Tag Archives: england

In 1712 the last execution for witchcraft occurred in England; in 1714 witch trials were abolished in Prussia. In 1715 an Italian Jesuit missionary, Castiglione, arrived in China; in 1716 the Chinese abolished Christian teachings. In 1717 Freemasonry was formalized, with the establishment of the first Grand Lodge in London.

Terry Melanson, Perfectibilists: The 18th Century Bavarian Order of the Illuminati

Omnium Gatherum: May 14th, 2014

An irregular hodgepodge of links gathered together … Omnium Gatherum for May 14th, 2014

The Magician from The Disney-D'Morte Tarot
The Magician, The Disney-D’Morte Tarot [HT Boing Boing]

 

  • Review: ‘Aleister Crowley’ explores the life and times of the notorious icon ” — Brooke Wylie, Examiner.com

    “Detractors of rock n’ roll have long called the genre, the ‘Devil’s music,’ so in some ways, it’s all too natural that Gary Lachman (known by his stage name Gary Valentine, to some), who is a founding member of Blondie, and has shredded with Iggy Pop, should eventually become an expert on mysticism and the occult. His latest work, Aleister Crowley: Magick, Rock and Roll, and the Wickedest Man in the World (available May 15) tackles not only the life and times of the illustrious figure, known by many as The Great Beast, but also the collision of Crowley’s legacy with popular culture.”

    The review includes this apropos and awesome typo (emphasis added): “Crowley’s word is a strange one indeed, and wrapping one’s mind around it can be a substantial challenge at times.”

     

  • Was Jesus a Magician?” — Helen Ingram

    “One of these lectures introduced me to the character of ‘Jesus the magician’ and the work of Prof. Morton Smith, who claimed that Jesus’ conduct within the Gospel material constituted a ‘coherent, consistent and credible picture of a magician’s career.’ The theory that the historical Jesus was actively practicing magic and that this behaviour is reflected in the Gospel materials was a very intriguing proposal and immediately stimulated a personal interest in this field of research. This curiosity culminated in the submission and acceptance of my PhD thesis …”

  • SATANIC BLACK MASS AT HARVARD, SATANIC MONUMENT IN OKLAHOMA” — Paul McGuire, NewsWithViews.com; from the RTFM dept.

    “But the software of God, which is the downloading of cosmic apps, should be understood as nothing more than a contemporary parable to explain in understandable terms the gifts and abilities that the Living God gives people on a natural and supernatural level, the gifts of the Spirit. Tragically, most of the modern Pentecostal and Charismatic movements which emphasized these gifts did so in a very distorted and degraded manner, so that these terms have become synonymous with hyper-emotionalism, crazy behavior and aberrant behavior. This is a degradation and improper use of both the software and the apps. They did not read the basic operating instructions provided in the manual.”

  • The Colbert Report on the Oklahoma Baphomet monument, including a call-in by Satan, Lord of Hell, himself [HT The Lost Ogle]

     

  • Real Satanists Don’t Send Press Releases” — Thomas L McDonald, God and the Machine

    “The modern so-called Satanists who make all the noise are not really Satanists. They don’t actually believe in Satan. Most are atheists who couch their so-called ‘Satanism’ in terms of resistance or philosophy. It’s not a religion, but a critique of religion, or somesuch blather. It’s all theater.”

    “The black mass emerged again in the 19th century in the salons, universities, and intellectual circles of Europe, which was the wellspring of modern occultism. Lacking much primary documentation, the upper classes mostly invented their version of a black mass influenced by literature and structured around a simple inversion of the Catholic mass. No real tradition directly linking medieval diabolism to modern so-called Satanism exists, which means horror movies, fiction, and imagination are at the root of most modern practice.”

  • God is dead—What next? Searching for meaning in the age of atheism” — Alasdair Craig, Prospect [HT Arts & Letters Daily]

    “[Peter] Watson is more optimistic about the possibility of an emotionally satisfying atheism. His proposal is that we use art and literature to comprehend and re-enchant the world that science has made foreign. Science is one way of understanding the world; art and literature another, he seems to say. Science provides technology, medicine and abstract knowledge; art provides meaning, purpose and a different, more intimate and immediately relevant kind of knowledge. God’s death just means that we need to construct our own, non-authoritative narratives and art, replete with purpose and meaning. Instead of one unified story to which everyone subscribes, we should play around with a plurality of downgraded stories, which can form the basis of our day-to-day lives.”

