Tag Archives: beast

Straddle your Beast
My Masterful Bitch
With the thighs of you greased
With the Sweat of your Itch!
Spit on me, scarlet
Mouth of my harlot!

Aleister Crowley, Leah Sublime

The Confessions of Aleister Crowley

The Confessions of Aleister Crowley: An Autohagiography, edited by John Symonds and Kenneth Grant, the 1971 paperback from Bantam Books, is part of the collection at the Reading Room.

John Symonds Kenneth Grant Aleister The Confessions of Aleister Crowley from  Bantam Books

This is the first paperback edition of the single volume redaction of the multivolume The Spirit of Solitude, “re-Antichristianed” The Confessions of Aleister Crowley, which still has not been published beyond the first two volumes, and, in spite of the ad copy, this is, indeed, still an abridgement of the sourcework. Publication of the complete Confessions might, maybe, finally begin with volume 1 available sometime in 2013.

“Complete and Unabridged—The Profane and Uninhibited Memoirs of the Most Notorious Magician, Satanist and Drug Cultist of the 20th Century.”

“Aleister Crowley called himself ‘Beast 666’ and was a self-proclaimed saint of the Gnostic Church. He became a ‘god’ in his own temple at the age of forty-five. By that time, he was infamous in several countries as a writer, poet, painter, chess expert, master magician, mountaineer, drug addict and satyr.

Born in England in 1875, the sone of a wealthy brewer, Crowley totally rejected the Victorian hypocrisy of his day and dedicated himself to a life of debauchery, evil, Satanic spells and writing, especially on such topics as sex, magic and occultism.

A notorious pleasure-seeker, Crowley truly was the hippie of his age, ‘doing his thing.’ He was banned from Italy and was forced to leave other countries, always under mysterious circumstances. Crowley was a constant user of heroin, cocaine, opium, hashish and peyote, and early in his life earned a reputation for indulging in wild sex and drug orgies which he combined with his so-called religious rites.

his reputation followed him everywhere as he traveled from country to country, practicing witchcraft and black magic with his strange group of mistresses and eccentrics.

Colourful, feared, despised and admired, Crowley brought excitement and evil with him wherever he went. He was the author of several books, treatises and poems, many of which are widely read and appreciated today.”

“Aleister Crowley was poet, painter, writer, master chess player, lecher, drug addict and magician. his contemporary press called him ‘the wickedest man in the world.’ The most bizarre and notorious figure of his age, Crowley’s own story is now available in paperback from the first time.

But The Confessions of Aleister Crowley is more than just the autobiography of a man. It is also the portrait of an age. Everything is set down just as Crowley experienced it.

In addition to being a famed magician, Crowley also had a well-deserved reputation as a writer. his flair for literature and his gusto for life elevate this books several levels above the ordinary ‘confession’ type of literature prevalent in his day.

His writing is crisp, witty and amusing and always fascinating. Crowley believed that he could do anything he set his mind to. And he’ll make a believer out of you.”

 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.

The Magical Diaries of Aleister Crowley

The Magical Diaries of Aleister Crowley: Tunisia 1923 edited, with additional material, by Stephen Skinner, the 1996 paperback from Weiser Books, is part of the collection at the Reading Room.

Stephen Skinner's The Magical Diaries of Aleister Crowley from Weiser Books

“The complete diaries of Aleister Crowley cover his entire career in magic, from his initiation into the Hermetic Order of the Golden Dawn in 1898, to his death in 1947. These diaries record the development of Crowley’s synthesis of traditional Western ritual magic with Eastern yoga, tantra and sexual magic—culminating in the creation of Crowley’s ‘Thelemic Magick.’ The Magical Diaries of Aleister Crowley: Tunisia 1923 show one year in Crowley’s life. This particular year was a major turning point in his life—he and his followers has just been banished by Mussolini from their beloved Abbey of Thelema in Cefalu, Sicily. It marks a time of introspection for Crowley. In it he fully records his magical acts, the internal and external influences surrounding these acts, and their results. Also included are references to the commentaries on the Book of the Law, passages detailing drug use, the practice of sexual magic, descriptions of how he derived Qabalistic meaning from his works and life, interpretations of ‘Yi King’ (I Ching) divination, and other thoughts of a philosophic, religious, and magical nature. In these candid glimpses into Crowley’s mind the reader can see both the egocentric, self-aggrandizing ‘Beast 666’ and the doubts and misgivings of a man dedicated to the spiritual path.”


 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.

Overthrowing the Old Gods

Overthrowing the Old Gods: Aleister Crowley and the Book of the Law by Don Webb, from Inner Traditions, is scheduled to be published on Oct 15, 2013.

