Tag Archives: John Coulthart

In the Coils of the Labyrinth

Hermetic Library Fellow T Polyphilus reviews In the Coils of the Labyrinth [Amazon, Bookshop, Publisher, Local Library] by David Annandale, cover art by John Coulthart, part of the Arkham Horror series.

Annandale Coulthart In the Coils of the Labyrinth

In the Coils of the Labyrinth is David Annandale’s first full Arkham Horror novel, although he previously contributed “Professor Warren’s Investiture” to the collection The Devourer Below, and it was one of the better stories in that volume. He has a prior track record as an author of Warhammer 40,000 game milieu novels.

The circa 1925 transatlantic plot of this story features some elements of folk horror in the Scots village of Durtal and medical horror in Arkham, Massachusetts. The two are united by a gothic scheme of family degeneracy and menacing architecture, under the influence of some chthonic malevolence. Protagonist Miranda Ventham is a university English professor whose metier is 19th-century Romantic and Gothic fiction.

Professor Ventham is friends with parapsychologist Agatha Crane (one of the player-character investigators from the Arkham Files games), and the book’s lovely cover art by John Coulthart shows Agatha Crane exploring by herself in trench coat and hat. The two leading viewpoint characters are thus both women, and the novel passes the Bechdel Test with flying colors. When Ventham is put in a sanatorium for her tuberculosis–where she remains for most of the novel–most of her interactions continue to be with women: the other patients and the nurses alike.

The god-monster and its minions in this novel are de novo, reflecting the spirit of Yog-Sothothery, but not indebted to HPL or the larger accumulated “mythos” for any details beyond the town of Arkham and Miskatonic University as settings and some use of the “elder sign.” Annandale in his acknowledgments more particularly credits the horror films of Dario Argento for some inspiration, and the character named “Daria” may have been a conscious tip in that direction as well.

The Devourer Below

Hermetic Library Fellow T Polyphilus reviews The Devourer Below [Amazon, Bookshop, Publisher, Local Library] edited by Charlotte Llewelyn-Wells, cover by John Coulthart, book 5 of the Arkham Horror series.

Llewelyn-Wells The Devourer Below

The Devourer Below is the fifth volume of Arkham Horror fiction to be issued under the Aconyte imprint. While the previous four have been novels, this one is a collection of short stories by various authors. I was thus expecting a wide assortment of tales, joined only by their early 20th-century Arkham, Massachusetts setting and the involvement of assorted investigator characters from the Fantasy Flight Arkham Files games. I was in fact pleasantly surprised to find that these stories are far more interrelated than that.

Players of Arkham Horror: The Card Game may recognize “The Devourer Below” as the title of the third and final scenario of “The Night of the Zealot,” the campaign included with that game’s core set. All of the stories in this book relate to that starter campaign, featuring the servitors of the Great Old One Umôrdhoth. (Umôrdhoth is based on Mordiggian, from Clark Ashton Smith’s story “The Charnel God.”) Such servitors are largely a mix of ghouls and human cultists.

Specific enemy characters from the card game campaign figure in the stories, as do the important investigator allies Leo De Luca and Lita Chantler. Investigator protagonists include Tony Morgan, Carolyn Fern, Joe Diamond, Daisy Walker, Agnes Baker, Wendy Adams, and Finn Edwards. On the whole, I found the enemy-focused stories more satisfying than the investigator-centric ones, but I liked both and appreciated the variety.

As a suite of connected tales of yog-sothothery, The Devourer Below is just fine. As a supplement to the Arkham Horror games, it is good. As an amplification of the core set adventure cycle in Arkham Horror: The Card Game, it is very good.

This book appends a “tease” reprint of the opening chapter of Ari Marmell’s Arkham Horror novel Litany of Dreams, oddly included in the table of contents as if it were one of the stories written for this volume. It also sports the third Arkham Horror fiction cover art by John Coulthart. I like these highly detailed multi-panel covers a lot.

Litany of Dreams

Hermetic Library Fellow T Polyphilus reviews Litany of Dreams [Amazon, Bookshop, Publisher] by Ari Marmell, cover by John Coulthart, book 4 of the Arkham Horror series.

