This self is the sun, the very center of man’s personal solar system, around which revolves his whole existence. The understanding of self causes all the other worlds of human experience to assume an orderly relationship.
The young men of France are studying alchemy, hoping to learn the secret of the transmutation of gold. If you will study your own spirit and its limitless powers, you will gain a greater secret than any alchemist ever held; a secret which shall give you whatever you desire.
Ella Wheeler Wilcox, The Heart of the New Thought
What is of primary importance is that the master key to the initiatory method itself becomes a permanently installed fixture in the individual. Once we have learned the process of becoming something greater than we are, we can and eventually will, apply that same alchemy to ourselves to achieve the supreme attainment.
Lon Milo DuQuette, The Sons of Osiris: A Side Degree
Art and Alchemy: The Mystery of Transformation is an exhibit at Museum Kunstpalast in Düsseldorf through Aug 10th, 2014 that may be of interest [British Library]. The exhibit includes four ‘Ripley Scrolls’ from the British Library, which four are also available as Digitised Manuscripts and which you can read about on the British Library blog, if you can’t make it to see them in person.
Detail of a hermetic illustrating stages in the alchemical process and the revelation of alchemical wisdom, Add MS 5025, f. 4r.
“For the first time in Germany, an exhibition spanning all epochs and genres will be introducing the exciting link between art and alchemy in past and present times. 250 works from antiquity to the present, encompassing Baroque art, Surrealism, through to contemporary art from collections and museums in the USA, Great Britain, France, Mexico and Israel reveal the fascination which alchemy exerted for many visual artists. Artists featured in the exhibition, such as Joseph Beuys, Jan Brueghel the Elder, Lucas Cranach the Elder, Max Ernst, Hendrick Goltzius, Rebecca Horn, Anish Kapoor, Yves Klein, Sigmar Polke, Rembrandt van Rijn, Peter Paul Rubens and David Teniers the Younger invite visitors to explore the mystery of transformation.
Alchemy was invariably practised in secret, but was by no means a rare occurrence until well into the 18th century: Eminent personalities, including Paracelsus, Isaac Newton and Johann Wolfgang von Goethe, were alchemists, too. It was not until the Age of the Enlightenment that alchemy was ousted and became intermingled with occultism, sorcery and superstition. In connection with 19th and early 20th-century psychoanalysis alchemy was brought to new life.
The exhibition was conceived by Museum Kunstpalast in cooperation with the research group ‘Art and Knowledge in Pre-Modern Europe’ at the Max Planck Institute for the History of Science in Berlin, as well as a group of experts at the Chemical Heritage Foundation in Philadelphia, which also provided many pieces on loan. A Wunderkammer of curious and exotic treasures from flora and fauna is offered for visitors to explore. In an extensive accompanying programme the subject of art and alchemy will be expanded upon by means of lectures, talks and guided tours. For the exhibition, a studio for children was set up, where the theme of ‘The Alchemy of Colour’ is explored by taking a close look at colours, along with their archetypical elements and production.”
An irregular hodgepodge of links gathered together … Omnium Gatherum for June 18th, 2014
“Moon, clouds, smoke, skeleton hunt in the air” from Restoring the Lost Sense: Jun 12, 2014 — Craig Conley, Abecedarian
- The Beast is Back — Erik Davis and Maja D’aoust interview Gary Lachman, Expanding Mind
“Thelemic visions, magickal texts, and the tedium of transgression: a talk with occult historian Gary Lachman about his new biography Aleister Crowley: Magick, Rock and Roll, and the Wickedest Man in the World (Tarcher).”
- Theosophical Attitudes towards Science: Past and Present — Egil Asprem
As is typical for esoteric movements of the modern period, the Theosophical current exhibits a deep ambivalence towards the professionalized natural sciences. Active in the middle of the so-called “clash” between science and religion in the latter half of the 19th century, Blavatsky and the early Theosophists sought a critical reconciliation, guided by the quest for esoteric “higher truth.” The negotiation with science and religion was clearly present from Blavatsky’s first major work, Isis Unveiled (1877), which dedicated one volume to a criticism of each, and has continued to twist and turn in various directions until the present day.
“Science” is, in short, a centrally important yet ambiguous “Other” for the entire Theosophical current.
- Opting Out of the System — Inominandum, Strategic Sorcery
The “system” is a house of cards that is perpetrated by force and fraud. I think that taking a stand against that in terms of magic and lifestyle is a worthy thing. But just like I say to people that reject materialism as anathema to spirituality: You must really live that view for it to have meaning.
It is not a matter of your values and your magic being in line. It is a matter of making your life be about something.
- Where the Occult & Pagan Community Lost the Plot — Nick Farrell
The occult community is doomed to be hijacked by right-wing nut-jobs and other idiots because it has become paralysed by its own desire to be “spiritual.”
- Theater as Plague: Radovan Ivšić and the Theater of the Weird — Jon Graham, Weird Fiction Review
Like its counterpart in fiction, the theater of the weird exists on the margins of mainstream culture, where its deadly accuracy when targeting the shibboleths of the cultural consensus can be safely muffled before its subversive potency does any visible damage.
For Ivšić, theatrical space offers the ideal spot for opening that space within the spectator that allows experience of individual singularity not as a rupture, but as a vitally essential difference that makes it possible for the world to breathe. He saw the play as the result of a dark conspiracy between the world and the individual, who intentionally withdraws from this relationship in order to return by means of the Trojan horse of fiction.
- D&D Yoga — swi in collaboration with Sarah Dahnke and Eric Hagan [HT Erik Davis]
D&D Yoga can be played in many ways. The varying flavors range from that of a guided narrative while people do yoga to a far more interactive experience where players are in conversation and play a more active role in the campaign. For the first trial, we thought it would be wise to veer closer to the guided narrative side of things. Players still made decisions and rolled dice to dictate a few directions that the story took but generally we wanted to see how the experiment would play out and then build from there. As we proceed into future events we are building more interactivity into the game.
- Appeals Court Finds Scanning To Be Fair Use — NewYorkCountryLawyer, Slashdot
scanning whole books and making them searchable for research use is a fair use
the creation of a searchable, full text database is a ‘quintessentially transformative use’, that it was ‘reasonably necessary’ to make use of the entire works, that maintaining four copies of the database was reasonably necessary as well, and that the research library did not impair the market for the originals.
- «Dracula è sepolto a Napoli, ecco dov’è la tomba» — Paolo Barbuto, Il Gazzettino
«Il conte Dracula è morto a Napoli, è stato sepolto nel cuore della città ed è ancora qui»: c’è un gruppo di persone che da settimane percorre strade e vicoli a caccia del segreto.
E non sono ragazzini sognatori, fanatici, esaltati, ma serissimi studiosi dell’università di Tallinn in Estonia. Sono convinti di ciò che fanno, sostengono di avere già in mano i documenti che provano la verità, così hanno avviato una campagna di ricerche sul territorio.
“Count Dracula died in Naples, was buried in the heart of the city and is still here”: there is a group of people who for weeks along the streets and alleys in search of the secret.
