Tag Archives: new york

“America is seething with anarchy on every plane, because of the constantly changing economic conditions, the conflict between creeds, casts, codes, cultures and races. Society has never had a chance to settle down. The expansion westward, the discovery of gold, coal, iron and oil, the slavery question, the secession question, the constant flux caused by the development of technical science, the religious and moral instability, the conflict between federal centralization and state sovereignty, the congestion of cities, the exploitation of the farmer by the financier, the shifting of the economic centre of gravity, these and a thousand other conditions arising from the unprecedented development of the country combine to make it impossible even to imagine stability in any plane of life. There is thus a radical distinction between Europe and her daughter. We know more or less what to expect in any set of circumstances. Heterogeneous as we are there is a common ground of thought and action. We are even able to draw reasonable conclusions about Asia and Africa. London and Tokyo are sufficiently alike in essentials to make our relations intelligible, but in spite of the community of language, customs, commercial conventions, and so on, between London and New York, the difference between us is really more radical. There are many incalculable factors in any formula which connects the United States with Europe.”
Chapter 75 from Confessions

Quote featured at PROGRESS ANARCHY COMMON SENSE from the Ministry of Information.

Omnium Gatherum: July 11th, 2014

An irregular hodgepodge of links gathered together … Omnium Gatherum for July 11th, 2014

VirtuaLUG's Odyssey: Pictures of the Odyssey display by VirtuaLUG at Brickworld 2014
VirtuaLUG’s Odyssey: Pictures of the Odyssey display by VirtuaLUG at Brickworld 2014 [HT Archie McPhee’s]

 

  • Nostalgia back in fashion — Gail Rosenblum, Star Tribune [HT Robert Murch]

    “Those who embrace nostalgia excel at maintaining personal relationships and choose healthy social ways of coping with their troubles. When they feel stressed, for example, they tap into previously successful strategies, such as turning to a trusted teacher or parent. If I overcame adversity before, they tell themselves, I can do it again.

    When they feel a lack of self-confidence, they remember when they felt valued and loved for who they were and not for what they achieved or earned.

    And when they feel uncertain about the future, they wipe the cobwebs off their Ouija board.”

  • Aleister Crowley and The OTO — Tobias Churton, disinformation; an excerpt from Aleister Crowley: The Beast in Berlin: Art, Sex, and Magick in the Weimar Republic from Inner Traditions

    “Crowley had little concern with Reuss’s treasured image of spiritual descendants of an imaginary body of medieval male Templars sharing secrets of a yogic sexual magic (transmitted from late antiquity) manifesting in the twentieth century as a new Gnostic Catholic Church. For Reuss the Oriental Templars’ great secret was that Jesus Christ and his ‘Beloved Disciple’ had been practicing adepts; Jesus’s semen being held to manifest magical, sacramental power: ‘He who eats my flesh and drinks my blood abides in me, and I in him’ (John 6:56). Reuss consolidated the doctrine that consecrated sexual fluids constituted effective agents of magical, spiritual transformation through contacts established in Paris with French Gnostic Catholic Church clergy Jean Bricaud, Gérard Encausse and other Martinists when Reuss issued Encausse and his associates (including René Guénon) with a patent to administer the Rites of Memphis and Misraïm in 1908; it is believed that in return Reuss received ‘authority’ as a legate or bishop of the Église Catholique Gnostique in Germany. Reuss’s belief that the OTO’s originators were Christian Gnostics did not sit altogether well with his rather general approval of The Book of the Law. Despite this potential disparity of outlook, all might have progressed quite nicely were it not for the inconvenient interruption of World War One.”

    “After the war Reuss described the OTO as a body of New Gnostic Christians who rejected the anti-German, that is anti-brotherhood, betrayal of the Versailles Conference and looked for a transnational movement. Crowley did not attend Reuss’s international Freemasonry conference organized in Basle in 1920 for kindred fringe-Masonic representatives worldwide. Thinking about the invitation while in retirement in Cefalù, Sicily, the Beast wondered if he had it in him to combine such a collection of what he considered nonentities into a force.

    But what really got Crowley’s goat was that while paying lip service to aspects of The Book of the Law, Reuss was obviously putting distance between himself and his supposed colleague. The reasons for this soon became apparent. Reuss was seeking financial support from AMORC-founder Harvey Spencer Lewis; Reuss offered Lewis an OTO diploma as an inducement to affiliation.”

  • Pope Francis’s dance with the devil: For all his modernising, the Catholic church’s leader has enlisted a very old enemy in his battle against secularism — Sophia Deboick, The Guardian [HT Erik Davis]

    “The devil continues to be as useful for the modern church as he has been in the past, when he bolstered the case for the burning of heretics. The concept now provides a dramatic way to underscore the dangers of a godless society. The organiser of last week’s course, Dr Giuseppe Ferrari, argues that a rise in the number of people abandoning religion and dabbling in the occult has increased Satan’s power. As head of the Gruppo di Ricerca e Informazione Socio-Religiosa, a Catholic organisation concerned with the threat posed by cults and sects, Ferrari says good exorcists are needed more than ever, since: ‘We live in a disenchanted society, a secularised world that thought it was being emancipated, but where religion is being thrown out, the window is being opened to superstition and irrationality.’

    This seems like an extreme position, but it is in perfect alignment with Francis’s views, which go further than his brief mentions of the devil last week suggest. In his very first homily as pope, delivered in the Sistine Chapel on the day after his election, Francis bluntly quoted the French author and Catholic convert Léon Bloy: ‘Anyone who does not pray to the Lord prays to the devil.'”

  • Iran Cleric: Jews Use Sorcery to Spy: A mullah at Tehran University told Iranians on official TV that Jews use jinns, or genies, for espionage. Young Iranians laugh, and cry, when they hear such things. — Azadeh Moaveni, The Daily Beast; from the well-it-worked-for-john-007-dee dept.

