Tag Archives: Max Razdow

I:MAGE 2014 across London on Oct 21st – Nov 2nd, 2014

I:MAGE 2014 – Travelling with Unfamiliar Spirits, the second exhibition of esoteric art from Fulgur, will actually be a series of events in London and online from October 21st through November 2nd, 2014, with art, events, publications and stories.

Fulgur I:MAGE 2014

“The spirit world comes to life in this two-week-long celebration of esoteric art. The show’s theme coincides with the time of year: the beginning of the dark months. Popular culture calls it Hallowe’en but contemporary Witches and Druids across Europe and North America call it Samhain, Heathens Winter Nights, Greek reconstructionist movements Thesmophoria; Vodou practitioners celebrate Fete Ghede, followers of Santeria and indigenous religions in Latin America observe Día de los Muertos, while Welsh folklore advises staying away from cemeteries on Calan Gaeaf.

In most magical and esoteric traditions the end of October is a sacred time of year, a time for honouring the dead and communicating with the spirit world. It is a time to acknowledge the winter months and delve into the darker part of the year and of the self. The boundaries between the familiar and what is Other shatter. The veil is thin. The magic begins. For I:MAGE 2014, artists will explore what it means to communicate with spirits through art. They will give us a glimpse of a unifying theme across different esoteric practices and offer us the perfect opportunity to introduce you to a truly international show.” [via]

At the core is a selling exhibition hosted by Fulgur Esoterica that brings together an a number of international artists in the esoteric genre. That exhibition will take place at Cob Gallery in London and feature a number of artists.

“Agostino Arrivabene
Michael Bertiaux
Jesse Bransford
Anne Crossey
Arrington de Dionyso
Denis Forkas
Cristina Francov
Steffi Grant
Barry William Hale
Sara Hannant
Liz Insogna
Francesco Parisi
Max Razdow
Residue
Penny Slinger
Austin Osman Spare
Shannon Taggart”

Of particular interest, for those not nearby London, may be the artist blogs but especially Veil of Dreams: A Pilgrimage through Icelandic Magic with Jesse Bransford and Max Razdow, an interactive esoteric art project which you can start following now and in which you can participate.

Artists Jesse Bransford and Max Razdow set out to inhabit the same dream space for six months, blog about it and travel across the world to tell the story. Their starting point: Icelandic Magic.

For the next five months Jesse Bransford and Max Razdow will use Icelandic magical symbols as a reference point to enter the larger dream divination space of the Seiðr traditions and to synchronise their dreams. The results are published here on a daily basis. The project will culminate with a pilgrimage: the artists will travel to Iceland to visit sacred sites, perform a series of workings and find physical correspondences with their shared dream experiences and then to London, where they will exhibit the journal, the original artworks emerging from the dreams and be interviewed about their experience. Be a part of their story. [via]

Abraxas: Issue 5

Abraxas: Issue 5, edited by Christina Oakley Harrington and Robert Ansell, from Fulgur, is due to release on March 20th, 2014, in limited paperback and even more limited hardback editions, which includes many new works that will certainly be of interest, including a contribution by K Lenore Siner, who you may recogonize from her participation in the Hermetic Library visual pool.

Abraxas issue 5 from Fulgur Esoterica UK

Abraxas Issue #5 offers 180 large format pages of essays, poetry, interviews and art.

Printed using state-of-the-art offset lithography to our usual high standard, contributions for Abraxas #5 include an interview by Pam Grossman with Greek artist, Panos Tsagaris; an analysis of Aby Warburg’s Mnemosyne Atlas by Silvia Urbini, a visual interpretation of the Dionysian mysteries by Arrington de Dionyso; a substantial essay from Shasha Chaitow on the grandfather of esoteric art, Joséphin Péladan; an introduction to the art of Michael Bertiaux by Ariock Van de Voorde; reminiscences by Caroline Wise of her friend Olivia Robertson (1917-2013), and much more…

CONTENTS

Editorial, Christina Oakley Harrington
Olivia Robertson: A Visionary Life, Caroline Wise
A Brief History of the Use of Spirits in European Occultism, Stephanie Spoto
Mycology, Madeline Cass
De Vermis in Se, Max Razdow
John Augustus Knapp: Modern Master of Occult Illustration, Ken Henson
Marrasio’s Masque, translation by Merlin Cox, illustrated by Gromyko Semper
Black and White & Gold All Over: An Interview with Panos Tsagaris, Pam Grossman
Musings on Breath, David Blank
The (Not Entirely) Lost ‘Art of the Apothecary’: Abramelin Oil and Ancient Perfumery, Ioannis Marathakis
Blind Love, K Lenore Siner
Victor Brauner at the Crossroads of Magic and Chance, Jon Graham
La Villa dei Misteri, Arrington de Dionyso
Esoteric City: Theological Hermeneutics in Plato’s Republic, Edward Butler, with photography by SF Said
Sonnet, Comte de Saint-Germain, translated by Sebastian Hayes
Nihilalia: In conversation with Bea Kwan Lim, Randall Morris
A Brief History of Witchcraft: Inquisitors & Witches, Ian Pyper
Games of Fate: Aby Warburg’s Mnemosyne, Plate 23a, Silvia Urbini
Oversoul, Joanna Pallaris
Hidden in Plain Sight: Joséphin Péladan’s Religion of Art, Sasha Chaitow
Bené-Satan, Sasha Chaitow
Isis and Taweret with tomb of Hafiz, Adela Leibowitz
Meeting Le Maître: An Introduction to the Art of Michael Bertiaux, Ariock Van de Voorde
Antinous and Glykon: The Gods of Good Hair in Late Antique Anatolia, P. Sufenas Virius Lupus” [via]