And kids are not dreamers, fanatics, exalted, but very serious scholars of the University of Tallinn in Estonia. They believe in what they do, they claim to have already got the documents to prove the truth, so they launched a campaign of research in the area.
- From Algernon Charles Swinburne’s Songs Before Sunrise at “Save His Own Soul He Hath No Star” — Michael Gilleland, Laudator Temporis Acti
His soul is even with the sun
Whose spirit and whose eye are one,
Who seeks not stars by day, nor light
And heavy heat of day by night.
Him can no God cast down, whom none
Can lift in hope beyond the height
Of fate and nature and things done
By the calm rule of might and right
That bids men be and bear and do,
And die beneath blind skies or blue.
- “Two giant planets may cruise unseen beyond Pluto” — Nicola Jenner, NewScientist; from the where-is-your-astrology-now dept.
The monsters are multiplying. Just months after astronomers announced hints of a giant “Planet X” lurking beyond Pluto, a team in Spain says there may actually be two supersized planets hiding in the outer reaches of our solar system.
When potential dwarf planet 2012 VP113 was discovered in March, it joined a handful of unusual rocky objects known to reside beyond the orbit of Pluto. These small objects have curiously aligned orbits, which hints that an unseen planet even further out is influencing their behaviour. Scientists calculated that this world would be about 10 times the mass of Earth and would orbit at roughly 250 times Earth’s distance from the sun.
Now Carlos and Raul de la Fuente Marcos at the Complutense University of Madrid in Spain have taken another look at these distant bodies. As well as confirming their bizarre orbital alignment, the pair found additional puzzling patterns. Small groups of the objects have very similar orbital paths. Because they are not massive enough to be tugging on each other, the researchers think the objects are being “shepherded” by a larger object in a pattern known as orbital resonance.
- ‘A Funny Kind Of Relationship’ Alan Moore On Iain Sinclair — Nick Talbot, The Quietus
Whilst not quite a household name, instead occupying a liminal status maintained by a principled refusal to be involved in any Hollywood adaptations of his work, Moore is widely regarded as the finest writer in the medium, and it is difficult to imagine how the comic book landscape would look without the enduring influence of his exceptional work. But it is equally difficult to imagine how From Hell (1989), his first major work beyond the costumed vigilantes and superheroes genre, and also his Magnum Opus, would have looked had he not discovered the work of Iain Sinclair. A quintessential writer’s writer, Sinclair is a Hendrix-cum-Kevin Shields of the English language, mixing scholarly historical research, formal training and technical linguistic virtuosity with a wildly impressionistic, stream-of-consciousness prose-poetry delivery that is dazzling, dizzying, and for those with literary pretensions, frankly dispiriting in its apparently effortless genius. Sinclair’s subject is predominantly London, most often East London, and the relationship between its history, its continually shifting cityscape and the psyche of those who inhabit it. Sharing similar concerns, themes and stylistic flourishes with Peter Ackroyd, both with works appearing in the eighties and nineties, this uniquely East London-focused micro-genre came to be dubbed ‘psychogeography’. Soon complemented by Will Self and others, the movement could be interpreted as a response to the corporatist regeneration of London’s East End by the Thatcherite Conservative government in the 1980s. The spatial and historical density of London allows for an unusually potent and apparently limitless store of inspiration, but what marks out Sinclair in particular is his ability to see patterns, sigils and correspondences where perhaps the rest of us see dog shit, broken fencing and inane graffiti.
- “Eating Flower Spirits” — Sarah Anne Lawless
Summer flowers are brought inside, painted the colours of sarees and gypsy vardos, and fill tea pots and canning jars. Nighshade, poppies, red clover, comfrey, daisies, sage flowers, and foxgloves. Some from the yard, some escaped from gardens into the neglected back alleys of the old neighbourhood. I know that by taking them home I am consuming them, making their already short lives even shorter, but I try my best to ask sweetly for their blessings before I snip off their heads and bring them home. I try my best to let them know why and what will be done with their beautiful sacrifice – their souls burned up like incense to be eaten by my own beloved spirits – eaters of flowers.
- “What Athens Has Got To Do With Jerusalem: The Marriage of Greek and Jewish Themes in the Apocryphon of John” — Dan Attrell
This paper presents a summary overview of how the Apocryphon of John, an apocalyptic work drawn from the Nag Hammadi Library, is explicitly the product of an syncretism between Greek language/philosophy and Jewish mythology/mysticism in the 1st century CE.
- Coincidentia Oppositorum: Exploring the Dialogue in the Recent Historical Literature of Medieval and Early Modern European Alchemy — Dan Attrell
The study of alchemy has posed a number of complications for historians. Among historians of science who wrote as late as the mid-20th century, alchemy was perceived to be a mystical philosophy, an obstacle to the progress of „rational‟ chemistry, and even a pathology of the mind. This rather out-dated tendency toward knee-jerk dismissals has, however, been recently curtailed as the wider community of medievalists and early modern historians began to understand alchemy on its own terms, having placed it firmly within in the context of an ‘alchemical worldview.’ The recent dialogue among historians concerning alchemy in Europe has chiefly been directed toward (a) understanding of what ‘alchemy’ actually meant to the people who lived amongst it or practiced it themselves; (b) determining to what extent alchemy was interrelated with the religious consciousness of its practitioners; and most noticeably (c) reconciling or collapsing a number of exaggerated, artificial, and misleading dichotomies within our modern perceptions of medieval and early modern alchemy. Was European alchemy a ‘theoretical’ or a ‘practical’ art? Was it a ‘spiritual’ or a ‘material’ pursuit? Was it a ‘medicinal’ or a ‘metallurgical’ practice? How and when was ‘alchemy’ differentiated from ‘chemistry’? Were they ‘on the fringes’ of learned society, or were they at the cutting edge of knowledge as defined by traditional institutions? Were alchemists outright ‘frauds’ (Betrüger) or misguided ‘fools’?
These are all questions which a handful of historians have recently tackled and shown to be somewhat misguided. Such dichotomies arose from the dialogue of recent centuries wherein scholars and theorists from various disciplines began exploring and reconceptualising alchemy and its history; each angle, each discipline, each perspective offered some rather rigid model for understanding alchemy, and many of these models crystallized into opposing camps. Alchemy, however, was never a static or monolithic pursuit and thus eludes any attempt to give such simple definitions. In response to this problem, it is this paper’s goal to flesh out the most recent scholarly dialogue – to outline and synthesize the most pertinent points made in the recent historical literature concerning alchemy. What I hope to show is how the most recent historical research tells us that ‘alchemy’ meant many different things to many different people at many different junctures in history, even among the relatively isolated practitioners of Europe. With no source of official authority such as the Church or the University to govern alchemy as a branch of knowledge, the art was free to take on and accumulate a number of its practitioners’ idiosyncrasies. Free as it was, as a model to explore and communicate features of the known universe, European alchemy was a rich and dynamic practice which contained within itself all of the artificial polarities mentioned above.
