Tag Archives: music

This Is Not An Anthology Album -2

This Is Not An Hermetic Library Anthology Album -2 is a special alternative issue in 2020 released today exclusively for Patrons on Patreon and Subscribers on Bandcamp, ongoing supporters of Hermetic Library.

This Is Not An Hermetic Library Anthology Album -2 subscriber and patron exclusive by Hermetic Library in 2020

Please join the Hermetic Library in promoting these artists who have contributed their work to this benefit anthology album project. Please also spread the word about these anthology albums to people you think may be interested in the work of artists who combine magick, music and ritual.

Be sure to also check out the entire Hermetic Library Anthology project, all the previous releases; and consider becoming a Patron or Subscriber to pick up the digital download of this album and help support the work of the library!

The full tracklist for this exclusive consists of 5 tracks by 4 artists:

  1. Jericho Button – Wode 07:41
  2. King Venus – Inhumite 06:07
  3. Mishorka – Eventide 03:19
  4. Mishorka – Hekate 02:56
  5. The Arcanauts – Moonflower Waltz 06:03

This Is Not An Hermetic Library Anthology Album -2 is a special alternative release in 2020 just for Patrons and Subscribers of Hermetic Library. This playlist, presented in no particular order, has 5 tracks by 4 artists, all new voices to the project this year.

An essay about Moonflower Waltz by David Moore / The Arcanauts is also included as a bonus download along with this issue.

For 2020, I decided to ask for two submissions as part of the call for participation in another attempt this year, after a hiatus, at releasing Magick, Music and Ritual 15. One submission each for the regular anthology issue along with another specifically for this additional release in 2020. So with extra gratitude their way, those who were kind enough to submit additional material, here is this special new issue exclusive to Subscribers on Bandcamp and Patrons on Patreon. This, then, is a thank you gift just for those who offer their ongoing support for the library and my work as the librarian, from both myself and these artists.

To both participants and supporters, I say happy and hearty Thanksgiving day, and, moreover, thank you, thank you, thank you!

The Hermetic Library at Hermetic.com has an overall vision of Archiving, Engaging and Encouraging the living Esoteric Tradition, Hermeticism, and Aleister Crowley’s Thelema for over 20 years. I started the benefit anthology project to help promote newer works in the Esoteric Tradition to the audience of the Hermetic Library and beyond. The anthology project also further raises awareness about the corpus and culture of magick and ritual.

I encourage you to check out the Hermetic Library at Hermetic.com, if you aren’t already familiar with it, as that’s the reason this project exists and may also offer inspiration to you. The site was started in 1996 and has ever since consistently been an extremely popular resource for students and researchers interested in the Esoteric Tradition.

Hermetic Library
Anthology Project
Become a Patron
Become a Subscriber

Production and Design by John Griogair Bell

All songs used with permission. All rights reserved.

Call for submissions to Magick, Music, and Ritual for 2020

Today I am announcing the 2020 call for submissions for Magick, Music and Ritual 15, the next anthology album of tracks by artists inspired by or who incorporate ritual and magick in their work. These anthology albums help promote artists to the audience of the Hermetic Library and beyond. These albums raise awareness about the connection between ritual, music and magick. And, they are a mass of awesome fun.

Magick, Music and Ritual 15 will be the 2020 release from the Anthology Project. The deadline for submissions to the 2020 anthology album is September 30th, 2020. Be sure to stay tuned to the blog, social media, and the pages for the Hermetic Library anthology project for reminders and updates along the way.

Hermetic Library Call for Submissions to Magick, Music and Ritual

 

Deadline for submissions is September 30th, 2020. Release is planned around the anniversary of the Hermetic Library’s birth on Dec 3rd, 1996.

Be sure to read through the terms and conditions for artist submissions to an anthology album (which includes some new and more specific information about acceptable file formats), and after that if you have any questions, comments or wish to contribute to this project; contact the librarian.

