I held my breath at the marvelous beauty of this creature from Soror, who revealed herself to us dripping with spray, illuminated by the blood-red beams of Betelgeuse. It was a woman—a young girl, rather, unless it was a goddess. She boldly asserted her femininity in the light of this monstrous sun, completely naked and without any ornament other than her hair, which hung down to her shoulders.
Pierre Boulle, Planet of the Apes
The Hebrew Goddess by Raphael Patai, foreword by Merlin Stone, the 1990 3rd and enlarged paperback from Wayne State University Press, is part of the collection at the Reading Room.
“The Hebrew Goddess demonstrates that the Jewish religion, far from being pure monotheism, contained from earliest times strong polytheistic elements, chief of which was the cult of the mother goddess. Lucidly written and richly illustrated, this third edition contains new chapters on the Shekhina.” — back cover
An irregular hodgepodge of links gathered together …
Luise Henriette Wilhelmine von Anhalt-Dessau as Diana, 1765 [via]
“‘Most people here, I imagine, love to read,’ she continued. ‘[The esoteric] really encourages that kind of bibliomania. And if you’re someone who loves to read, you’re also someone who is comfortable being an autodidact, comfortable seeking out knowledge externally and also within yourself. And [you trust] the patterns that that weaves, as opposed to relying on someone else to tell you what wisdom is or what divinity is.'”
“‘My take on it is, [occultists] aren’t necessarily interested in a truth or a singular truth,’ he said. ‘I think they’re interested in a consensus-based or consensual, metaphorical set of constructs that become truth-like.’ He viewed his community as being a place of infinite individual systems of reading, practice and belief — combined and coalesced only by their commitment to individual agency.”
“Which brings us to the fuzzy ‘between spaces’ where apophenia meets synchromysticism. Given that old gods regularly become new angels, then new goddesses may become largely-hoax angels. And so I see the goddess Apophenia hiding behind the Angel of the Thames.”
“Muriel Bruce Hasbrouck (1890 — 1981) was a student of both Paul Foster Case and Aleister Crowley. She dedicated her book to these two men, a lesser-known book entitled Pursuit of Destiny, written in 1941. … Here are her keywords for the Minor Arcana Suits and Numbers. […] So, by putting these keywords together, you can see how they create meanings for each of the forty Minor Arcana.”
“A Tellurium clock combines both clock and orrery in a single movement. Last week I received pictures from Marc Maradan of a Tellurium clock he is working on. Marc is a process engineer based near Bern in Switzerland.
Inspired by a 2006 documentary on the Antikythera mechanism he set out to build his own Heliocentric calendar machine. He produced his designs using open source CAD software and manufactures all the components himself (no CNC machining) using only the technology available to the ancient Greeks.”
The Tellurium Clock of Marc Maradan at The Computus Engine [larger]
“[…] investigators also identified deeper causes, one of which involved what some accident-investigation specialists have dubbed the ‘normalization of deviance’ — small malfunctions that appear so often that eventually they are accepted as normal […]”
“Systemic problems require systemic solutions, and thinking the radical change necessary to preserve what life remains on the planet is possible without the complete removal of the system that is killing us, is futile.”
“In 1918 Weber had proclaimed that all ‘mysterious incalculable forces’ were being eradicated from the world by science and scientifically based technologies. Entzauberung — literally the disappearance of magic (Zauber) — signified a new mentality in which modern people believed that anything around them could, in principle, be comprehended rationally, and that no offerings to capricious deities or magical manipulations of occult forces were needed to master the world.
