Tag Archives: Joséphin Péladan

Sasha Chaitow crowdfunding participation at OCCULT in Salem, MA

Sasha Chaitow is crowdfunding to help her participate at the 2014 OCCULT in Salem, MA with an exhibit of her art and a workshop about Joséphin Péladan.

Sasha Chaitow crowdfunding OCCULT 2014

Hi everyone, my name’s Sasha Chaitow, and I’m an artist, writer, and scholar of the crossover of esoteric thought and cultural history. I’ve been painting since 1996, and I hold two MAs in Literature and in Western Esotericism. I have just completed my PhD in Myth and Literature, examining the life and work of the mysterious Joséphin Péladan, a French visionary author who wrote over a hundred books devoted to his cause of inspiring a cultural renaissance through esoterically inspired art.

Abraxas: Issue 5

Abraxas: Issue 5, edited by Christina Oakley Harrington and Robert Ansell, from Fulgur, is due to release on March 20th, 2014, in limited paperback and even more limited hardback editions, which includes many new works that will certainly be of interest, including a contribution by K Lenore Siner, who you may recogonize from her participation in the Hermetic Library visual pool.

Abraxas issue 5 from Fulgur Esoterica UK

Abraxas Issue #5 offers 180 large format pages of essays, poetry, interviews and art.

Printed using state-of-the-art offset lithography to our usual high standard, contributions for Abraxas #5 include an interview by Pam Grossman with Greek artist, Panos Tsagaris; an analysis of Aby Warburg’s Mnemosyne Atlas by Silvia Urbini, a visual interpretation of the Dionysian mysteries by Arrington de Dionyso; a substantial essay from Shasha Chaitow on the grandfather of esoteric art, Joséphin Péladan; an introduction to the art of Michael Bertiaux by Ariock Van de Voorde; reminiscences by Caroline Wise of her friend Olivia Robertson (1917-2013), and much more…

CONTENTS

Editorial, Christina Oakley Harrington
Olivia Robertson: A Visionary Life, Caroline Wise
A Brief History of the Use of Spirits in European Occultism, Stephanie Spoto
Mycology, Madeline Cass
De Vermis in Se, Max Razdow
John Augustus Knapp: Modern Master of Occult Illustration, Ken Henson
Marrasio’s Masque, translation by Merlin Cox, illustrated by Gromyko Semper
Black and White & Gold All Over: An Interview with Panos Tsagaris, Pam Grossman
Musings on Breath, David Blank
The (Not Entirely) Lost ‘Art of the Apothecary’: Abramelin Oil and Ancient Perfumery, Ioannis Marathakis
Blind Love, K Lenore Siner
Victor Brauner at the Crossroads of Magic and Chance, Jon Graham
La Villa dei Misteri, Arrington de Dionyso
Esoteric City: Theological Hermeneutics in Plato’s Republic, Edward Butler, with photography by SF Said
Sonnet, Comte de Saint-Germain, translated by Sebastian Hayes
Nihilalia: In conversation with Bea Kwan Lim, Randall Morris
A Brief History of Witchcraft: Inquisitors & Witches, Ian Pyper
Games of Fate: Aby Warburg’s Mnemosyne, Plate 23a, Silvia Urbini
Oversoul, Joanna Pallaris
Hidden in Plain Sight: Joséphin Péladan’s Religion of Art, Sasha Chaitow
Bené-Satan, Sasha Chaitow
Isis and Taweret with tomb of Hafiz, Adela Leibowitz
Meeting Le Maître: An Introduction to the Art of Michael Bertiaux, Ariock Van de Voorde
Antinous and Glykon: The Gods of Good Hair in Late Antique Anatolia, P. Sufenas Virius Lupus” [via]

Genesis 3:24

8.Genesis 324
Genesis 3:24, originally uploaded by Sasha Chaitow.

 

The Hermetic Library visual pool is a visual scavenger hunt for images of a living Western Esoteric Tradition. If you would like to submit your work for consideration as part of the visual pool, head over to the Hermetic Library visual pool or contact the librarian.

Oannes and the World of Forms

 

The Hermetic Library visual pool is a visual scavenger hunt for images of a living Western Esoteric Tradition. If you would like to submit your work for consideration as part of the visual pool, head over to the Hermetic Library visual pool or contact the librarian.

