Greater Feast of Harry Smith, died November 27, 1991 at New York, United States
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Greater Feast of Harry Smith, died November 27, 1991 at New York, United States
Greater Feast of Harry Smith, died November 27, 1991 at New York, United States
In the Center of the Fire
In the Center of the Fire: A Memoir of the Occult 1966-1989 by James Wasserman, the 2012 hardcover edition, is part of the collection at the Reading Room.
“In this daring exposé by a survivor of a unique era in the New York occult scene, James Wasserman, a longtime proponent of the teachings of Aleister Crowley, brings us into a world of candlelit temples, burning incense, and sonorous invocations. The author also shares an intimate look at the New York Underground of the 1970s and introduces us to the company of such avant-garde luminaries as Alejandro Jodorowsky, Harry Smith, and Angus MacLise. A stone’s throw away from the Velvet Underground and Andy Warhol’s Factory, William Burroughs’ ‘bunker,’ and the legendary Chelsea Hotel was a scene far more esoteric than perhaps even they could have imagined.
When James Wasserman joined the O.T.O. in 1976, there were fewer than a dozen members. Today the Order numbers over 4,000 members in 50 countries and has been responsible for a series of ground-breaking publications of Crowley’s works.
The author founded New York City’s TAHUTI Lodge in 1979. He chronicles its early history and provides a window into the heyday of the Manhattan esoteric community. He also breaks his decades of silence concerning one of the most seminal events in the development of the modern Thelemic movement — detailing his role in the 1976 magical battle between Marcelo Motta and Grady McMurtry. Long slandered for his effort to heal the temporary breach between the Orders of A∴A∴ and O.T.O., James Wasserman sets the record straight. And, he meticulously chronicles the copyright contest over the Crowley literary estate—of which he was an important participant.
This is also a saga with a very human tableau filled with tender romance, passionate friendships, an abiding spiritual hunger, danger, passion, and ecstasy. It also explores several hidden magical byways including the rituals of Voodoo, Tibetan Buddhism, and Sufism. Finally we are given a bird’s eye view of the 1960s hippie culture and its excesses of sex and drugs, and rock n roll—along with the personal transformations and penalties such a lifestyle brought forth.
Reconstructed from personal memories, magical diaries, multiple interviews, court transcripts, witness depositions, trial evidence, and extensive correspondence, this book elucidates a hitherto misreported and ill-understood nexus of modern magical history. It also shares tales of a mythical moment in American life as seen through the eyes of an enthusiastic participant in the hip culture of the day.”
The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.
Kenneth Anger is pulled out of a hat in an article about the cliche “the magic of the movies”
Kenneth Anger is pulled out of a hat in an article about the cliché “the magic of the movies” at “Hugo and the magic of film trickery” by J Hoberman at The Guardian. Aleister Crowley is tangentially mentioned in connection with Anger.
“Many film-makers, including Orson Welles and the avant-gardists Maya Deren, Harry Smith, Stan Brakhage, and Kenneth Anger, identified their practice with magic — albeit in varying ways. Welles had extensive experience as a stage magician and made his last feature, the faux documentary F is For Fake precisely about cinematic sleight of hand; Deren was a serious student of Haitian vodoo; Smith considered his cut and paste animations a form of alchemy; Brakhage referred to “trick” as the medium’s fundamental rule; and Anger was a disciple of Aleister Crowley, who considered making a film akin to casting a spell. (Walt Disney would have agreed.)”
“Movies don’t necessarily record reality but they always construct it. That’s what makes them magical.”
Occultural Film Series: Magick in Cinema at Northwest Film Forum on Thursday, April 5th at 7pm in Seattle, WA
You may be interested in “Occultural Film Series: Magick in Cinema” [also] which is going to be at Northwest Film Forum on Thursday, April 5th at 7pm in Seattle, WA. This appears to be the inaugural event for what is hoped to be an ongoing series, so even if you can’t make this one, consider keeping an eye out for future events.
“Thursday, Apr 05 at 07:00PM
Artist, writer and filmmaker Brian Butler presents a program that explores the occult as depicted in avant garde and experimental film. Magick has been defined by Aleister Crowley as “the science and art of causing change to occur inconformity with the will.” The short film is a perfect medium for modern occult ritual—utilizing sound light and color to alter the consciousness of the viewer. This program includes pioneers in the field of occult film as well as newer works by Brian Butler.Program includes:
Death Posture (Brian Butler, 2011, 3 min)
The Invasion of Thunderbolt Pagoda (Ira Cohen, 1968, 20 min)
No. 17: Mirror Animations (Harry Smith, 1979, 8 min)
Wormwood Star (Curtis Harrington, 1956, 15 min)
Brush of Baphomet (Kenneth Anger, 2009, 7 min)
Night of Pan (Brian Butler, 2009, 7 min)
Union of Opposites (Brian Butler, 2012, 10 min)” [via]
“Established 2012 the Occultural Film Series features the esoteric and the occult in cinema. Embracing historical and contemporary examples in film and video of esoteric currents in moving pictures.
Co-hosted by the Northwest Film Forum and the Esoteric Book Conference.
Coordinators: Tobi Nussbaum and William Kiesel” [via]
Of course, the quoted definition of “magick” by Aleister Crowley can be found in “Definition and Theorems of Magick” from Magick in Theory and Practice:
“Magick is the Science and Art of causing Change to occur in conformity with Will.”