     

  • Ancient Egyptians transported pyramid stones over wet sand” — Ans Hekkenberg, Phys.org

    “Physicists from the FOM Foundation and the University of Amsterdam have discovered that the ancient Egyptians used a clever trick to make it easier to transport heavy pyramid stones by sledge. The Egyptians moistened the sand over which the sledge moved. By using the right quantity of water they could halve the number of workers needed. The researchers published this discovery online on 29 April 2014 in Physical Review Letters.”

    “The Egyptians were probably aware of this handy trick. A wall painting in the tomb of Djehutihotep clearly shows a person standing on the front of the pulled sledge and pouring water over the sand just in front of it.”

  • Review: Limp Renaissance sex romp a poor Carry On indeed” — Rebecca Harkins-Cross, Brisbane Times

    Elixir is based on the escapades of Edward Kelley and John Dee, a famed occultist duo in Renaissance England who professed the ability to summon angels and to conduct alchemy. […] [Edward Kelley (Christy Hawkins)] concocts a cunning plan to unlock his colleague’s wife Jane’s (Naomi Takita) chastity belt and pacify the emperor simultaneously, convincing Doctor Dee (Stephen Weir) the elixir should be made from wizard seed and a cuckold’s tears.”

  • Scientists Confirm Vampires Were Onto Something” — Maxwell Barna, VICE News

    “New research published this week by two teams of scientists confirmed what Bram Stoker and countless philosophers, scientists, and cannibals have long posited — there’s an indisputable relationship between blood and aging.”

    “‘When we added young blood, the older mice not only looked better, but they became cognitively better,’ Saul Villeda, the principal investigator at UCSF’s Villeda Lab, told VICE News. ‘It’s like we can turn back the clock on some parts of aging.'”

  • Footage of Orson Welles’s ‘Voodoo’ Macbeth” — National Film Preservation Foundation

    “It had long been assumed that no sound or moving images survived from Orson Welles’s legendary ‘Voodoo Macbeth,’ the Federal Theatre Project’s 1936 Harlem stage production of Shakespeare’s play, set in Haiti with an African American cast. But priceless historical footage can turn up within unlikely places. This long-forgotten record of the first professional play staged by Orson Welles was found in another film, the U.S. government-produced We Work Again, a Depression-era documentary on African American employment.”

  • Stonehenge Discovery ‘Blows Lid Off’ Old Theories About Builders Of Ancient Monument” — Macrina Cooper-White, Huffpost Science

    “Last October, [David] Jacques led an archaeological dig at a site 1.5 miles from Stonehenge. His team unearthed flint tools and the bones of aurochs, extinct cow-like animals that were a food source for ancient people. Carbon dating of the bones showed that modern-day Amesbury, an area that includes the dig site and Stonehenge itself, has been continuously occupied since 8820 B.C. Amesbury has now been declared the oldest continually occupied area in Britain.

    The finding suggests that Stonehenge was built by indigenous Britons who had lived in the area for thousands of years. Previous theories held that the monument was built in an empty landscape by migrants from continental Europe.”

  • Ancient Desert Glyphs Pointed Way to Fairgrounds” — Sean Treacy, Science

    “Seen from above, the jagged rocks strewn about the Chincha Valley desert in Peru seem inconspicuous. But stand in the desert itself and these rocks form lines that stretch toward the horizon. Researchers have found that these lines were probably ancient signposts for the Paracas culture more than 2000 years ago, guiding people across the desert to gathering places for the winter solstice.”

  • Astronomers Identify the Sun’s Long-Lost Sister” — Becky Ferreira, Motherboard [HT Slashdot]

    “HD 162826 is 15 percent more massive than our Sun, and is about 110 light years away in the constellation Hercules. It’s not visible to the naked eye, but it is bright enough to be seen through binoculars.

    Astronomers had been observing the star for almost two decades without realizing it’s the long-lost sister of the Sun.”

  • LGBTQ Tolerance in the Golden Dawn” — Alex Sumner, Sol Ascendans

    “Say what you like about MacGregor Mathers, but on one point he was resolute: he would not brook gossip about Fratres’ and Sorores’ lives — this being a matter purely between themselves and their God. […] Mathers’ firm stand has led to a progressive consequence: the Golden Dawn was the first magical order to adopt a modern approach to tolerance. However, the Western Mystery Tradition was almost derailed by the efforts of Dion Fortune.”