- Rewilding Witchcraft — Peter Grey, Scarlet Imprint
We have mistaken social and economic change for the result of our own advocacy. Marching in lock-step with what used to be called mainstream, but is now mono-culture, we have disenchanted ourselves, handed over our teeth and claws and bristling luxuriant furs. I will not be part of this process, because to do so is to be complicit with the very forces that are destroying all life on earth. It is time for Witchcraft not to choose, but to remember which side it is on in this struggle.
- “London’s calling: the city as character in urban fantasy” — Ian ‘Cat’ Vincent, Spiral Nature
Each of these series draws on what I would say are the main characteristics of London’s soul. It’s old – continually inhabited since before Roman times; it’s powerful — but nowhere near as much as its past as the heart of an empire; it’s stubborn — enduring centuries of hardship and prosperity, adapting to huge changes in population and traumas ranging from plague to fire to Nazi bombs to the very modern stresses of wealth inequality. London changes — it has to — but there’s some core of its personality that always remains.
Of course, London as a whole is the sum of its parts, none of which are quite alike — the genius loci of Camden differs greatly from those of Catford and Chelsea. But each also touch the greater gestalt of the place. Inevitably, the best way to grasp the specific psychogeography of a place is to walk its streets.
- Weekly Apocryphote: June 8-14 — April D DeConick, Forbidden Gospels
You have not come to suffer. Rather you have come to escape from what binds you. Release yourself, and what has bound you will be undone. Save yourself, so that what is (in you) may be saved … Why are you hesitating?
If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.
“Mysticism, magic and alchemy all come into play in the creative process. For centuries musicians have tapped into things spiritual, embracing ritual, spell, incantation and prayer deeply into their life and work. Although the connection of music to mysticism has been consistent, well documented and productive, it is still shrouded in mystery and largely misunderstood. For this special edition, Arcana focuses on the nexus of mysticism and spirituality in the magical act of making music. Far from an historical overview or cold musicologist’s study, these essays illuminate a fascinating and elusive subject via the the eloquent voices of today’s most distinguished modern practitioners and greatest occult thinkers, providing insights into the esoteric traditions and mysteries involved in the composition and performance of the most mystical of all arts.
Dary John Mizelle
Genesis Breyer P-Orridge
David Chaim Smith
Peter Lamborn Wilson
Z’ev” — back cover
An irregular hodgepodge of links gathered together … Omnium Gatherum for June 11th, 2014
Mihai Mihu’s LEGO diorama for “Lust” from Dante's Inferno
- “The Householder’s Guide to Form and Deed” — Scott David Finch (author of A Little World Made Cunningly), Spiral Nature
“After putting myself in too many people’s shoes, and seeing the world through everyone else’s eyes for too long, I start to become a warped and weary alien to myself. I no longer recognize my own face and I need to recharge. This is when I head to my studio to sit.”
- “How to Become a Living Douche! The Impressively Embarrassing Occultism of EA Koetting” — Thad McKraken, disinformation
“I have to confess that what I’ve found mindblowing about exploring the Occult is that the church has slandered it as being daemon worship, and because of that, a group of gothed out weirdoes have decided that they love the idea worshipping Satan. Even though the Occult doesn’t actually involve that (it’s about mastering your daemons and making contact with your Holy Guardian Angel), they’re just going to make it about that anyway because they’re just…so…hard.”
- “Dreamscripts in the Waking World” — William Kiesel, The Brooklyn Rail
“One of the signs which has become a trademark of being in a dream is the inability to read the written word or at other times to decipher numbers on a clock face or elsewhere. Such figures most often appear to blur before the eyes. There are times when the oneiric traveller is blest with clarity of vision wherein the characters in the given instance are crystal clear, but such instances are typically rare. It is significant that there is a crossover between the experience of legible and illegible scripts in both the waking and dream worlds.”
“With the use of oneiric praxis, sigils of the wake world can be brought to the dreamscape, as well as drawing the dream texts upon the waking consciousness. No doubt the viewing of sigillic devices could produce the atmosphere of the dream in the waking consciousness of one unaccustomed to seeing such scripts.”
- “Caveat Lecter” — Houghton Library Blog [HT Harvard Library]
“Good news for fans of anthropodermic bibliopegy, bibliomaniacs and cannibals alike: tests have revealed that Houghton Library’s copy of Arsène Houssaye’s Des destinées de l’ame [The destiny of the soul] (FC8.H8177.879dc) is without a doubt bound in human skin.”
- “Earth’s backup: Sending religious texts to the moon” — Paul Marks, NewScientist
“The first artefacts to shoot for the moon could be three religious and philosophical texts. The Torah on the Moon project, based in Tel Aviv, Israel, has been courting private firms to deliver a handwritten Jewish scroll, the Sefer Torah, to the lunar surface. If they succeed, later flights will carry Hindu scriptures called the Vedas and the ancient Chinese philosophical work, the I-Ching.
Each document will be housed in a space-ready capsule designed to protect it from harsh radiation and temperature changes on the moon for at least 10,000 years.”
- “The Samuelson Clinic releases “Is it in the Public Domain?” handbook” – UC Berkeley School of Law [HT Boing Boing]
“These educational tools help users to evaluate the copyright status of a work created in the United States between January 1, 1923 and December 31, 1977—those works that were created before today’s 1976 Copyright Act. Many important works—from archival materials to family photos and movies—were created during this time, and it can be difficult to tell whether they are still under copyright.”
- “Handbook to figure out what’s in the public domain” — Cory Doctorow, Boing Boing
“This is probably the most esoteric question that normal people from all walks of life have to answer routinely; the Samuelson Clinic has really done an important public service here.”
- Book of Soyga or Aldaraia sive Soyga vocor [PDF], edited and translated by Jane Kupin, Twilit Grotto [HT Joseph H Peterson]
“Here begins the book Aldaraia in accordance with that which our authorities proclaimed to us; they were from God and from the celestial parts and it was revealed to them in the desert about celestial matters.”
- “The Self-Sacrifice of Our Own Individuality” — Michael Gilleland, Laudator Temporis Acti
“We perform our task correctly only when we don’t force our own mind into every ancient book that falls into our hands; but rather read out of it what is already there.”
- “The Anagogic Role of Sunthemata in the Sacramental Liturgy of Pseudo-Dionysius” — Jeffrey S Kupperman
“The Neoplatonic writings of the 6th century writer known as pseudo-Dionysius the Areopagite have influenced, and continue to influence, Christian theologians and esotericists, amongst others, to this day. Typically, a handful of Dionysius’ topics are discussed: his angelology, his sacramental theology, and his treatment of the divine names are on the top of the list. This paper treats one of these subjects, Dionysian sacraments”
- “Occultic and Masonic Influence in Early Mormonism” — Joel B Groat, Institute for Religious Research
“The evidence of Joseph Smith’s close connection to occultism and Freemasonry, and how this influenced the origin and development of the LDS Church is not well known outside of scholarly circles. This article summarizes the evidence for Joseph’s personal involvement in both Freemasonry and occultism, and their influence on the Mormon religion.”
- “Christopher Lee makes heavy metal Don Quixote” — BBC News
“Actor Sir Christopher Lee is marking his 92nd birthday by releasing an album of heavy metal cover versions.