    “Iran’s state broadcaster, known as Islamic Republic of Iran Broadcasting, IRIB, has never been the country’s most dignified institution. But even by its own standards, the network plunged into a fresh abyss of superstition and fear-mongering with a recent broadcast in which Valiollah Naghipourfar, a cleric and professor at Tehran University, discusses the use of jinns, or genies, in public life.

    ‘Can jinns be put to use in intelligence gathering?’ the presenter asks ingenuously, as though dragons can also serve as defense ministers and we’ve all entered the realm of the Hobbit.

    The cleric nods, as though speaking about a species of exotic elf: ‘The Jew is very practiced in sorcery. Indeed most sorcerers are Jews.'”

    “Such paranoia and fear of the other, of course, is typical among the ultra-orthodox of any religion.”

  • Cult Rush Week: Pretzels and Wine With Peaches Geldof’s Sex Cult — Cat Ferguson, Gawker

    “When I first told friends I was going to a meeting of the New York Ordo Templi Orientis branch, called Tahuti Lodge, the general consensus was that I should try not to die, and I should avoid sexual contact. […] As it turned out, neither of my friends’ concerns proved necessary.”

  • Reply to Sandy Robertson’s review of Aleister Crowley: Magick, Rock and Roll, and the Wickedest Man in the World — Gary Lachman

    “One of the key questions I explore in the book is why Crowley remained a pop ‘icon’ – apologies for using a much abused and emptied-out term – long after other esoteric figures taken up by the 60s counter culture, like Jung and Madame Blavatsky, no longer were. The answer to that is that Crowley’s philosophy of excess – ‘excess in all directions’, as his friend Louis Wilkinson called it – is purpose built for rock and roll and the pop aesthetics that followed it.”

  • rstevens 3.0, tweet

     

  • When Beliefs and Facts Collide — Brendan Nyhan, The Upshot, The New York Times

    “In a new study, a Yale Law School professor, Dan Kahan, finds that the divide over belief in evolution between more and less religious people is wider among people who otherwise show familiarity with math and science, which suggests that the problem isn’t a lack of information. When he instead tested whether respondents knew the theory of evolution, omitting mention of belief, there was virtually no difference between more and less religious people with high scientific familiarity. In other words, religious people knew the science; they just weren’t willing to say that they believed in it.”

  • Interview: Nicholaj de Mattos Frisvold — Second Heart Magazine

    “My arrival to a neo Platonic stance on this issue came initially through my interest for behaviourism and the realization of how an organism can be conditioned to nearly whatever and how inconstant and changeable the human mind and heart is which grew these ideas of dualism solely being a heuristic and not a reality. Later when I studied Advaita philosophy and Renaissance philosophers both from the European and Arabic renaissance a qualified monism took shape and got over the years sharper and sharper. Quite simply if we view everything in terms of polarities we also become more inclined to understand the tension within the fields of being and find the bridges of understanding that widens our horizon and in this the tension between the poles are also experienced less severe. For instance in the thoughts of Ibn Al Arabi we find the concept of Iblis being the limit of divine enfolding – and thus our experience of this concept is one of resistance and opposition, but in truth it serves a quite different function in defining the field of possibility for unfolding.”

  • The Persecution of Witches, 21st-Century Style — Mitch Horowitz, The Opinion Pages, The New York Times

    “Most people believe that the persecution of ‘witches’ reached its height in the early 1690s with the trials in Salem, Mass., but it is a grim paradox of 21st-century life that violence against people accused of sorcery is very much still with us. Far from fading away, thanks to digital interconnectedness and economic development, witch hunting has become a growing, global problem.”

  • Tell Me There Is No Magic — Rue, Rue and Hyssop [HT Sarah Anne Lawless]

    “We are walking into the heat scorched arms of summer this weekend, and as some of us keep our heads toward the earth, watching for signs and faerie rings, others are looking skyward again to that opulent display of rocket-fuelled magic.”

  • Rewilding Witchcraft: Speaking from the Swamp, Part 1 — Oldidio, The Arrival and the Reunion; a response to Rewilding Witchcraft

    “The background setting is chiefly about the decline of humanity’s ability to survive as a species over the coming 100 years or so. The matter is doleful, sobering and utterly important.”

  • The Witch and the Wild — Sarah Anne Lawless; a response to Rewilding Witchcraft

    “Our witchcraft, nay, our very being must become more wild, more intuitive, and more accepting of nature’s amorality and our inevitable demise if we are to make any difference at all. If we are to preserve what we’ve left behind of the earth in our destructive wake, and if we are to survive in any number as a species, we must rewild ourselves and learn how to live outside of civilization. We must lose our faiths, our religions, our meaningless attachment to nitpicketity details only we as individuals and not a whole care about. We who are importers of foreign magics and alien gods. We must become a different kind of witch. Something that needs no definitions, no boundaries, and no expectations. Something more primal and raw than our current incarnation. Something small, something just outside your door…”

  • The Hammer of Thor — Past Horizons

    “A small hammer dating to the 10th century was found recently on the Danish Island of Lolland. Over 1000 of these amulets have been found across Northern Europe but the pendant from Lolland is the only one with a runic inscription.”

    Past Horizons The Hammer of Thor

     

  • A Peek Into The Mystical Lives And Rituals Of Urban Peruvian Shamans — Justina Bakutyte, Beautiful/Decay

    “Italy-based photographer Andrea Frazzetta gives us a little glimpse into the lives and rituals of modern healers from Lima, Peru. His project called ‘Urban Shamans’ peeks behind the doors of the rear private shops where shamans, or the so called curanderos, perform their traditional mystical rituals which are not subject to the laws and orders of today’s world.”