Don Webb's Overthrowing the Old Gods from Inner Traditions

“New commentaries on Aleister Crowley’s Book of the Law reveal how it is connected to both Right- and Left-Hand Paths

• Examines each line of the Book of the Law in the light of modern psychology, Egyptology, Gurdjieff’s teachings, and contemporary Left-Hand Path thought

• Explores Crowley’s identification with the First Beast of Revelations as well as his adoption of the Loki archetype for becoming a vessel of love for all humanity

• Recasts the Cairo Working as a text of personal sovereignty and a relevant tool for personal transformation

• Includes commentary on the Book of the Law by Dr. Michael A. Aquino, who served as High Priest of the Temple of Set from 1975 to 1996

Received by Aleister Crowley in April 1904 in Cairo, Egypt, the Book of the Law is the most provocative record of magical working in several hundred years, affecting not only organizations directly associated with Crowley such as the Ordo Templi Orientis but also modern Wicca, Chaos Magic, and the Temple of Set.

Boldly defying Crowley’s warning not to comment on the Book of the Law, Ipsissimus Don Webb provides in-depth interpretation from both Black and White Magical perspectives, including commentary from Dr. Michael A. Aquino, who served as High Priest of the Temple of Set from 1975 to 1996. Webb examines each line of the Book in the light of modern psychology, Egyptology, existentialism, and competing occult systems such as the teachings of G. I. Gurdjieff and contemporary Left-Hand Path thought. Discarding the common image of Crowley formulated in a spiritually unsophisticated time when the devotee of the Left-Hand Path was dismissed as a selfish evil doer, Webb unveils a new side of Crowley based on his adoption of the Loki archetype and his aim to become a vessel of love for all humanity. In so doing, he shows how the Book of the Law is connected to both Right- and Left-Hand Paths and reveals how Crowley’s magical path of mastery over the self and Cosmos overthrew the gods of old religion, which had kept humanity asleep to dream the nightmare of history.

Providing in-depth analysis of Crowley’s sources and his self-identification with the First Beast of Revelations from a profound esoteric perspective, Webb takes his views out of the Golden Dawn matrix within which he received the Book of the Law and radically recasts the Cairo Working as a text of personal sovereignty and a relevant tool for personal transformation.” [via]

In Nomine Babalon, CXXXIX

CXXXIX

Beyond life and death, beyond even love,

Choose carefully between serpent and dove!

And so to the Beast with his Lady thereon,

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

Aleister Crowley and Western Esotericism

Hermetic Library fellow T Polyphilus reviews Aleister Crowley and Western Esotericism, ed. Henrik Bogdan and Martin P Starr, from Oxford University Press:

Henrik Brogdan and Martin P Starr's Aleister Crowley and Western Esotericism from Oxford University Press

 

Oxford University Press has published a groundbreaking collection of academic studies concerning Aleister Crowley and his place in modern intellectual and religious history. The component chapters of Aleister Crowley and Western Esotericism had been written at various points in the last twenty years, and taken together they demonstrate the considerable breadth of relevant subject matter.

The Alex Owen chapter that follows the editors’ introduction is an earlier version of a paper that was eventually incorporated into her constructive monograph The Place of Enchantment, which provides a revisionary perspective on modern occultism. In this version, she seems to be at lesser pains to make Crowley out to be a villain against liberal ethics, but she has the same uninformed regard for his later career, using one or two references to conclude that he was broken and failed after his Algerian operations of 1909. The simple fact is that his most enduring and successful work was done after that: writing Magick in Theory and Practice, reforming O.T.O., designing the Thoth Tarot, and so on.

Marco Pasi provides a valuable primer for academic readers regarding Crowley’s ideas about magic and mysticism, elucidating a tension between the materialist theorizing of Crowley’s early work and the more metaphysical concessions of the fully-initiated Beast. Pasi rightly distinguishes between the Cairo Operation of 1904 and the subsequent attainment of Knowledge and Conversation of the Holy Guardian Angel that Crowley claimed in 1906, observing that the identification of Aiwass as Crowley’s personal genius was a later development. He errs, however, in speculating that the equivalence was formulated as late as the writing of Magick in Theory and Practice in the 1920s. In fact, it is a feature of Crowley’s 1909 vision of the Eighth Aire in The Vision and the Voice.

Volume editor Henrik Bogdan’s contribution is a solid paper that fills a lacuna in the literature on Thelema by pointing out the positive contribution of the Plymouth Brethren dispensationalist doctrine to Crowley’s idea of magical aeons. While acknowledging the contemporaneity of occultist “new age” concepts (contrasted as largely pacifist vis-a-vis the martial Aeon of Horus), Bogdan does neglect to point out the important symbolic grounding of Crowley’s hierohistory in the Golden Dawn Equinox ceremony. (For that in detail, see my web-published essay “Aeons Beyond the Three“.)

