The Choronzon Machine: a Multi-media Multi-cultural Multi-subcultural Ritual Opera by the Metamophic Ritual Theatre company, written and more by Orryelle Defenestrate-Bascule (credited on the cover as Orryelle Bascule-Defenestrate), with music by The HarleQuintet, a 2006 DVD of enhanced live performances from 2001, is part of the collection at the Reading Room.

I picked this up a few years ago primarily for the track “Melek Taus“, about a figure of importance with the Feri Tradition which I also later found mentioned in relation to Aleister Crowley’s Aiwass, and to a lesser degree because of the name of The HarleQuintet.
“In the ritual theatrickall-musical device we call The Chrononzon Machine the Audience Initiates follow the Fool Initiate’s journey through the Great Wheel of the TARO/ROTA, as he cycles through different refractions of Self as reflected through the archetypes of the Major Arcana. On one level this is a personal journey, as the Fool with a child’s innocence heedlessly plunges past the dweller on the threshold and into the Abyss. Through a series of ordeals he confronts and accepts the shadow of Choronzon as he progressively opens to ever more layers of complexity in the hidden mechanisms of the universe. The journey brings him eventually full circle back to the innocence of Zero but with a new layer of Wisdom and Understanding …
The Play is also socio-historical, as The Fool apprehends the escalating frenzy of ‘progress’ & technology in the post-modern world; which the audience also must deal with. It is they, after all, who are controlling the Machine—putting the 33.3¢ Illuminati coins—collected by the Jackal—in it which make the cogs start turning to generate each new scene of coupled polar cards …
Of course it’s not real, it’s just a Play, an Illusion generated by the Magicians for the Audience—a collectively willed hallucination. Is there a play? Is there a ritual? The HarleQuin de-faced itself. The machine goes on … Civilizations rise & crumble and fall. Were they ever There at All?” — back cover
“The Choronzon Machine Ritual Opera was performed 3.33 times in Melbourne (Australia) on 2001. The original footage of the already spectacular live production is now further enhanced with effects, animations, and diverse studio-recorded music into a feature-length film.” — back cover