  • Aleister Crowley, aliens, owls and Jesus” — Mike Clelland, hidden experience

    “Little is known of the origin of the big headed entity known as Lam. All that can be known for sure is that this image was drawn by Aleister Crowley to depict a being that was summoned during a magickal ritual titled The Amalantrah Working. This sketch later hung on a gallery wall at Crowley’s Dead Souls exhibition in Greenwich Village, New York, in 1919.”

    “Things get weirder, when the image is reversed, an image of an owl emerges! Granted, I’m seeing owls everywhere I look these days, but still.

    Also, the name Crowley has OWL embedded right in it.”

  • Black magician Aleister Crowley’s early gay verse comes to light: Notebook of poems written by heartbroken occultist in 1898 to be exhibited at antiquarian book fair in London” — Maev Kennedy, The Guardian

    “In 1898 the Wickedest Man in the World was feeling thoroughly sorry for himself. The occultist Aleister Crowley’s first great love affair, with fellow Cambridge undergraduate Herbert Jerome Pollitt, was in ruins, and he took to poetry as his only solace.

    ‘When my sick body in his love lies drowned/ And he lies corpse-wise on me, nor will rise/ Though my breath shudders, and my soul be dead,’ he wrote — and much, much more — in a tiny notebook of unpublished manuscript poems which has recently resurfaced.

    The actor and rare book dealer Neil Pearson, who will exhibit the little book at the Olympia antiquarian book fair in London later this month, concedes that this is not great poetry. ‘The verse is rather broken-backed, and vulgar where he is trying to be honest. But it was written at a time when he was feeling heartbroken and vulnerable and it does somehow humanise him — and God knows Aleister Crowley, more than most people, needs humanising.'”

  • Critical Thinking #5: Marina Warner: The critic and mythographer on fairytales, feminism, modern art, translation and the LRB” — Zeljka Marosevic, Prospect [HT Arts & Letters Daily]; this seems quite an interesting interview, but here’s a few excerpts that caught my eye

    “It’s often encountering the faith of others that I’ve found most disturbing. I don’t wish to scorn faith as it’s a universal part of human consciousness. But as such, it’s a deep puzzle, and I’m interested in its effects and manifestations. I worry about the effects of it, especially in our increasingly conflicted religious world.”

    “Grappling with myths has been my principal interest for years, even to a certain extent, my cause: to put the study of imaginative structures back into the frame when confronting important issues. Not to think of imagination and fantasy as merely childish, or to dismiss them as having no purchase on reality.”

    “Myth and fairy tale have definitely returned. First of all there’s a generation who have grown up on Dungeons and Dragons, Tolkien and Narnia, and now, Philip Pullman and Harry Potter. I haven’t read the Twilight stories so I probably shouldn’t talk about them, but I have watched one of the films, and it seems to me that it’s an example of the problem of attenuation: instead of getting richer, these stories are being told in a less rich way, and the vampires are being tamed!”

  • ‘I gather the limbs of Osiris’: Notes on the New Gnosticism” — Henry Gould, Coldfront

    “One way to think of the New Gnosticism, then, might be as the overturning of an analytical negation (Language Poetry). It includes, also, a reversal of the ‘old’ Gnosticism: which was itself a sort of skeptical deconstruction of canonical Biblical texts.”

    “The infinite starry realm of scribbling, scrambling poets every now and then produces a new galaxy, that is, a new movement or school. These emergent phenomena always generate a contradictory mix of enthusiasm and doubt.”

  • Do What Thou Wilt” — Brandy Williams, Star and Snake

    “The Law applies equally for everyone; each person, each creature, has their own will to do. It’s not my business to figure anyone else’s will out for them.”

  • Exploring Thelema and Chaos Magick, with Pete and Sef (Part 4)” — The Blog of Baphomet

    “‘Pure Will’ ‘unassuaged of purpose’ sounds like it can mean anything, everything, or nothing. I consider that people consist of the totality of what they do (which of course includes what they think). The idea of their having some sort of ‘being’ separate from their doing, or for that matter some sort of ‘will’ other than their total doing seems superfluous to me. I can however appreciate the idea that doing some things may tend to give better results than doing others, and to this extent I can understand ‘Do What thou Wilt’ as an exhortation to do the very best of what you can possibly do and love to do, as so many people settle for mediocrity and lousy compromises.”