Two of the songs come from the Don Quixote musical Man of La Mancha, which was a Broadway smash in the 1960s.
‘As far as I am concerned, Don Quixote is the most metal fictional character that I know, the Hobbit star said.
‘Single handed, he is trying to change the world, regardless of any personal consequences. It is a wonderful character to sing.'”
- “Of course Thelema is satanic” — Thomas Zwollo, Spiral Nature
“Thelema rejects all these notions that enslave humanity to a deity that would demand certain beliefs and actions and punish those who disobey. Satan represents the rejection of this belief system and the exultation of the individual. Is Satan central to Thelema? No. Is Satan mentioned in Thelema? Yes, frequently.”
- “On the ‘itch’ within the Witch” — Nicholaj de Mattos Frisvold, The Starry Cave
“I believe Traditional Witchcraft is a poetic reality humming the nocturnal mysteries of Night. I believe the Witch is concerned with Solace and comfort, the same solace we find resting in the Night. I believe the Witch is a creature tied to the land whose heart is a crossroad where the fire of Need gushes forth from the fountain of the soul like a veiled spring of fiery droplets of gold and silver.”
- “The Rosicrucian Vision” — Christopher McIntosh, New Dawn Magazine
“The word ‘Rosicrucian’ is one that most readers will have heard many times. Yet if I were to ask for a definition of the word I would probably be given a wide variety of different answers. I might be told that it was something to do with esoteric Christianity, with alchemy, or with Cabala. All of these things are part of the answer, but not the whole answer.
So what is Rosicrucianism? For the time being let us call it a current of thought and ideas which has been flowing through history for at least three and a half centuries and probably quite a bit longer, sometimes underground, sometimes coming to the surface, but always pushing human beings towards certain goals. I say that we can trace the current back three and a half centuries because that was when it first came to the surface. So let us go back to that moment in history.”
- “Pagan God From Bronze Age Caught By Unsuspecting Fisherman In Siberia” — Yasmine Hafiz, The Huffington Post; from the it-has-the-innsmouth-look dept
“Nikolay Tarasov was fishing in a river near his home in Tisul, in the Kemerovo region of Siberia, when he caught something unexpected—and very old.”
“Museum curators dated the figure to over 4,000 years old. Carved in horn which was later fossilized, the Bronze Age figurine shows a pagan god.”
- “Circumambulating the Alchemical Mysterium” — Aaron Cheak, Reality Sandwich; an excerpt from Alchemical Traditions: From Antiquity to the Avant-Garde
“Alchemy may be described, in the words of Baudelaire, as a process of ‘distilling the eternal from the transient’. As the art of transmutation par excellence, the classical applications of alchemy have always been twofold: chrysopoeia and apotheosis (gold-making and god-making)—the perfection of metals and mortals. In seeking to turn ‘poison into wine’, alchemy, like tantra, engages material existence—often at its most dissolute or corruptible—in order to transform it into a vehicle of liberation. Like theurgy, it seeks not only personal liberation—the redemption of the soul from the cycles of generation and corruption—but also the liberation (or perfection) of nature herself through participation in the cosmic demiurgy. In its highest sense, therefore, alchemy conforms to what Lurianic kabbalists would call tikkun, the restoration of the world.”
- “Plaidoyer for historical-critical Steiner research. Using the methodological example of Rudolf Steiner as a possible character in the Mysteriendramen.” — David W Wood
“A main thesis of this paper is that one of the ways for Rudolf Steiner research to become more scientiﬁc is to proceed in accordance with a genuine historical and critical methodology. It attempts to show that even though some of Steiner’s chief critics support this method in theory, they often fall short of a historical-critical approach in practice. Using the example of the unresolved problem of whether Steiner could be a character in his own Mysteriendramen, the author provides a number of methodological, historical and biographical indications for approaching this problem. He tries to demonstrate the fruitfulness of this method by addressing the question of Steiner as a drama character from the new perspective of literary pseudonyms. In conclusion, he maintains that a scholarly historical-critical approach to spiritual science was advocated by Steiner himself.”
- “What Happens to the Brain During Spiritual Experiences? The field of neurotheology uses science to try to understand religion, and vice versa.” — Lynne Blumberg, The Atlantic
“Since everyday and spiritual concerns are variations of the same thinking processes, [Andrew] Newberg thinks it’s essential to examine how people experience spirituality in order to fully understand how their brains work. Looking at the bigger questions has already provided practical applications for improving mental and physical health.”
- “Intolerance and Fanaticism” — Michael Gilleland, Laudator Temporis Acti
“Men find it very hard to apply a little criticism to the sources of their beliefs and the origin of their faith. It is just as well; if we looked too close into first principles, we should never believe at all.”
- “Paradise Found: The ideal(ized) vision of Paul Gauguin.” — Daniel Goodman, The Weekly Standard [HT Arts & Letters Daily]
“Gauguin’s art depicts Tahitians as they are sleeping, worshipping, and engaging in other quotidian activities. But whereas Cheever, Chekhov, Roth, John Updike, and other literary artists used their keen perceptive abilities in the pursuit of sober realism, Gauguin put his artistry to the purpose of imaginative proto-surrealism.
Gauguin, who rejected European cultural and religious constraints, thought of himself as a savage in the eyes of the civilized world. Oviri (1894, his personal favorite amongst all his sculptures) and many of his other works were regarded as radical for a variety of reasons, not least because they subverted traditional, conventional ideas of feminine beauty.”
- “We need to talk about misogyny and sexism” — Psyche, Spiral Nature
“Equality. That’s the secret agenda, folks. Feminism isn’t about women first, it’s about women too.”
- “Congo: A Group of Chimpanzees Seem to Have Mastered Fire” — World News Daily Report; from the fake-news-but-wouldn’t-it-be-wild-if dept.
“It is however, the first time that a group of these primates develops some technical concepts as elaborate as these on their own. A few individual apes seem to have originally developed a rudimentary technique of rather poor efficiency, but the group gradually improved it through experimentation and observation over the last few months. They are now able to create and maintain a fire, which they have been using mostly to scare off predators and cook some of their food.”
- “On the Seventh Day, We Unplug: How and Why to Take a Tech Sabbath” — Brett & Katie McKay, The Art of Manliness
“Taking a weekly Tech Sabbath allows us to step off this wheel of endless sameness. It’s a ritual that pushes us out of the norm, to pursue different activities, and use different parts of our brains. In so doing, it refreshes and rejuvenates our minds and spirit. It provides the motivation to unhook our wired craniums from the matrix of cyberspace and explore the pleasures of the real world.”
- “Kircher & Schott’s Computer Music of the Baroque” — Phil Legard, Larkfall
“Here is a piece of music, which was composed with a sort of 17th century computer called the Organum Mathematicum, devised by Athanasius Kircher and fully described by his pupil and assistant Gaspar Schott”
- “Mihai’s Inferno: The 9 circles of Hell made in Lego” — The Brothers Brick [See also Boing Boing, MOCPages]
“Mihai Mihu completed a series of creations depicting the 9 circles of Hell. While staying true to the theme of poetic justice served to the sinners, Mihai portrays the punishments through his own interpretations. The recurring architectural elements and portrayal of the sinners tie the scenes together in a way that’s easy for the viewer to transition through. In this short interview, the builder talks about his project and the individual circles of Hell.”