‘Magic’, however, failed to disappear. Whether we are talking about self-designated modern magicians coming out of the various currents of occultism and neopaganism, or about that vague and poorly defined set of ‘occult’ and ‘supernatural’ beliefs and practices that somehow will not fit neat categories such as ‘religion’ or ‘science’, ‘magic’, in fact, seems to thrive at the heart of high modernity. Some have even connected the resilience of the ‘mysterious incalculable forces’ to the secularization process itself […]”
“Inner life manifests itself in various elements and conglomerations of external life, especially in those almost imperceptible surface data which form an essential part of screen treatment. In recording the visible world—whether current reality or an imaginary universe—films therefore provide clues to hidden mental processes. […] Films are particularly inclusive because their ‘visible hieroglyphics’ supplement the testimony of their stories proper. And permeating both the stories and the visuals, the ‘unseen dynamics of human relations’ are more or less characteristic of the inner life of the nation from which the films emerge.”
“This fascinating documentary explores the genesis of one of cinema’s greatest epics that never was: cult filmmaker Alejandro Jodorowsky’s (EL TOPO) adaptation of Frank Herbert’s sci-fi classic Dune, whose cast would have included such icons as Salvador Dali, Orson Welles and Mick Jagger. In 1975, following the runaway success of his art-house freak-outs EL TOPO and HOLY MOUNTAIN, Alejandro Jodorowsky secured the rights to Frank Herbert’s Dune — and began work on what was gearing up to be a cinematic game-changer, a sci-fi epic unlike anything the world had ever seen.”
“Life, to me, is mainly about opposite forces coexisting in the same space (this being a binary universe, and all): light and dark and the play of shadows across landscapes; tension and flexibility and all the combinations of the two; power, or the confidence that comes with great ability, and the understanding that comes at some point that no matter how skilled you are, you are still small. Humility, and sense of purpose. Holding on, and letting go. Doing what you can, and at the same time surrendering oneself to the constant movement that is life.”
“Occasionally, we are walking along our path, and we forget who we are. We forget that the tugging pulling us forward is the longing of heart and soul. We get caught in the pattern of habit and assumption. We forget we had intention. We forget we play a vital part in the world. We need reminders that life itself holds magic.”
“‘For 20 years I researched the fathers of the Ouija board,’ [Robert] Murch said. ‘Turns out, it had a mother.'”
Ouida aka Maria Louise Ramée
“Physicists have discovered a jewel-like geometric object that dramatically simplifies calculations of particle interactions and challenges the notion that space and time are fundamental components of reality.
‘This is completely new and very much simpler than anything that has been done before,’ said Andrew Hodges, a mathematical physicist at Oxford University who has been following the work.
The revelation that particle interactions, the most basic events in nature, may be consequences of geometry significantly advances a decades-long effort to reformulate quantum field theory, the body of laws describing elementary particles and their interactions. Interactions that were previously calculated with mathematical formulas thousands of terms long can now be described by computing the volume of the corresponding jewel-like ‘amplituhedron,’ which yields an equivalent one-term expression.”
“In summary, [Joanna Kavenna] says, ‘being a writer stopped being the way it had been for ages — the way I expected it to be — and became something different.”
That ‘difference’ amounts to a revolution. To writers of my generation, who grew up in the age of Penguin books, vinyl records and the BBC, it’s as if a cultural ecology has been wiped out. […] It was a mutually dependent ecosystem.”
“In 1979, William S Burroughs delivered a series of lectures on creative writing (though he insisted that he was teaching creative reading — that is, analyzing the writing process by reading, because everyone can be taught to read, but only some will be able to write) at Naropa University. Three of these lectures, running to over four hours, are up on Youtube, covering writing exercises, Brion Gysin, Aleister Crowley, science fiction, General Semantics, and cut-ups.”
“The rabbis explained to me that it was their duty to determine the nature of the interest of prospective buyers before selling any copies of the newly printed work.”
“LibraryBox is an open source, portable digital file distribution tool based on inexpensive hardware that enables delivery of educational, healthcare, and other vital information to individuals off the grid.”
“The Swinburne Project is a digital collection and scholarly project devoted to the life and work of Victorian poet Algernon Charles Swinburne and to digital encounters with Swinburne’s works and related documents and information resources.”