  • Caesar by Plutarch and more, quoted at “Caesar’s reform of the calendar — some ancient sources” — Roger Pearse [HT Rogueclassicism]

    “2. For not only in very ancient times was the relation of the lunar to the solar year in great confusion among the Romans, so that the sacrificial feasts and festivals, diverging gradually, at last fell in opposite seasons of the year, 3. but also at this time people generally had no way of computing the actual solar year; the priests alone knew the proper time, and would suddenly and to everybody’s surprise insert the intercalary month called Mercedonius.”

    “5. But Caesar laid the problem before the best philosophers and mathematicians, and out of the methods of correction which were already at hand compounded one of his own which was more accurate than any. This the Romans use down to the present time, and are thought to be less in error than other peoples as regards the inequality between the lunar and solar years.

    6. However, even this furnished occasion for blame to those who envied Caesar and disliked his power. At any rate, Cicero the orator, we are told, when some one remarked that Lyra would rise on the morrow, said: ‘Yes, by decree,’ implying that men were compelled to accept even this dispensation.”

  • Phantom Time” — Stuff They Don’t Want You To Know from How Stuff Works [HT Wythe Marschall]

    “A few fringe professors have caused rumblings with their controversial claim that three hundred years of human history have been entirely made up.”

     

  • First life with ‘alien’ DNA: An engineered bacterium is able to copy DNA that contains unnatural genetic letters.” — Ewen Callaway, Nature News; from the either-way-more-boring-or-way-more-scary-than-it-sounds dept.

    “For billions of years, the history of life has been written with just four letters — A, T, C and G, the labels given to the DNA subunits contained in all organisms. That alphabet has just grown longer, researchers announce, with the creation of a living cell that has two ‘foreign’ DNA building blocks in its genome.”

    “‘What we have now is a living cell that literally stores increased genetic information,’ says Floyd Romesberg, a chemical biologist at the Scripps Research Institute in La Jolla, California, who led the 15-year effort.”

  • Gay Witches” — Masha Mel, VICE; a photo gallery

    Masha Mel Gay Witches at VICE

     

  • Article about EyeWire at “Computer Game Reveals ‘Space-Time’ Neurons in the Eye” — John Bohannon, Science

    “Researchers have known for decades that the eye does much more than just detect light. The dense patch of neurons in the retina also processes basic features of a scene before sending the information to the brain. For example, in 1964, scientists showed that some neurons in the retina fire up only in response to motion. What’s more, these “space-time” detectors have so-called direction selectivity, each one sensitive to objects moving in different directions. But exactly how that processing happens in the retina has remained a mystery. […] Enter the EyeWire project, an online game that recruits volunteers to map out those cellular contours within a mouse’s retina.”

  • Katherine Harmon Courage on independently thinking octopus arms and the awful Evil Dead-like tragedy of octopus boredom

    “The octopus’s nervous system is a fascinating one. Some two thirds of its neurons reside not in its central brain but out in its flexible, stretchable arms. This, researchers suspect, lightens the cognitive coordination demands and allows octopuses to let their arms do some of the ‘thinking’—or at least the coordination, problem-solving and reaction—on their own.

    And these arms can continue reacting to stimuli even after they are no longer connected to the main brain; in fact, they remain responsive even after the octopus has been euthanized and the arms severed.” [via]

    “Octopuses are so smart they get bored. Aquarium staff have learned to be wary of a bored octopus because they’ve been known to break the monotony by eating their own arms. That tends to scare the kids.” [via]

     

  • The Art World is Too Safe Now: H.R. Giger has Died” — Glendon Mellow, Scientific American

    “The art world has become safer, less dangerous and less disturbing than it ought to be today. The giant in the night, H.R. Giger, has died, it is being reported. […] Giger is dead. His shadow remains cast over our future. The shadow moves.”

  • L. Rock Hubbard: Revisiting the curious career of the ultimate cult musician.” — Nathan Rabin, Slate Culturebox

    “Hubbard’s sonic space opera is, as you might imagine, a staggeringly strange piece of work, a bewildering cross between Queen’s Flash Gordon soundtrack (whose hero is referenced in the shameless opening track ‘Golden Age of Sci-Fi,’ along with Superman and Buck Rogers), an amateur radio play, and a campy audiobook that goes overboard with special effects and musical cues. If you have not recently read all 1,050 pages of Battlefield Earth or seen the film, the album is completely incomprehensible; if you’re familiar with the story, it’s mildly comprehensible.”

