Tag Archives: anthology album

Corpo Elipsis

 

Corpo Elipsis
(Vergara)

This piece was first conceived as a sound intervention for the art exhibition “Corpo Elipsis” of Pedro Magaña, a contemporary Mexican artist.

The pieces created by Pedro revolve around the concept of Musica Universalis. Following this idea, the sound piece presents different sound sculptures mixed in 5.1 and set to rotate around the art show room, orbiting the physical pieces in the exhibition.

Each sound heard represents a planet and started out as a sample of its most culturally representative occult/mystical symbolism (mars = war samples).

Each sample was then processed through different sound manipulation techniques defined by each planet’s hard scientific data (the orbit defined the sound’s length, among other things).

This results in an aural representation of an alchemical union between the planet’s symbolic ethereal aspects and its fixed hard properties.

The piece is also named Corpo Elipsis (as the exhibition) and here presented in a 2.0 stereo mix.

What started out as a more traditional approach to “trying to make it” playing in a band in the music business, has now turned itself into an exploration of that undefined thing known to some as “sound-art”.

Hermetic Library Anthology Artist Jesús A Vergara

What started out as a more traditional approach to “trying to make it” playing in a band in the music business, has now turned itself into an exploration of that undefined thing known to some as “sound-art”.

I consider myself primarily a cheater with a love for philosophy and an affair with all things occultism and alchemy.

I love to have those two in my bed every chance I get and these experiences (along with some psychedelic ones) have taught me that there might not be a real difference between them… nor art for that matter.

I work and live in Monterrey MX.

Follow Jesús A Vergara via
Bandcamp
and
Anthology profile

 

The Witch House and the Reverberate Abyss

 

The Witch House and the Reverberate Abyss
(Stibrany)

Inspired by HP Lovecraft’s The Dreams in the Witch-house story. Imagine yourself finding the secret room in that eldritch building, being set upon by the witch and the Black Man of the Sabbat, slowly falling down an abyss and coming to terms with the abject indifference of the cosmos while traveling outside of space and time.

Hermetic Library Anthology Artist Chris Stibrany Terborgh my summer home

Raised for half of his life in The Netherlands and Germany, Chris also spent much time studying and working in Japan and Korea. After many various jobs and a short time in the Army, he currently resides with his wife in Colorado. Besides magick and meditation with a focus on Thelema, his hobbies are reading (fiction (horror, sci fi, classic lit), history, metaphysics/occult) playing the drums, and hiking and swimming.

Follow Chris Stibrany via
Soundcloud
and
Anthology profile

 

Twin Pillars Crumble and Shake

 

Twin Pillars Crumble and Shake
(Furtkamp)

A previously unreleased track …

Hermetic Library Anthology Artist Robert Furtkamp

In the beginning was the Word, and the Word was God. And in those sounds, the proto-sounds that came out of the void, the first form from formlessness, there is beauty.

Music for me has always been a spiritual pursuit — before I ever picked up an instrument, I found the ever-living spirit of the void in a fountain pen. And as I wrote, and read the works of Crowley and Spare and whatever a young man could scrounge before the Internet was young, words began to fail at times to convey the spirit of the Voice in the Void.

It wasn’t about verse-chorus-verse or format or key or even a definited note — if the Voice wanted to speak in those terms, it would just use words. But there were things I found, things I woke up with dancing in between my ears, that would not stop until I committed them to tape, that led to years of work with “automatic music”, the equivalent of automatic writing or drawing but with sound.

Sometimes it’s harsh, sometimes it’s beautiful. Sometimes the Angel sings. And sometimes it’s smaller than the moment and bigger than me. Hook up the recorder, plug in an instrument, hit record, bell, book, and candle, and it’s there.

The best things that come from my hands and my lips and my eyes aren’t mine. I don’t dare claim them as anything but the literal product of the Work. Even as my body has failed me and blessed formlessness is near, the Voice and the music and the echo is there.

These days I am a magician and musician and dreamer, mystic and idiot, effectively locked away from the world by the curse of failed flesh, but in the Voice and the sound and the music, I am free.

I have played absolutely free for twenty years — I have only broken this rule once, just to break it. I do not play covers or set songs or even my own material twice. It is a thing of the moment, living, breathing, dying, and remaining as a record of that thing, that intent. It is a sigil of the pain, the joy of existence, the sound of the moment.

