmmaker Carlos Atanes has been trying to make a movie about Aleister Crowley and his Magick for more than ten years. In the beginning of 2007 this was the third and last attempt of the deal with Magick: “Aleister Crowley in the Mouth of Hell”. This script is structured in the reverse order of the Major Arcana of Crowley’s Tarot. The plot describes the mystical trip of Crowley through the Duat, the egyptian underworld, the encounters with significant characters in his real life (people such as Hanni Jaegger, Fernando Pessoa, Leila Waddell, Victor Neuburg, Raoul Loveday) and the confrontation with the demon Choronzon, his old adversary. Here you have the screenplay such as it was written and never filmed.” [via]