The Art of Stephen Harwood at The Atlantis Bookshop on May 10-24, 2014

The Art of Stephen Harwood: Visions of England – New Paintings inspired by the films of Derek Jarman will be at The Atlantis Bookshop, in London, from May 10th through 24th, 2014, with a private viewing on May 9th at 6pm, if you can get on the guest list, probably by contacting The Atlantis Bookshop directly, or heading over to the public event listing.

Stephen Harwood The Art of Stephen Harwood at The Atlantis Bookshop 2014

Stephen Harwood, a former pupil of David Hockney, is an artist exploring landscape and Englishness. His paintings fall somewhere between reality and fiction, focusing on locations that may be said to be loaded with past narratives and associations, landscape that in some way contains both the past and the present.

Stephen’s latest exhibition, Visions of England takes inspiration from the landscapes that feature in Derek Jarman’s films, and visits the empty expanse of Dungeness with it’s looming power station, the bucolic romanticism of Jarman’s Journey to Avebury, and the ruined urban wastelands of the Last of England. ‘I am interested in place that is in some way persuasive, with qualities that may not be immediately identifiable or explicable’.

It is the shaky spontaneous nature of Derek Jarman’s Super-8’s that form the backbone and much of the raw material for Harwood’s new work. In his hands the imagery from these films become archetypes for locality and Englishness.

There is magic in the air too, for Harwood is interested in an occult underpinning to Englishness ‘I also draw on locations possessed by occult atmospheres, or associated with myth and legend’. Jarman was himself interested in England’s mystical undercurrents, and it is fitting that the exhibition is being held in the basement of the Atlantis Bookshop in Bloomsbury, purveyors of mysterious books and magical tomes since 1922, and a regular haunt of Jarman’s.

Harwood’s previous exhibitions have focused on the landscapes of his childhood, and the current work is perhaps a further homage to Harwood’s own past. As a teenager Stephen corresponded with Derek and was a fan of his films. The resulting paintings are therefore perhaps emblematic of Harwood’s own experience. [via]

Events at Treadwell’s for February and March, 2014

Here is a selection from the upcoming events at Treadwell’s Books in London for February and March, 2014, which may be of interest.

Treadwell's Books in London

 

Antinous: Last God of the Ancient World
24 February 2014
John J Johnston

John J Johnston Antinous at Treadwell's Books

When, in 130 AD, the beautiful youth Antinous, favourite of the Roman emperor Hadrian, drowned in the Nile, under suspicious circumstances Hadrian proclaimed him a god and his cult survived until the eventual fall of the Empire. Drawing upon archaeological and textual sources, tonight’s lecture explores Antinous’ religious and artistic legacy from the time of his death and apotheosis until the modern age, and examines the importance of his name and image to gay men since the 18th Century. John J Johnston is Vice-Chair of the Egypt Exploration Society. This event celebrates LGBT History Month.

Price: £7
Time: 7:15pm for a 7:30pm start

 

Crowley and Politics
19 March 2014
Book Launch Party with Marco Pasi

Marco Pasi Crowley and Politics at Treadwell's Books

Tonight join us for the launch party of a seminal study of Crowley’s relationship with the politics of his times, published by Acumen. Crowley sought an alternative way to express his religious feelings, which led him to elaborate his own vision of political and social radical change: he announced a new era, echoing the ideal of a new man proposed by the totalitarian regimes and the radical politics of his era. Author Marco Pasi has worked with many unpublished documents and his study offers fresh insights. Joining us at the launch is Marco Pasi, Assistant Professor of History of Hermetic Philosophy at the University of Amsterdam. Signed copies will be available on the night. Please note this event is a book launch party and not a formal lecture.

Price: Free but reply essential to be added to guest list
Time: 7pm to 9:30pm, speeches 7:46pm

 

The Oldest Sex Magic Text?
20 March 2014
Lecture — An Early Mesopotamian Tablet

The Oldest Sex Magic Text? at Treadwell's Books

A very early tablet, written in cuneiform, refers enigmatically to a sex magic act. Our speaker tonight reveals this brief but important discovery and uses it to shed light on ancient Mesopotamian ideas of ‘sacred marriage’, goddess power, sovereignty, hallucinogenic drugs and — yes — sex magic. Our speaker is an academic scholar in the field with a deep interest in magic. Tonight is for everyone with a fondness for Ishtar, Ereshkigal, Inanna, Enkidu, Tammuz, Pazuzu and the wonderful world of the Tigris-Euprhates valley. This is a repeat lecture: those who came in January and wish to re-attend may do so without charge: please email or ring.