- “Techne: The State of the Art” — Damien Wolven [HT Joshua Madara]
“If we really think that whatever kind of mind we generate from these efforts is going to be anything like us, then we’re probably in for a big surprise. We have to be prepared for—as opposed to scared about—the possibility that any machine intelligence will have vastly different concerns from us. “Occult Wisdom” means knowledge hidden from those who don’t know how to look for it and, without an understanding of how these new minds will experience our world, humanity will never know everything we might.
As I’ve explored these ideas, over the years, I’ve found that the most valuable approaches have often come from the intersections that others might overlook. The intersection that’s been most useful to me is at the center of weird science, philosophy, religious studies, pop-culture, and magic. I’ve written articles, taught classes, and organized conferences arguing that “The Magical” is one of the most useful-but-underused tools we have for rethinking and understanding these ideas.”
- “The Flaw Lurking In Every Deep Neural Net” — mikejuk, Slashdot
“If a deep neural network is biologically inspired we can ask the question, does the same result apply to biological networks? Put more bluntly, ‘Does the human brain have similar built-in errors?’ If it doesn’t, how is it so different from the neural networks that are trying to mimic it?”
- “We Aren’t the World” — Ethan Waters, Pacific Standard [HT Eleanor Saitta]
“The potential implications of the unexpected results were quickly apparent to Henrich. He knew that a vast amount of scholarly literature in the social sciences—particularly in economics and psychology—relied on the ultimatum game and similar experiments. At the heart of most of that research was the implicit assumption that the results revealed evolved psychological traits common to all humans, never mind that the test subjects were nearly always from the industrialized West. Henrich realized that if the Machiguenga results stood up, and if similar differences could be measured across other populations, this assumption of universality would have to be challenged.
Henrich had thought he would be adding a small branch to an established tree of knowledge. It turned out he was sawing at the very trunk. He began to wonder: What other certainties about “human nature” in social science research would need to be reconsidered when tested across diverse populations?”
If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.
An irregular hodgepodge of links gathered together … Omnium Gatherum for May 21st, 2014
- “Why everything you know about wolf packs is wrong” — Lauren Davis, io9
“A key problem with [Rudolph] Schenkel’s wolf studies is that, while they represented the first close study of wolves, they didn’t involve any study of wolves in the wild.”
“‘The concept of the alpha wolf as a ‘top dog’ ruling a group of similar-aged compatriots,’ [David] Mech writes in the 1999 paper, ‘is particularly misleading.'”
“And perhaps someday, our popular culture will more closely resemble our modern behavioral science rather than the results of outdated research.”
- “Angels, Toilets and Graffiti Revealed at Sudanese Monastery” — Past Horizons
“Cleaning of the plaster also allowed us to discover dozens of previously unknown inscriptions and drawings depicting both saints and images of Jesus. The study of the inscriptions is carried out by Dr. Grzegorz Ochała from the University of Warsaw. His analysis shows that, as in many other places in medieval Nubia, the cult of angels was extremely popular in al-Ghazali. Among the inscriptions on the walls of the North Church, Dr. Ochała identified the names of the four archangels: Michael, Gabriel, Raphael and Uriel.”
- “50 Years Ago: Testimony of Kerry Wendell Thornley” — Historia Discordia
All right. I take it from the remark you have made in your reflecting on this matter that you were you devoted yourself to some fairly considerable extent to reading?
And in what fields?
Completely omniverous. Anything that I would happen to get a hold of I would read. At that time I was reading, well, at [Lee Harvey] Oswald’s advice I read ‘1984.’ At someone else’s advice I was reading a book called ‘Human-ism,’ by Corliss Lamont, as I remember, and I was reading either ‘The Brothers Karamazov’ or the ‘Idiot’ by Dostoievsky, I forget which, at that time.
But your reading had some reasonable amount of organization or direction?
None whatsoever; no, sir. It never has.”
- “Thirty Years of ADF Part 1: An Incomplete Memoir of the First Ten Years” — Ian Corrigan, Into the Mound
“The work of organizing is the ditch-cutting and rock-hauling of our spiritual path. May the gods and spirits bless the laborers.”
- “What words do we have to describe transcendent religion?” — April D DeConick
“I want to thank all of you who have responded to my request for a word to describe a particular worldview that sees all religions as inadequate human constructions of our experience of a transcendent sacred, rather than divine revelations of God to different local populations (pluralism/universalism/perennialism). I need this word for a new book project (after The Ancient New Age) where I am describing three options that have been emerging in the modern world to deal with religious intolerance. The third is the option without a name, at least yet!”
- “Discovering the Artists of the Eastern Sahara” — Past Horizons
“Recently discovered rock art on the walls of a cave in the Egyptian Western Desert has been provisionally dated by a Cambridge University archaeologist as between 6,000 and 7,000 years old, created at least 1,000 years before the building of the pyramids. The drawings add weight to the argument that Egyptian culture drew on cultural influences from Africa and not only from the Near East.”
- “Scientists find way to turn light into matter” — RT News
“Researchers in London have found a way to make matter from light, using high powered lasers. The idea behind the theory was first thought up 80 years ago by two physicists, who were to work later on creating the world’s first atomic bomb.”
“They have managed to create a machine called a photon-photon collider, which would turn light into matter. However, the type of matter they are looking to create will be invisible to the naked eye.”
- “Curbing Online Abuse Isn’t Impossible. Here’s Where We Start” — Laura Hudson, Wired Underwire
“Really, freedom of speech is beside the point. Facebook and Twitter want to be the locus of communities, but they seem to blanch at the notion that such communities would want to enforce norms—which, of course, are defined by shared values rather than by the outer limits of the law. Social networks could take a strong and meaningful stand against harassment simply by applying the same sort of standards in their online spaces that we already apply in our public and professional lives. That’s not a radical step; indeed, it’s literally a normal one.”
“Ultimately, online abuse isn’t a technological problem; it’s a social problem that just happens to be powered by technology. The best solutions are going to be those that not only defuse the Internet’s power to amplify abuse but also encourage crucial shifts in social norms, placing bad behavior beyond the pale.”
- ‘Madness’ of Nietzsche was cancer not syphilis — Robert Matthews, The Telegraph
“A study of medical records has found that, far from suffering a sexually-transmitted disease which drove him mad, [Friedrich] Nietzsche almost certainly died of brain cancer.
The doctor who has carried out the study claims that the universally-accepted story of Nietzsche having caught syphilis from prostitutes was actually concocted after the Second World War by Wilhelm Lange-Eichbaum, an academic who was one of Nietzsche’s most vociferous critics. It was then adopted as fact by intellectuals who were keen to demolish the reputation of Nietzsche, whose idea of a ‘Superman’ was used to underpin Nazism.”
“Despite the lack of documentary or medical evidence, the allegation has since been repeated without question by generations of academics, said Dr [Leonard] Sax. ‘Extraordinarily, this single passage in Lange-Eichbaum’s obscure book is the chief foundation, cited again and again, that Nietzsche had syphilis.’
