I’m reading these reprint collections of Grant Morrison’s Invisibles comic in sequential order, and this is definitely the one that I have enjoyed the best so far. I don’t know if it’s because of the intrinsic merits of its own story, or whether it’s simply that I’ve now read enough of the prior material to feel properly oriented in the story’s world. Each of the main characters from the original Invisibles cell of the first series has now had some significant backstory narrative, and a time-travel plot provides some new perspectives on familiar characters.
This volume collects the individual issues making up three titled arcs: “Time Machine Go,” “Sensitive Criminals,” and “Amerian Death Camp.” Written and published in the late 1990s, these stories seem to accept the identification of Vernor Vinge’s technological singularity with the end of the Mayan long count calendrical cycle in 2012 — an idea later popularized by Daniel Pinchbeck, among others, but which may have been original with Morrison here, as far as I can tell. Still, that feature reduces the immediacy of the narrative when reading it in 2013. Ragged Robin, the witch from the future who is the current leader of the Invisibles, mentions other contra-factual events from the first decade of the 21st century, with similar effects.
Up to his usual tricks, Morrison provides some startling intimations of presque vu and psychedelia-through-language. Many of the motifs in this segment of The Invisibles also feature in his later, more contained and incisive work The Filth. Phil Jimenez does an effective job of depicting key disorientations without entirely losing the reader, and manages to keep the violence as realistic as possible in the context. [via]
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