In the middle ages the magicians who created monsters were haunted by them forever after. We are all haunted by dreams and shadows. The dreams of happiness and the shadows of disappointments.
This war is as ancient as the world; the Greeks figured it under the symbols of Eros and Anteros, and the Hebrews by the antagonism of Cain and Abel. It is the war of the Titans and the Gods. The two armies are everywhere invisible, disciplined and always ready for attack or counterattack. Simple-minded folk on both sides, astonished at the instant and unanimous resistance that they meet, begin to believe in vast plots cleverly organized, in hidden, all-powerful societies. Eugène Sue invents Rodin; churchmen talk of the Illuminati and of the Freemasons; Wronski dreams of his bands of mystics, and there is nothing true and serious beneath all that but the necessary struggle of order and disorder, of the instincts and of thought; the result of that struggle is balance in progress, and the devil always contributes, despite himself, to the glory of St. Michael.
Éliphas Lévi, trans Aleister Crowley, Liber XLVI The Key of the Mysteries
Next day, the victims each receive a letter explaining that their receipt of the objects effected the delivery of a curse. The hex will cause them to come to know their true desires, symbolized by the magical objects. They will also now begin to realize they are acting as enemies of the human race by commodifying desire and working as the agents of soul-Control. The magic art-objects will weave into their dreams and desires, making their jobs now seem not only poisonously boring but also morally destructive. Their desires so magically awakened will ruin them for work in the Media – unless they turn to subversion and sabotage.
Hakim Bey, The Occult Assault on Institutions
is not the entirety of life one absurd story, one unbelievable and foolish tale? Am I not writing my own fable and tale? A story is nothing more than a way of escaping unfulfilled dreams,—dreams that have not been reached, dreams that each storyteller has imagined according to their own inherited and constrained state of mind.
Hillman’s slim volume is the best book I have read about the significance and experiential weight of dreams. He opposes the therapeutic and vulgar divinatory approaches that want to merely convert dreams into utilities of waking consciousness. While situating his study within the psychoanalytic tradition, he constructs his theory with extensive reference to classical notions of death and the underworld.
Magicians reading carefully can also find a wealth of pointers about the “astral” and the full range of visionary experiences which access materials from an unconscious source–collective or individual. In fact, this book is one of the most valuable texts I have found for that purpose.
An early monograph by Hillman, The Dream and the Underworld has a style that is more incisive and demanding than his later popular work like The Soul’s Code. He often uses untranslated Greek terms in order to orient the reader to what is likely to be at first an alien perspective on the underworld into which we all must descend. Although short, it requires genuine work to read, and it should repay the effort well.
You adapted, and you made sacrifices. You did it for your children or for love. You did it because of illness or because of an accident. You did it because you had new dreams
Thomas Olde Heuvelt, Hex
The Forest comes to us in dreams, in whispers. The Forest is in us.
J Damask, Wolf at the Door
He inhaled briskly, and the Beau Nash mixture stung his nose, burned the roof of his mouth. But still he inhaled; it woke him up and allowed his dreams, his nocturnal desires and random wishes, to condense into a semblance of rationality.
Philip K Dick, Total Recall