Tag Archives: Magic – Fiction

Escape from Yokai Land

Hermetic Library Fellow T Polyphilus reviews Escape from Yokai Land [Amazon, Bookshop, Publisher, Local Library] by Charles Stross, related to the Laundry Files series. (For some reason there’s covers images for this floating around that say the title is “Escape from Puroland”.)

Stross Escape From Yokai Land

I only got around to reading this novella in 2023, despite my usual promptness in reading new installations in Stross’ Laundry Files series. It was published in 2021, and concerned events set in 2014, prior to The Delirium Brief. It was a sort of nostalgic reading experience for me to go back before the New Management and read one of Bob Howard’s adventures from those halcyon days when Case NIGHTMARE GREEN was merely terrifyingly imminent. This one hews far closer than most to the Ghostbusters paradigm of horror-comedy, even admitting as much in so many words (61).

In this tale, secret agent Bob is newly acceded to the responsibilities and powers of his recently-deceased mentor. He is dispatched to Japan to tie up some loose ends, and the results are typical: computational demonology meets eschatological kawaii-cum-kaiju, with a side order of scarily competent para-human local contact whom Bob is not attracted to because he is conscientiously married (though separated).

There was a little more general exposition on the Laundryverse than I needed, but considering that I basically read the whole book in two sittings, I can’t complain.

Swords & Dark Magic

Hermetic Library Fellow T Polyphilus reviews Swords & Dark Magic: The New Sword and Sorcery [Amazon, Abebooks, Local Library] eds Jonathan Strahan and Lou Anders, with Joy Abercrombie, C J Cherryh, Glan Cook, James Enge, Steven Erikson, Greg Keyes, Caitlín R Kiernan, Tim Lebbon, Tanith Lee, Scott Lynch, Michael Moorcock, Garth Nix, K J Parker, Michael Shea, Robert Silverberg, Bill Willingham, and Gene Wolfe.

Strahan Anders Swords Dark Magic

I acquired this massive anthology of 21st-century sword and sorcery fiction primarily because it contained a new Elric story by Michael Moorcock, but also because I hoped to find some new authors whose work I would enjoy. With some disappointment, I realize that the Elric story was in fact the one I liked best in the book. The others that I found especially fine or memorable were almost all by authors with publication histories going well back into the 20th century, and often in settings that had already been composed and established back then. The editors’ introduction, while asserting the significance and innovation of newer authors, is more focused on the genealogy of the form and the work of its 20th-century creators.

I enjoyed the new Silverberg story of Majipoor (although it’s been so long since I read Lord Valentine’s Castle that it hardly had anything to do with my prior acquaintance with that world). Tanith Lee’s “Two Lions, a Witch, and the War-Robe” was quite entertaining. The Gene Wolfe contribution was not one that I would class with his best work, but I liked it. Michael Shea’s “fully authorized” story in Jack Vance’s Dying Earth milieu had the audacity to change that world’s fundamental destiny. 

Among the newer authors, the only story that made a marked impression on me was “The Sea-Troll’s Daughter” by Caitlin R. Kiernan, for the ways in which it twitted reader expectations regarding gender, sex, and conflict in this genre. Some of the newer material seemed sadly influenced by the lowest-common-denominator fantasy of Dungeons and Dragons, or — worse, but happily less often — the gimmicky magic and school fetishism of Harry Potter. None of them were awful, but none of them were really stories I can imagine myself referencing in the future.

The Birthgrave

Hermetic Library Fellow T Polyphilus reviews The Birthgrave [Amazon, Bookshop, Publisher, Local Library] by Tanith Lee, introduction Marion Zimmer Bradley, book 1 of the Birthgrave trilogy, 80s cover by Ken Kelly.

Lee The Birthgrave 80s cover by Ken Kelly

The Birthgrave was Tanith Lee’s first published novel for adult readers, and the first novel of hers that I’ve read. The Publishers Weekly review excerpt in the jacket copy stresses its size, and compares the protagonist to Robert E. Howard’s Conan. But it’s not such a very big book by today’s fantasy standards. At just a little over 400 pages, it’s fairly modest among the doorstop novels the genre has come to produce. 

The acute storytelling might justify the comparison to Conan, but the central character actually couldn’t be more dissimilar. A much closer comparison would be Moorcock’s Elric, who is in many ways a schematic anti-Conan. Lee takes that reversal one step further with the change of gender. For style, pacing, and mood, I found myself more reminded of Gene Wolfe’s multi-volume fantasies — but it appears that Tanith Lee got there first, so I can wonder if she influenced Wolfe.

The protagonist is a nameless survivor of her own cruel, sorcery-wielding race, who adopts different identities in the course of her interactions with humanity. She is obscurely cursed, and brings misery and death to her casual and intimate contacts alike. There is an allegory here, for those who want to read on that level, made especially plain in the anagnorisis of the final twenty pages. (Feuerbachian philosophy, Freudianism, and feminism can each be useful to interpret the message of the story.)

There are a number of passages of hallucinatory vividness, and I found the entire novel quite engaging. The ending is almost too tidy, and I can see why some readers resented its deus ex machina qualities, along with what might seem like an abrupt shift in genre. But at the same time as it imposes that dislocation, the book returns to the business of its beginning in a way that makes it whole.

Still, it was the library of his dreams. Wesley imagined an ancient time, centuries ago, long before the building became Astoria’s library, when armies from around the world took turns storming the gate, each determined to obtain the treasures hidden within. It was that kind of place. It stirred something inside of him.

Eric Hobbs, The Librarian, Book One: Little Boy Lost [Amazon, Local Library]

Hermetic quote Hobbs The Librarian Little Lost Boy library dreams treasures hidden within stirred something inside him

More personal than any article of clothing. More private than any diary. Every page stained with a sorcerer’s hidden character, their private demons, their wildest ambitions. Some magicians produce collections, others produce only a single book, but nearly all of them produce something before they die.

Scott Lynch, In the Stacks [Amazon, Local Library]

Hermetic quote Lynch In the Stacks more personal more private sorcerers hidden character demons wildest ambitions magicians produce collections single book something before they die

A rubber-bodied toddler with a painted face and very red hair lay dead beside your knee and for some reason it was this that destroyed you, it was this that kindled within you something you had no hope of defending against. You howled in a purity of fright.

Tamsyn Muir, Harrow the Ninth [Amazon, Bookshop, Publisher, Local Library]

Hermetic quote Muir Harrow the Ninth rubber-bodied toddler painted face red hair dead destroyed kindled defending against howled purity fright