Gordan Djurdjevic’s paper presents “Aleister Crowley as Tantric Hero” in a morphological, rather than a genealogical sense, stressing the notion of functional parallel between Thelema and Tantra. He makes a sound point about the confusion over Crowley’s Tantric bona fides originating in the secondary materials of biographers and students, rather than Crowley’s own claims. But he fails to address the younger Crowley’s derision of Tantra (“follies of Vamacharya [debauchery]” in The Equinox), and omits to observe that while the older Beast claimed to have studied “numerous writings on the Tantra,” he conscientiously referred aspirant Kenneth Grant to David Curwen for sounder Tantric instruction than the Prophet of Thelema could supply.

In Richard Kaczynski’s chapter, the heroically thorough Crowley biographer provides a somewhat exhaustive exposition of a specific range of Crowley’s own sources, presenting Crowley as a synthesist of Rosicrucianism, Freemasonry, and phallicist theory of religion. These are certainly the ingredients that most saliently inform the O.T.O., and thus Crowley’s social/institutional legacy, and this chapter amounts first and foremost to a bibliographically-dense essay useful to readers interested in understanding precedents for Crowley’s work with O.T.O.

The Tobias Churton piece on “Aleister Crowley and the Yezidis” is admittedly speculative and conjectural, and terribly sloppy even so. Churton recklessly juggles the historical Crowley with the “‘Aleister Crowley’ of popular imagination,” while his comparisons to Yezidism are nearly all in the subjunctive. The paper goes from bad to worse as Churton provides a long concatenation of mixed-together quotes from Thelemic and Yezidi source material, distinguished from each other only in the endnotes! And then in a big wrapup, he writes like an episode of Ancient Aliens, letting loose a stream of absurd hypotheses in the form of questions (e.g. “Are Yezidis prototypes, or long-lost cousins, of Thelemites? … Was Crowley a Yezidi Prophet?”), and bashfully disdaining to answer them. As an “alternative history” video host might say: “Could these things be true??? The answer is: yes.” But they probably aren’t.

The “Frenzied Beast” paper by Matthew Rogers is excellent, but too short. The author’s conspicuous good looks are absent from the printed page, and the article would have been improved by adding further materials on Crowley’s orientation toward Neoplatonism. In particular, the augoeides doctrine in Crowley’s works should have been given more exposure in connection with the source material in Iamblichus, and there should have been a comparison of “astral travel” in Crowley’s modern occultism with its classical antecedents. Rogers is obviously aware of these features, and if he had known how long it would take this book to get to press, he probably would have expanded the scope of his paper to address them in greater detail.

Martin Starr’s chapter was first written for the prestigious Masonic research journal Ars Quatuor Coronati, and in it he attempts to explain Crowley’s relations with Freemasonry (originally to an audience composed of Masons who jealously assume the priviledged status of the United Grand Lodge of England and the “regular” bodies in its network of recognition). The chapter certainly presents a credible narrative to account for the development of Crowley’s distaste for and derision of Freemasonry. Since its original publication in 1995 however, this paper’s judgment of Crowley’s Masonic standing has received a considered rebuttal from David R. Jones, who also explains some of the technical terminology of Masonic organizing that Starr’s piece takes for granted. The relevant features of Crowley’s American period have been fleshed out in Kaczynski’s Panic in Detroit: The Magician and the Motor City.

The real opinions and motives in the relationship between Aleister Crowley and Arthur Edward Waite are a considerable enigma, and the chapter by Robert A. Gilbert provides as complete a picture of their interactions as one could reasonably expect on the basis of the surviving evidence, which makes for very interesting reading. Unfortunately, the closing paragraphs expose Gilbert’s hostility toward Crowley, offering condemnation in a nonsensical comparison with Waite. Supposedly, Waite left (in his writings?) a real means of attainment to later generations, while Crowley did not. And Gilbert derides the contemporary O.T.O. in terms that have had debatable applicability in earlier decades, but are certainly false now. Or is Gilbert here tipping his hand as an exponent for some survival of Waite’s Christianized “Holy Order of the Golden Dawn”? In the end, the matter is no clearer than the true sentiments of the dead occultists.

In another of the collection’s older papers, Massimo Introvigne offers a few startling errors about Crowley (e.g. claims that Crowley hated his father, that Leah Hirsig was his first Scarlet Woman), but none of them have much bearing on his fascinating central topic of Crowley’s admiration for Joseph Smith and Mormonism. Of the various papers in the volume, this is one of those which touches most directly on a larger theoretical issue of scholarship, in exploring the distinction between religion and magic in the inspiring and organizing of new sects. Sadly, Introvigne simply assumes the “magic” character (by his own definitions) of the revelation of Liber AL vel Legis, without any actual inquiry into or discussion of the Cairo working. In this chapter, Crowley ultimately serves as a hostile witness for the defense in an effort to exonerate Mormonism against accusations of having a magical basis. Not that Crowley was hostile to (his own notion of) Mormonism, but he would have wanted to see it convicted of magick!

