Tag Archives: Hagen Von Tulien

Clavis Journal, Vol 3: Cipher and Stone

Clavis Journal, Vol 3: Cipher and Stone from Ouroboros Press and Three Hands Press, due in September, but available for pre-order, in standard and deluxe editions, may be of interest.

Clavis Journal 3

“At 216 pages, the new volume of Clavis features an outstanding grouping of authors and image-makers. Articles in this issue include ‘Our Lady Babalon and Her Cup of Fornications” by Gordan Djurdjevic, and esoteric astrologer Austin Coppock’s paean to dark and baneful starlight, “Death From Above”. Three adepts of the German magical order Fraternitas Saturni give voice to the magisterial arcanum of Saturn in the article ‘Listening to the Voice of Silence’. We are pleased to include ‘Rite of the Graal Evolute’, a previously unpublished ritual and art by the late English magus and scholar Andrew D. Chumbley. Gemma Gary invokes Bucca, the Cornish Witch-God in image, rite and magical exposition; Robert Hull examines the Qabalah of Quantum Physics in ‘Unity and Division’. Michael Howard explores the role of the first artificer of metal in ‘Masonic Mysteries of Tubal-Cain’, and Henrik Bogdan considers the esoteric role of Secrecy, the very flower of the Occult itself, in occult orders. In addition, we are also pleased to include rare occult texts relating to cheiromancy, witchcraft and the lore and magic of Mandragora – the Shrieking Root of the sorcerers.

CLAVIS 2 journal features haunting and provocative visuals from many contemporary artists imaging the esoteric: by Benjamin Vierling, Madeline von Foerster, Richard Kirk, Carolyn Hamilton-Giles, Tom Allen, Hagen von Tulien, Jamie Sweetman, Billy Davis, John Kleckner, Carlos Melgoza, Joseph Uccello, Raven Ebner, Brigid Marlin, Timo Ketola, Ilyas Phaizulline‏, José Luis Rodríguez Guerra, and many more.”

Clavis Journal, Vol 2: The Cloister Perilous

The Cloister Perilous is volume 2 of Clavis: Journal of Occult Arts, Letters and Experience which is a collaboration between Ouroboros Press and Three Hands Press. This issue, due in October, is available for pre-order and will come in a standard as well as a limited to 125 copies deluxe edition, which last is bound in burgundy goat and comes with a lithograph by Carolyn Hamilton-Giles.

Ouroboros Press Three Hands Press Clavis Journal No 2

“CLAVIS Editions announces the second volume of Clavis: A Journal of Occult Arts, Letters, and Experience. Featuring an outstanding grouping of authors and image-makers, its nominative adumbration ‘The Cloister Perilous’ follows the apocryphal eponym ‘Of Keys, Locks, and Doors’ attributed to Volume 1.

Articles in this issue include ‘Our Lady Babalon and Her Cup of Fornications’ by Gordan Djurdjevic, and esoteric astrologer Austin Coppock’s paean to dark and baneful stellar emanation, ‘Death From Above’. Three adepts of the German magical order Fraternitas Saturni bring forth Gold from Lead, giving voice to the magisterial arcanum of Saturn in the article ‘Listening to the Voice of Silence’, accompanied by the artwork of Albin Grau and Hagen von Tulien. We are also pleased to include ‘Rite of the Graal Evolute’, a previously unpublished ritual and art by the late English magus and scholar Andrew D. Chumbley. Traditional witch Gemma Gary invokes Bwcca, the Cornish Witch-God, in arresting image, rite and magical exposition. Esoteric scholar Henrik Bogdan considers the esoteric role of Secrecy, the very flower of the Occult itself, as it relates to secret societies. Lloyd Graham writes of the magical talismans of Arabian magic, and Aaron Picirillo examines magical self-fashioning. Robert Hull examines the Qabalah of Quantum Physics in ‘Unity and Division’. Michael Howard’s essay ‘Masonic Mysteries of Tubal-Cain’ explores the role of the first artificer of metal in several occult orders. In addition, volume 2 includes several rare occult texts relating to cheiromancy, natural magic, witchcraft and the lore and magic of the Mandragora — the Shrieking Root of the sorcerers.

At 216 pages, CLAVIS Journal 2 features haunting and provocative visuals from many contemporary artists imaging the esoteric: by Madeline von Foerster, Richard Kirk, Carolyn Hamilton-Giles, Tom Allen, Jamie Sweetman, Billy Davis, John Kleckner, Carlos Melgoza, Joseph Uccello, Raven Ebner, Brigid Marlin, Timo Ketola, Ilyas Phaizulline, José Luis Rodríguez Guerra, and many more.” [via]

Occult Psaligraphy

Occult Psaligraphy: The Hidden Art of Papercutting by Hagen Von Tulien is a title coming soon from Ouroboros Press, and due to release at the 2013 Esoteric Book Conference in September.

Hagen Von Tulien's Occult Psaligraphy from Ouroboros Press

“Ouroboros Press desires every discerning Bibliophile to know that a new book by contemporary artist and occultist Hagen Von Tulien is in preparation. With more than thirty years of intense magical theory and practice, he has specialized in creating art as an expression and manifestation of magical states of awareness and its use as an esoteric tool. In Occult Psaligraphy Von Tulien expresses these magical states in a series of over 160 papercuts. The book, produced in large format and printed in Red and Black will be presented in a Limited but distinct Edition. This bi-lingual text in English and German, includes introductions by the Artist and publisher William Kiesel, who speaks to the practice of papercutting in diverse esoteric traditions worldwide, including China, Japan, Mexico, Europe, Indonesia and America. Von Tulien’s papercuts show a superior quality, the line work, fluidity and design elements reflect experience with both graphics and occult symbolism. The papercut images Von Tulien creates with his scissors are functioning sacred diagrams, Veves and potent effigies whereby congress with the spirit world may be actuated.”

“Amalgamations of eyes, serpents, horns, skulls and other sigillic devices, these scissor-cuts become embodied vessels of power. They assist the practitioner in concentration, may be used in meditation or evocation, or as objects of talismanic effect. Specific God-forms, Iwa, and Avatars of Revelation are exemplified, honored and called forth. Other diagrammatic examples of Von Tulien’s scissor-cuts show initiatory knowledge and act as veritable trestleboards of ritual arcanum. The intricate lines and visually striking forms of his cuts cause an immediate fascination in the viewer – a fixation of vision, a keyhole through which Keys are received. Like the emblem books of the Renaissance the Occult Psaligraphy is rich in iconic symbolism. The devices of esoteric tradition are recondite and explicit and the entities present are no less corporeal to the eye. If ever a talismanic book there was, certainly this Book of Spirits is among them.” [via]