Neo-Symbolist Salon at Corrala Cultural Center in Madrid from Oct 31-Nov 30, 2013

Neo-Symbolist Salon: For the Beauty and Spirit in Art will be held at the Corrala Cultural Center in Madrid, Spain from October 31st through November 30th, 2013 as part of the fifth Madrid Gothic Week [HT Sasha Chaitow]. The call for artist and papers has passed, but it sounds quite interesting; especially since the description explicitly invokes the Salon de la Rose + Croix of Joséphin Péladan and has suggested themes which include Beautiful, Decadent and Damned; Hybrid beings; The Sacred Feminine; and more.

Neo-Symbolist Salon 2013

“V SEMANA GÓTICA DE MADRID
SGM ART
CONVOCATORIA PARA PARTICIPAR EN EL

I Salón Neo-Simbolista

Por la Belleza y el Espíritu en el Arte

DEL 31 DE OCTUBRE AL 30 DE NOVIEMBRE DE 2013
CENTRO CULTURAL LA CORRALA (MADRID)

El final del siglo XIX vio florecer un arte plagado de ideal y de profundo significado: el Simbolismo. Un arte de la belleza y la pureza de las formas bajo cuyo velo había siempre un significado profundo: sus imágenes simbolizaban el ideal. Por ello fueron llamados en su momento “los pintores del alma”. Pero el advenimiento de las primeras Vanguardias dejó eclipsada a esta corriente artística tan rica y evocadora, tan solo revivida por el ámbito surrealista, y que sólo será estudiada a partir de los años 80.

Es significativo que un siglo más tarde, en el final del siglo XX y comienzos del XXI toda una serie de artistas haya recuperado la estética y los iconos del Simbolismo finisecular para mostrar unos ideales nuevos. La femme fatal, el dandy, el andrógino, pasan a representar nuevos conceptos y nuevos ideales, eso sí, dentro del ámbito de la contra-cultura. A este movimiento artístico contemporáneo es a lo que llamamos Neo-Simbolismo, los nuevos pintores del alma.

Y por esa ascendencia decimonónica nos fijamos en el París decadente donde los salones eran las formas de mostrar los nuevos avances artísticos al gran público. Pero no tratamos de emular a los grandilocuentes Salones del Louvre, ni tan siquiera al Salon des refuiusèes donde hicieran su fortaleza los impresionistas, sino que mas bien miramos a la aventura de un visionario, el que se autoproclamaba Sâr Péladan y que fundó el Salon de la Rose + Croix en el cual participaron fundamentalmente los artistas de la corriente simbolista. Aunque un poco lejos de la excentricidad de Péladan pero siguiendo algunos de los principios que inspiraron su gusto estético, presentamos este Salón Neo-Simbolista, mas de una centuria después.

Las propuestas artísticas para la exposición deberán basarse en la iconografía simbolista pero reinterpretada dentro de los parámetros de la contra-cultura, del contra-Arte, de la oposición al mercado y al establishment. Porque probablemente la verdadera esencia del arte de nuestra época está muy lejos de allí y hay que encontrarlo en el underground.

Se proponen las siguientes temáticas para las obras que conformarán el Salón Neo-Simbolista:

La Belleza Maldita y la Belleza del Exceso
Bellos, Decadentes y Malditos
La Belleza de lo Siniestro
La Bella Dama sin piedad
El Dandy tenebroso
Seres híbridos: Esfinges, Arpías y Lamias
Lo Sagrado Femenino
El Andrógino” [via]

Bene-Satan

9.Bene-Satan
Bene-Satan, originally uploaded by Sasha Chaitow.

 

The Hermetic Library visual pool is a visual scavenger hunt for images of a living Western Esoteric Tradition. If you would like to submit your work for consideration as part of the visual pool, head over to the Hermetic Library visual pool or contact the librarian.

The Ereckian

10. The Ereckian
The Ereckian, originally uploaded by Sasha Chaitow.

 

The Hermetic Library visual pool is a visual scavenger hunt for images of a living Western Esoteric Tradition. If you would like to submit your work for consideration as part of the visual pool, head over to the Hermetic Library visual pool or contact the librarian.

