Yet excess is the secret of success.
Aleister Crowley, The Old Comment on Liber Legis, II.71
Hadit is hidden in Nuit, and knows Her, She being an object of knowledge; but He is not knowable, for He is merely that part of Her which She formulates in order that She may be known.
Aleister Crowley, eds Symonds and Grant, The Magical and Philosophical Commentaries The Book of the Law, II.4
Let all men obey me, The Beast, the Prophet of Nuit! For my number is 666, the Number of the Sun. That is, I am the Light and Centre of their system of Stars; and my Word is as a ray to them who are of Earth. Let them obey the light, and Impulse of that which I am in Truth, although I lie deep hidden in a body of flesh. Seek ye to know Nuit! Seek to enjoy all that may be, although ye loathe it in your souls. This is your ordeal, which ye must pass in order to be free and whole; to know all things alike, to try, to do, to love and to rejoice in all.
Aleister Crowley, The Djeridensis Comment on Liber Legis, I, 32
The essence of a Man and Woman—each being a Star or sovereign God poised in Space by its own act—is clothed in thoughts and deeds as is its Nature, hidden by them. This essence is all-worthy; adore it, and the light of all that may be shall be shed upon you.
Aleister Crowley, The Djeridensis Comment on Liber Legis, I, 9
TO KNOW, TO DARE, TO WILL, TO KEEP SILENT, are, as we have said elsewhere, the four qabalistic words which correspond to the four letters of the tetragram and to the four hieroglyphic forms of the Sphinx. To know, is the human head; to dare, the claws of the lion; to will, the mighty flanks of the bull; to keep silent, the mystical wings of the eagle. He only maintains his position above other men who does not prostitute the secrets of his intelligence to their commentary and their laughter.
Éliphas Lévi, trans. Aleister Crowley, Liber XLVI The Key of the Mysteries
The book was, in fact, a subtle and eloquent parody of the intellectual parasitism of the critic, and much of the delight lay in the knowledge that both the errors of play and the articulate nonsense of the commentary were so arcane that most readers would nod along in grave agreement.
Trevanian, Shibumi: A Novel [Bookshop, Amazon]
Blake, Jung, and the Collective Unconscious: The Conflict Between Reason and Imagination by June Singer, introduced by M Esther Harding part of the Jung on the Hudson book series, a 2000 paperback from Nicholas-Hays, is part of the collection at the Reading Room.
Amusingly, I also have a previous version of this same book, which I purchased on a separate occasion, but that has a different, more provocative, title and from another publisher: The Unholy Bible: Blake, Jung, and the Collective Unconscious by June Singer, introduced by M Esther Harding, a 1986 paperback from Sigo Press, is also part of the collection at the Reading Room.
“More than ever, the time is ripe for June Singer’s penetrating commentary on William Blake’s work. The Marriage of Heaven and Hell. For even the most devout literary scholars and art historians, much of Blake’s mystical visions and writing are perplexing. With his pen and brush, he gave birth to mythological figures and fantastic metaphors. Singer shows us that Blake was actually tapping into the collective unconscious and giving form and voice to primordial psychological energies, or archetypes, that he experienced in his inner and outer world. Blake’s writing and art was his personal dialogue between God and his own inner self—a reconciliation of duality—in which we can find clues to contemporary issues.
In the 18th century, Blake was a pioneer in finding, nurturing, and celebrating his personal connection with the divine, a search that still appeals to people who are coming to terms with the contemporary struggle between science and spirituality—the conflict between reality and imagination. With clarity and wisdom, Singer examines the images and words in each plate of Blake’s work, applying in her analysis the concepts that C. G. Jung advanced in his psychological theories. There is no more perfect lens with which to look at Blake’s work than that of Jung’s concept of the archetypes, the process of individuation, and the mysterium coniunctionis, in which consciousness and the unconscious are united.
This edition includes a new preface by Jung [sic!] Springer and a reproduction of 24 pages from Blake’s The Marriage of Heaven and Hell.” — back cover