    Beautiful/Decay A Peek Into The Mystical Lives And Rituals Of Urban Peruvian Shamans

     

  • Hannah Kunkle’s Controversial Project Turns Kim Kardashian Into The Devil, The Virgin Mary And Even Jesus — Victoria Casal-Data, Beautiful/Decay

    “Brooklyn-based artist Hannah Kunkle puts Kim Kardashian on the altar, literally. Kunkle delivers Kardashian as the Virgin Mary, Medusa, the devil and even Kleopatra. With a flashy net-art inspired aesthetic, the artist takes Kim’s iconic, worshiped image and puts it to work, naturally, with religious/cultish iconography. The controversial juxtaposition is rather riveting as its subtle insights perfectly captures the absurdity of our nation’s obsession with Kardashian and celeb idolatry in general. ‘We have accepted her into our lives via television screens, memes, and Instagram feeds’, she says. ‘If Jay Z is the father and Yeezus is the son, then she is the ever-present holy ghost of pop culture.'”

    Beautiful/Decay Hannah Kunkle's Controversial Project Turns Kim Kardashian Into The Devil

     

  • Quantum state may be a real thing: Physicists summon up their courage and go after the nature of reality — Chris Lee, Ars Technica [HT disinformation]

    “At the very heart of quantum mechanics lies a monster waiting to consume unwary minds. This monster goes by the name The Nature of Reality™. The greatest of physicists have taken one look into its mouth, saw the size of its teeth, and were consumed. Niels Bohr denied the existence of the monster after he nonchalantly (and very quietly) exited the monster’s lair muttering ‘shut up and calculate.’ Einstein caught a glimpse of the teeth and fainted. He was reportedly rescued by Erwin Schrödinger at great personal risk, but neither really recovered from their encounter with the beast.”

  • Satanic Feminism – A Soundtrack to Per Faxneld’s Book with Music by Christian von H, Patrik Hultin, Tondurakar, Jesper Erwik Johansson and Kristian Pettersson discussed at Per Faxneld’s Satanic Feminism: A New Approach to the Dissertation? — Sarah Veale, Invocatio

    “This is a really creative presentation of the dissertation, one which certainly challenges new scholars to consider the life of their work beyond the written page. It is great to see how this topic has been re-imagined into a totally different context, one which allows the audience to experience the milieu researched by Faxneld in an accessible and immediate way.”

  • Fantastically Wrong: Why the Egyptians Worshiped Beetles That Eat Poop for a Living — Matt Simon, WIRED

    “And this makes it all the more incredible that humans once revered the dung beetle, from the ancient Egyptians to a 17th-century Jesuit who compared Christ to the bug. These folks got a whole lot wrong about the dung beetle and made some pretty fantastical assumptions, but it turns out that their reverence was totally justified. The dung beetle may live its life in crap, but it’s actually a far more remarkable creature than you think.”

 

If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.

The Night of the Witch at Meta Center in New York on Jun 25th, 2014

The Night of the Witch at META Center, in New York, on June 25th, 2014 is an event that will be of interest. Treadwell’s is coming to New York, featuring Pam Grossman and Christina Oakley Harrington, and there are only a limited number of tickets available! After the event there is planned an informal social at a nearby restaurant as well.

Treadwell's in New York Night of the Witch Remedios Varo

Two illustrated lectures on witchcraft in a vibrant double-bill. Witch Pictures — Pam Grossman and British Witchcraft — Christina Oakley Harrington.

Witch Pictures — Pam Grossman

The witch burst into Western art in the late 15th century and never left: the likes of Durer, Fuseli, Goya, and Blake used the image of magical women to titillate their patrons or reflect their own anxieties — with results both grotesque and beguiling. Then in the 19th century women took up the brush to create works inspired by personal occult experiences, reclaiming the witch, and we see a female ‘witchcraft’ in action in Abstraction, Surrealism, Modernism, making a corner of art history where craft and Craft are one and the same.

British Witchcraft — the Fifties to the Seventies — Christina Oakley Harrington

British Witchraft revived in the 1950s and 1960s. To the horror and fascination of the English press and public, some of these witches gave interviews and even allowed secret rites to be photographed. They wanted the world to know a non-Christian basis of ethics, a radical concept of the sacred, and the power of altered states of consciousness. Both tradition-based and forward-thinking, they were paradoxical yet compelling. Tonight’s speaker comes from the UK Wiccan community, and brings these characters to life and shares insights into their vision of the Craft.

Pam Grossman is the Brooklyn-based guiding spirit of Phantasmaphile, and was co-host of the 2013 Occult Humanities Conference at NYU. Christina Oakley Harrington is founder of London’s famed Treadwells Bookshop and a former academic; she also co-edits Abraxas Journal and gives occasional lectures.

Venue: New York City’s META Center, 214 W 29th Street. The talks will be followed by an informal social at a nearby restaurant: all are invited.
Tickets through Brown Paper Tickets
Time: 7pm – 9pm

Altars as Art Forms at Catland through Jun 20th, 2014

Altars as Art Forms” at Catland, in New York, through Jun 20th, 2014 [HT Pam Grossman].

Altars as Art Forms at Catland 2014

“Altar: An elevated place or structure, as a mound or platform, at which religious rites are performed or on which sacrifices are offered to gods, ancestors, etc.

Altars were created as places to offer, interact, and worship with the unseen. Over years they have been adopted to almost every major religion, each paying homage to the beliefs and offering a sacred place to worship. As practices developed individuals took to creating their own hallowed places delving into the worlds of self, ancestry, nature, the muse, and the realm of spiritual creating a memorial to the sacred.

Using wall altars as inspiration ‘Altars as Art Forms’ explores the immersive aspect of creating a sacred space, a ritual room that once you enter becomes a portal into the magical world. This will be an immersive gallery and ritual experience. Audience will be allowed to interact with the altars leaving petitions and small offerings. There will be both indoor and outdoor altars as well as ambient video/music, tea, and spirits.

OPENING RECEPTION June 6th 7-10 p.m.
CLOSING RECEPTION June 20th 7-10 p.m.