There are three new things to consider this year that are different than previous calls for submissions. First, this year I am asking for at least two tracks from each participant; one for the public issue Magick, Music and Ritual 15, and a second track for a private issue of This Is Not An Hermetic Library Anthology Album -2 for Patrons and Subscribers. Second, if I do not get enough participation this year, I will only release a private issue for Patrons and Subscribers with what submissions I do get. Third, if I am blessed with more submissions than necessary for a reasonable size anthology issue, I will be keeping the extra submissions for future releases, whereas previously I would use all suitable submissions, as many as possible, and not keep any in an ongoing reserve submissions pool for future issues.

Please consider joining Hermetic Library in promoting your work by contributing to this benefit anthology album project. All proceeds from album sales will support the library to help cover hosting costs, materials acquisitions, and other expenses.

 

Check out all the previously released anthology albums, help spread the word about the Hermetic Library anthology project, and let those you think may be interested know about this new opportunity to participate.

 

Cover Artwork and Design

If you would like to make a proposal for the artwork and design of this anthology, please get in touch! Take a gander at all the other covers and consider joining the illustrious artists who have participated with their work on those anthologies.

Patron and Subscriber-Only EP

This year, in addition to the public issue, I will be creating a Patron and Subscriber-only EP as a special additional perk for those people who are ongoing Patrons of Hermetic Library on Patreon or have subscribed to Hermetic Library on Bandcamp. This will be alternate tracks on an exclusive album that will be released in addition to the anthology.

Bonus Download Submissions

If you are creating something else, and would like to be included in the anthology download as a bonus, let me know. I’m open to bonus artwork, essay, articles and … well, anything that can be included in a digital download!

Become a Patron or Subscriber

The best ways to add anthology releases and this upcoming Hermetic Library album to your personal music collection is to become an ongoing Patron at Patreon or Subscriber at Bandcamp. Patrons and Subscribers will each be offered a gratis download code for each new release while they are active in addition to other patronage rewards they may receive, and that ends up being the most cost effective way to get these albums. New Patrons and Subscribers get immediate access to a back catalog release, which means a full album when they sign up, and another when the new anthology is released. Consider becoming a Patron today!

Hermetic Library album call for 2019 submissions

Today I am announcing the 2019 call for submissions for Magick, Music and Ritual 15, the next anthology album of tracks by artists inspired by or who incorporate ritual and magick in their work. These anthology albums help promote artists to the audience of the Hermetic Library and beyond. These albums raise awareness about the connection between ritual, music and magick. And, they are a mass of awesome fun.

Magick, Music and Ritual 15 will be the 2019 release from the Anthology Project. The deadline for submissions to the 2019 anthology album is September 30th, 2019. Be sure to stay tuned to the blog, social media, and the pages for the Hermetic Library anthology project for reminders and updates along the way.

Hermetic Library Anthology 2019 Magick Music Ritual Call for Submissions

 

Deadline for submissions is September 30th, 2019. Release is planned around the anniversary of the Hermetic Library’s birth on Dec 3rd, 1996.

Be sure to read through the terms and conditions for artist submissions to an anthology album (which includes some new and more specific information about acceptable file formats), and after that if you have any questions, comments or wish to contribute to this project; contact the librarian.

Please consider joining Hermetic Library in promoting your work by contributing to this benefit anthology album project. All proceeds from album sales will support the library to help cover hosting costs, materials acquisitions, and other expenses.

 

Check out all the previously released anthology albums, help spread the word about the Hermetic Library anthology project, and let those you think may be interested know about this new opportunity to participate.

 

Cover Artwork and Design

If you would like to make a proposal for the artwork and design of this anthology, please get in touch! Take a gander at all the other covers and consider joining the illustrious artists who have participated with their work on those anthologies.

Subscriber-Only EP

This year I’d like to create a subscriber-only EP as a special additional perk for those people who have subscribed to Hermetic Library on Bandcamp. This will be a few tracks on an exclusive release just for subscribers that will be released in addition to the 2019 anthology.