Marmell Coulthart Litany of Dreams

Among the recent run of Arkham Horror novels, Ari Marmell’s Litany of Dreams is in some respects the most conventionally Lovecraftian. It features protagonists based out of Miskatonic University who encounter a preternatural horror that has taken over an insular community in the Massachusetts back country of the Hockomock Swamp. So far, so Cthulhu.

On the other hand, the principal protagonist is gay, the chief secondary protagonist is a formidable indigene of arctic Greenland (an “Inuit” according to the character’s insistence), and other secondary protagonists are women, so in that respect the story tracks better with the 21st-century diversity of hero-investigators in the Fantasy Flight Arkham Files games than it does with the old pulp Yog-Sothothery. I don’t think it quite passes the Bechdel Test, however.

The only Arkham Files game character who features in a significant way in this book is Daisy Walker, librarian at the Orne Library of Miskatonic University, and many aspects of the story are pleasantly bookish. The plot centers around the transliteration of an ancient inscription, and there are occasional references to the pleasure reading of various characters, noting such authors as Bram Stoker and Agatha Christie.

Unsurprisingly for a book written during the novel coronavirus pandemic, it features fears about a recurrence of epidemic influenza in 1923 Arkham. There is also more than a little “zombie apocalypse” flavor to the story. The references to the Silver Twilight Lodge in Arkham are minimal, and instead there is an even higher order of occult conspiracy invoked.

An elaborate epilogue introduced various possible sequel opportunities, making me wonder if Marmell, an author of several series, was deliberately angling in that direction.

The Last Ritual

Hermetic Library Fellow T Polyphilus reviews The Last Ritual [Bookshop, Amazon, Publisher] by S A Sidor, cover by John Coulthart, part of the Arkham Horror series.

Sidor Coulthart The Last Ritual

The Last Ritual is the second of a series of novels set in the Arkham Horror game milieu and published by Aconyte Books. Like the first, it features a protagonist who is not one of the stable of player character investigators from the games, along with important cameo appearances from established investigators–in this case, Preston Fairmont, Calvin Wright, and Norman Withers. The principal character of The Last Ritual is artist painter Alden Oakes, a scion of the French Hill Arkham elite.

This tale is set in the 1920s, and the prose offers no howling anachronisms, but the telling shows influences of more recent horror fiction. At the same time, the imposition of a frame story in which Oakes narrates his horrific experiences to a cub journalist put me in mind of 19th-century horror greats Poe and Bierce. Although Oakes starts his tale in France, the bulk of it revolves around a modest number of locations in Arkham, Massachusetts. The charismatic Surrealist Juan Hugo Balthazarr serves as a focus for enigmatic menace.

The mood and pacing of this novel is very different from its predecessor The Wrath of N’Kai. Where the earlier book had a real pulp adventure feel, despite its supernatural elements and shady settings, The Last Ritual is definitely weird horror through and through. Oakes is no hardened he-man, and his epistemological inadequacies lead to vacillating personal loyalties as well as profound fear and confusion. Author Sidor resists clarifying for the reader any number of the painter’s strange experiences, and the outcome of the story is not at all like the one in the other book.

Incidentally, you might think from seeing online images of the excellent cover art by John Coulthart that the cover is a shiny foil affair, but it is in fact a flat matte cover with clever art deco styling in suggestive hues. The building that dominates the cover is the Silver Gate Hotel, around which much of the story revolves.

I enjoyed this book a great deal, and found it to be one of the best in the various Arkham Horror fiction series.

Omnium Gatherum: July 20th, 2014

An irregular hodgepodge of links gathered together … Omnium Gatherum for July 30th, 2014

Afterlife with Archie issue 6
“Afterlife With Archie” Issue 6 is a comic every Lovecraft fan will enjoy — Mike Davis, Lovecraft eZine

 

Here are some top gatherum posts from the BBS this week:

  • The Baphomet Sculpture Hidden in Brooklyn — Jena Cumbo, Village Voice

    “Lucien Greaves (a.k.a. Doug Mesner), one of the people who commissioned the sculpture, that now sits in a warehouse in Red Hook, Brooklyn, asked the sculptor — we’ll call him “Jack” — to forgo the breasts. This Baphomet is smooth-chested and muscular, with thin, shapely lips and rectangular pupils. The sculptor based his physique on a blend of Michelangelo’s David and Iggy Pop.”