TAYLOR MEAD · DARIA HLAZATOVA · GREG JAMIE · PHILLIP ENGLISH · K LENORE SINER · MELISSA DOWELL · GOTHIC HANGMAN · WES FREED · KAT MON DIEU · KAT TORONTO · WALTER SICKERT · MADELEINE LE DESPENCER · DAME DARCY · SAMANTHA LEVIN · ALLISON SOMMERS · SHERENE VISMAYA SCHOSTAK · JULIET ESCORIA · MEESHA GOLDBERG · LONESOME LIZ · STEVEN GLICK · ELLI STEFANIDI · RACHEL RABBIT WHITE

AUDIO VISUALS BY WPC
MUSIC BY JILL TRACY
CURATED BY KATELAN FOISY

SPIRITS WILL BE SERVED · FINE TEAS FROM MADAME ZUZUS & ORIGINAL SIN HARD CIDER”

The Mysteries at The Flea through July 14th

The Mysteries is playing at The Flea, in New York, in Tribeca at 41 White Street, through July 14th [HT Public Books].

Hunter Canning The Mysteries at The Flea 2014
Finale of Act I. Gabriel (Alice Allemano) ascends with the murdered infant. Photo: Hunter Canning [via]

“The Flea embarks on an extravaganza with 48 playwrights and 54 actors retelling the entirety of The Bible in a single night.

50 World Premiere plays telling the entire History of Man’s Salvation from The Fall of Lucifer through and including Judgment Day.”

Events at Treadwell’s through June, 2014

Here is a selection from the upcoming events at Treadwell’s Books in London for through June, 2014, which may be of interest.

Treadwell's Books in London

 

Surrealism, Satanism and Witchcraft
16 May 2014
Dan Zamani

Dan Zamani Surrealism Satanism Witchcraft at Treadwells

Surrealism celebrated Satan and the witch as powerful agents of social rebellion, and tonight’s speaker argues their inspiration came from Jules Michelet’s 1862 book La Sorciere, which was violently anti-Catholic as well as shockingly erotic. Some women Surrealists confidently cast themselves as witches, and the talk looks at three of them: Dorothea Tanning, Leonor Fini and Leonora Carrington. Dan Zamani is completing his PhD in art history at Cambridge; he returns to Treadwells by popular demand.

Price: £7
Time: 7:15pm for a 7:30pm start

 

Crowley’s Liber Nu
23 May 2014
Bob Stein

Bob Stein Aleister Crowley Liber Nu at Treadwell's Books

Tonight a longstanding magical practitioner of Thelemic magic examines one of Crowley’s most magnificent ritual texts, Liber Nu (‘The Book of Nuit’, a rite for attainment of the Goddess Nuit) and relates the extraordinary experience of preparing and then performing the rite at Gosse’s Bluff in Central Australia. He goes on to interpret Liber Nu as Crowley’s “how to write and do a high magic ritual.” Bob Stein has been a member of O.T.O. since 1983 and has been involved with the organisation since then in a range of capacities.

Price: £7
Time: 7:15pm for a 7:30pm start

 

Abraxas 5 Launch Party
30 May 2014

Abraxas issue 5 from Fulgur Esoterica UK

Please join us for to celebrate Issue Five of Abraxas, the journal of esoteric studies issued jointly by Fulgur Ltd and Treadwell’s. We will have fascinating people, art, poetry and short talks. This issue has contributors worldwide on surreailsm, the Fellowship of Isis, Platonism, spirit-summoning, David Blank of the famed Oracle Magazine, an occult manuscript, Peladan, Bertiaux, and the wonderful ancient gods Antinous and Glykon.

Free, but please RSVP to info@treadwells-london.com
Time: 7pm to 9:30pm. Short talks at 7:45pm

 

Elias Ashmole: London’s Forgotten Adept
2 June 2014
Ruth Clydesdale

Ruth Clydesdale Elias Ashmole at Treadwell's Books

Elias Ashmole (1617–1692) is famed for founding the first public museum, the Ashmolean, a fact that overshadowed his importance in the history of occultism. He was the astrological advisor to Charles II, an early freemason, an alchemical secret-holder. He collected rare esotericism texts and even saved a fellow astrologer from the gallows. Tonight revives him from obscurity, celebrating his secret life. Ruth Clydesdale is a writer and astrologer with interest in the history of astrology and its links to magic, alchemy and art.

Price: £7
Time: 7:15pm for a 7:30pm start

 

Walking Tour: Occult London
7 June 2014 (and again on July 5th)
Delienne Forget

Delianne Forget Occult London through Treadwell's Books

London’s secret occult history comes alive as you traipse the cobblestone streets of the West End, and you learn the secrets behind some of the area’s past magicians, witches and sorcerers: some famous, some infamous. Delianne Forget is a London registered Blue Badge Guide with a solid grounding in London history. A white witch herself, she also knows her cauldron potions from her good-luck charms. These tours return after a two year hiatus, due to popular demand.

Price: £10
Time: 2pm to 5pm, starting at a central London tube station. Look for the lady in the witch hat.

 

Aleister Crowley on Rock’n’Roll
19 June 2014

Gary Lachman Aleister Crowley from Tarcher / Penguin at Treadwell's Books

Join us for a summer party to celebrate the launch of Gary Lachman’s new book: Aleister Crowley’s influence on rock-and-roll giants from the Rolling Stones and Led Zeppelin, to Black Sabbath and Blondie, of which Lachman was a founding member. Gary will give an informal talk for about 20 minutes at about 7:45, and as ever we give most of the evening over to socialising, book-signing and gentle revelry. Please join us.

Free, but please RSVP to info@treadwells-london.com
Time: Come anytime 7pm – 9:30pm. Short talk at 7:45.

 

Love Magic in Seventeenth-century England
20 June 2014
Alexander Cummins

Alexander Cummins Love Magic at Treadwell's Books

This talk explores the occult theories and magical practices which grasped both the divinity and madness of love. Al Cummins takes us into the world of elemental humours, psychological notions of the passions, and the spiritual and physical mysteries of the heart. We will delve into the love magicians’ toolkit, examining means of seduction: from aphrodisiac herbs to conjuring matchmaking spirits … and onto bindings, leashes, and “erotic malefic” workings. A vibrant speaker, Alexander Cummins recently completed his PhD from Bristol: he is an historian of early modern magic, astrology and the passion. He is also a professional poet.

