Tag Archives: meaning

Omnium Gatherum: May 14th, 2014

An irregular hodgepodge of links gathered together … Omnium Gatherum for May 14th, 2014

The Magician from The Disney-D'Morte Tarot
The Magician, The Disney-D’Morte Tarot [HT Boing Boing]

 

  • Review: ‘Aleister Crowley’ explores the life and times of the notorious icon ” — Brooke Wylie, Examiner.com

    “Detractors of rock n’ roll have long called the genre, the ‘Devil’s music,’ so in some ways, it’s all too natural that Gary Lachman (known by his stage name Gary Valentine, to some), who is a founding member of Blondie, and has shredded with Iggy Pop, should eventually become an expert on mysticism and the occult. His latest work, Aleister Crowley: Magick, Rock and Roll, and the Wickedest Man in the World (available May 15) tackles not only the life and times of the illustrious figure, known by many as The Great Beast, but also the collision of Crowley’s legacy with popular culture.”

    The review includes this apropos and awesome typo (emphasis added): “Crowley’s word is a strange one indeed, and wrapping one’s mind around it can be a substantial challenge at times.”

     

  • Was Jesus a Magician?” — Helen Ingram

    “One of these lectures introduced me to the character of ‘Jesus the magician’ and the work of Prof. Morton Smith, who claimed that Jesus’ conduct within the Gospel material constituted a ‘coherent, consistent and credible picture of a magician’s career.’ The theory that the historical Jesus was actively practicing magic and that this behaviour is reflected in the Gospel materials was a very intriguing proposal and immediately stimulated a personal interest in this field of research. This curiosity culminated in the submission and acceptance of my PhD thesis …”

  • SATANIC BLACK MASS AT HARVARD, SATANIC MONUMENT IN OKLAHOMA” — Paul McGuire, NewsWithViews.com; from the RTFM dept.

    “But the software of God, which is the downloading of cosmic apps, should be understood as nothing more than a contemporary parable to explain in understandable terms the gifts and abilities that the Living God gives people on a natural and supernatural level, the gifts of the Spirit. Tragically, most of the modern Pentecostal and Charismatic movements which emphasized these gifts did so in a very distorted and degraded manner, so that these terms have become synonymous with hyper-emotionalism, crazy behavior and aberrant behavior. This is a degradation and improper use of both the software and the apps. They did not read the basic operating instructions provided in the manual.”

  • The Colbert Report on the Oklahoma Baphomet monument, including a call-in by Satan, Lord of Hell, himself [HT The Lost Ogle]

     

  • Real Satanists Don’t Send Press Releases” — Thomas L McDonald, God and the Machine

    “The modern so-called Satanists who make all the noise are not really Satanists. They don’t actually believe in Satan. Most are atheists who couch their so-called ‘Satanism’ in terms of resistance or philosophy. It’s not a religion, but a critique of religion, or somesuch blather. It’s all theater.”

    “The black mass emerged again in the 19th century in the salons, universities, and intellectual circles of Europe, which was the wellspring of modern occultism. Lacking much primary documentation, the upper classes mostly invented their version of a black mass influenced by literature and structured around a simple inversion of the Catholic mass. No real tradition directly linking medieval diabolism to modern so-called Satanism exists, which means horror movies, fiction, and imagination are at the root of most modern practice.”

  • God is dead—What next? Searching for meaning in the age of atheism” — Alasdair Craig, Prospect [HT Arts & Letters Daily]

    “[Peter] Watson is more optimistic about the possibility of an emotionally satisfying atheism. His proposal is that we use art and literature to comprehend and re-enchant the world that science has made foreign. Science is one way of understanding the world; art and literature another, he seems to say. Science provides technology, medicine and abstract knowledge; art provides meaning, purpose and a different, more intimate and immediately relevant kind of knowledge. God’s death just means that we need to construct our own, non-authoritative narratives and art, replete with purpose and meaning. Instead of one unified story to which everyone subscribes, we should play around with a plurality of downgraded stories, which can form the basis of our day-to-day lives.”

