The Goat: Building The Perfect Victim by Bill Kieffer was something I picked up because it appeared on the Hermetic Library ad spaces through Project Wonderful, and had a pretty compelling illustration with interestingly bizarre description. Turns out it really was quite interestingly bizarre. The erotica part wasn’t exactly my cup of tea, but it was a good story of strangeness in a world of magic, where the magic part is a part of the story but is more ambient than a character. The erotica is there, but it’s not really the main thing either. I suppose I’d say the story seems largely an exploration of dysphoria in a real but also allegorical way as it might present in a world full of magic. Still, the magic doesn’t show up right away, almost comes as a surprise at first, and builds throughout until the final twist. The world, the magic and the story all seemed well developed and believable (and I remember thinking … this is like Shadowrun, but in the rust belt). The final twist made me leap back to the cover to see if there was a clue I missed, and I’m not sure; maybe it’s there but maybe not. There’s probably some trigger warnings for abuse needed, but it is billed as twisted and subversive, and that it is, so there you go. Well, it’s a creative story in an interesting world, even if you’re not there for the homo-erotic S&M; and if you are, then, there’s something extra for you.
I made 5 highlights.
Originally posted on my personal blog at The Goat
“Wow, Dory – a succubus, really?” I hear you, the reader, coo at your device. “That’s exotic and exciting! And hot!” Yeah, yeah, cool down already.
B L Lacertae, DORIANA: Succubus At Large!
The Copper Cascade: A Virulent ChapBook by Kneel Downe, foreword by Steve Taylor-Bryant, is the “first in a series of Virulent ChapBooks which introduces readers to the characters and concepts of Kneel’s universe”. Apparently there’s a giant and complex VirulentBlurb corpus from which this collects a coherent short selection of extracts, but it stands well enough on its own. The constructed story itself reads to me as as a kind of alternate X-Men tale, of superheroes and villains, mainly from the point of view of the Magneto-like character Dark Deliverance, and interviews by the detective Kurt Lobo. I’m not super interested in diving into the deep water of the entire corpus, but this was interesting and complete in itself. So it could serve as the first step down the rabbit hole, or be a quick satisfying read. For me, it’s going to be the latter.
I made 8 highlights.
Originally posted on my personal blog at The Copper Cascade
Whatever, it was a hot dream minus the squid part
B L Lacertae, DORIANA: Succubus At Large!
The idea that I was building a library to bequeath to the next generation is one of the greatest fallacies of my life. The next generation don’t want old books – they don’t seem to want books at all.
Linda Grant, I Murdered My Library
The Librarian: Little Boy Lost by Eric Hobbs is a neat framing pastiche which sets up a premise where the Astoria Public Library (in nearby-ish to me Astoria, Oregon!) is magically connected to famous public domain fantasy worlds from other books, like Neverland, Wonderland, Oz. I couldn’t help but be interested in a story with a magical library. Definitely targeted at a younger audience, but it was still interesting enough as, mentioned already, a pastiche and a bit formulaic in places. I’m not likely to read the next installment, but it was good for a lark, and I’m sure it would be more fun for someone more in the directly intended audience.
There was one interesting thought I had while reading this that I’m not entirely sure was intended, but one of the themes is how the characters in the famous stories are trapped by the writing to repeat the same thing over and over forever. “It was the curse of living a life controlled by words on a page” was something I highlighted. They are trapped by the words in their books. This seemed an interesting allegory for me about people who let themselves be trapped in their lives by books, whether for escape or as sacred volumes. The thought I got from this was that people curse themselves by such things, and don’t let themselves live their own creative lives. To be sure, there’s a creative cosplay and fanfic way to engage with personally meaningful books, but there’s also a way to become small and narrow and diminished. The former seems fun and fine for everyone. The latter seems a true curse to not only themselves but the rest of us as well.
I made 6 highlights.
Originally posted on my personal blog at Little Boy Lost
The signs of the occult script are not arbitrarily invented; they correspond to the forces actively engaged in the world. They teach us the language of things.
Rudolf Steiner, How to Know Higher Worlds