Price: £7
Time: 7:15pm for a 7:30pm start

 

And, Treadwell’s comes to New York!

New York City — The Night of the Witch
25 June 2014

Night of the Witch in New York from Treadwell's Books

Two illustrated lectures on witchcraft in a vibrant double-bill. Witch Pictures — Pam Grossman and British Witchcraft — Christina Oakley Harrington.

Witch Pictures — Pam Grossman

The witch burst into Western art in the late 15th century and never left: the likes of Durer, Fuseli, Goya, and Blake used the image of magical women to titillate their patrons or reflect their own anxieties — with results both grotesque and beguiling. Then in the 19th century women took up the brush to create works inspired by personal occult experiences, reclaiming the witch, and we see a female ‘witchcraft’ in action in Abstraction, Surrealism, Modernism, making a corner of art history where craft and Craft are one and the same.

British Witchcraft — the Fifties to the Seventies — Christina Oakley Harrington

British Witchraft revived in the 1950s and 1960s. To the horror and fascination of the English press and public, some of these witches gave interviews and even allowed secret rites to be photographed. They wanted the world to know a non-Christian basis of ethics, a radical concept of the sacred, and the power of altered states of consciousness. Both tradition-based and forward-thinking, they were paradoxical yet compelling. Tonight’s speaker comes from the UK Wiccan community, and brings these characters to life and shares insights into their vision of the Craft.

Pam Grossman is the Brooklyn-based guiding spirit of Phantasmaphile, and was co-host of the 2013 Occult Humanities Conference at NYU. Christina Oakley Harrington is founder of London’s famed Treadwells Bookshop and a former academic; she also co-edits Abraxas Journal and gives occasional lectures.

Venue: New York City’s META Center, 214 W 29th Street. The talks will be followed by an informal social at a nearby restaurant: all are invited.
Tickets through Brown Paper Tickets
Time: 7pm – 9pm

 

In conversation with JJ Brine about Vector Gallery

You may recognize the name JJ Brine as a contributor to the Hermetic Library audio pool, with the tracks Innovation and Paradise featured on this blog back in 2011.

You may also be interested in checking out The Presidents of Mozambique, The LaBiancas, and some of his videos.

JJ Brine is also the artist-in-residence at and proprietor of Vector Gallery, 40 Clinton St, NYC, which I’ve also mentioned before. Vector Gallery is billed as the “Official Art Gallery of SATAN”, and is described, in a feature by the New York Professional Outreach Program, as a “new conceptual art destination on the Lower East Side, VECTOR Gallery is the most interesting phenomenon in New York.” I had the opportunity to have a conversation about this project with JJ.

20140404-111847.jpg

John Griogair Bell, Librarian: First off, thanks for taking the time to talk with me about your current project. Obviously, you’ve participated in the Hermetic Library audio pool in the past, but can you describe how and where your current project fits with your other works?

JJ Brine: VECTOR is the culmination of all of my personal projects to date.

L: What are some of your previous projects that led to this current gallery and show?

JJ: How many times do I have to come back? I put the AELON inside of the Manger, on the Cross, and at the center of the Theater of the past 2,000 years. I arranged for my birth as a means of dying, so that I might rise up and embody life and death for all things, always.

L: So this current project sounds like an invitation for the viewer to be a witness to your personal progress. It also seems to be an ongoing personal performance which is more reciprocal. One of the places for performance art, versus, say, a gallery show on one hand and theatre on the other, is the immediacy and exchange of mutual feedback between artist and audience on a more equalitarian setting. What sort of relationship do you hope to create with the audience here?

JJ: I tempt people to unabashedly be themselves. It is always a pleasure to acquire new souls for my marketplace.

L: It seems to me that in the promotional material and other interviews about this project there seems a heavy degree of performance art taking place, but I assume this is a serious endeavour for you. Can you describe your intent for this space and this project?

JJ: It is a serious endeavor that involves a heavy degree of performance art. Generally speaking — and specificity is the vice least favored by Devil and Lord alike — my intention for the project is to reprogram the mass mind, one thought at a time.

20140404-111823.jpg

L: When I’ve gandered at some of the other interviews you’ve done, it seems to me that those interviewers are driven to locate you in the realm of surreal Outsider art, such as comparing you to Warhol, for example. But, I wonder about that as a mechanism of apologetics. What I mean is that by locating you on the outside of everyday norms, other interviewers are giving people an easy way to dismiss things about your work and statement that might be uncomfortable or feel dangerous. How do you feel about how you’ve been portrayed? Do those stories about you seem to you to reflect the story you are attempting to tell? How has your work been received by the public?

JJ: I set an example by living my life in the afterlife. Every reaction across the spectrum serves to advance the goals of the Project. I have been portrayed as an agent of this world’s end, naturally, as it finally begins.

L: You’ve taken on the culturally overloaded labels “Satan” and “Satanic” for your project, but I wonder which Satan are you talking about and signifying? For example, is this the adversarial Satan of Judaism, the old-school anthropomorphic embodiment from Catholicism, the abstract and facile label for anything unfamiliar and uncomfortable of modern Evangelical Christianity, the boogyman of the Satanic panics, the Classical Promethean or Luciferian force, the stage satanism of Death Metal … something else? Or is this overloaded term useful here specifically because it is so?

JJ: We have been all of those forms and many more, for our numbers attest to our many names. We cannot lie, and so we have known many truths in many ways. But one breath is all we need to give and take; so together let us breathe.

L: On the Vector Galley page you talk about secession from the political structure of the United States as a new independent nation, and you also talk about a temporal shift while within the space changing the current secular calendar year to 2018. These seem intentionally to mark the space as a liminal environment, a place outside of normal time and space, which is what one might expect from ritual experience. Some of the performative restrictions you’ve suggested for events, such as no verbal communication, echo the self-discipline exercises of Liber E, specifically Dharana, and so forth. Does this project have other ritual practice dimensions as well as presentational and performative aspects? Can you talk about the ceremonial and ritual elements one might experience?