     

  • Ancient Egyptians transported pyramid stones over wet sand” — Ans Hekkenberg, Phys.org

    “Physicists from the FOM Foundation and the University of Amsterdam have discovered that the ancient Egyptians used a clever trick to make it easier to transport heavy pyramid stones by sledge. The Egyptians moistened the sand over which the sledge moved. By using the right quantity of water they could halve the number of workers needed. The researchers published this discovery online on 29 April 2014 in Physical Review Letters.”

    “The Egyptians were probably aware of this handy trick. A wall painting in the tomb of Djehutihotep clearly shows a person standing on the front of the pulled sledge and pouring water over the sand just in front of it.”

  • Review: Limp Renaissance sex romp a poor Carry On indeed” — Rebecca Harkins-Cross, Brisbane Times

    Elixir is based on the escapades of Edward Kelley and John Dee, a famed occultist duo in Renaissance England who professed the ability to summon angels and to conduct alchemy. […] [Edward Kelley (Christy Hawkins)] concocts a cunning plan to unlock his colleague’s wife Jane’s (Naomi Takita) chastity belt and pacify the emperor simultaneously, convincing Doctor Dee (Stephen Weir) the elixir should be made from wizard seed and a cuckold’s tears.”

  • Scientists Confirm Vampires Were Onto Something” — Maxwell Barna, VICE News

    “New research published this week by two teams of scientists confirmed what Bram Stoker and countless philosophers, scientists, and cannibals have long posited — there’s an indisputable relationship between blood and aging.”

    “‘When we added young blood, the older mice not only looked better, but they became cognitively better,’ Saul Villeda, the principal investigator at UCSF’s Villeda Lab, told VICE News. ‘It’s like we can turn back the clock on some parts of aging.'”

  • Footage of Orson Welles’s ‘Voodoo’ Macbeth” — National Film Preservation Foundation

    “It had long been assumed that no sound or moving images survived from Orson Welles’s legendary ‘Voodoo Macbeth,’ the Federal Theatre Project’s 1936 Harlem stage production of Shakespeare’s play, set in Haiti with an African American cast. But priceless historical footage can turn up within unlikely places. This long-forgotten record of the first professional play staged by Orson Welles was found in another film, the U.S. government-produced We Work Again, a Depression-era documentary on African American employment.”

  • Stonehenge Discovery ‘Blows Lid Off’ Old Theories About Builders Of Ancient Monument” — Macrina Cooper-White, Huffpost Science

    “Last October, [David] Jacques led an archaeological dig at a site 1.5 miles from Stonehenge. His team unearthed flint tools and the bones of aurochs, extinct cow-like animals that were a food source for ancient people. Carbon dating of the bones showed that modern-day Amesbury, an area that includes the dig site and Stonehenge itself, has been continuously occupied since 8820 B.C. Amesbury has now been declared the oldest continually occupied area in Britain.

    The finding suggests that Stonehenge was built by indigenous Britons who had lived in the area for thousands of years. Previous theories held that the monument was built in an empty landscape by migrants from continental Europe.”

  • Ancient Desert Glyphs Pointed Way to Fairgrounds” — Sean Treacy, Science

    “Seen from above, the jagged rocks strewn about the Chincha Valley desert in Peru seem inconspicuous. But stand in the desert itself and these rocks form lines that stretch toward the horizon. Researchers have found that these lines were probably ancient signposts for the Paracas culture more than 2000 years ago, guiding people across the desert to gathering places for the winter solstice.”

  • Astronomers Identify the Sun’s Long-Lost Sister” — Becky Ferreira, Motherboard [HT Slashdot]

    “HD 162826 is 15 percent more massive than our Sun, and is about 110 light years away in the constellation Hercules. It’s not visible to the naked eye, but it is bright enough to be seen through binoculars.

    Astronomers had been observing the star for almost two decades without realizing it’s the long-lost sister of the Sun.”

  • LGBTQ Tolerance in the Golden Dawn” — Alex Sumner, Sol Ascendans

    “Say what you like about MacGregor Mathers, but on one point he was resolute: he would not brook gossip about Fratres’ and Sorores’ lives — this being a matter purely between themselves and their God. […] Mathers’ firm stand has led to a progressive consequence: the Golden Dawn was the first magical order to adopt a modern approach to tolerance. However, the Western Mystery Tradition was almost derailed by the efforts of Dion Fortune.”

