Ideas have no status except through forms that are accepted symbols of sentience and are spatially and outwardly self-indulgent. Excarnation of an inspired or superimposed concept may be induced and orientated by ‘space-apperception’. The whole body and being must suspire… This total effluxion makes everything reciprocal and becomes a re-orientated sequence of focused nexity. Through this harmonic relation with Ego one becomes the qualitative mediator of the hypothetical or real propensity: any position giving vastness or panorama, and, by abstractive gazing beyond distance, allowing and following the flow of thought until there is an intrusive and more cognate idea. This idea is held and projected into the ‘vista’. Nothing innate is permitted to be subtracted from the visualization.
Austin Osman Spare, The Zoëtic Grimoire of Zos
Saint, hero, and poet are all inspired; the difference is that saint and hero work in their “… own flesh and blood and not in paper or parchment…” (PASL, 333). Their very lives are works of art, because they have permanently found the anti-self, and so, live in an inspired ecstasy. The poet lives in the tension between inspiration and the workaday world. According to this theory, the ecstatic state of mind, immersion in the anti-self, allows the daimon to inspire the artist.
Susan Johnston Graf, W B Yeats Twentieth Century Magus: An In-Depth Study of Yeat’s Esoteric Practices and Beliefs, Including Excerpts from His Magical Diaries [Bookshop, Amazon]
As a practical application of this principle, I suggest you seek out several people that inspire you in this way. Ask them about their path: How did they get where they are? What called to them or inspired them? What do they consider their best choices and their worst failures?
David Shoemaker, Living Thelema: A Practical Guide to Attainment in Aleister Crowley’s System of Magick