  • ‘Join us in our ritual,’ beckons Cthulhu-based cryptocurrency — Adrianne Jeffries, The Verge

    “Written in the voodoo cultspeak of futurist horror writer H.P. Lovecraft’s short story, ‘The Call of Cthulhu,’ the creepy Cthulhu Offerings may be the most confusing digital currency yet.

    ‘The time draws near, the return of The Great Old One is upon us,’ writes the developer. ‘Join us in our ritual.'”

  • 70,000 Year-Old African Settlement Unearthed — Past Horizons

    “During ongoing excavations in northern Sudan, Polish archaeologists from the Institute of Archaeology and Ethnology in Poznań, have discovered the remains of a settlement estimated to 70,000 years old. This find, according to the researchers, seems to contradict the previously held belief that the construction of permanent structures was associated with the so-called Great Exodus from Africa and occupation of the colder regions of Europe and Asia.”

  • The Occult Knowledge – Strategies of Epistemology in La Société Voudon Gnostique — Maria Liberg, a Bachelor thesis in Religious Studies at University of Gothenburg, supervised by Henrik Bogdan

    “The academic research on Western esotericism in general and contemporary occultism in particular has been largely neglected in earlier scholarship and has only recently gained serious academic attention. This thesis examines how the contemporary occult group, La Société Voudon Gnostique, headed by David Beth and an organization under the general current Voudon Gnosis, legitimate their claims to knowledge, mainly through three discursive strategies of epistemology offered by Olav Hammer, namely: the appeal to (1) tradition; (2) scientism as a language of faith; and narratives of (3) experience. Since Hammer argues that these strategies can be found in esoteric currents in general, but only examines theosophy, anthroposophy and New Age as well as only examining “esoteric spokespersons” this thesis aims at examine them in relation to contemporary occultism as well as in relation to both the spokesperson and to “ordinary adherents”. In order do this, La Société Voudon Gnostique works as a case study in qualification of being a contemporary occult group that has gained no academic attention before.

    The conclusions of this thesis are that the strategies are all prevalent, to a more or less extent, in La Société Voudon Gnostique and they are also used by the adherents. Besides the strategies proposed by Hammer, this thesis argues that the secrecy and elitist approach, which can be found in the texts, also can be seen as a discursive strategy of epistemology.”

  • Christian Persecution: The Movie! — Scott Stenwick, Augoeides; about the forthcoming movie Persecuted

    “Persecuted, is based on a laughably impossible premise that the audience is supposed to find threatening. In this case, it’s the government attempting to legislate religion, something Poor Oppressed Christians are totally for until they realize that religious freedom also applies to non-Christians. Then they go off the rails about how wrong and unfair it is that they aren’t treated as special and given more privileges than everyone else.”

  • The True History of Libertarianism in America: A Phony Ideology to Promote a Corporate Agenda — Mark Ames, NSFWCORP at Alternet

    “Pull up libertarianism’s floorboards, look beneath the surface into the big business PR campaign’s early years, and there you’ll start to get a sense of its purpose, its funders, and the PR hucksters who brought the peculiar political strain of American libertarianism into being — beginning with the libertarian movement’s founding father, Milton Friedman.”

    “That is how libertarianism in America started: As an arm of big business lobbying.”

  • Aldous Huxley quoted at Reversed Alchemy — Michael Gilleland, Laudator Temporis Acti

    “Certain authors possess the secret of a kind of reversed alchemy; they know how to turn the richest gold into lead. The most interesting subjects become in their hands so tedious that we can hardly bear to read about them.”