  • Aleister Crowley, aliens, owls and Jesus” — Mike Clelland, hidden experience

    “Little is known of the origin of the big headed entity known as Lam. All that can be known for sure is that this image was drawn by Aleister Crowley to depict a being that was summoned during a magickal ritual titled The Amalantrah Working. This sketch later hung on a gallery wall at Crowley’s Dead Souls exhibition in Greenwich Village, New York, in 1919.”

    “Things get weirder, when the image is reversed, an image of an owl emerges! Granted, I’m seeing owls everywhere I look these days, but still.

    Also, the name Crowley has OWL embedded right in it.”

  • Black magician Aleister Crowley’s early gay verse comes to light: Notebook of poems written by heartbroken occultist in 1898 to be exhibited at antiquarian book fair in London” — Maev Kennedy, The Guardian

    “In 1898 the Wickedest Man in the World was feeling thoroughly sorry for himself. The occultist Aleister Crowley’s first great love affair, with fellow Cambridge undergraduate Herbert Jerome Pollitt, was in ruins, and he took to poetry as his only solace.

    ‘When my sick body in his love lies drowned/ And he lies corpse-wise on me, nor will rise/ Though my breath shudders, and my soul be dead,’ he wrote — and much, much more — in a tiny notebook of unpublished manuscript poems which has recently resurfaced.

    The actor and rare book dealer Neil Pearson, who will exhibit the little book at the Olympia antiquarian book fair in London later this month, concedes that this is not great poetry. ‘The verse is rather broken-backed, and vulgar where he is trying to be honest. But it was written at a time when he was feeling heartbroken and vulnerable and it does somehow humanise him — and God knows Aleister Crowley, more than most people, needs humanising.'”

  • Critical Thinking #5: Marina Warner: The critic and mythographer on fairytales, feminism, modern art, translation and the LRB” — Zeljka Marosevic, Prospect [HT Arts & Letters Daily]; this seems quite an interesting interview, but here’s a few excerpts that caught my eye

    “It’s often encountering the faith of others that I’ve found most disturbing. I don’t wish to scorn faith as it’s a universal part of human consciousness. But as such, it’s a deep puzzle, and I’m interested in its effects and manifestations. I worry about the effects of it, especially in our increasingly conflicted religious world.”

    “Grappling with myths has been my principal interest for years, even to a certain extent, my cause: to put the study of imaginative structures back into the frame when confronting important issues. Not to think of imagination and fantasy as merely childish, or to dismiss them as having no purchase on reality.”

    “Myth and fairy tale have definitely returned. First of all there’s a generation who have grown up on Dungeons and Dragons, Tolkien and Narnia, and now, Philip Pullman and Harry Potter. I haven’t read the Twilight stories so I probably shouldn’t talk about them, but I have watched one of the films, and it seems to me that it’s an example of the problem of attenuation: instead of getting richer, these stories are being told in a less rich way, and the vampires are being tamed!”

  • ‘I gather the limbs of Osiris’: Notes on the New Gnosticism” — Henry Gould, Coldfront

    “One way to think of the New Gnosticism, then, might be as the overturning of an analytical negation (Language Poetry). It includes, also, a reversal of the ‘old’ Gnosticism: which was itself a sort of skeptical deconstruction of canonical Biblical texts.”

    “The infinite starry realm of scribbling, scrambling poets every now and then produces a new galaxy, that is, a new movement or school. These emergent phenomena always generate a contradictory mix of enthusiasm and doubt.”

  • Do What Thou Wilt” — Brandy Williams, Star and Snake

    “The Law applies equally for everyone; each person, each creature, has their own will to do. It’s not my business to figure anyone else’s will out for them.”

