Tag Archives: egyptian underworld

Omnium Gatherum: Aug 28th, 2013

An irregular hodgepodge of links gathered together …

Unicursal Gareth Branwyn illustration
Boing Boing’s Gareth Branwyn is crowdfunding a book [via]

 

  • Mark Stavish, via email; from the your-shortfall-is-more-than-my-entire-budget dept.

    “The New Alexandrian Library Project is nearing completion, but, has fallen short by about $50,000 of its financial goal. Ground has been broken, and construction underway, but more money is needed.”

  • Unearthed Peruvian tomb confirms that women ruled over brutal ancient culture” — Scott Sutherland, Geekquinox [HT Anne Rice]; from the girt-with-a-sword dept.

    “Centuries ago, in the Sechura Desert of northern Peru — one of the most arid and brutal environments on our planet — the Moche people developed an equally-brutal culture. With no written history left behind, much of their society still remains a mystery, but paintings on pottery have shown researchers evidence of a rigid culture of survival, with ritualized combats where the losing side was sacrificed.

    Findings in recent years expanded the tale of these people even further, telling a story of how they were ruled by women, priestesses who also acted as queens.”

  • The Elements and the Four Cardinal Directions” — Aaron Leitch, Aaron Leitch’s Blog [HT Sorita d’Este]

    “To my knowledge, there are no systems of correspondences of Elements to directions that go back to 5000 BCE. The earliest such correspondences could have arisen would have been in cultures that developed astrology – likely going back no further than Babylon. Not even Egypt had such correspondences that I know of – though they did have the four Sons of Horus as the pillars of the four directions (associated with the arms and legs of Nut), I’ve never seen any Egyptian text that associates them directly with four Elements.”

  • The Placing of the Elements In A Golden Dawn Temple” — Alex Sumner, Sol Ascendans

    “The magical inner-workings of the Golden Dawn ceremonies take the Temple, and astrally transport it through Time and Space and across dimensions – to the Hall of the Duat, in the Egyptian otherworld.

    Hence, the correct placing of the elements should neither be for the Northern Hemisphere, if your temple is in the Northern Hemisphere, nor for the Southern Hemisphere if it is physically located there, but for how the elements would be placed in the Hall of Judgement in the Egyptian otherworld.”

  • A Very British Witchcraft — channel4.com; from the fire-up-the-vpn dept.

    Channel 4's A Very British Witchcraft

    “The extraordinary story of Britain’s fastest-growing religious group — the modern pagan witchcraft of Wicca — and of its creator, an eccentric Englishman called Gerald Gardner.

    Historian and leading expert in Pagan studies Professor Ronald Hutton explores Gardner’s story and experiences first-hand Wicca’s growing influence throughout Britain today.

    Born of a nudist colony in 1930s Dorset, Wicca rapidly grew from a small New Forest coven to a worldwide religion in the space of just 70 years.

    It’s a journey that takes in tales of naked witches casting spells to ward off Hitler, tabloid hysteria about human sacrifices and Gerald Gardner himself appearing on Panorama.” [via]

  • Love Spells, Prostitutes, and Poison” — Sarah Veale, Invocatio

    “When we think of magic in the ancient world, we tend to think that what we today consider magic was, back then, simply religion. Certainly this holds true for things like worshiping many gods, divining the future, or other such activities. But there definitely was a subset of ancient practice that was considered to be against the grain. Those engaging in such practices go by many names: magoi (a term used to refer to ‘Eastern’ holy men), pharmakeis (those skilled with drugs and potions), goetes (spiritual practitioners who engaged the dead), and epodoi (singers of incantations). But all had one thing in common: they were perceived as working against nature, and thus society in general.”

  • Why terrorist bosses are micro-managing dicks” — Cory Doctorow, Boing Boing [See, Amazon]; from the show-mommy-exactly-where-you-helped dept.

    “It comes down to this: people willing to join terrorist groups are, by definition, undisciplined, passionate, and unbalanced, so you have to watch them closely and coordinate their campaigns.”

  • Cyber-Harassment: What the Online Community Can Do to Stop the Trolls” — Jade Walker, huffingtonpost.com; from the disgustipated dept.

    “Basically, don’t feed the egos of the attention-starved people who use the Internet to (often anonymously) defame, harass and frighten. Or worse, accept that this is how the world should work instead of trying to change it.

    To which, I call bullshit.

    I would not tolerate such behavior in person, and I am certainly not about to do so online. Thankfully, I’m not the only one who feels this way. Others have also decided to fight back.”

  • Anita Sarkeesian at TEDxWomen 2012“; from the nobody-goes-there-anymore-it’s-too-crowded dept.

    “… creating an environment too toxic and hostile to endure.”

Aleister Crowley in the Mouth of Hell

Aleister Crowley in the Mouth of Hell: The screenplay never filmed by Carlos Atanes, previously mentioned, is now available.

Carlos Atanes' Aleister Crowley in the Mouth of Hell

“Underground filmmaker Carlos Atanes has been trying to make a movie about Aleister Crowley and his Magick for more than ten years. In the beginning of 2007 this was the third and last attempt of the deal with Magick: “Aleister Crowley in the Mouth of Hell”. This script is structured in the reverse order of the Major Arcana of Crowley’s Tarot. The plot describes the mystical trip of Crowley through the Duat, the egyptian underworld, the encounters with significant characters in his real life (people such as Hanni Jaegger, Fernando Pessoa, Leila Waddell, Victor Neuburg, Raoul Loveday) and the confrontation with the demon Choronzon, his old adversary. Here you have the screenplay such as it was written and never filmed.” [via]

 

 

Aleister Crowley in the Mouth of Hell

Aleister Crowley in the Mouth of Hell by Carlos Atanes is an unfilmed screenplay, that is being made available as a book in March.

Carlos Atanes' Aleister Crowley in the Mouth of Hell

“Underground filmmaker Carlos Atanes has been trying to make a movie about Aleister Crowley and his Magick for more than ten years. He started in 2002 shooting two crowleyesque feature length films, Ian Perplexed and Perdurabo. They were both unfinished. On the way he made two non-crowleyesque movies, FAQ and PROXIMA.

In the beginning of 2007 this was the third and last attempt of the deal with Magick: In the Mouth of Hell. Atanes wrote it for two years, until the end of 2008. This script is structured in the reverse order of the Major Arcana of Crowley’s Tarot. The plot describes the mystical trip of Crowley through the Duat, the egyptian underworld, the encounters with significant characters in his real life–people as Hanni Jaegger, Fernando Pessoa, Leila Waddell, Victor Neuburg, Raoul Loveday– and the confrontation with the demon Choronzon, his old adversary.

Atanes’ intention was to shoot it in Spanish with his flagship actor Manuel Solàs playing the mature Crowley. While he was looking for fundings he was shooting another two apparently non-crowleyesque feature movies, Maximum Shame and Gallino, the Chicken System–although this one contains clear references to Sexual Magick.

In the Mouth of Hell was a complex and expensive project, and it was not conceived for everybody but just for curious, informed and/or initiated audiences, which means an added difficulty to attract producers and investors’ interest. After four years of search, finally fundings didn’t arrive and Atanes threw in the towel. He decided to shelve the matter. But he also thought it would be a pity to bury a text that could be interesting for all of those who were waiting for this film for a decade. This way people could watch the film and recall in their heads.

This is the screenplay such as it was written and never filmed.” [via]