Price: £7. Ring 0207 419 8507 or book online
Time: 7:15pm for a 7:30pm start

 

Alchemy’s Mutus Liber
24 March 2014
Paul Cowlan

Paul Cowlan Alchemy's Mutus Liber at Treadwell's Books

The Mutus Liber (The ‘silent’ or ‘symbolic’ Book), first appeared in the town of La Rochelle in 1677. The author ‘Altus’, is now thought to be Isaac Baulot, a local apothecary and physician. There is no text, and the work consists of fifteen plates apparently illustrating an alchemical process, a process which inspired the successful plant alchemy of Armand and Jacqueline Barbault in the 1960s. Some believe it to be entirely psycho-spiritual in its intent, while others interpret it qabbalistically. In this illustrated talk Paul explores each plate, offering comments and suggestions on the symbolism .We promise an enriching exploration of one of alchemy’s most famous enigmas. Paul Cowlan is a spiritual alchemist of over twenty years’ experience and a popular speaker.

Price: £7
Time: 7:15pm for a 7:30pm start

 

Magic in 17th Century England
26 March 2014 (Wednesday)
Alexander Cummins

Alexander Cummins Magic in 17th Century England at Treadwell's Books

Seventeenth-century England — with its Civil Wars, Revolution, and Restoration — was a tumultuous place. It was also a period where early modern people consulted astrologers, magicians, and cunning-folk for a variety of occult services and magical objects. The stars’ influence was traced in all aspects of life: from planting crops, to political propaganda, to medical care and guidance counselling. In investigating early modern English astrology, this lecture will explore fascinating historical perspectives on the nature of time, meaning and human life. Alexander Cummins is an historian of magic and emotion. He is currently finishing his doctorate at the University of Bristol.

Price: £7
Time: 7:15pm for a 7:30pm start

Edmund

Edmund: the Untold Story of the Martyr-King and His Kingdom by Mark Taylor, a recent 2013 paperback from Fordaro, is part of the collection at the Reading Room courtesy of the publisher.

Mark Taylor Edmund from Fordaro

Available in print in the UK and as an ebook in the States and in the UK, the printed book contains additional and updated information than either ebook editions.

“Murdered by the Danes aged only 29 years
Declared England’s patron saint 20 years later
Worshipped by the Danes who killed him
Attended by royalty, honoured as far north as Iceland
Renowned for his miracles of fertility and protection
But his martyrdom was unrecognized for 250 years
Why?

Discover the untold story behind the legend of Edmund:
The explosive growth of Edmund’s cult
The significance of Bury St Edmunds
The symbolic landscape of East Anglia
The mystery at the heart of Edmund’s myth

The relationship between the king, his people, the land itself and the prosperity of the kingdom are intimately bound up with the myth of Edmund. This fascinating book explains how those traditions, passing through Viking, Anglo-Saxon and Celtic culture, unlock a new interpretation of Edmund’s story.

Accompanied by vivid photography and illustrations, this special limited edition includes an additional appendix of historic and original poems on the subject of Edmund.” — back cover

 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.

The Origins of Freemasonry

The Origins of Freemasonry: Scotland’s century, 1590–1710 by David Stevenson, a 2001 reprint of the 1990 first paperback edition from Cambridge University Press, is part of the collection at the Reading Room.

David Stevenson The Origins of Freemasonry from Cambridge University Press

“Freemasonry has always been a highly controversial movement. Yet inspite of the vast literature which has been produced on the subject its origins have remained obscure. The prevailing assumption has been that it emerged in England around 1700, but most of the evidence used to support this interpretation turns out on examination to relate to Scotland.

The Origins of Freemasonry represents the first attempt to study this evidence in the context of Scottish history. By doing this, and examining much new evidence in the records of early Scottish lodges, David Stevenson demonstrates that the real origins of the essential modern freemasonry lie in Scotland around 1600, when the system of lodges was created by stonemasons with rituals and secrets blending medieval mythology with a number of late Renaissance intellectual influences to create a movement which was to spread through England, across Europe and then around the world. The story of the emergence of this movement will be of interest to scholars of the Renaissance and of seventeenth-century history in general, to freemasons themselves, and to those seeking to understand the true nature of a movement which arouses considerable controversy.” — back cover

 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.

