Tag Archives: frank herbert

“In the jungle the strong slay the weak until only the strong remain,” said Tanub. “And then the strong prey upon each other?” asked Orne. “That is a quibble for women,” said Tanub. “It’s too bad you feel that way,” said Orne. “When two cultures meet like this they tend to help each other.”

Frank Herbert, Missing Link

The Dosadi Experiment

Hermetic Library fellow T Polyphilus reviews The Dosadi Experiment by Frank Herbert.

Frank Herbert The Dosadi Experiment

Here’s a book I looked at with interest when I was a teenager who had read and enjoyed Herbert’s Dune. I believe I passed it over then because it was the sequel to a book I hadn’t read (Whipping Star), and which wasn’t in the public library collection where I found The Dosadi Experiment. Since then, Dosadi has gone from being the second of a series to being the fourth, in the narrative chronology of Herbert’s ConSentiency novels. Still not having read the others all these decades later, I went ahead and tackled this one, inspired by praise I had read for it on LibraryThing.

It may be that I would have enjoyed it more if I had been already acquainted with the ConSentiency milieu and the protagonist (Jorj X. McKie, Saboteur Extraordinary) established in Whipping Star, but I did like it all the same. It certainly has a number of themes in common with the original Dune books, most especially the idea of a eugenic program transforming humanity. But even more it reminded me of the later Charles Stross novel Glasshouse. Both are far future espionage stories where the protagonist must infiltrate an experimental world in an effort to discover its true purpose, knowing only that there is some great culpability involved. In both cases, the world being investigated is more like the reader’s world than the somewhat utopian future of the novel’s larger scenario. In Dosadi, “The whole thing reminded McKie of stories told about behavior in Human bureaucracies of the classical period before deep space travel” (222). There are other interesting similarities between the books that would be spoilers to detail.

Unique to Herbert’s tale is the focus on the exotic legal system of the frog-like Gowachin aliens, an important peer-race of humanity within the ConSentiency. McKie is the only human credentialed as a “legum” in the jurisprudence of their “courtarena,” where both lawyers and litigants are routinely exposed to mortal hazard. Far from a crude gladiator’s brawl, however, the operations of this system depend on great subtlety and creativity, demanding both a reverence for tradition and the power to upend precedents and conventions.

This book read quickly, even though there were passages that were written with such verbal economy that they became ambiguous to the reader. That style is thematically consistent with the book, which attributes it to the inhabitants of Dosadi themselves. I don’t know how far in our future The Dosadi Experiment is supposed to be set, and it glances lightly over many technological details, but it has aged pretty well for forty-year-old science fiction. I’m glad to have finally read it, and I appreciate the recommendations that got me to do so. [via]

The Incal

Hermetic Library fellow T Polyphilus reviews The Incal Classic Collection by Alexandro Jodorowsky, illustrated by Moebius, introduced by Brian Michael Bendis:

Alexandro Jodorowsky and Moebius' The Incal


This beautiful hardcover collects the six original books of Jodorowsky and Moebius’s classic science fiction epic The Incal, originally published in French in the 1980s. A work as self-consciously mythic as this one is going to invite comparison to many other tales. But some of the lines of influence here are pretty obvious, with references falling outside the medium of comics into science fiction novels and films, as well as esoteric traditions.

Clearly, Frank Herbert’s Dune played a major part, with the contention of corrupted factions in a galactic empire, framed by a mystical apocalypse. Qabalistic references include the “theta dream” of Tiphareth, succeeded by the “daath dream” ascending the Tree of Life.

While the influence of The Incal on Luc Besson’s film The Fifth Element is so overwhelming as to incite accusations of plagiarism, it can also be traced in movies like The Matrix and its sequels. Jodorowski’s antihero John Difool is not Neo, who could be compared to the messianic Solune. Instead, as we see in “Planet Difool,” he actually bears closer comparison to Wachowskis’ Agent Smith!

The 10,000-light-year-view used in the narrative framing of The Incal leaves it open to accusations of stereotyped characters and perfunctory plotting. But this book occupies a pole diametrically opposed to literary realism; it is mystical allegory, in which the characters and factions represent spiritual orientations and capabilities. Moebius’s art is perfectly suited to its task here, and the revolting panels of the nightmare sequence near the book’s end are only rivalled by the exaltation that follows them.

Enjoyable in their own right, the contents of this volume are a landmark in the development of the graphic story medium and the science fiction genre. [via]



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