  • Exploring Thelema and Chaos Magick, with Pete and Sef (Part 4)” — The Blog of Baphomet

    “‘Pure Will’ ‘unassuaged of purpose’ sounds like it can mean anything, everything, or nothing. I consider that people consist of the totality of what they do (which of course includes what they think). The idea of their having some sort of ‘being’ separate from their doing, or for that matter some sort of ‘will’ other than their total doing seems superfluous to me. I can however appreciate the idea that doing some things may tend to give better results than doing others, and to this extent I can understand ‘Do What thou Wilt’ as an exhortation to do the very best of what you can possibly do and love to do, as so many people settle for mediocrity and lousy compromises.”

  • Caesar by Plutarch and more, quoted at “Caesar’s reform of the calendar — some ancient sources” — Roger Pearse [HT Rogueclassicism]

    “2. For not only in very ancient times was the relation of the lunar to the solar year in great confusion among the Romans, so that the sacrificial feasts and festivals, diverging gradually, at last fell in opposite seasons of the year, 3. but also at this time people generally had no way of computing the actual solar year; the priests alone knew the proper time, and would suddenly and to everybody’s surprise insert the intercalary month called Mercedonius.”

    “5. But Caesar laid the problem before the best philosophers and mathematicians, and out of the methods of correction which were already at hand compounded one of his own which was more accurate than any. This the Romans use down to the present time, and are thought to be less in error than other peoples as regards the inequality between the lunar and solar years.

    6. However, even this furnished occasion for blame to those who envied Caesar and disliked his power. At any rate, Cicero the orator, we are told, when some one remarked that Lyra would rise on the morrow, said: ‘Yes, by decree,’ implying that men were compelled to accept even this dispensation.”

  • Phantom Time” — Stuff They Don’t Want You To Know from How Stuff Works [HT Wythe Marschall]

    “A few fringe professors have caused rumblings with their controversial claim that three hundred years of human history have been entirely made up.”

     

  • First life with ‘alien’ DNA: An engineered bacterium is able to copy DNA that contains unnatural genetic letters.” — Ewen Callaway, Nature News; from the either-way-more-boring-or-way-more-scary-than-it-sounds dept.

    “For billions of years, the history of life has been written with just four letters — A, T, C and G, the labels given to the DNA subunits contained in all organisms. That alphabet has just grown longer, researchers announce, with the creation of a living cell that has two ‘foreign’ DNA building blocks in its genome.”

    “‘What we have now is a living cell that literally stores increased genetic information,’ says Floyd Romesberg, a chemical biologist at the Scripps Research Institute in La Jolla, California, who led the 15-year effort.”

  • Gay Witches” — Masha Mel, VICE; a photo gallery

    Masha Mel Gay Witches at VICE

     

  • Article about EyeWire at “Computer Game Reveals ‘Space-Time’ Neurons in the Eye” — John Bohannon, Science

    “Researchers have known for decades that the eye does much more than just detect light. The dense patch of neurons in the retina also processes basic features of a scene before sending the information to the brain. For example, in 1964, scientists showed that some neurons in the retina fire up only in response to motion. What’s more, these “space-time” detectors have so-called direction selectivity, each one sensitive to objects moving in different directions. But exactly how that processing happens in the retina has remained a mystery. […] Enter the EyeWire project, an online game that recruits volunteers to map out those cellular contours within a mouse’s retina.”

  • Katherine Harmon Courage on independently thinking octopus arms and the awful Evil Dead-like tragedy of octopus boredom

    “The octopus’s nervous system is a fascinating one. Some two thirds of its neurons reside not in its central brain but out in its flexible, stretchable arms. This, researchers suspect, lightens the cognitive coordination demands and allows octopuses to let their arms do some of the ‘thinking’—or at least the coordination, problem-solving and reaction—on their own.

    And these arms can continue reacting to stimuli even after they are no longer connected to the main brain; in fact, they remain responsive even after the octopus has been euthanized and the arms severed.” [via]

    “Octopuses are so smart they get bored. Aquarium staff have learned to be wary of a bored octopus because they’ve been known to break the monotony by eating their own arms. That tends to scare the kids.” [via]

     

  • The Art World is Too Safe Now: H.R. Giger has Died” — Glendon Mellow, Scientific American

    “The art world has become safer, less dangerous and less disturbing than it ought to be today. The giant in the night, H.R. Giger, has died, it is being reported. […] Giger is dead. His shadow remains cast over our future. The shadow moves.”

