Tag Archives: K Lenore Siner

Occult on Sep 26-28, 2014 in Salem, MA

OCCULT is a “weekend long Esoteric Salon honoring, exploring and celebrating the intertwining vines which feed both Magick and Creative Art” in Salem, MA on September 26th – 28th, 2014 with presentations, workshops, an art exhibition, and more; including participation by Richard Kaczynski, Sasha Chaitow, Greg Kaminsky, and K Lenore Siner.

Occult art salon in Salem MA 2014 poster

OCCULT
Sept 26th – 29th 2013, Salem, MA.

“Science arose from poetry—when times change the two can meet again on a higher level as friends.”
—Johann Wolfgang von Goethe

A weekend long Esoteric Salon honoring, exploring and celebrating the intertwining vines which feed both Magick and Creative Art.

Mission and Vision: To recognize that, especially together, both Magick and Art are greater than the sum of their parts, and each in dwells the other; they are rooted together. To raise consciousness, challenging false perceptions of separation between these so-imagined opposed sorceries. Through art as entertainment has its place and time, this Esoteric Salon moves us well past materialist commercialism. We recognize the power of Art to create spiritual movement and full expression to the divine Will—dancing, singing, painting, acting, sculpting,filming, poeting the ineffable. We confront the notion that the meaning and content of Art is not as important as its form and materials. With OCCULT, we seek to challenge old beliefs through the juxtaposition of beauty and magick, of art and ritual, blending the ingredients to make an event of highest harmony, a conjunctio of non-opposites.

“All Art is Magick…There is no more potent means than Art of calling forth true Gods to visible appearance.”—Aleister Crowley, Liber ABA, Part 3, Chapter X.

We answer the call of each of the planetary archetypes, and they inform us as to the achievement of best balance. Each offers a gift:

Luna: The co-creation of community, care for our sisters and brothers. A safe and challenging space to open and express.

Sol: Full expression of the Will! The Hero/Heroine’s Journey.

Mercury: Authentic communication and free expression. The co-creation and strengthening of network. The androgyne as symbol of inner wholeness.

Venus: Aesthetic beauty for its own pleasure. Sexuality as holy sacrament. Movement beyond mere adoration of the Feminine, to include Her co-sovereignty as well.

Mars: Fire. Passion. Blood pumping through the veins. Warriorship. The challenging of the Old Aeon, and the dare to fully embrace the New.

Jupiter: Philosophy, higher learning, expansion of thought and ideas.

Saturn: The honoring of the world of form, through artistic structure, Time and Space, and the expression of the invisible realm into the material one. The letting go of that which no longer serves.

Uranus: Innovation growth and change. Experimentation. Electrifying our minds, bodies, hearts. Dynamic movement.

Neptune: We honor The Dream. The ineffable, mystical force of Love and Soul that moves through the Artist and Mage alike. Spirit. Glamour. The Present Moment.

Pluto: We continue to Rebirth ourselves into this New Aeon. We shamanically honor the Shadow, and receive what the dark has to teach. We see the Luminosity in that Darkness.

“Magic in its earliest form is often referred to as ‘the art’. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic. Art is, like magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness.”—Alan Moore

Abraxas: Issue 5

Abraxas: Issue 5, edited by Christina Oakley Harrington and Robert Ansell, from Fulgur, is due to release on March 20th, 2014, in limited paperback and even more limited hardback editions, which includes many new works that will certainly be of interest, including a contribution by K Lenore Siner, who you may recogonize from her participation in the Hermetic Library visual pool.

Abraxas issue 5 from Fulgur Esoterica UK

Abraxas Issue #5 offers 180 large format pages of essays, poetry, interviews and art.

Printed using state-of-the-art offset lithography to our usual high standard, contributions for Abraxas #5 include an interview by Pam Grossman with Greek artist, Panos Tsagaris; an analysis of Aby Warburg’s Mnemosyne Atlas by Silvia Urbini, a visual interpretation of the Dionysian mysteries by Arrington de Dionyso; a substantial essay from Shasha Chaitow on the grandfather of esoteric art, Joséphin Péladan; an introduction to the art of Michael Bertiaux by Ariock Van de Voorde; reminiscences by Caroline Wise of her friend Olivia Robertson (1917-2013), and much more…

CONTENTS

Editorial, Christina Oakley Harrington
Olivia Robertson: A Visionary Life, Caroline Wise
A Brief History of the Use of Spirits in European Occultism, Stephanie Spoto
Mycology, Madeline Cass
De Vermis in Se, Max Razdow
John Augustus Knapp: Modern Master of Occult Illustration, Ken Henson
Marrasio’s Masque, translation by Merlin Cox, illustrated by Gromyko Semper
Black and White & Gold All Over: An Interview with Panos Tsagaris, Pam Grossman
Musings on Breath, David Blank
The (Not Entirely) Lost ‘Art of the Apothecary’: Abramelin Oil and Ancient Perfumery, Ioannis Marathakis
Blind Love, K Lenore Siner
Victor Brauner at the Crossroads of Magic and Chance, Jon Graham
La Villa dei Misteri, Arrington de Dionyso
Esoteric City: Theological Hermeneutics in Plato’s Republic, Edward Butler, with photography by SF Said
Sonnet, Comte de Saint-Germain, translated by Sebastian Hayes
Nihilalia: In conversation with Bea Kwan Lim, Randall Morris
A Brief History of Witchcraft: Inquisitors & Witches, Ian Pyper
Games of Fate: Aby Warburg’s Mnemosyne, Plate 23a, Silvia Urbini
Oversoul, Joanna Pallaris
Hidden in Plain Sight: Joséphin Péladan’s Religion of Art, Sasha Chaitow
Bené-Satan, Sasha Chaitow
Isis and Taweret with tomb of Hafiz, Adela Leibowitz
Meeting Le Maître: An Introduction to the Art of Michael Bertiaux, Ariock Van de Voorde
Antinous and Glykon: The Gods of Good Hair in Late Antique Anatolia, P. Sufenas Virius Lupus” [via]

Lilith

“Perhaps there was a connection between Lilith and the Etruscan divinity Lenith, who possessed no face and waited at the gate of the underworld along with Eita and Persipnei (Hecate and Persephone) to receive the souls of the dead. The underworld gate was a yoni, and also a lily, which had “no face.” Admission into the underworld was frequently mythologized as a sexual union. The lily was the Great Mother’s flower-yoni, whose title formed Lilith’s name.”—Alan G. Hefner

Priestess Miriam’s Temple

 

The Hermetic Library visual pool is a visual scavenger hunt for images of a living Western Esoteric Tradition. If you would like to submit your work for consideration as part of the visual pool, head over to the Hermetic Library visual pool or contact the librarian.