It is generally recorded live or as live as it can be given that there are times when to satisfy the piece and the moment I cannot clone myself. Overdubs are limited to complete passes and what I call “pseudo-live” in that it’s “use what’s committed to record” or “scrap the whole thing” to prevent losing the moment in the pursuit of perfection.

If at all possible, I record live in one pass, 24 tracks available at a time to allow me to focus on performance rather than mixing (and to use totally wet processing where needed live, not in post production).

Follow Robert Furtkamp via
Website
and
Anthology profile

 

Parasiel

 

Parasiel
(Rance)

Created during the process of charging the the first and second pentacles of Jupiter from The Key Of Solomon The King by Mathers in order to explore the idea of an angel, the entity was consumed and assimilated during spirit trance.

Hermetic Library Anthology Artist Children of Osiris

My name is Marc, I first encountered esoteric ideas when I was 15 years old in a book called The Black Arts by Richard Cavendish, It was not until I was 17 that I was introduced to the ideas in the Book of Thoth by Aleister Crowley (especially The Tarot and Animism) . I am now 45 and have related to various esoterica through music, art and personal practice during the intervening time. From Psychic TV and Coil to The shamen and Goa Trance via Throbbing gristle and everything in the Rave scene from the late eighties onwards. It seems impossible to fill this space with all my influences from the world of musick.

My process to create starts with words, I use keywords and expressions around an intention and cut up the ideas until they give birth to something that intuitively feels correct. I then paint the assemblage of language into a montage of symbolic images and colours. After this I charge the image through acoustic percussion and mantra (traditional or otherwise). Once I have obtained communication with my project and entered into a contract with it I move to my PC maintaining the state of trance and interaction in order to assemble a sonic tapestry of samples and sounds that reflect or are guided and informed to be representations of my communion with my work, I then edit and restructure. (Though not always) The sound has to be a reality of the contract/contact those are the terms and conditions.

I compose sound under three names Wolven Angel (Inspired by T.A.Z), M.A.R. and Children of Osiris, These personas/conditions/constructs serve different attitudes of purpose in order to guide certain aspects of my projects. Each set of conditions forms a set of temporary expressions recorded.

Follow Children of Osiris via
Soundcloud
and
Anthology profile

 

Invoke Me Under My Stars for the Darkness Shines

 

Invoke Me Under My Stars for the Darkness Shines
(Furtkamp)

A previously unreleased track …

Hermetic Library Anthology Artist Robert Furtkamp

In the beginning was the Word, and the Word was God. And in those sounds, the proto-sounds that came out of the void, the first form from formlessness, there is beauty.

Music for me has always been a spiritual pursuit — before I ever picked up an instrument, I found the ever-living spirit of the void in a fountain pen. And as I wrote, and read the works of Crowley and Spare and whatever a young man could scrounge before the Internet was young, words began to fail at times to convey the spirit of the Voice in the Void.

It wasn’t about verse-chorus-verse or format or key or even a definited note — if the Voice wanted to speak in those terms, it would just use words. But there were things I found, things I woke up with dancing in between my ears, that would not stop until I committed them to tape, that led to years of work with “automatic music”, the equivalent of automatic writing or drawing but with sound.

Sometimes it’s harsh, sometimes it’s beautiful. Sometimes the Angel sings. And sometimes it’s smaller than the moment and bigger than me. Hook up the recorder, plug in an instrument, hit record, bell, book, and candle, and it’s there.

The best things that come from my hands and my lips and my eyes aren’t mine. I don’t dare claim them as anything but the literal product of the Work. Even as my body has failed me and blessed formlessness is near, the Voice and the music and the echo is there.

These days I am a magician and musician and dreamer, mystic and idiot, effectively locked away from the world by the curse of failed flesh, but in the Voice and the sound and the music, I am free.

I have played absolutely free for twenty years — I have only broken this rule once, just to break it. I do not play covers or set songs or even my own material twice. It is a thing of the moment, living, breathing, dying, and remaining as a record of that thing, that intent. It is a sigil of the pain, the joy of existence, the sound of the moment.