  • L. Rock Hubbard: Revisiting the curious career of the ultimate cult musician.” — Nathan Rabin, Slate Culturebox

    “Hubbard’s sonic space opera is, as you might imagine, a staggeringly strange piece of work, a bewildering cross between Queen’s Flash Gordon soundtrack (whose hero is referenced in the shameless opening track ‘Golden Age of Sci-Fi,’ along with Superman and Buck Rogers), an amateur radio play, and a campy audiobook that goes overboard with special effects and musical cues. If you have not recently read all 1,050 pages of Battlefield Earth or seen the film, the album is completely incomprehensible; if you’re familiar with the story, it’s mildly comprehensible.”

Golgonooza

Golgonooza: City of Imagination: Last Studies in William Blake by Kathleen Raine, a 1991 paperback from Lindisfarne Press, is part of the collection at the Reading Room.

Kathleen Raine Golgonooza from Lindisfarne Press

“The seven studies that comprise this book are the culmination of more than forty years of research into the meaning of Blake’s symbolic themes by a scholar-poet who is internationally recognised as one of Blake’s most profound interpreters. They are written so as to reach into the very heart of Blake’s symbolic thought and for this reason may be read as an introduction to the whole of his imaginative vision. The author’s extraordinary empathy with the learning of this imaginative knowledge has entailed her taking Blake as her Master, and from her revelation of the implications of his impassioned denunciation of the ‘single vision’ of quantitative, materialist thinking. Blake emerges as England’s great national prophet. Equally impassioned is the author’s demonstration of how Blake must be understood to be a key figure of our age, one in which the outworn materialist dogmas must give way to an age of Imagination—a vision of the sacred nature of reality itself.” — back cover


The Homeric Hymn to Demeter

The Homeric Hymn to Demeter: Translation, Commentary, and Interpretative Essays, edited by Helene P Foley, 3rd printing of the 1994 paperback published by Princeton University Press, is part of the collection at the Reading Room.

Helene P Foley The Homeric Hymn to Demeter from Princeton University Press

“The Homeric Hymn to Demeter, composed in the late seventh or early sixth century B.C.E., is a key to understanding the psychological and religious world of ancient Greek women. The poem tells how Hades, lord of the underworld, abducted the goddess Persephone and how her grieving mother, Demeter, the goddess of grain, forced the gods to allow Persephone to return to her for part of each year. Helene Foley presents the Greek text and an annotated translation of the Hymn, together with selected essays by Helene Foley, Mary Louise Lord, Jean Rudhardt, Nancy Felson-Rubin and Harriet M. Deal, Marilyn Arthur Katz, and Nancy Chodorow. These essays give the reader a rich understanding of the Hymn’s structure and artistry, its role in the religious life of the ancient world, and its meaning for the modern world. The authors also study the Hymn in the context of early Greek epic and cosmology, examine its critical attitude to the institution of marriage, and analyze the dynamics of mother-daughter relations in the poem.” — back cover

Phrasikleia

Phrasikleia: An Anthropology of Reading in Ancient Greece by Jesper Svenbro, tranlated by Janet Lloyd, part of the Myth and Poetics series edited by Gregory Nagy, the 1993 paperback from Cornell University Press, is part of the collection at the Reading Room.

Jesper Svenbro Janet Lloyd Phrasikleia from Cornell University Press

“One of the most haunting early examples of Greek alphabetical writing appears on the life-sized Archaic funery statue of a young girl. The inscription speaks for Phrasikleia, who ‘shall always be called maiden,’ for she has received this name from the gods instead of marriage.