JJ: People naturally look to the space to inform them of their own beliefs, which is one reason why I won’t interpret it for them. They have to come to their own conclusions in order for this to manifest correctly. 2019 is coming any day now.

20140404-111809.jpg

L: Some of the iconography in your current project seems specifically intended to be triggering for some people, a bit confrontational. For example you include pentagrams, the number 666. keywords such as “legion”, a photograph of Charles Manson, and so forth. These are all clearly laden with cultural baggage, and in that sense are a kind of table of cultural correspondences, that is evoked in the viewer, but what else is going on here? What is the intentionality of using these signs, these symbols? What is the similarity and the parallax between common perception of these and the message you are trying to communicate here?

JJ: Those things which are perceived to be diabolical are an integral part of the divine and vice-versa. There is no need to divide reality from itself. For me, such things are only triggers of serenity and aesthetic comfort. Perhaps that is because I am The Devil. “Needless to say.”

L: Well, there is certainly a long history of around identity and inversion of the nature of diabolical symbolic entities. Do you approach this as something you are commenting on, about which people are already aware, or as something you are revealing for the audience?

JJ: My commentary modifies the extant awareness via revelation. And my Lights are the commentary, and the Frequency is awareness.

L: One of the connections that I noticed right away, but which I don’t recall being mentioned on your site or in other interviews, is that your Vector Gallery logo seems to be a direct visual reference to the Process Church, about which I personally don’t know a whole lot, but that does seem to be an influence on the particular mix of Christ, Satan and Manson imagery in your work, I assume. Could you tell me about that and what that connection is and what it means to you? Are you an adherent, admirer, or something else?

JJ: I will address this issue at length in 2021.

L: Is that 2021 in VECTOR standard time, or on the common secular year count?

JJ: What is to “the” left? What is to “the” right? All but from where I am standing, and I always tell my own time. It’s always right now, always will be and always was, but the numbers change with the nows and so we count the days.

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L: What are some of your other influences, both for your art but also your esoteric and occult interests?

JJ: The most powerful magic is intrinsic. If you want to learn a trick, now’s the time to teach yourself. If you want to bind yourself to the dimming powers of charmed obsolescence, nothing does that trick quite like a book of some stranger’s magic spells.

L: As one of the simplest ritual structures might be: 1) leave normal time and space, 2) engage in practical operations within a liminal environment, 3) return to normal time and space changed; what is the change intended for the participant, the public viewer, as they return to the world from within the Gallery?

JJ: Enlightenment as to nature of self, the nature of ALAN, and the relation of self to ALAN.

L: You mention ALAN, which seems like a surrogate for where one might perhaps expect you to use the word “man” as in humanity, but I’m not sure what this term means to you. Could you tell me more about that? When you use uppercase like that for ALAN and VECTOR, are these notariqon, initialisms or acronyms, or simply calling attention to the terms? Some other creative terminology you use is in lowercase, so I’m curious what the difference and significance is for you with these expressions.

JJ: ALAN divided Itself for the sake of multiplicity. Our experience as distinct sentient beings is the experience of Externality from ALAN; we came from ALAN and to ALAN we shall return. It will not be the same as the ALAN that was; when we return to ALAN we contribute the essence of our experience with the Externality. And so ALAN is reconstituted, fragment by fragment.

L: Any last words for our readers?

JJ: I’ll let them speak for me.

L: Your last words or the readers?

JJ: Both.

Omnium Gatherum: March 19th, 2014

An irregular hodgepodge of links gathered together … Omnium Gatherum for March 19th, 2014

Thelema with Shane Gillen
Thelema with Shane Gillen [also], a magic show set in a secret location in central Dublin

 

  • Fujitsu ScanSnap SV600; from the distorted-world-view dept.

    “Equipped with ‘VI technology’ which combines a deep depth of field lens, CCD linear image sensor and high directivity LED lamp, SV600 is able to minimize unevenness in image quality and generate a smooth image even when scanning from a distance.”

    Fujitsu ScanSnap SV600

     

  • do-it yourself repro v-cradle for paper books — ereszet; from the v-for-victory dept.

    “Why a v-cradle and not a flat bed.
    For two reasons: First, you cannot spread the books flat and if you do, the quality of reproduced pages will be compromised. It is especially important if you plan to OCR the book. Second, you avoid light reflections. You need only one lamp with a diffuser just over the v-cradle (picture attached). Lighting is the most difficult part of reproduction. Over the years, I have tried various setups with my semi-professional Manfrotto repro stand and four lamps at 45 degree angle. It doesn’t come close to an overhead lamp and v-cradle. Avoid any other light in the room or take everything to your terrace and shoot at the sunlight with no artificial light.”

    ereszet DIY book cradle

     

  • Release 2.0 of the Standard Spiritualist and Occult Corpus (SSOC) Available” — Marc Demarest, Chasing Down Emma; from the knock-twice-for-yes dept.

    “The SSOC now clocks in at 2700+ titles: more than 1.3 million pages of indexed Spiritualist and occult non-fiction from the 1790s until 1940.

    Release 2.0 provides more than 500 new and updated titles, and marks the beginning of the re-indexing of the SSOC using a third-party embedded indexing engine superior to the Adobe Acrobat in-built OCR facility, for higher-fidelity searches.”

  • Ancient ‘Ritual Wand’ Etched with Human Faces Discovered in Syria” — Tia Ghose, livescience [Scarlet Imprint]; from the weirwood dept.

    “Archaeologists have unearthed an ancient staff carved with two realistic human faces in southern Syria.

    The roughly 9,000-year-old artifact was discovered near a graveyard where about 30 people were buried without their heads — which were found in a nearby living space.”

    Ancient ritual wand in Syria from Ibanez et al
    Photo: Ibanez et al, Antiquity, 2014

     

  • 800-year-old monk found poking out of cliff face” — Sarah Knapton, The Telegraph [via]; from the i-know-what-happened-to-jimmy-hoffa dept.