It is generally recorded live or as live as it can be given that there are times when to satisfy the piece and the moment I cannot clone myself. Overdubs are limited to complete passes and what I call “pseudo-live” in that it’s “use what’s committed to record” or “scrap the whole thing” to prevent losing the moment in the pursuit of perfection.

If at all possible, I record live in one pass, 24 tracks available at a time to allow me to focus on performance rather than mixing (and to use totally wet processing where needed live, not in post production).

Follow Robert Furtkamp via
Website
and
Anthology profile

 

Moving Targets

 

Moving Targets
(Ace of Space/Paul Le Hat)

Hermetic Library Anthology Artist Ace of Space

Discontent is unavailable …

One man wave of cinematic electronica from Northumbria. Has so far produced five full length albums.

Whatever it means to Ace of Space it means capturing the moment, just like taking a photograph or snapshot, in musical terms. These eclectic collections are a mixture of old school electronica and guitar instrumentals and atmospheric soundtrack work.

Follow Ace of Space via
Blog
Bandcamp
Soundcloud
and
Anthology profile

 

Bilateral

 

Bilateral
(Carbenia)

Structure, built alchemical. A shadow of the singular, just as Heaven reflects the Earth a mound of miracles to offer – a mind as deep as any water. Timid, I approach the other and I show her what I brought her, it’s a world inside another, surely a miracle.

Out of Mister Rogers Neighborhood a ruckus. consult a guide or blind your eyes – on a magic carpet ride from Walgreens aisles, good golden Atlas came from a dream of mine and said to come again when I can stay a little longer, and stick around for Mister Rogers.

And so we ride the buttock of Babalon into orgasm. Breathe deeply be free my lover.

And as of the sun would set so streaks my subconscious into copper-colored waning sky and the deepening blue of the night. and as the Sun would rise, I’ll awake in your eyes into golden morning light as I shrug away the night.

When faced with death my ego stands and shouts into an empty place I know that this is all there is and ever was. He hoped the world might come together if taken in and torn to pieces and fit into the shape of something better.

And as of the sun would set so streaks my subconscious into copper-colored waning sky and the deepening blue of the night. and as the Sun would rise, I’ll awake in your eyes into golden morning light as I shrug away the night.

To all lower high mammals, I utter a remark: to hold your head higher. your spine will be straightened, your wallowing days in the mud sink far behind you. Your brains grow in size and might make you some money.

Hermetic Library Anthology Artist Firmament

Firmament is a Progressive/Alternative Rock from Canton, Ohio with Eric Carbenia, Alex Herstine, Matt Spradling, and Brandon Carbenia.

Follow Firmament via
Website
Soundcloud
Twitter
YouTube
Instagram
Facebook
and
Anthology profile

 

Harpy

 

Harpy
(Stibrany)

Hermetic Library Anthology Artist Chris Stibrany Terborgh my summer home

Raised for half of his life in The Netherlands and Germany, Chris also spent much time studying and working in Japan and Korea. After many various jobs and a short time in the Army, he currently resides with his wife in Colorado. Besides magick and meditation with a focus on Thelema, his hobbies are reading (fiction (horror, sci fi, classic lit), history, metaphysics/occult) playing the drums, and hiking and swimming.

Follow Chris Stibrany via
Soundcloud
and
Anthology profile

 

Magick, Music and Ritual 14 cover artwork

The cover for this 2018 issue includes the work “Babalon” by Luciana Lupe Vasconcelos, for this current year count Anno Viv, which can be represented by, and thus can be seen as having correspondence to, a combination of both Atu V, the Hierophant, and Atu IV, the Emperor. For me this cover is a compelling image that reflects key themes related to the library, including those of ritual, worship, eucharist, and, of course, Babalon.

Magick Music and Ritual 14 The Hermetic Library Anthology Album 2018 Babalon cover

 

There’s also an alternate cover, included in the digital download. This alternate cover includes “The Beast of Great Desire” by Luciana Lupe Vasconcelos. I have thoughts that include Goetic entities and Assyrian lamassu arise from this visual.

