Tag Archives: Michael Kaluta

As the Green Star Rises

Hermetic Library Fellow T Polyphilus reviews As the Green Star Rises [Amazon, Abebooks, Local Library] by Lin Carter, DAW cover and illo by Roy Krenkel, illo Michael Kaluta, part of the Green Star series.

Carter as the Green Star Rises

The fourth Green Star book was much like the third, continuing the plots begun in the sky city and the forest floor in the new environment of an inland sea and its jungle islands. It was perhaps a tad “spicier” than earlier arcs of the series, although largely through threat and peril, leaving it relatively tame compared to the larger sword-and-planet field. There is also an unwitting and highly ironic non-consummation of the love-quest central to the series. (Other reviewers have called that part of the story “contrived,” but in this sort of exoplanetary fantasy what isn’t?)

The most notable feature of the story was its blind narrator. The boy Karn had been blinded at the end of the previous volume, and while parts of the book held out some hope for recovery of his sight, he spent this entire segment unable to see. But despite the fast pace and surfeit of action, the story isn’t told as an immediate reportage. It instead recounts multiple threads of plot as companions and allies are separated and adventure in parallel. Karn is supposed to have learned later what had happened to his friends, but his telling interweaves the various developments along a synchronized timeline.

The illustrations in this book are collaborations between Roy Krenkel (whose pictures were in the previous one) and notable comics artist Michael Kaluta. None of them particularly thrilled me, though. Krenkel’s cover art is an adequate representation of the moment on page 60, when the women escape an island by means of a great hawk-steed. The rider is thus Arjala, while Niamh the Fair is hanging from the stirrup.

Under the Moons of Mars

Hermetic Library Fellow T Polyphilus reviews Under the Moons of Mars: New Adventures on Barsoom [Amazon, Bookshop, Publisher, Local Library] ed and intro by John Joseph Adams, foreword by Tamora Pierce, with Joe R Lansdale, David Barr Kirtley, Peter S Beagle, Tobias S Buckell, Robin Wasserman, Theodora Gross, Austin Grossman, L E Modesitt jr, Genevieve Valentine, Garth Nix, Chris Claremont, S M Stirling, Catherynne M Valente, and Jonathan Maberry, with different illustrations for each story by different artist (including Molly Crabapple, Charles Vess, Michael Kaluta, Jeremy Bastien, Meinert Hansen, John Picaccio, and Daren Bade), and an appendix by Richard A Lupoff; “inspired by the work of Edgar Rice Burroughs” but also it was not “prepared, approved, licensed, or authorized by Edgar Rice Burroughs, Inc. or any other entity associated with the Edgar Rice Burroughs estate.”

Adams Under the Moons of Mars

While the publishers of this anthology of new Barsoomian fiction probably hoped to capitalize on the concurrent Disney movie John Carter, the commercial failure of the latter certainly shouldn’t be held against them. Designer Tom Daly seems to have taken into some account the lovely Frazetta-illustrated editions of ERB’s Barsoom under the Nelson Doubleday imprint that were my initiation to that planet in the 1970s. This book sits next to them on the shelf like a member of the family. All of these stories were written for this collection, and there is a piece of original art (black and white) to illustrate each. The world of science fiction writers teems with those who love Barsoom in one way or another, and artists also enjoy its charms. 

I found all of the stories reasonably enjoyable. Only a few are straightforward pastiche; most attempt some inversion or diversion of the received standards of the Barsoomian tale. A few are told from the perspective of John Carter’s foes, a few by green Martians, one by Woola the calot, and one by a “sidekick” earthling who didn’t appear in the ERB stories. Two involve Tarzan cross-overs. Prose styles vary from the straightforward fantasy adventure narrative that Burroughs did so much to invent, to more poetic and introspective pieces. 

The art was less impressive to me. Each illustration is given a full page, and while some were terrific (those by Charles Vess and Michael Kaluta of course, and also Jeremy Bastien, Meinert Hansen, John Picaccio, and Daren Bader), many of them seemed on the weak side, not to mention sometimes overdressed. After all, artists working with this subject matter have to endure comparison with Richard Corben and Michael Whelan, in addition to the aforementioned Frazetta. I certainly would have liked to see one of Frank Cho’s drawings of Dejah Thoris here. Still, including this great variety of illustration was a sound idea.

I liked Tamora Pierce’s forward, even if it wasn’t very enlightening. The glossary by Richard S. Lupoff seemed pretty comprehensive and accurate, but not terribly necessary. I can recommend the book as an acquisition for die-hard collectors of Barsoomiana, and as a good one to borrow from the public library for those looking for light entertainment of the sword-and-planet flavor.