The Fenris Wolf No 6

The Fenris Wolf No 6, edited by Carl Abrahamsson, cover art by Fredrik Söderberg, published by Edda Publications, Sweden, is available directly or, in the US, from Weiser Antiquarian

The Fenris Wolf No 6 from Edda Publications

“Edited by Carl Abrahamsson. Cover art by Fredrik Söderberg. The sixth issue of The Fenris Wolf touches upon topics as diverse as occult London, Tantric quests, rune magic and neurology, Cannabis, LSD, entheogenic influences on culture, the Mega Golem, Aleister Crowley in China, Bogomil Gnostics, decadent French author Josephin Péladan, the birth and death horoscopes of the Great Beast 666, Liber AL vel Legis, the psycho-sexual surrealism of Hans Bellmer, healing, death, the extraterrestrial origins of language, Ernst Jünger’s psychedelic approaches, recent Satanic cinema, the occult potential of contemporary physics, “Babalon” as a magical formula, the mystical art of Sulamith Wülfing and a never before published poem, The Litany of Ra, by Charles Stansfeld Jones a.k.a. Frater Achad. And more…

Contents

Carl Abrahamsson – Editor’s Introduction
Frater Achad – A Litany of Ra
Kendell Geers – Tripping over Darwin’s Hangover
Vera Nikolich – Eastern Connections
Carl Abrahamsson – Babalon
Freya Aswynn – On the Influence of Odin
Marita – Runic Magic through the Odinic Dialectic
Aki Cederberg – Afterword: The River of Story
Shri Gurudev Mahendranath – The Londinium Temple Strain
Gary Dickinson – An Orient Pearl
Derek Seagrief – Aleister Crowley’s Birth & Death Horoscopes
Tim O’Neill – Shades of Void
Nema – Magickal Healing
Nema – A Greater Feast
Philip Farber – Sacred Smoke
Robert Taylor – Death & the Psychedelic Experience
Michael Horowitz – LSD: the Antidote to Everything
Alexander Nym – Transcendence as an Operative Category…
Carl Abrahamsson – Approaching the Approaching
Renata Wieczorek – The Secret Book of the Tatra Mountains
Sasha Chaitow – Legends of the Fall Retold
Sara George & Carl Abrahamsson – Sulamith Wülfing
Robert C Morgan – Hans Bellmer
Genesis Breyer P-Orridge – Tagged for Life
Carl Abrahamsson – Go Forth and Let Your Brain-halves Procreate
Anders Lundgren – Satanic Cinema is Alive and Well
Anton LaVey – Appendices” [via]

If I were starting a Rosicrucian group …

… it would probably look a lot like the Hermetic Library Fellowship Program, or, rather, what that would be if more fully developed toward what I hope that project will become. And, I’ve been meaning to write more about my ideas and aspirations for the Fellowship Program, so I just might actually do this, even if it’s only in theory for the most part.

Recently, you may have noticed, Jeffrey Kupperman, of Journal of the Western Mystery Tradition, posted a series: “If I were to form a Rosicrucian Order …“, “Why I’m not Starting a Rosicrucian Order” and finally, even after he posted the image of a lamen suspiciously like something for such a thing, “I Did Not Start a Rosicrucian Society“. Likely inspired by this Anthony Silvia, of Gnosis NYC and the Talk Gnosis podcast, posted “I Am Not Forming an Open Source Order of Martinists …“.

Here’s my sense: Rosicrucianism as described in the source material is simply a group of people bonded together by a brief code to be of service to humanity and to develop and preserve certain esoteric knowledge. All of the oft associated structural and dogmatic cruft is either imported from the wider Western Esoteric Tradition during the 17th Century’s Rosicrucian Enlightenment, or accreted during the Victorian and Edwardian period of development by Freemasonry of the Rose Croix degree within Scottish Rite and SRIA/Golden Dawn style syncretic Hermeticism. The literary Rosicrucians of the Fama and Confessio are really quite simply organized without much of anything by way of necessary dogma.

Anyway, the whole highly-structured fraternal and/or teaching order thing has been done and done and occasionally “stick a fork in it” and, even, sometimes “can we bury it now because it is starting to smell.” Many still exist, so why start another one just like something already done? If you want to get involved in one of these, let me commend you to a few excellent organizations, about which I can personally vouch more or less, OTO [also], A∴A∴ [also], Golden Dawn [also, and] … and so on, YMMV. Keep your wits about you and do your own research.

Instead, I would focus on starting from the barest and most minimal interpretation sufficient and necessary. I would be inspired primarily by what the Fama and Confessio say about the Brotherhood of the Rosy Cross, and some few later developments such as Joséphin Péladan’s Salon de la Rose-Croix; and, some few indirect inspirations like Benjamin Franklin’s Junto [also], Utne‘s Salons: The Joy of Conversation, my own dialogical work, and so forth. However, for me, the temptation to develop complicated and convoluted structures is strong and therefore something to strongly avoid.

 

Although I am trying to adhere closely to the simplicity demonstrated by the model of the literary evidence, I am clearly going to eject certain elements. For example, no one will need be German, a Crusader, or even Christian. Nor need one be directly connected to some lineage, order or other organization. Members will also not be required to conform to some such period customs like drinking warm, non-carbonated German beer from tankards made from lead-laced pewter.