Bonus Download Submissions

If you are creating something else, and would like to be included in the anthology download as a bonus, let me know. I’m open to bonus artwork, essay, articles and … well, anything that can be included in a digital download!

Become a Patron or Subscriber

The best ways to add anthology releases and this upcoming Hermetic Library album to your personal music collection is to become an ongoing Patron at Patreon or Subscriber at Bandcamp. Patrons and Subscribers will each be offered a gratis download code for each new release while they are active in addition to other patronage rewards they may receive, and that ends up being the most cost effective way to get these albums. New Patrons and Subscribers get immediate access to a back catalog release, which means a full album when they sign up, and another when the new anthology is released. Consider becoming a Patron today!

Corpo Elipsis

 

Corpo Elipsis
(Vergara)

This piece was first conceived as a sound intervention for the art exhibition “Corpo Elipsis” of Pedro Magaña, a contemporary Mexican artist.

The pieces created by Pedro revolve around the concept of Musica Universalis. Following this idea, the sound piece presents different sound sculptures mixed in 5.1 and set to rotate around the art show room, orbiting the physical pieces in the exhibition.

Each sound heard represents a planet and started out as a sample of its most culturally representative occult/mystical symbolism (mars = war samples).

Each sample was then processed through different sound manipulation techniques defined by each planet’s hard scientific data (the orbit defined the sound’s length, among other things).

This results in an aural representation of an alchemical union between the planet’s symbolic ethereal aspects and its fixed hard properties.

The piece is also named Corpo Elipsis (as the exhibition) and here presented in a 2.0 stereo mix.

What started out as a more traditional approach to “trying to make it” playing in a band in the music business, has now turned itself into an exploration of that undefined thing known to some as “sound-art”.

Hermetic Library Anthology Artist Jesús A Vergara

What started out as a more traditional approach to “trying to make it” playing in a band in the music business, has now turned itself into an exploration of that undefined thing known to some as “sound-art”.

I consider myself primarily a cheater with a love for philosophy and an affair with all things occultism and alchemy.

I love to have those two in my bed every chance I get and these experiences (along with some psychedelic ones) have taught me that there might not be a real difference between them… nor art for that matter.

I work and live in Monterrey MX.

Follow Jesús A Vergara via
Bandcamp
and
Anthology profile

 

The Witch House and the Reverberate Abyss

 

The Witch House and the Reverberate Abyss
(Stibrany)

Inspired by HP Lovecraft’s The Dreams in the Witch-house story. Imagine yourself finding the secret room in that eldritch building, being set upon by the witch and the Black Man of the Sabbat, slowly falling down an abyss and coming to terms with the abject indifference of the cosmos while traveling outside of space and time.

Hermetic Library Anthology Artist Chris Stibrany Terborgh my summer home

Raised for half of his life in The Netherlands and Germany, Chris also spent much time studying and working in Japan and Korea. After many various jobs and a short time in the Army, he currently resides with his wife in Colorado. Besides magick and meditation with a focus on Thelema, his hobbies are reading (fiction (horror, sci fi, classic lit), history, metaphysics/occult) playing the drums, and hiking and swimming.

Follow Chris Stibrany via
Soundcloud
and
Anthology profile

 

Twin Pillars Crumble and Shake

 

Twin Pillars Crumble and Shake
(Furtkamp)

A previously unreleased track …

Hermetic Library Anthology Artist Robert Furtkamp

In the beginning was the Word, and the Word was God. And in those sounds, the proto-sounds that came out of the void, the first form from formlessness, there is beauty.

Music for me has always been a spiritual pursuit — before I ever picked up an instrument, I found the ever-living spirit of the void in a fountain pen. And as I wrote, and read the works of Crowley and Spare and whatever a young man could scrounge before the Internet was young, words began to fail at times to convey the spirit of the Voice in the Void.

It wasn’t about verse-chorus-verse or format or key or even a definited note — if the Voice wanted to speak in those terms, it would just use words. But there were things I found, things I woke up with dancing in between my ears, that would not stop until I committed them to tape, that led to years of work with “automatic music”, the equivalent of automatic writing or drawing but with sound.