Nietzsche scholars welcomed the new findings and said that they would help in the rehabilitation of the philosopher. ‘Nietzsche was not anti-semitic or a nationalist, and hated the herd mentality,” said Prof Stephen Houlgate, a Nietzsche scholar at Warwick University. ‘If this new research gets rid of another misconception about him, I’m delighted.'”
- “Intro to Thelema — Three Recommended Books” — Brandy Williams, Star and Snake
“[Aleister Crowley’s] language is Edwardian English, educated, dense, and often offensive — in fact deliberately so. Not only that, he sometimes wrote in code or symbolic language, not unusual in magic, but requiring a key to decode. It takes some time to develop the Crowley Filter translating what he says into understandable and useful information. When his work is not confusing or upsetting, it is knowledgeable, insightful, and deeply inspiring.”
- “In Addition to What Thou Wilt: Our Thelemic Temple’s Revised Rules” — Zak Parsons, Something Awful [HT Quadrivium Supplies]
“Your journey to understanding may be long and arduous, but that is no reason not to close the chip bag.”
- “The leaked New York Times innovation report is one of the key documents of this media age” — Joshua Benton, Nieman Journalism Lab
“We must push back against our perfectionist impulses. Though our journalism always needs to be polished, our other efforts can have some rough edges as we look for new ways to reach our readers.”
- “Sturgill Simpson Puts a Metamodern Spin on Country Music” — Stephen M Deusner, CMT News
“Sturgill Simpson was recently accosted after a show in Wisconsin by a woman who accused him of promoting Gnosticism with his new single, ‘Turtles All the Way Down.’ The song discusses Jesus, Satan, Buddha and ‘reptile aliens made of light’ before revealing that ‘love’s the only thing that ever saved my life.'”
“It’s not every country singer who gets accused of Gnosticism — or even knows what it means.”
- “Between Alchemy and Pietism” — Mike A Zuber, Correspondences 2.1
“A minor figure undeservedly forgotten, Wilhelm Christoph Kriegsmann (1633–1679) has received only limited attention from historians of alchemy and church historians. He is known chiefly either for his idiosyncratic Phoenician reconstruction of the Tabula Smaragdina, a foundational text of alchemy attributed to Hermes Trismegistus, or alternatively for writing one of the earliest sustained defenses of Pietist conventicles to appear in print. In an attempt to bridge this unsatisfactory segregation, this paper argues that the notion of ancient wisdom (prisca sapientia) provided a crucial link between these seemingly disparate areas.”
- “20 Questions With Gary Lachman” — Jason Mankey, Raise the Horns
“11. There were a lot of moments in your Crowley book that had me laughing at some of his antics. I know a lot of Thelemites and fans of Crowley who take everything the man ever wrote, said, or did extremely seriously. How do you think Crowley would feel about that? Was he capable of laughing at himself?
He could laugh at himself on occasion, but I think he was too involved in what other people thought of him, of his effect on them, to be really un-selfconscious in the way you need to be to have a sense of humor about yourself. He was very rarely out of character. He can be very funny though. Someone asked him what one should call a young, male swan. He answered ‘Why not call him Edgar?’ He had a quick, intelligent wit and I found myself laughing quite a few times while doing the research.”
“15. I sometimes find myself referring to Crowley affectionately as ‘Uncle Al,’ but Crowley was certainly not all sunshines and rainbows. How do you feel about the modern tendency to overlook many of Crowley’s faults?
That’s one aspect of the book. Yes, let’s clear up all the tabloid rubbish that was published about him in his day, but let’s also not make him out to be some liberating hero. He was a brilliant, highly talented individual who had more than a few flashes of genius, but he was a colossal pain to practically everyone around him. In other words, let’s not be hero-worshippers or ignorant detractors, but serious about understanding who and what he was. There’s no point in approaching him or anyone else in any other way.”
- An excerpt posted by Gary Lachman from his book Aleister Crowley: Magick, Rock and Roll, and the Wickedest Man in the World can be found at “Crowley on the Bowery”
- “The Strange, Secret History of Isaac Newton’s Papers” — Adam Mann, Wired
“When Sir Isaac Newton died in 1727, he left behind no will and an enormous stack of papers. His surviving correspondences, notes, and manuscripts contain an estimated 10 million words, enough to fill up roughly 150 novel-length books. There are pages upon pages of scientific and mathematical brilliance. But there are also pages that reveal another side of Newton, a side his descendants tried to keep hidden from the public.”
“The story of Newton’s writing and how it has survived to the modern day is the subject of a new book, The Newton Papers: The Strange and True Odyssey of Isaac Newton’s Manuscripts. Author Sarah Dry traces their mysterious and precarious history and reveals both the lucky twists and purposeful turns that kept the papers safe.”
- “The Rules of the New Aristocracy” — J Michael Straczynski [HT Boing Boing]
“We are the New Aristocracy because we were born into it. We got our money the old fashioned, Medieval way: our parents gave it to us. We were born into the wealth that we stole from you and your family over the last fifty years. You were not born into anything other than poverty and struggle. You will never be us. You will never have our advantages. And we like it that way.”
“And you are the New Peasants.”
- “Announcing: The Diotima Prize!” — Sam Webster, Pantheon Foundation [HT Spiral Nature]
“The Pantheon Foundation announces The Diotima Prize to help support the educational goals of one Pagan student who is currently in an accredited seminary program.
The merit-based Prize is named for Diotima of Mantinea, the philosopher and priestess who is the teacher of Socrates in the Symposium of Plato, explaining to him the path of Divine ascent through the contemplation of Eros and Beauty.”
- “Hermetic Intelligence” — zeteticus, Soul Spelunker
“The primary way the soul is deepened is through imagination.”
- Eliza Gauger, tumblr
“Susan Schoon Eberly, an expert on congenital disorders, delineates the origins of fairy lore through a historical-biological lens, matching discernable patterns of appearance and behavior from changeling legends to disabilities now understood by medical science.”
“‘there are a number of fairy characters…who seem so clearly to represent certain congenital disorders that they are difficult to interpret as purely the products of imagination'”
- Hermetic Library anthology artist Pandemonaeon, Sharon Knight and Winter, are going on summer tour and have a new “secret society for creative dreamers” called Ring of Enchantment for fans to become patrons in order “to generate tour support for us while bringing inspiration and beauty to you”.
- Hermetic Library anthology artist SickTanicK has produced and appears on the new SKR mixtape release, which includes the single “Teach Me How To Satan”, SKR Made You Do It, being made available at no cost for streaming and download.