If I were to start a Rosicrucian group … it would be a bit of salon, communitarian and egalitarian, for students and scholars, and very likely organized in support of the mission of the Hermetic Library. The group would occasionally meet in person, but connect frequently via modern communication tools and perhaps a private forum. Like a Junto, the group would be dedicated to inquiry and self-improvement; with members providing a weekly summary of some interesting developments to share with the group as well as offering longer form presentations quarterly. I imagine a small group of people, each dedicated to some particular theory and practice. Each would have a personal practice of some kind and they would be engaged in some project to present esoteric thought in service to the larger community, and I imagine that these presentations would be done through Open Access [also] repositories of articles collected in sub-sites for each fellow at the library and also made available via the blog and journal.

There would be no initiations or other accouterments of the Victorian esoteric or pseudo-masonic orders, but there could be shared rituals. I have in mind here the observation made by Ronald Hutton in The Triumph of the Moon: A History of Modern Pagan Witchcraft that without unifying dogma it is the shared rituals that maintain the neopagan community. There may be some shared rituals or practices to help group cohesion, synchronic and diachronic links between members and the collective, including some expressed when apart and some when gathered.

Membership in the group could follow this idea somewhat like the master and apprentice relationship between Jedi and Sith, including the idea that the apprentice only takes the place of the master upon that person’s death, though hopefully without the Sith’s Rule of Two custom of fragging! Within the literature, generation two doubles membership size to generation three, so there is a suggestion that at some time the ranks of the group could be allowed to double, or at least that is something to consider if it ever comes up that members have found a number of suitable potential members to justify growth. Or, instead of setting a rule about this, the group could simply welcome new fellows as they are welcomed to the library site, while helping that process with suggestions and outreach.

In spite of the rule about not being constrained to wear any particular habit, it’d be nice to have some kind of way to identify each other when necessary. Even if that were something similar to and as simple as the shock of red against one’s fashion adopted by Rêveurs, described in Erin Morgenstern’s The Night Circus. But, perhaps this would be a choice made in the moments when necessary, such as prior to any meeting.

 

The organizing principles of the literary Brotherhood of the Rosy Cross are enumerated in just six explicit rules, though there are within the literature other obvious organizing principles, such as that of each member maintaining and developing volumes within the order’s Philosophical Library. This last I would interpret as members participating in both theory and praxis around topics that suit them and their interests, and that they are involved in the preservation and presentation of that information; clearly suited to the overall mission of the Hermetic Library.

Translating the core six rules from the literature, I would propose the following for this new group:

1. That none of them should profess any other thing than to be a student and researcher, and to be involved in making their studies available in accord with the principles of Open Access;

2. None of them should be constrained to wear one certain kind of habit, but therein to follow their own custom and that of their country;

3. That every year, or some reasonable interval, the group should hold some gathering, to meet in person;

4. Members should cultivate relationships with other students and researchers who might be suitable for membership in the group if such openings become available, but in any case, who may interested in participating in the various projects at the library.

5. There should be some identifying insignia or symbol to represent the group, and members should make known their involvement in the group.

6. The group would maintain the privacy of members and their details, in accordance with the general principle of not revealing anything about another that they have not themselves made public; including personal details and details about their studies and research.

 

At this point, one might wonder what makes this specifically Rosicrucian, as opposed to simply a group of people engaged in and organized around esoteric study. To this I would simply elaborate that the group is inspired by the principles of human perfectibility through esoteric study and practice along the lines of the Rosy Cross formula of the Great Work, about which plenty more could be said. However, I think this notion is one that might need to be expressed explicitly for the group to be Rosicrucian. Although, it could also be left unexpressed, and the group could simply be inspired by the model provided by the literary Rosicrucians and this could instead simply be the Hermetic Library Fellowship Program more fully developed, much as the Invisible College and the Royal Society were inspired but not fully constrained by the notion of a network Rosicrucians.

 

Benjamin Franklin details his Junto project in his autobiography writing:

“I … form’d most of my ingenious acquaintance into a club of mutual improvement, which we called the Junto; we met on Friday evenings. The rules that I drew up required that every member, in his turn, should produce one or more queries on any point of Morals, Politics, or Natural Philosophy, to be discuss’d by the company; and once in three months produce and read an essay of his own writing, on any subject he pleased.