In Ronald Hutton’s book The Triumph of the Moon (2000) he provided in one chapter what was at that time the most fair and thorough study of Crowley’s influence on the origins of modern religious witchcraft. His chapter here does not merely rehash that material, but updates it with new findings and perspectives. Unlike Introvigne, Hutton does perceive the properly religious character of Crowley’s 1904 revelation and consequent activities. However, he wants to dismiss the religious dimension of Thelema on the (somewhat justifiable) basis of the magical-rather-than-religious orientation of many latter-day Thelemites. It is an understandable position for him, in defense of his slogan touting Wicca as “the only fully formed religion that England has ever given the world.” (In light of the patently and confessedly religious nature of O.T.O., I would suggest a different gambit to Hutton: The revelation in Cairo to the globe-trotting adventurer Crowley, the German roots of O.T.O., and the subsequent formation of the first durable Thelemic communities outside of Britain indicates that Thelema isn’t so much a product of “England” as it is an inherently intercultural, cosmopolitan synthesis.) As in The Triumph of the Moon, Hutton is here focused on English witchcraft, especially as formulated by Gerald Gardner. He consequently gives no attention to the witcheries of American Jack Parsons and Australian Rosaleen Norton, both strongly influenced by Crowley themselves, and not via Gardner’s work.

The case of Norton is taken up in a study by Keith Richmond, who does her full justice. Adding nothing substantial to the reader’s knowledge of Crowley, Richmond instead illuminates Norton’s regard for and understanding of Crowley. She seems to have been friendlier to Crowley’s work in private than in public, which is understandable, in that she had no need to borrow notoriety!

Hugh Urban’s chapter treats Crowley’s possible influence on L. Ron Hubbard and the Church of Scientology. Urban does some contextual violence to various Crowley quotes from Magick in Theory and Practice, but his readings may be consistent with the way Hubbard approached the material, so for immediate purposes there’s not much point in arguing about them. The chapter’s thesis is the conclusion that any dispassionate observer should reach: Hubbard was influenced by Crowley, but Scientology incorporates so many other elements — some others of which have come to predominate while the ones rooted in magick have faded — that it would be false to simply view it as some sort of crypto-Thelema.

The final chapter, contributed by Asbjørn Dyrendal, is an assessment of Crowley’s influence on two of the seminal organizers of contemporary Satanism: Anton LaVey and Michael Aquino, of the Church of Satan and Temple of Set respectively. Although there is a little confusion of the distinct notions of “black magic” and the “Black Brotherhood” in Crowley’s work, this examination is conducted with great care and accuracy on the whole, pointing out both debts to Crowley and explicit rejections by Satanists of some of his teachings. It is interesting to contrast the Satanists’ criticisms of Crowley with Urban’s appraisals of him, since they come to such different conclusions. (While I differ with their ultimate valuations, I think the Satanists are more accurate here.) Although Dyrendal touches briefly on LaVey’s successor Peter Gilmore, he keeps the discussion very focused on the two Satanist founder figures, and it would have been interesting to bring in some of Don Webb’s outspoken opinions on Crowley, for example (he wrote a short monograph called Aleister Crowley: The Fire and the Force), thus demonstrating Crowley’s direct effects on the enduring Satanist milieu.

With a few minor exceptions, the level of scholarship in this volume is impressive. More than that, the papers tend to be lively and challenging reading. As Wouter Hanegraaff points out in his foreword, the caricature of Crowley as a quasi-medieval Doctor Faustus conceals a figure who is quintessentially modern, and to give the Beast his third dimension places him in the same space that the reader inhabits. [via]

 

 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.

In Nomine Babalon, CXXIII

CXXIII

The Aeon of Mars is the aeon of war,

Given birth by the Beast 666 and his whore

And the stele that they call abomination!

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

In Nomine Babalon, CXVI

CXVI

To his lady the Beast sings a lustful tune

For he is a sun and his lady a moon.

Their love is creation, the world is their spawn!

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

In Nomine Babalon, LXVI

LXVI

Seven are the heads of the Beast that She rides!

Concealed, Her star in the firmament hides

The mystery of Her initiation!

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.

In Nomine Babalon, XXXIV

XXXIV

In Her love chant She is calling to all —

The beast and the man, the great and the small.

Listen within and you will hear Her beckon!

I raise up the cup and adore Babalon!

In Nomine Babalon: 156 Adorations to the Scarlet Goddess

 

The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.