Tag Archives: Horror tales

In the Coils of the Labyrinth

Hermetic Library Fellow T Polyphilus reviews In the Coils of the Labyrinth [Amazon, Bookshop, Publisher, Local Library] by David Annandale, cover art by John Coulthart, part of the Arkham Horror series.

Annandale Coulthart In the Coils of the Labyrinth

In the Coils of the Labyrinth is David Annandale’s first full Arkham Horror novel, although he previously contributed “Professor Warren’s Investiture” to the collection The Devourer Below, and it was one of the better stories in that volume. He has a prior track record as an author of Warhammer 40,000 game milieu novels.

The circa 1925 transatlantic plot of this story features some elements of folk horror in the Scots village of Durtal and medical horror in Arkham, Massachusetts. The two are united by a gothic scheme of family degeneracy and menacing architecture, under the influence of some chthonic malevolence. Protagonist Miranda Ventham is a university English professor whose metier is 19th-century Romantic and Gothic fiction.

Professor Ventham is friends with parapsychologist Agatha Crane (one of the player-character investigators from the Arkham Files games), and the book’s lovely cover art by John Coulthart shows Agatha Crane exploring by herself in trench coat and hat. The two leading viewpoint characters are thus both women, and the novel passes the Bechdel Test with flying colors. When Ventham is put in a sanatorium for her tuberculosis–where she remains for most of the novel–most of her interactions continue to be with women: the other patients and the nurses alike.

The god-monster and its minions in this novel are de novo, reflecting the spirit of Yog-Sothothery, but not indebted to HPL or the larger accumulated “mythos” for any details beyond the town of Arkham and Miskatonic University as settings and some use of the “elder sign.” Annandale in his acknowledgments more particularly credits the horror films of Dario Argento for some inspiration, and the character named “Daria” may have been a conscious tip in that direction as well.

The Innsmouth Cycle

Hermetic Library Fellow T Polyphilus reviews The Innsmouth Cycle: The Taint of the Deep Ones in 13 Tales [Amazon, Bookshop, Local Library] selected and introduced by Robert M Price, part of the Call of Cthulhu Fiction series.

Price The Innsmouth Cycle

The Chaosium-published “Cycle” books, as edited by Robert M. Price, generally take a Cthulhu Mythos “entity” and supply a full range of literature for it: the key Lovecraft stories, likely prior influences, and later derivations. In this case, center stage is given to the Deep Ones of “The Shadow over Innsmouth.” I almost skipped re-reading the Lovecraft story itself, since it is the longest in the book, and I always have other things to read. But I’m glad I didn’t: it’s one of my favorites, and it really held up to the repeat reading, which was further enhanced by some of Price’s remarks in the general introduction, where he discusses the initiatory dimension of the tale. Given the fondness that I have for “The Shadow over Innsmouth,” I thought the other stories might have a hard time measuring up. But I found this collection very strong on the whole. 

With the exception of the three poems placed at the end, the contents are arranged roughly chronologically by date of first publication. Price has identified three predecessor stories. The first and least relevant is the brief Dunsany Pegana piece “Of Yoharneth Lahai.” It may be the source of the name Y’ha-nthlei as Price contends, but it contributed no substance to Lovecraft’s Atlantic citadel of the Deep Ones. “The Harbor-Master” was the first Robert W. Chambers story I had read that wasn’t in The King in Yellow, and it was quite good; in fact it may goad me to read the remainder of In Search of the Unknown, the site of its original publication. “Fishhead” by Irvin S. Cobb is an effective little tale also. But in both the Chambers and Cobb stories, the ichthyoid men are isolated freaks of nature, whereas the terribleness of the Lovecraftian Deep Ones has a great deal to do with the extent of their society, or even conspiracy.

That element is played up well in a number of the latter-day tales, most especially “Innsmouth Gold” (Vester), “Custos Sanctorum” (Johnson), “Rapture in Black” (Rainey), “Live Bait” (Sargent), and “Devil Reef” (Glasby). I preferred these 1980s and 90s pieces to the 1960s and 70s work of James Wade and Franklyn Searight, although the Wade stories in particular can be seen as predecessor tales themselves to Alan Moore’s splendid Neonomicon. The majority of the newer stories have very explicit links to the original Lovecraft story, usually mentioning Innsmouth by name and often setting their principal events in the same mythical New England town. Geographic outliers include Big Sur (“The Deep Ones”), Chicago (“Rapture in Black”), and Essex, England (“Custos Sanctorum”). 

The high level of inter-textual continuity is surprising, in that none of these stories are mere pastiches. I was profoundly charmed by the mystical “Transition of Zadok Allen” which concludes the prose section of the book. The trio of poems at the end are of mixed value, and they are sequenced by increasing length and greater conformity to the contents of “The Shadow over Innsmouth.” The whole collection is quite worthwhile, and I would recommend it to fans of weird horror generally, beyond addicts of Lovecraftiana.