Sometimes it’s harsh, sometimes it’s beautiful. Sometimes the Angel sings. And sometimes it’s smaller than the moment and bigger than me. Hook up the recorder, plug in an instrument, hit record, bell, book, and candle, and it’s there.

The best things that come from my hands and my lips and my eyes aren’t mine. I don’t dare claim them as anything but the literal product of the Work. Even as my body has failed me and blessed formlessness is near, the Voice and the music and the echo is there.

These days I am a magician and musician and dreamer, mystic and idiot, effectively locked away from the world by the curse of failed flesh, but in the Voice and the sound and the music, I am free.

I have played absolutely free for twenty years — I have only broken this rule once, just to break it. I do not play covers or set songs or even my own material twice. It is a thing of the moment, living, breathing, dying, and remaining as a record of that thing, that intent. It is a sigil of the pain, the joy of existence, the sound of the moment.

It is generally recorded live or as live as it can be given that there are times when to satisfy the piece and the moment I cannot clone myself. Overdubs are limited to complete passes and what I call “pseudo-live” in that it’s “use what’s committed to record” or “scrap the whole thing” to prevent losing the moment in the pursuit of perfection.

If at all possible, I record live in one pass, 24 tracks available at a time to allow me to focus on performance rather than mixing (and to use totally wet processing where needed live, not in post production).

Follow Robert Furtkamp via
Website
and
Anthology profile

 

Parasiel

 

Parasiel
(Rance)

Created during the process of charging the the first and second pentacles of Jupiter from The Key Of Solomon The King by Mathers in order to explore the idea of an angel, the entity was consumed and assimilated during spirit trance.

Hermetic Library Anthology Artist Children of Osiris

My name is Marc, I first encountered esoteric ideas when I was 15 years old in a book called The Black Arts by Richard Cavendish, It was not until I was 17 that I was introduced to the ideas in the Book of Thoth by Aleister Crowley (especially The Tarot and Animism) . I am now 45 and have related to various esoterica through music, art and personal practice during the intervening time. From Psychic TV and Coil to The shamen and Goa Trance via Throbbing gristle and everything in the Rave scene from the late eighties onwards. It seems impossible to fill this space with all my influences from the world of musick.

My process to create starts with words, I use keywords and expressions around an intention and cut up the ideas until they give birth to something that intuitively feels correct. I then paint the assemblage of language into a montage of symbolic images and colours. After this I charge the image through acoustic percussion and mantra (traditional or otherwise). Once I have obtained communication with my project and entered into a contract with it I move to my PC maintaining the state of trance and interaction in order to assemble a sonic tapestry of samples and sounds that reflect or are guided and informed to be representations of my communion with my work, I then edit and restructure. (Though not always) The sound has to be a reality of the contract/contact those are the terms and conditions.

I compose sound under three names Wolven Angel (Inspired by T.A.Z), M.A.R. and Children of Osiris, These personas/conditions/constructs serve different attitudes of purpose in order to guide certain aspects of my projects. Each set of conditions forms a set of temporary expressions recorded.

Follow Children of Osiris via
Soundcloud
and
Anthology profile

 

The Revealing

 

The Revealing
(Redfern)

The lyrics come from an ancient Shiite text, The Mother of Books which has a very gnostic character, this passage talks about the mystical nature of the 7 angels and 12 dimensions of manifestation. These seven and twelve are reflected down into the composition of the “astral body” of the human being.

For this I recorded my oud along with analog synth and drum machine plus my tonal plexus which enables me to work with 72 tet tunings when plugged into the iPad software synths like the Moog modular emulation.

Hermetic Library Anthology Artists Shams93

Shams93 is the brainchild of composer/performer Brian Redfern. Brian graduated from CalArts in 1998, having studied composition with Nyoman Wenten, Kobla Ladzepko and Wadada Leo Smith. In 2005 Brian switched from guitar to the ancient middle eastern instrument, the oud, studying with virtuoso Yuval Ron.