“The Emma Hardinge Britten Archive is an open source scholarly archive containing primary material for students of Emma Hardinge Britten. Materials include annotated editions of all major EHB texts, bibliographies of primary and secondary material, a short biographical summary of EHB’s life, chronologies with backing evidentiary records, various artifacts of EHB’s life, and papers and articles on topics in EHB scholarship.”
“Years back, when a small group of us were trying to get a decent run of some of the fundamental Theosophical periodicals online, a discussion broke out among the team doing the digitization scut work under the heading “mission, vision, values” (you know, the sort of thing that would occasion a high-ropes offsite, with too much drinking, in a corporate setting) and one of the participants wrote that he thought the only common belief the team needed to share was the belief that the material in question was in danger, hard to come by for ordinary seekers and readers, and worth preserving.
Damned good sense, I thought. Focus on what we agree on, and leave your hermeneutics in the car.”
“The IAPSOP is a US-based non-profit organization focused on the digital preservation of Spiritualist and occult periodicals published between the Congress of Vienna and the start of the Second World War.”
“Yet, while LGBT Americans are the current target of this effort to repackage prejudice as ‘religious liberty,’ they are hardly the first. To the contrary, as Wake Forest law Professor Michael Kent Curtis explained in a 2012 law review article, many segregationists justified racial bigotry on the very same grounds that religious conservatives now hope to justify anti-gay animus. In the words of one professor at a prominent Mississippi Baptist institution, ‘our Southern segregation way is the Christian way … [God] was the original segregationist.'”
“70% of Millennials think: ‘Religious groups are ‘alienating young adults by being too judgmental on gay and lesbian issues.””
“1 in 3 Millennials say they have no religious affiliation at all.”
“Everybody knows that the Tea Party has structured their political platform on the teachings of Jesus Christ. Tea Party Jesus has a lot of political views. Unfortunately, after a little journalistic digging, we have uncovered some facts that may make a few members of the Religious Right a teeny, tiny bit uncomfortable…”
“The authors, all Jesus Seminar Fellows, agreed on several points:
· Jesus of Nazareth did not refer to himself as the Messiah, nor did he claim to be a divine being who descended to earth from heaven in order to die as a sacrifice for the sins of the world.
· At the heart of Jesus’ teaching and actions was a vision of a life under the reign of God (or, in the empire of God) in which God’s generosity and goodness is regarded as the model and measure of human life.
· Jesus did not hold an apocalyptic view of the reign (or kingdom) of God”
“Always worth a pause is consideration of whether one greater enemy of Christianity, Gnosticism is an eradicated virus or a recurring outbreak of disease in our body. While it is difficult to arrive at a settled definition of Gnosticism, it can be thought of as an influenza which takes various forms.”
“Gnostics were trying, each in their own way, to indigenize Christianity in the Greco-Roman world by marrying it to platonic cosmology and cutting the chord [sic] from its Jewish roots.”
“If you answered ‘B’ to any question, then not only is your religious liberty not at stake, but there is a strong chance that you are oppressing the religious liberties of others. This is the point where I would invite you to refer back to the tenets of your faith, especially the ones about your neighbors.”
“The stench from your houses of worship is wafting its way across this country, polluting citizenship, demoralizing parents and families, mocking accountability and blaspheming the Holy God whom you say you love and worship. If that offends you, try reading Amos.”
“The time is not always ripe. It may be past, it may be still to come. But woe to the church if when the time does come it is silent…”
“Close your eyes, and visualise yourself standing in the middle of the country of Ukraine — somewhere near Cherkasy (see map). Now imagine that your astral form grows to a colossal height — so much so, that you can look round and see all of the territory of Ukraine around you.”
“Could this be part of Cantre’r Gwaelod, a mythical kingdom believed to have disappeared beneath the waves thousands of years ago? Has Wales’s very own Atlantis been found? […] It was buried under a peat bog 5,000 to 6,000 years ago, then inundated by rising sea levels until this winter’s violent storms stripped away the covering of peat and sand.”