    “[Karl-James] Langford said a monastic community lived close to the area and the bones appeared to be from a man in his late 20s, in good health.

    ‘I would say they belong to a monk from the 1200s — due to previous archaeological digs in the past, the depth of the bones in the cliff and the history of the area.

    He would likely be buried with nothing except two shroud rings which would have held his burial shroud in place at the head and feet.'”

  • Nasir al-Mulk ‘Pink Mosque’ Of Iran Is Like Stepping Into A Kaleidoscope” — Yasmine Hafiz, The Huffington Post; from the whoa-that’s-a-full-rainbow-all-the-way dept.

    “From the outside, the Nasir al-Mulk Mosque in Shiraz, Iran, seems like a fairly traditional house of worship — but it’s hiding a gorgeously colorful secret.”

    Omid Jafarnezhad Nasir al-Mulk pink mosque
    Photo: Omid Jafarnezhad

     

  • Bagging a Witch in Ohio” — Chris, Woodyard, Haunted Ohio — [HT Richard Shepard]; from the so-logically-if-she-weighs-the-same-as-a-duck-she’s-made-of-wood dept.

    “Today’s post returns to a similar theme: Anti-witch remedies and witch-tests in early 19th-century Ohio. This story–half dire description of lunacy and half Monty Python sketch–comes from the village of Bethel in Clermont County.”

  • Siberian Police Stop Witch Burning” &mdash RIA Novosti, The Moscow Times [HT Judika Illes]; in the titus-andronicus dept.

    “In an unexpected incident worthy of the Spanish inquisition, a couple in eastern Siberia decided their acquaintance was a witch and attempted to burn her alive, though police stopped the impromptu auto-da-fe.

    The rescue came not a moment too soon, as the couple were at that moment forcing the alleged witch headfirst into a burning stove in an abandoned building, Zabaikalsky region police said Thursday.”

  • Wellcome MS373, f.87r — Sienna Lathan, via tweet; from the and-shoot-forth-venom dept.

    “Whosoeuer first in the morning drinketh garlicke and Cockes blood hee need not fear venome.”

  • Discordian Events List — Chasing Eris; what’s-up-chuck dept.

    “What Discordian events are near you?”

  • Embracing Questions” — Thomas Zwollo, Spiral Nature; from the soldier-and-the-hunchback dept.

    “Throughout his life, Crowley was asking himself questions, and he encouraged his students and readers to ask questions. This included questions about the things they read, the rituals they performed, the conditions of their magical work, and even to interrogate the entities they invoked. He embraced the method of science, and thus he embraced questions more than answers. I often challenge myself to remember this in my own work.”

  • What The Gnostic Pentagram Ritual Sounds Like” — The Blog of Baphomet [HT Spiral Nature]; from the and-sometimes-y dept.

    “Another group of occultists that we’re associated with had asked for some help with a demonstration of the vowel sounds (I, E, A, O, U) that Pete Carroll uses to build the various banishing rituals in his writing. As with many things in life it’s one thing to read a ritual text and another to see, hear and participate in it for oneself.”

  • Sock Magic” — Fire Lyte, Inciting A Riot [HT Sarah Anne Lawless]; from the sock-it-to-me dept.

    “Magical tools can be found in all sorts of strange places these days. From conversations about turning your potpourri warmer into a slow-burning witchy cauldron, to using your iPod as a divinatory device, people are getting witchy where they can these days. In bygone eras our witchy ancestry, so we’re led to believe, used what they had on handle — the broom, the cauldron, the sickle — because it’s what they had. Not because a broom is more magical or special than any other household object.

    And so, with all that very serious background, let’s make magic with socks!”

  • A Mystic, Magician and Theologian Talk to an Angel” — K Herschel, Star And System; from the july-like-a-dog dept.

    “The best way to get a feel for the Enochian entities is to look at Dee’s journals. What you see there are years of promises unkept. The angels promised power, the power that makes empires and tears down thrones. They also promised a complete system. They never delivered on any of it to Dee. After you have feasted on Dee’s disappointments, move on to Crowley’s The Vision and the Voice and the collected work of Benjamin Rowe. All else aside, what you will see is what Rowe realized very early on. The Enochian entities are very good at playing up to your expectations and saying precisely what you need to hear to keep you interested even when it’s not what you expect. This is a danger in magic in general, but the Enochian entities are masters of the genre.”

  • Null-A Mind Software” — seth, An American Mystagogue; from the possibly-maybe dept.

    “Two value logic (Ie, True or False) while a highly useful way of thinking manages to darken one’s view of possible alternate ways of thinking and perceiving the world around them. When we become habitually addicted to the categorization of all information as either Totally Existing or Totally Not-Existing we become sloppy, lazy thinkers who are prone to building a self-gratifying personal cosmology. When the two-value system is used in its right way it is simply a systematic approach to what I call ‘the cosmic binary’.”

  • Cultural production of ignorance provides rich field for study” — Michael Hiltzik, Los Angeles Times [HT Wythe Marschall]; from the i-read-it-on-the-internet dept.

    “Robert Proctor doesn’t think ignorance is bliss. He thinks that what you don’t know can hurt you. And that there’s more ignorance around than there used to be, and that its purveyors have gotten much better at filling our heads with nonsense.”

  • Rethinking Gnostic Intellectuals? Categories as Weapons and History as Construct” — Philip L Tite, Bulletin for the Study of Religion; from the interprefacts dept.

    “As a social historian, I still like to think that we can know something about past cultures. However, if I’ve learned anything from my method & theory exemplars over the years, it is to appreciate the value of stepping back and ‘studying the study of.’ Indeed, this theoretical standpoint is a subtext in nearly all my teaching and much of my scholarship. How the past is shaped, directed, juxtaposed, and selectively presented is perhaps far more insightful to the student in religious studies than the actual ‘facts’ (events, persons, things, etc) – even if those ‘facts’ are not in dispute per se.”