Our debates were to be under the direction of a president, and to be conducted in the sincere spirit of inquiry after truth, without fondness for dispute or desire of victory; and to prevent warmth, all expressions of positiveness in opinions, or direct contradiction, were after some time made contraband, and prohibited under small pecuniary penalties.” [via]

With this in mind, I would like to have a group of core people who are actively presenting information of interest not only to themselves, but also to the audience of the library. This means helping to develop content for the site, and related social media.

I also imagine that a group I formed would follow a few of the membership principles set out by Franklin for his Junto, in the form of some questions to which they might answer in particular ways:

1. Have you any particular disrespect to any present members? Answer. I have not.

2. Do you sincerely declare that you are dedicated to the Great Work in service to humanity? Answer. I do.

3. Do you think any person ought to be harmed in his body, name, or goods, for mere speculative opinions, or his external way of worship? Answer. No.

4. Do you support the Hermetic Library and will you endeavor support its mission yourself, and share information about and via the library to others? Answer. Yes.

The group might also generate a series of ongoing questions to guide their inquiries, and make those part of the set of customs for the group.

 

Inspired by Joséphin Péladan’s Salon de la Rose + Croix, ignoring for the most part his overall Mystic Order of the Rose + Croix movement, I would personally would enjoy this more if there were effort to promote esoteric arts and culture, and, like the original, developing actual Salon de la Rose + Croix events could be part of the praxis of the group.

Obviously, this is something that I try to do with the various participatory pools at the library (such as the audio, visual, video and arts and letters pools) as well as within the Anthology Project through the Hermetic Library Albums and Hermetic Library Journal. And, to no small extent, this is one of the motivations behind the idea of a Hermetic Library Reading Room, as it exists in my imagination and also on the library blog.

So, maybe I’m starting to import my other existing projects into this idea, which can and perhaps should remain separate.

 

T Polyphilus has the personal practice of writing something about each book he reads, as he says, “on the principle that if I have nothing to say about something, I can hardly justify the effort to read it in the first place.” I could imagine that it might be good for members of the group to also take up this practice, and that these reviews, like those by T Polyphilus, would be made available via the blog.

 

I recognize that there may be need for more structure to function, and I’d propose that the group keep track of the set of organizing principles, the necessary and sufficient structures, and also a set of customs, the agreed upon additional behaviours. Generally, for this discussion about organizing principles and customs I’m going to use terminology imported from Peter Suber’s Nomic. At the core, I would would begin at Nomic rule zero, that all participants must agree to the rules. Organizing principles would be Nomic immuntable rules. Customs would be Nomic mutable rules. The organizing principles and customs would all be subject to self-ammendment, but always subject to the necessary and sufficient cohesion of rule zero. I also propose an even more primary rule, which I’ll call rule i (imaginary unit), which represents the simple observation that all rules have a scope of real effect, beyond which they are meaningless, in other words rules which attempt to legislate delusions or absurdities are self-evidently meaningless and without need to attempt they be enforced. I see this last as a guard against the group trying to legislate overreach beyond its own self-governance.

 

Recognizing that so far I’ve talked about this idea being tied closely to the library, there’s two alternate directions one might take in modifying the idea: more or less meta. For a less meta alternative, the group might simply be something like a “Friends of the Library” organization; but it would seem a bit presumptuous of me to start my own friends group, and it might be a bit duplicative of the options I already provide for people to show support for the library in a variety of ways. A more meta alternative direction would be to understand that all the specific references to the Hermetic Library and related projects are my particular projects, but that a group could be formed for mutual support and improvement between like-minded site owners who have projects of their own, sites and blogs; a kind of association of project owners. This last reminds me of the point that there appears to be no particular organization or association around esoteric venues, an example of one such is my speculative Reading Room; but that there may be a lot of sense in having some way for people doing similar things, running or planning such venues, to communicate, share and support each other.

 

I’m sure there’s plenty more that could be written about this, but as a final note I think I’ll mention that one thought that has occurred to me is that others might create similar organizations as what I imagine. I’ve always had in mind that the work I do to post on the various social media platforms and so forth is really about trying to encourage people to engage with the materials on the site. So, I could imagine that there might be groups of people who form themselves around their own research and study related to the library. I can also imagine that groups like this might offer information about what they’ve been up to on some regular basis, such as monthly, and I might then post about these presentations and research so that they are available to others as well.

Obviously, there’s no real reason why groups of students would necessarily organize around the library and participate in this idea in particular, but, it’s a thought that came to me in a kind of daydream.

[Originally posted over on John Griogair Bell’s Blog at If I were starting a Rosicrucian group … ]