Photo by Keith Morris, LNP
Living Gnosticism: An Ancient Way of Knowing by Jordan Stratford, the 2007 paperback from Apocryphile Press, is part of the collection at the Reading Room.
“Twenty two centuries ago in Alexandria, a sect of philosopher-poets fashioned a myth the strands of which weave through Christianity, Judaism, Islam and Greek philosophy, and inspired the legends of the Holy Grail. Long banished to the realm of notorious heresy, the myths of the Gnostics (‘knowers‘) took root in the fertile imagination of the nineteenth century’s artistic movements and esoteric circles, bearing fruit in the daily spiritual practice of thousands today. In 1945, a library of Gnostic writings surfaced from the Egyptian desert, allowing the movement—after 1500 years of propaganda and slander—to speak with its own voice. Rich in imagery, nostalgic in tone, Gnosticism quietly restores Wisdom to her place as Goddess in Western religion, reveres Eve as the first saint, and acknowledges Mary Magdalene as foremost of the Apostles.” — back cover
The Homeric Hymn to Demeter: Translation, Commentary, and Interpretative Essays, edited by Helene P Foley, 3rd printing of the 1994 paperback published by Princeton University Press, is part of the collection at the Reading Room.
“The Homeric Hymn to Demeter, composed in the late seventh or early sixth century B.C.E., is a key to understanding the psychological and religious world of ancient Greek women. The poem tells how Hades, lord of the underworld, abducted the goddess Persephone and how her grieving mother, Demeter, the goddess of grain, forced the gods to allow Persephone to return to her for part of each year. Helene Foley presents the Greek text and an annotated translation of the Hymn, together with selected essays by Helene Foley, Mary Louise Lord, Jean Rudhardt, Nancy Felson-Rubin and Harriet M. Deal, Marilyn Arthur Katz, and Nancy Chodorow. These essays give the reader a rich understanding of the Hymn’s structure and artistry, its role in the religious life of the ancient world, and its meaning for the modern world. The authors also study the Hymn in the context of early Greek epic and cosmology, examine its critical attitude to the institution of marriage, and analyze the dynamics of mother-daughter relations in the poem.” — back cover
Romancing the Goddess: Three Middle English Romances about Women by Marijane Osborn, a 1998 paperback from University of Illinois Press, is part of the collection at the Reading Room.
“Take three exciting medieval romances, translate them—two for the first time—into modern English verse, and you’ll have only part of Marijane Osborn’s Romancing the Goddess.
Osborn introduces and translates the three tales, all dealing with women cast adrift upon the northern and Mediterranean seas, then shows how the stories forge a hitherto missing link with worship of a savior goddess in the distant past.
Arguing that the idea of the woman cast adrift can be traced to an ancient Mediterranean legend connecting aspects of the Virgin Mary and Isis as ‘sea goddesses’—protectors of those at sea—Osborn then explores the image and idea of ‘the Goddess.’ The romances and the author’s discussion of that ever-popular female figure will interest feminists, women readers generally, medievalists, historians of religion, and the many others interested in the mysterious figure we call ‘the Goddess.'” — back cover
ALL the hot summer I lay in the darkness,
Calling on the winds to pass by me and slay me,
Slay me with light in the heat of the summer;
But the winds had no answer for one who was fallen
Asleep by the wayside, with no lyre to charm them,
No voice of the lyre, and no song to charm them.
Late as I lay there asleep by the wayside,
I heard a voice call to me, low in the silence,
There in the darkness the summer called to me:
“thou who art hidden in the green silence,
Let a time of quietness come now upon thee.
Lay thine head on the earth and slumber on her bosom:
Time and the gods shall pass darkling before thee.”
There in the silence I lay, and I heeded
The slow voice that called me, the grave hand that beckoned,
That beckoned me on through the hall of the silence.
There in the silence there was a green goddess,
Folden her wings, and her hands dumbly folden,
Laying in her lay, as though asleep in the darkness.