  • Ian Clark quoted at The Limits of “Unlimited” — Barbara Fister, Inside Higher Ed

    “By speaking up, we are not only defending public libraries but the entire notion of public services. Silence is not how we defend ourselves against an ideological battle, it is how we surrender.”

  • More Songs for the Witch Woman — John Coulthart, feuilleton

    “It’s been a great pleasure in recent years seeing the welling of interest in Cameron’s work. In 2001 when I was compiling notes for an abandoned study of occult cinema, Cameron as artist, witch or mere human being was a shadowy presence about whom nothing substantial seemed to have been written; her art was impossible to see anywhere, all one had were fleeting references in books”

  • Love Spells — Sarah Anne Lawless

    “Love spells are black magic. Love spells to manipulate the body, heart, and soul. Love spells to dominate, to bind, to cause destruction and madness and pain.

    Love spells are not about love, they are about the lustful eye and the selfish heart. Be honest with yourself about it and then move on to the work at hand.”

  • Bible Stories for Newly Formed and Young Corporations — Tom the Dancing Bug, Boing Boing

    Tom the Dancing Bug Bible-stories for Young Corporations detail

     

  • Stick-Gods — Inonibird

    “‘Stick-Gods’ is the culmination of over a dozen years of fascination with Ancient Egypt—particularly, its mythology and deities. Whether you’re studying Egyptology, a practicing Kemetic or just a fan of myths, there should be something in there for you! I’m doing my best to balance informed content with a fair bit of silliness. …And puns. Lots of puns.”

    Inonibird Stick-Gods

     

  • William Blake’s Sexual Path to Spiritual Vision, by Marsha Keith Schuchard — Gesigewigu’s, Spiral Nature; a review of William Blake’s Sexual Path to Spiritual Vision from Inner Traditions

    “Reading William Blake one cannot help but realize this is a man who is both religious and spiritually active, especially his poems known as the prophecies. The question is what was the nature of his spiritual life? What inspired Blake to create works that are both heavily Christian and at the same time antagonistic to many Christian ideals? The surprising answer is laid out as Schuchard leads us back into the complex religious web of mystical Christianity of the 17th and 18th century.”

  • A Victim of Drunken Channeling — Scott Stenwick, Augoeides

    “Aleister Crowley criticized spiritism as ‘a sort of indiscriminate necromancy’ because of a complete lack of formal magical procedures and protections, in which many mediums simply opened themselves up to whatever spiritual force happened to be present. Modern channelers such as Knight still employ essentially the same methods that Crowley was talking about. As such, there’s a real possibility that any channeling attempt could reach just about any spirit, like some sort of metaphysical Chatroulette.”

  • Mary Magdalene and the Gospel according to Mary — Kate Cooper; an edited excerpt from Band of Angels: The Forgotten World of Early Christian Women from Overlook Press

    “The argument between the four disciples seems to be our anonymous writer’s way of exploring the different positions being taken by the men and women of his own day on the question of an alternative tradition being handed down by women. But he is also expressing his concern that the Church is changing, and not for the better. In his eyes, Peter seems to represent the voice of a faction in the community which wants to ‘make rules or lay down laws other than the Saviour gave’ – in other words, a group that wants to develop an institutional structure to replace the more fluid and informal movement of the early decades. This was clearly a topical warning after the death of the disciples who had known Jesus. Levi thinks that the new rules are a way of drawing the community away from fulfilling its task of preaching the gospel. The anonymous writer seems to be using Levi to suggest that too much emphasis on authority from the ‘Peter faction’ is stifling the Church.”

  • “Afterlife With Archie” Issue 6 is a comic every Lovecraft fan will enjoy — Mike Davis, Lovecraft eZine

    “As the story begins, our heroine Sabrina Spellman is relating one of her eldritch dreams to her psychiatrist, Dr. Lovecraft. Sabrina has apparently been committed to an institution because after her aunts died in a house fire, she had a breakdown and couldn’t deal with the reality of their death.

    But is that really what happened?”

 

If you’d like to participate in the Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS. You can check out all the other gatherum posts, like posts you enjoy, and even add your own posts with links to other things of interest, related to the subject matter of the library, from elsewhere around the Internet.