First published in French in 1988, this extraordinary book traces the meaning and function of reading from its very beginnings in Greek oral culture through the development of silent reading. Focusing on metaphors of reading and writing, Jesper Svenbro offers a series of rich analyses of sepulchral and votive inscriptions and myths as well as works of epic and lyrical poetry, legal exegesis, drama, and philosophy. Svenbro draws upon the theoretical insights of Foucault as he discusses such texts as the Iliad, the poetry of Sappho, and the ABC Show by Callias. With reference to the shift to silent reading, Svenbro illuminates a pervasive metaphor in Greek culture—the pederastic paradigm, in which the reader submits to the domination of the writer. In the central section of Plato’s Phaedrus, however, Svenbro discerns an alternative model: reader and writer mutually engaged in the search for truth.

Phrasikleia opens up fascinating new perspectives on the culture of ancient Greece and the genesis of reading. A wide range of classicists, literary theorists, anthropologists, and ancient historians will welcome its availability in Janet Lloyd’s lucid and fluent translation.” — back cover

Conceptions of God in Ancient Egypt

Conceptions of God in Ancient Egypt: The One and the Many by Erik Hornung, translated by John Baines, the 1996 first edition paperback from Cornell University Press, is part of the collection at the Reading Room.

Erik Hornung Conceptions of God in Ancient Egypt from Cornell University Press

“In 1970 Der Eine und die Vielen was published in German. The book was intended to stimulate renewed reflection on the nature and meaning of the gods both within and beyond the confines of egyptology, and to help overcome the bewilderment that is felt by many people in the face of the ‘abstruse’ figures of gods ‘invented’ by priestly schools. These aims seem to have been achieved, but the book’s influence and critical analysis have been confined mostly to German-speaking countries.”

“The debate about the foundations of Egyptian thought and Egyptian ontology, which has been taken up by Jan Assmann in particular, is still in progress. I therefore thought it best to leave my text on these questions as it was, so that it can serve as a starting point for further discussion; any modification or extension of it would have been much too provisional. I hope that the debate will be continued and clarified further in the English-speaking world. There is no end to the question of the gods and their meaning.” — Erik Hornung, Preface to the English Edition

 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.

The Genesis of Secrecy

Hermetic Library fellow T Polyphilus reviews The Genesis of Secrecy: On the Interpretation of Narrative (Charles Eliot Norton Lectures) by Frank Kermode, from Harvard University Press.

Frank Kermode The Genesis of Secrecy from Harvard University Press

This volume of Kermode’s Norton Lectures addresses “some of the forces that make interpretation necessary and virtually impossible, and some of the constraints under which it is carried on.” (125) Although he uses various literary instances (notably Henry Green’s Party Going, Joyce’s Ulysses, and Pynchon’s Crying of Lot 49), his central and recurrent case study is the gospel of Mark.

Kermode treats various important hermeneutic dilemmas, such as the determining influence of institutional readings, the difficulty in delineating between history and fiction, the chicken-and-egg relationship between plot and character, and the difference between meaning and truth. First and foremost, though, he explores the necessity of both esoteric and exoteric interpretation. He suggests that the notion of esoteric sense in text may be especially pervasive in Western literature due to the influence of the gospels.

This is a short volume, but one worth savoring by anyone whose sense of the real, the sacred, or the beautiful is invested in a text. And it communicates important ideas about the nature of secrecy and its effects. [via]

 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.

Rebel Angels

Rebel Angels by James Turner is a new series published through SLG Publishing. You can pick up the first issue as a freebie in PDF, and check out an interview with James Turner about the series.

James Turner's Rebel Angels cover

“Rebel Angels is a digital-first comic book series about a revolution in Hell ten thousand years after Eve bit into that juicy apple and Satan took on The Big Guy. The demon masses are wising up and asking themselves “What the hell were we thinking?” Join fallen angel Balthazar on his quest for meaning and redemption in a mad, morally inverted world where the bad rule the good and hope is a sin.” [via]

James Turner's Rebel Angels inside

A preliminary initial Thelemic analysis of Stalkers, Trolls and Antagonists

My observation is this: stalkers, trolls and antagonists refuse to mind their own business and stop interfering with other people. Of course, they will say it is their Will to do what they do, but what they are really is a slave to their deep-seated emotional and psychological need for validation; and are not pursuing any kind of True Will, life purpose, of their own at all, but attempting to salve the sucking wounds they suffer from deep seated damaged desires at the expense of others, instead of seeking therapy or properly self-medicating themselves out of the way.