Then did I hail her: “O mother, my mother,
Syren of the silence, dumb voice of the darkness,
How shall I have speech of Thee, who know not Thy speaking?
How shall I behold Thee, who art hidden in the darkness?
Lo! I bend mine eyes before Thee, and no sign dost Thou vouchsafe me;
I whisper love-words before Thee, and I know not if Thou hear me,
Thou who art the darling of the Night and of the Silence;
Yellow art Thou as the sunlight through the corn-fields,
Bright as the sun-dawn on the snow-clad mountains,
Slow as the voice of the great green gliding River.
Calmly in Thy silence am I come to rest me,
Now from the world the light hath slowly faded;
I have left the groves of Pan that I might gaze upon Thee,
Gaze upon the Virgin that before Time was begotten,
Mother of Chronos, and the old gods before him,
Child of the womb of the Silence, whose father
Is the unknown breath of the most secret Goddess,
Whose name whoso hath heard is smitten to madness.
“Now do I come before Thee in Thy temple,
With offerings from the oak-woods and the breath of the water
That girds the earth with a girdle of green starlight;
And all the austerity of the brooding summer,
And all the wonder of the starlit spaces
That stare down awesomely upon the lonely marshes,
And the bogs with sucking lips, and the pools that charm the wanderer
Till he forgets the world, and rushes to sleep upon them.”
And still there was silence, and the voice of the world swept by me,
Making in mine ears the noise of tumbling waters;
But two voices I heard, and they spake one to the other:
“Who stands with downcast eyes in the temple of our Lady?”
And the answer: “A wanderer from the world who hath sought the halls of silence;
Yet knoweth he not the Bride of the Darkness,
Her of the sable wings, and eyes of terrible blindness
That see through the worlds and find nothing and nothing,
Who would smite the worlds to peace, save that so she would perish,
And cannot, for that she is a goddess silent and immortal,
Utterly immortal in the gods’ eternal darkness.”
And the first voice cried: “Oh, that we might perish,
And become as pearls of blackness on the breast of the silence,
Lending the waste places of the world our darkness,
That the vision might burst in the brain of the seer,
And we be formed anew, and reborn in the light world.”
But the other voice was silent, and the noise of waters swept me
Back into the world, and I lay asleep on a hill-side.
Bearing for evermore the heart of a goddess,
And the brain of a man, and the wings of the morning
Clipped by the shears of the silence; so must I wander lonely,
Nor know of the light till I enter into the darkness.
OMNIA VINCAM (Victor B Neuburg), Equinox I iv
(Obtained in invocation, June 9–10, 1910 O.S.)
The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.
The subtle-souled dim radiant queen
Burns like a bale-fire through the mist;
The slender earth is bright and green,
Emerald, gray and amethyst;
The wavering breeze has slowly kissed
The way between
Her zone and wrist.
Pale guardian of the altar-flame,
Syren of old, perfidious song,
A murmuring runnel lately came
In streaming hate of mortal wrong.
Wait, for, my goddess, not for long
The snake is tame. …
See! He is strong!
The wide-set temple-pillars gleam,
As marble white, and tall as pines;
The doorway to immortal dream
Lies through the temple’s purple shrines.
Behold, pure queen, the magic signs.
Let words out-stream
As mingled wines! …
The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.
CXLII
Thou art the water, Thou art the fire,
Thou art the orgasm and the desire!
Thou art the goddess upon the dragon,
I raise up the cup and adore Babalon!
— In Nomine Babalon: 156 Adorations to the Scarlet Goddess
The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.
CXXVIII
Come forth, my lady, take form in the smoke!
Goddess of Passion, Thee, Thee I invoke!
O divine whore hear my incantation,
I raise up the cup and adore Babalon!
— In Nomine Babalon: 156 Adorations to the Scarlet Goddess
The Hermetic Library arts and letters pool is a project to publish poetry, prose and art that is inspired by or manifests the Western Esoteric Tradition. If you would like to submit your work for consideration as part of the Arts and Letters pool, contact the librarian.