Magick Music and Ritual 14 The Hermetic Library Anthology Album 2018 alternate Beast of Great Desire cover

 

Luciana Lupe Vasconcelos, or just Lupe, is a Brazilian artist and illustrator born in the middle-western town of Goiânia in 1982. Drawing compulsively since early childhood, she developed through time and practice a strong sensibility for linework. Mysterious, fluid and dark, her art plunges on the realms of the mythical, mystical and occult. Ink is her medium par excellence, but she doesn’t shy away from other materials, notedly tempera gouache and acrylics. Her visual influences include ancient art from various cultures, medieval art, painters from the renaissance and baroque, symbolism, illustrators from the Golden Age, surrealism and the US east coast art scene from the mid 20th century, particularly the circle of Marjorie Cameron and Wallace Berman. She currently resides in the mountain town of Teresopolis.

Follow Luciana Lupe Vasconcelos via
Website,
Facebook,
Instagram,
Twitter,
and
Anthology Profile

The Hermetic Library Anthology Album – Magic, Music and Ritual 14

Magick, Music and Ritual 14, the one and only album in 2018, from the Hermetic Library Anthology project is now released for immediate digital download.

Magick Music and Ritual 14 The Hermetic Library Anthology Album 2018

 

Please join the Hermetic Library in thanking and promoting these artists who have contributed their work to this benefit anthology album project by picking up this release. Please also spread the word to people you think may be interested in the work of artists who combine magick, music and ritual.

Be sure to also check out the entire Hermetic Library Anthology project, all the previous releases; and consider picking up the digital download of this album and any other that strikes your fancy to help support the work of the library!

 

 

The full tracklist for the 2018 anthology album consists of 11 tracks by 9 artists:

  1. Chris Stibrany – Harpy 05:05
  2. Firmament – Bilateral 05:36
  3. Ace of Space – Melody for Erin 02:54
  4. Iterum Nata – The Principle of Rhythm 04:43
  5. Ace of Space – Moving Targets 02:31
  6. Robert Furtkamp – Invoke Me Under My Stars for the Darkness Shines 06:23
  7. Shams93 – The Revealing 02:49
  8. Children of Osiris – Parasiel 04:34
  9. Robert Furtkamp – Twin Pillars Crumble and Shake 06:07
  10. Chris Stibrany – The Witch House and the Reverberate Abyss 03:13
  11. Jesús A Vergara – Corpo Elipsis 39:54

 

Magick, Music and Ritual 14, the one and only album release for 2018 from the Anthology Project, is being released for the anniversary of the December 3, 1996 birthday of the Hermetic Library, with a playlist of 11 tracks by 8 artists, new and returning voices, for this Hermetic Library Anthology Album.

Our cover and alternate includes artwork by Luciana Lupe Vasconcelos for this current year in the Thelemic Calendar, An V:iv (2018 e.v.), which represents the docosade of Atu V, the Hierophant and the year of the Atu IV, The Emperor.

Please join the Hermetic Library in promoting these artists who have contributed their work to this benefit anthology album project. Please also spread the word about these anthology albums to people you think may be interested in the work of artists who combine magick, music and ritual.

The best way to add this anthology, as well as previous releases and future Hermetic Library albums, to your personal music collection is through the Patron campaign at Patreon. New Patrons receive a gratis download code for a previous anthology release of their choice in addition to all the other patronage rewards they may receive. Further, active Patrons also receive an additional gratis download code for every new release as they become available. Patrons as of this release will have had the opportunity to receive at least two full anthology albums from the collection, and more in the future, as well as helping to support the Anthology Project and the work of the library. Consider becoming a Patron today!

The release of a new anthology album is one of the highlights of my year, and always feels like opening a gift for the holidays after all the hard work for all the prior months. Only, this is a gift that I get to share with everyone, and everyone gets to open!

The Hermetic Library at Hermetic.com has an overall vision of Archiving, Engaging and Encouraging the living Western Esoteric Tradition. I started the benefit anthology project to help promote newer works in the Western Esoteric Tradition to the audience of the Hermetic Library and beyond. The anthology project also further raises awareness about the corpus and culture of magick and ritual. The site itself was started in 1996 and has ever since consistently been an extremely popular resource for students and researchers interested in the Western Esoteric Tradition. I encourage you to check out Hermetic Library and everything in the collection there, if you aren’t already familiar with it, as that’s the reason this project exists and may also offer inspiration to you.

Hermetic Library
Anthology Project
Become a Patron

Production by John Griogair Bell
Cover and alternate artwork by Luciana Lupe Vasconcelos

All songs used with permission. All rights reserved.