They are, in fact, some kind of Black Brothers, one and all. These creatures captured by their own egos are all unable to reconcile their deep psychological wounds and damaged personalities with the right of others to simply say “No!” to anything more to do with them. And, even this denied right to say “No!” is predicated on the illusion that the other has ever said “Yes” to begin with, and ends up being a kind of broken opt-out mechanism from abuse. What it comes down to is this fact: there are some people who hate themselves so much, and, because they are unable to reconcile that feeling, they will externalize their hate on anyone or someone specific that is a convenient target. After all, it is injustice that they can’t have their infantile demands fulfilled forthwith by someone else! There are sometimes even legendary levels of ultimately meaningless constructed illusion and phantasm completely divorced from reality necessary to justify their actions.

Disingenuous self-justifications may be proffered such as that they are “helping” people but at the core they are focused on what other people are up to and emphatically not doing their own work, or that they are being righteous and seeking justice, but at the core they are focused on getting others to do something that serves not the other but the person doing the interfering.

Maybe a dumb example, but (the primary advantage of this anecdote is that he’s dead now and is thus quite unlikely to throw a tantrum or have a hissy fit): my father used to do things like say he wanted to take me to a shop to buy me a gift. We would then go to some store, usually some place he suggested; and there he would say I should look around for something I liked. However, while I was looking he would do everything in his power to steer me to some specific items he had already selected, under the guise of attempting to “help” me find something I liked. In the end, if I was not amenable to being herded toward selecting as my choice some pre-selected gift he would get frustrated and create some kind of row in order to get out of buying me anything at all other than his gift, or anything at all if I still not a willing to succumb to the inexorable indirect demand to do what he wanted, which he could have simply purchased without my involvement in the process to begin with; thus proving that there was ulterior motive to the drama. In the end, I simply refused to participate in the sham any longer as it was a waste of my time and personally insulting to be expected to act as a puppet in the pantomime.

This kind of “helping” is a deeply suspect kabuki, entirely a constructed plot that the “helper” is attempting to manipulate others into acting out for them, usually in order to get some validation for themselves. In any case, the script appears to be written out of a desire to control others. In other words, these would-be centres of attention and sycophantic demanders of praise are of the vicious and venomous creeping conviction that they are the lead actors in someone else’s story when, in fact, they are not likely to even be more than a voiceless, faceless and uncredited extra, at most.

Stalkers, trolls and antagonists are not following their True Will, but are grasping desperately onto the tails of other people going about their own work and Work. This is fundamentally the opposite of finding and expressing one’s own True Will but is unilaterally and co-dependently demanding to be allowed into orbit around someone from whom they think they can suckle attention and feedback, positive or negative. These people are psychic vampires in need of being staked, and diseased social boils in need of being lanced.

Unfortunately, the heroic and hopeful Van Helsing and Dr Kildare in their attempt to be free from such interfering influences appear to be the aggressive party when they attempt to implement a cure to this parasitic perfidy. Those stalkers, trolls and antagonists fly into hysterics at the affront when confronted, and flop into pseudo-victimized apoplexy; violently dramatizing their plight at the hands of their target who dares try to defend themselves from distracting bites and defenestrate the annoying insects. And, unpleasantly, when one manages to eject the trash, the stench of its passing lingers far too long.

 

[Originally posted over on John Griogair Bell’s Blog at A preliminary initial Thelemic analysis of Stalkers, Trolls and Antagonists]

“Pathology of the Sublime” from Problems on the Path of Return by Mark Stavish, M.A. in Vol 3 No 1 of Caduceus.

“While the four major existential fears of annihilation and death, responsibility and freedom, aloneness, and meaning, (Existential Psychotherapy, Yalom) are the fears most deeply rooted in the ego (Assiah/Malkooth) and can be said to be a result of the transient nature of the Elements from which it is created, these conflicts are not the result of internal instinctual strivings, or of encounters with our internalized images of significant adult authority figures during the infantile stage of our development (as in Freudian work), but with inescapable givens of our existence in the world.” [via]