I would like to PROUDLY present to you…. SKR THE MIXTAPE VOLUME 3 "SKR Made You Do It" http://t.co/ZgozOw5tEn
— SickTanicK (@sicktanick) May 20, 2014
- American Atheists, tweet
When the religious right talks about "religious freedom", they usually mean the "freedom" to impose their religion. pic.twitter.com/YRcQSaZASe
— American Atheists (@AmericanAtheist) May 15, 2014
- Buddy Baphomet, tweet
Sometimes I need a snack so I melt some Dark chocolate & marshmallows on Billy Graham crackers. I call them "Smores of Babylon". }=9> #eyum
— Buddy Baphomet (@BuddyBaphomet) May 15, 2014
Surrealism, Satanism and Witchcraft
16 May 2014
Surrealism celebrated Satan and the witch as powerful agents of social rebellion, and tonight’s speaker argues their inspiration came from Jules Michelet’s 1862 book La Sorciere, which was violently anti-Catholic as well as shockingly erotic. Some women Surrealists confidently cast themselves as witches, and the talk looks at three of them: Dorothea Tanning, Leonor Fini and Leonora Carrington. Dan Zamani is completing his PhD in art history at Cambridge; he returns to Treadwells by popular demand.
Time: 7:15pm for a 7:30pm start
Crowley’s Liber Nu
23 May 2014
Tonight a longstanding magical practitioner of Thelemic magic examines one of Crowley’s most magnificent ritual texts, Liber Nu (‘The Book of Nuit’, a rite for attainment of the Goddess Nuit) and relates the extraordinary experience of preparing and then performing the rite at Gosse’s Bluff in Central Australia. He goes on to interpret Liber Nu as Crowley’s “how to write and do a high magic ritual.” Bob Stein has been a member of O.T.O. since 1983 and has been involved with the organisation since then in a range of capacities.
Time: 7:15pm for a 7:30pm start
Abraxas 5 Launch Party
30 May 2014
Please join us for to celebrate Issue Five of Abraxas, the journal of esoteric studies issued jointly by Fulgur Ltd and Treadwell’s. We will have fascinating people, art, poetry and short talks. This issue has contributors worldwide on surreailsm, the Fellowship of Isis, Platonism, spirit-summoning, David Blank of the famed Oracle Magazine, an occult manuscript, Peladan, Bertiaux, and the wonderful ancient gods Antinous and Glykon.
Free, but please RSVP to email@example.com
Time: 7pm to 9:30pm. Short talks at 7:45pm
Elias Ashmole: London’s Forgotten Adept
2 June 2014
Elias Ashmole (1617–1692) is famed for founding the first public museum, the Ashmolean, a fact that overshadowed his importance in the history of occultism. He was the astrological advisor to Charles II, an early freemason, an alchemical secret-holder. He collected rare esotericism texts and even saved a fellow astrologer from the gallows. Tonight revives him from obscurity, celebrating his secret life. Ruth Clydesdale is a writer and astrologer with interest in the history of astrology and its links to magic, alchemy and art.
Time: 7:15pm for a 7:30pm start
Walking Tour: Occult London
7 June 2014 (and again on July 5th)
London’s secret occult history comes alive as you traipse the cobblestone streets of the West End, and you learn the secrets behind some of the area’s past magicians, witches and sorcerers: some famous, some infamous. Delianne Forget is a London registered Blue Badge Guide with a solid grounding in London history. A white witch herself, she also knows her cauldron potions from her good-luck charms. These tours return after a two year hiatus, due to popular demand.
Time: 2pm to 5pm, starting at a central London tube station. Look for the lady in the witch hat.
Aleister Crowley on Rock’n’Roll
19 June 2014
Join us for a summer party to celebrate the launch of Gary Lachman’s new book: Aleister Crowley’s influence on rock-and-roll giants from the Rolling Stones and Led Zeppelin, to Black Sabbath and Blondie, of which Lachman was a founding member. Gary will give an informal talk for about 20 minutes at about 7:45, and as ever we give most of the evening over to socialising, book-signing and gentle revelry. Please join us.
Free, but please RSVP to firstname.lastname@example.org
Time: Come anytime 7pm – 9:30pm. Short talk at 7:45.
Love Magic in Seventeenth-century England
20 June 2014
This talk explores the occult theories and magical practices which grasped both the divinity and madness of love. Al Cummins takes us into the world of elemental humours, psychological notions of the passions, and the spiritual and physical mysteries of the heart. We will delve into the love magicians’ toolkit, examining means of seduction: from aphrodisiac herbs to conjuring matchmaking spirits … and onto bindings, leashes, and “erotic malefic” workings. A vibrant speaker, Alexander Cummins recently completed his PhD from Bristol: he is an historian of early modern magic, astrology and the passion. He is also a professional poet.
Time: 7:15pm for a 7:30pm start
And, Treadwell’s comes to New York!
New York City — The Night of the Witch
25 June 2014
Two illustrated lectures on witchcraft in a vibrant double-bill. Witch Pictures — Pam Grossman and British Witchcraft — Christina Oakley Harrington.
Witch Pictures — Pam Grossman
The witch burst into Western art in the late 15th century and never left: the likes of Durer, Fuseli, Goya, and Blake used the image of magical women to titillate their patrons or reflect their own anxieties — with results both grotesque and beguiling. Then in the 19th century women took up the brush to create works inspired by personal occult experiences, reclaiming the witch, and we see a female ‘witchcraft’ in action in Abstraction, Surrealism, Modernism, making a corner of art history where craft and Craft are one and the same.
British Witchcraft — the Fifties to the Seventies — Christina Oakley Harrington
British Witchraft revived in the 1950s and 1960s. To the horror and fascination of the English press and public, some of these witches gave interviews and even allowed secret rites to be photographed. They wanted the world to know a non-Christian basis of ethics, a radical concept of the sacred, and the power of altered states of consciousness. Both tradition-based and forward-thinking, they were paradoxical yet compelling. Tonight’s speaker comes from the UK Wiccan community, and brings these characters to life and shares insights into their vision of the Craft.
Pam Grossman is the Brooklyn-based guiding spirit of Phantasmaphile, and was co-host of the 2013 Occult Humanities Conference at NYU. Christina Oakley Harrington is founder of London’s famed Treadwells Bookshop and a former academic; she also co-edits Abraxas Journal and gives occasional lectures.
An irregular hodgepodge of links gathered together … Omnium Gatherum for March 26th, 2014
“Unconditional Forecast. It is a Black Sun. 100% Certainty.” — Space: 1999, “Black Sun,” November 1975 [via]
- Professor Bergman in Space: 1999, “Black Sun” [HT Unmann-Wittering]; from the thin-blue-line dept.
“There is a thin line between science and mysticism.”
- Reginald Dalton in Blackwood’s Standard Novels, Vol X; from the gpoy dept.
“Suddenly the clock strikes twelve, and the Frater Bibliothecarius whispers, ‘Dinner!’ […] the western sun staining with admonitory glories the painted window over against the successful negociator, the sudden half-sorrowful, half-ecstatic departure.—There is a life and truth about the whole affair that must send their charm into every bosom and force, even from the man that prefers a book to a title-page, a momentary echo of, ‘I should like to dine with this Nongtong-paw.'”
- “Before the Garden Gnome, the Ornamental Hermit: a Real Person Paid to Dress Like a Druid” — Allison Meier, Atlas Obscura; from the we’ll-make-great-pets dept.