Previously Brian had been the guitarist for Los Hermanos de Jazz who had opened up for bands such as the Stone Temple Pilots and performed sessions for Death Row Records, back in the wild and crazy early 1990s. Back then he also created a project called “Aleister’s Bastards” inspired by the work 777 by Aleister Crowley. However at the time, he had no idea he lived right down the street from the famous occult author, Lon Milo DuQuette.

Shams93 runs the gamut from purely acoustic solo oud to electronic music and live electric performance. Brian plays both acoustic and electric oud and uses the ancient system of “Maqam music” from the middle east to compose new material based on ancient patterns.

He is greatly inspired by recent John Zorn projects such as the Crowley String quartet, which explore occult concepts with instrumental music inspired by western classical and avant-garde.

Besides having earned an MFA from CalArts Brian is an initiated Freemason, 3, 32, Thelemite and self-initiated Sufi/Ishmaeli. He’s also a 3 in the OTO and a probationer of the A∴A∴, so occult practice and meditation are massive influences on the music of Shams93.

Follow Shams93 via
Soundcloud
Website
and
Anthology profile

 

Invoke Me Under My Stars for the Darkness Shines

 

Invoke Me Under My Stars for the Darkness Shines
(Furtkamp)

A previously unreleased track …

Hermetic Library Anthology Artist Robert Furtkamp

In the beginning was the Word, and the Word was God. And in those sounds, the proto-sounds that came out of the void, the first form from formlessness, there is beauty.

Music for me has always been a spiritual pursuit — before I ever picked up an instrument, I found the ever-living spirit of the void in a fountain pen. And as I wrote, and read the works of Crowley and Spare and whatever a young man could scrounge before the Internet was young, words began to fail at times to convey the spirit of the Voice in the Void.

It wasn’t about verse-chorus-verse or format or key or even a definited note — if the Voice wanted to speak in those terms, it would just use words. But there were things I found, things I woke up with dancing in between my ears, that would not stop until I committed them to tape, that led to years of work with “automatic music”, the equivalent of automatic writing or drawing but with sound.

Sometimes it’s harsh, sometimes it’s beautiful. Sometimes the Angel sings. And sometimes it’s smaller than the moment and bigger than me. Hook up the recorder, plug in an instrument, hit record, bell, book, and candle, and it’s there.

The best things that come from my hands and my lips and my eyes aren’t mine. I don’t dare claim them as anything but the literal product of the Work. Even as my body has failed me and blessed formlessness is near, the Voice and the music and the echo is there.

These days I am a magician and musician and dreamer, mystic and idiot, effectively locked away from the world by the curse of failed flesh, but in the Voice and the sound and the music, I am free.

I have played absolutely free for twenty years — I have only broken this rule once, just to break it. I do not play covers or set songs or even my own material twice. It is a thing of the moment, living, breathing, dying, and remaining as a record of that thing, that intent. It is a sigil of the pain, the joy of existence, the sound of the moment.

It is generally recorded live or as live as it can be given that there are times when to satisfy the piece and the moment I cannot clone myself. Overdubs are limited to complete passes and what I call “pseudo-live” in that it’s “use what’s committed to record” or “scrap the whole thing” to prevent losing the moment in the pursuit of perfection.

If at all possible, I record live in one pass, 24 tracks available at a time to allow me to focus on performance rather than mixing (and to use totally wet processing where needed live, not in post production).

Follow Robert Furtkamp via
Website
and
Anthology profile

 

Moving Targets

 

Moving Targets
(Ace of Space/Paul Le Hat)

Hermetic Library Anthology Artist Ace of Space

Discontent is unavailable …

One man wave of cinematic electronica from Northumbria. Has so far produced five full length albums.

Whatever it means to Ace of Space it means capturing the moment, just like taking a photograph or snapshot, in musical terms. These eclectic collections are a mixture of old school electronica and guitar instrumentals and atmospheric soundtrack work.

Follow Ace of Space via
Blog
Bandcamp
Soundcloud
and
Anthology profile