Serpent Songs

Scarlet Imprint has announced Serpent Songs, a new anthology of voices of Traditional Craft, as available for pre-order. This was announced via their subscriber list, but embargoed until today, so I don’t have a link to the work yet but information on this should be available on their website shortly (and the Serpent Songs page is now up). This title will be initially available in a a couple of variously limited fetish editions with paperback and digital to follow.

Serpent Songs are the words and works of those who remain untamed, Cunning Folk, Exorcists, Pellars, Sorgin, Witches and Mystics.

A collection of fifteen essays are introduced and curated by Nicholaj de Mattos Frisvold through whose contacts we encounter the worlds of lone individuals and tradition holders, from both family and clan, and are allowed a rare glimpse into the workings of the more secretive practitioners of the Craft.

Traditional Craft is intimately bound to the spirit of the land. Serpent Songs contains the accounts of Cornish and Basque witchcraft, the relatively unknown Swedish Trolldom, the persecuted Bogomils, and the oft misrepresented Italian Streghoneria. Members of 1734, Clan Tubal Cain and The Companie of the Serpent-Cross are among those who choose to share their experiences and perspectives. Light is shed on such important figures as Robert Cochrane, Evan John-Jones and Andrew Chumbley amongst others, but more than illustrious ancestors, Traditional Craft is revealed as a living throng.

These are the voices of those who work the art and this book details their practices, struggles and wayward journeys. Serpent Songs takes a crooked path through the landscape, from historical studies to practical acts, from lonely stone stiles set between deep hedges to the warm entrails of animals and forays into the caves and woods.

Serpent Songs is a wide ranging work that deals with the issues of witch blood, taboo, the other, the liminal state, fire, dream, art and need as vectors of the Craft. What emerges is not a narrow definition of what it means to engage in Traditional Craft, but a set of shared characteristics and approaches which become evident despite the cultural gulfs in place and time. This is a book of praxis, beliefs and their own definitions of the art itself rather than those applied to it by outsiders. These are the voices who for the most part operate in silence but now wish to be heard.

Contents

Prelude:The Other Blood – Nicholaj de Mattos Frisvold
The Witch’s Cross – Gemma Gary
The Spirit of True Blood – Shani Oates
Lezekoak – Arkaitz Urbeltz
A Gathering of Light and Shadows – Stuart Inman and Jane Sparkes
The Fall and Rise of an English Cunning One – Tony MacLeod
Streghoneria: A Roman Furnace – Nicholaj de Mattos Frisvold
But the House of my Father will Stand – Xabier Bakaikoa Urbeltz
Bucca and the Cornish Cult of Pellar – Steve Patterson
Exorcists, Conjurors and Cunning Men in Post-Reformation England – Richard Parkinson
The Liturgy of Taboo – Francis Ashwood
Trolldom – Johannes Gardback
The Bogomilian and Byzantine Influences on Traditional Craft – Radomir Rastic
But to Assist the Soul’s Interior Revolution: The art of Andrew Chumbley and aspects of Sabbatic Craft – Anne Morris
Passers-by: Potential, Crossroads & Waywaring on the Serpent Road – Jesse Hathaway Diaz
The Mysteries of Beast, Blood and Bone – Sarah Lawless”

We Stand Above by Aleister Crowley in International, Dec 1917.

“BUT as for us, we stand above. I do not know whether Bulgaria is at war with England; but if so, it is evidently the duty to God and man of every Bulgarian to knock the block off General Haig. At the same time, if that Bulgarian does not respect Kings College Chapel, or uses my first edition of Adonais for pipe lights, I will knock his block off if I can catch the Bulgar at it.” [via]

An Historical Summary of Angelic Hierarchies from Part VII: The “Seven” Thrones in In Operibus Sigillo Dei Aemeth by David Richard Jones.

“He was called twice to Rome to answer for his suspected heresies, but avoided the summons because of the protection of a patron, the Holy Roman Emperor. After the death of this patron he was said to have traveled to England, but that the monks who were his students ultimately stabbed him to death with their pens in a fit of apoplexy over his sophistry.” [via]

 


Johannes Scotus Eriugena