“The ornamental hermit vanished at the end of the 18th century. In The Hermit in the Garden, [Gordon] Campbell chronicles the remains in a ‘catalogue of hermitages,’ listing whether they are destroyed, extant, or never built at all. However, the humble hermit may not have left us entirely. As Campbell argues, ‘the garden hermit evolved from the antiquarian druid and eventually declined into the garden gnome.'”
- “The future of the library catalogue“, a presentation from Facet Publishing about Catalogue 2.0: The Future of the Library Catalogue, edited by Sally Chambers; from the met-a-data-for-drinks dept.
- Amy Brose quoting presenters at Library Tech Conference 2014, via tweet [HT Nancy Sims]; from the golem dept.
“if there is a theme from this conference it is the library should help the community create things.”
- “Black Mirror” — Arts University Bournemouth; from the get-to-the-art-of-the-matter dept.
“Black Mirror is a new research network based at the Arts University Bournemouth. The intent of the network is to explore the influence and role of enchantment, esotericism, the occult and magic in modernist and contemporary art. […] To document the project, a special series of peer-reviewed publications will be issued by Fulgur Esoterica.”
- “Vatican Library to digitise archives with Japanese support” — BBC News Europe; from the but-what’s-the-cocaine-and-condoms-for dept.
“The Vatican Library has begun digitising its priceless collection of ancient manuscripts dating from the origins of the Church. The first stage of the project will cover some 3,000 handwritten documents over the next four years. […] Eventually, the library says it hopes to make available online all its 82,000 manuscripts.”
- “Snowden At SXSW: Encryption Is ‘defense Against The Dark Arts In The Digital Realm’” — Ellen Rolfes, PBS Newshour; from the gonna-wash-that-horcrux-right-out-of-my-hair dept.
“‘We need to think about encryption not as black magic but as something that works,’ [Edward] Snowden said. “It’s the defense against the dark arts in the digital realm.'”
- Laverna — “Store your notes anonymously and encrypted”
- Loomio — “The world needs a better way to make decisions together.”
- Kardbord — “Fast, simple, real-time collaboration.”
- Hermetic Library anthology artist Galen Wade‘s Iconoclast
- Hermetic Library anthology artist The Implicit Order‘s It’s Hard To Tell The Singer From The Song
- “How to become a Mage (or Fairy): Joséphin Péladan’s Initiation for the Masses” — Sasha Chaitow; from the art-you-here-to-a-muse-me dept.
“Immensely prolific, discredited during his lifetime, Joséphin Péladan (1858–1918) constructed a vast, complex, yet coherent oeuvre with the purpose of demonstrating the transformative power of art by manifesting the highest ideals on the material plane, in response to the social decadence he perceived in in-de-siècle French society. Central to Péladan’s vision was his conception of artists as initiates: select individuals who could bring a small part of the divine into the mundane sphere. […] His goal was to inspire his readers to seek a more ideal existence through a form of self-initiation that he dubbed kaloprosopia, an art of transformation of personality through a life lived as a work of art.”
- “When did Thelema become the Westboro Baptist Church?” — Nick Farrell; from the thelemites-as-tourists dept.
“Where were the Thelemites who disagreed? If these three are wrong in their interpretation of the Book of the Law then why aren’t people pointing out their error? Why is it left to outsiders to be horrified that a modern religion can go this way? If they continue to permit this sort of anti-evolutionary thinking, they will end up in same position that Christianity is.”
- “Embracing Questions” — Thomas Zwollo, Spiral Nature; from the thelemites-as-scientismists dept.
“For instance, Crowley was quick to experiment with rituals, invent news approaches to magic and initiation, and challenge established structures and groups. Now we find advocates within the Thelemic community bristling at any kind of experimentation.”
- Richard Feynman quoted in “We need more scientific mavericks” — The Guardian Letters; from the where-is-your-science-now dept.
“Science is the belief in the ignorance of experts”
- John Selden quoted at “Disputes in Religion” and “A Magnificent Feast” — Michael Gilleland, Laudator Temporis Acti [also]; from the mind-your-own-business dept.
“Disputes in religion will never be ended, because there wants a measure by which the business should be decided. … One says one thing, and another another; and there is, I say, no measure to end the controversy. … It is so: it is not so: it is so: it is not so; crying thus one to another a quarter of an hour together.”
“How glorious soever the church is, every one chooses out of it his own religion, by which he governs himself, and lets the rest alone.”
- Ovid, Metamorphoses, quoted at “Bumblehive” — Michael Gilleland, Laudator Temporis Acti; from the welcome-to-the-matrix dept.
“There is a place in the middle of the world, ‘twixt land and sea and sky, the meeting-point of the threefold universe. From this place, whatever is, however far away, is seen, and every word penetrates to these hollow ears. … Here is Credulity, here is heedless Error, unfounded Joy and panic Fear; here sudden Sedition and unauthentic Whisperings. Rumour herself beholds all that is done in heaven, on sea and land, and searches throughout the world for news.”
- And now, this important announcement from Mad Malik (aka Greg Hill) — Adam Gorightly, Historia Discordia; from the we-love-you-spider dept.
“In the event of severe political supression, a private communication system can still function for those who had the foresight to establish one. […] It requires little maintenance whether used or not, but the result is a large ‘spiderweb’ network.”
- “Learning Magic” — Ian Corrigan, Into the Mound; from the no-man-is-an-island dept.
“The new student should not plan on being a unique genius.
Instead, the new student should read traditional books and find a working teacher (that applies to learning magic, gymnastics or saxophone). Plan to spend a few years doing exercises and experiments, duplicating previous efforts, and building skills. Of course we all pursue our little personal schemes along the way, and eventually we get enough skill to actually try them.
There’s no short-cut. You can’t just ‘listen to your heart’. You have to listen to other people.”
- “Magicians are Opinionated Assholes” — Rufus Opus, Head for the Red; from the here-we-are-now-entertain-us dept.
“A group of powerful egomaniacs with really healthy levels of self-esteem are likely to behave a lot like we really do in real life.”
- “The Suitcase At The End Of The Earth” — Gordon White, Rune Soup; from the i-and-i dept.
“One of chaos magic’s least-used constructs is the possibility that you lack an authentic self. If you are so inclined, it provides you with a gringo, late-capitalist variant of Buddhist ‘non-being’. Seeing the world this way offers you supreme performative flexibility.”
- Interview with Jim Morrison by Lizzie James; from the take-a-mask-from-the-ancient-gallery dept.
“The most important kind of freedom is to be what you really are. You trade in your reality for a role. You trade in your senses for an act. You give up your ability to feel and in exchange, put on a mask. There can’t be any large-scale revolution until there’s a personal revolution, on an individual level. It’s got to happen inside first.”
- “A triangular book about alchemy” — John Coulthart, feuilleton; from the one-less-corner-to-land-on-your-toe-tho dept.
“from the Manly Palmer Hall collection of alchemical manuscripts at the Internet Archive, not only a triangular book but one where most of the pages are written in a symbolic alphabet”
- “Where were globally known Religious Figures born? [1850 — 1950]” — Pantheon: Mapping Historical Cultural Production, Macro Connections Group at MIT Media Lab.
- Mentions of keywords Aleister Crowley and Thelema in books from 1800-2008 — Google Books Ngram Viewer.