Tag Archives: hermetic philosophy

Enchanted Modernities at University of Amsterdam on Sept 25th – 27th, 2013

Enchanted Modernities: Theosophy and the arts in the modern world is a conference that will take place on September 25th – 27th, 2013 at the University of Amsterdam and other locations in Amsterdam. The conference is part of the Enchanted Modernities: Theosophy, Modernism and the Arts, c. 1875-1960 project by the Department of History of Art at the University of York, UK.

enchanted-modernities-conference-amsterdam-2013

“This is the first conference of the newly established research network, Enchanted Modernities: Theosophy, modernism and the Arts c. 1875-1960, funded by the Leverhulme Trust. The conference will be organized in collaboration with the Centre for the History of Hermetic philosophy and related currents, University of Amsterdam.

Building on a very successful exploratory colloquium at Liverpool Hope University in December 2010, this conference will explore what the arts can tell us about the complex relationships between Theosophy, modernity and artistic culture, c. 1875-1960. The purpose of this conference is to bring together an international group of scholars working on Theosophy and the arts across the globe in this period, and as a result, map the rich variety of artistic responses to the influence of Theosophy and the Theosophical movements in the modern world. The connections between Theosophy and modernist aesthetics have been well documented in relation to certain artists such as Kandinsky and Mondrian, as well as composers like Scriabin and Rudhyar. However, the purpose of this conference is to develop a more nuanced and complex picture of the multiple layering of art, modernity and mysticism in a range of artistic practices in the nineteenth and twentieth centuries. The wider critical significance of the relationships between painting, sculpture, applied and decorative arts, music, architecture on the one hand and Theosophy on the other, with the exception of a few well known case-studies, is still largely to be explored, possibly because, as the historian Alex Owen has suggested, ‘the very notion of mysticism and the occult seem to run counter to our conception of modern culture and the modern mind set’.” [via]

Occlith 0

Occlith 0: Omniform by Joseph Uccello is a new release from The Viatorium Press and Three Hands Press, available from Weiser Antiquarian Books.

Joseph Uccello's Occlith 0 from Three Hands Press

“Since 1992, Xoanon and its sister publishing house Three Hands Press have pioneered the art of occult publishing, their practice driven by the philosophy that a truly magical book transcends the medium of its material embodiment. In part, this has been achieved through sublime qualities of exceptional content and artistry: original text, image, and type design which are undeniably possessed by the inspiring spirits which animate the volume. In the most potent of instances, the book coalesces by a hidden and vital anatomy, whose heart pulsates with life. Historically, the phenomenon of the magical book has appeared at the confluence of magic, mysticism, artistic inspiration and high craftsmanship. Nowhere is this as evident or beguiling as in the corpus of European alchemical texts, created in the ascendancy of movable type, where individual spiritual revelation came to inform both how the Royal Art of Alchemy was understood, and how books were made.

In collaboration with The Viatorium Press, and in the spirit of furthering the modern tradition of the Magical Book, we are pleased to announce Occlith Omniform 0 from award-winning artist, typographer and printer Joseph Uccello. Containing essential texts of the Paracelsian School of Alchemy, the whole serves as an animated sourcebook of essential Hermetic philosophy and Natural Magic, vivified through the letterpress-inspired type design and Uccello’s masterful ink and brush drawings. In addition to the lavishly-illustrated alchemical texts, Omniform includes an essential lexicon of alchemical terms, and an original Introduction by Uccello serves as the portal of ingress into this Corporeal Book.” [via]