  • The Gnostics Were Intellectuals” — April DeConick, The Forbidden Gospels; from the path-less-traveled dept.

    “So I have been working upstream most of my career, swimming against a current that is much stronger than I am. I guess I like the challenge, or I wouldn’t keep doing it. I have spent a lot of time within the Nag Hammadi texts, reconstructing the worlds of the authors, which are not crazy once you learn their references and points of view. The Gnostics from antiquity were anything but crazy, inconsequential or irrational. But they were different. And difference often leads to misunderstanding.”

  • Uncovered in Jerusalem, 9 tiny unopened Dead Sea Scrolls” — Ilan Ben Zion, The Times of Israel [HT Disinformation]; from the right-under-your-nous dept.

    “An Israeli scholar turned up the previously unexamined parchments, which had escaped the notice of academics and archaeologists as they focused on their other extraordinary finds in the 1950s. Once opened, the minuscule phylactery parchments from Qumran, while unlikely to yield any shattering historic, linguistic or religious breakthroughs, could shed new light on the religious practices of Second Temple Judaism.”

  • The Warlock and Truth-Breaking” — K Herschel, Star and System [HT Storm Faerywolf]; from the curses-foiled-again dept.

    “We might find, as well, echoes of the Warlock and Truth-Breaker in Aleister Crowley’s concept of the curse of the Magus. The curse of the Magus is that she must always lie. Having achieved a level of transcendence beyond the dualistic structure of the phenomenal universe, all things are both truth and false for the Magus. As such, language itself is inadequate to capture the understanding (Binah) and wisdom (Chokmah) that the Magus has achieved and so all linguistic statements and teachings are a lie. We are clearly dealing here with a discussion of the nature of the Magus on the mystical register. The experience to which she is privy is beyond the grasp of word or image, as is the case with most mystical experience.”

  • The Secret Chiefs and Academia, Ep 1 of The Lost Word, hosted by Greg Kaminsky, with Tony Silvia, from Gnostic NYC; from the master-chief-mischief dept.

     

  • Neuroanatomical Correlates of Religiosity and Spirituality” — Lisa Miller, et al., JAMA Psychiatry; from the gonna-set-me-up-with-the-spirit-in-the-sky dept.

    “A thicker cortex associated with a high importance of religion or spirituality may confer resilience to the development of depressive illness in individuals at high familial risk for major depression, possibly by expanding a cortical reserve that counters to some extent the vulnerability that cortical thinning poses for developing familial depressive illness.”

  • Majid Fotuhi quoted at “Is Religion Good for Your Brain?” — Sheila M Eldred, Discovery News; from the hippo-on-campus-would-stress-me-out-too dept.

    “One of the worst killers of brain cells is stress […] Stress causes high levels of cortisol, and cortisol is toxic to the hippocampus. One way to reduce stress is through prayer. When you’re praying and in the zone you feel a peace of mind and tranquility.”

  • Death Grips, with videos featured on this blog on occassion, will be on tour with Nine Inch Nails and Soundgarden.

     

  • On the occult, books, and the senses” — Brigit Katz, Bibliopaths; from the medium-is-the-message dept.

    “Occult revivals that are bubbling up in Brooklyn and in other pockets across the country have ushered in something of a Golden Age for small-press, metaphysical publishing houses. ‘That’s sort of the new wave of occult books: a re-evaluation of occult book as tome, and as talisman.’ [Phillip] English tells me. ‘Occultists or magicians, they tend to be collectors … They can appreciate the sort of art and magic that went into the work itself.’ Which isn’t to say that all members of the occult community buy into the idea of book-as-talisman. Phil Hine, a British occultist who has written several books on a practice called Chaos Magic, is among the witches and magicians who have questioned the value of ornately bound hard covers to magical rites. ‘Generally, I buy books because of the content,’ he writes on his blog. ‘Presentation is a secondary consideration.'”

  • Book Review: ‘Plato at the Googleplex’ by Rebecca Newberger Goldstein” — Colin McGinn, The Wall Street Journal; from the drown-me-in-the-shallow-water dept.

    “Rebecca Goldstein has written a timely book about our own age by taking us back to an earlier age—that of the ancient Greeks. She wants to know what the works of Plato can teach us about the life worth living, about politics, child rearing, love and sex, about knowledge and reality, brain and mind, truth, goodness, and beauty. Ms. Goldstein’s book is felicitously written, impressively researched, insightful, important, entertaining and glowing with intelligence. Plato is brought marvelously to life, and, as a welcome corollary, philosophy is vindicated against what Ms. Goldstein aptly labels the ‘philosophy-jeerers’—those who rashly claim that philosophy has no intellectual substance or future in this scientific era.”

  • ‘Son Of God’ Veers Toward Gnostic Heresy” — Joel Gehrke, The Federalist; from the heresy-gone-tomorrow dept.

    Son of God gives oxygen to a claim that early church leaders denounced as historically and theologically false because it contradicts the earliest accounts of Jesus’ life. The movie’s portrayal of Jesus’ Last Supper with the disciples creates the impression that Jesus ordered Judas to betray him.

    They aren’t the first to do that. An ancient Gnostic sect known as the Cainites honored traditional villains such as Cain and Judas, praising the latter as the closest confidant of Jesus, according to the second-century church father Irenaeus of Lyons.”

  • Nasa-funded study: industrial civilisation headed for ‘irreversible collapse’?” — Nafeez Ahmed, The Guardian’s Earth Insight; from the IDM dept.

    “A new study sponsored by Nasa’s Goddard Space Flight Center has highlighted the prospect that global industrial civilisation could collapse in coming decades due to unsustainable resource exploitation and increasingly unequal wealth distribution.

    Noting that warnings of ‘collapse’ are often seen to be fringe or controversial, the study attempts to make sense of compelling historical data showing that ‘the process of rise-and-collapse is actually a recurrent cycle found throughout history.’ Cases of severe civilisational disruption due to ‘precipitous collapse — often lasting centuries — have been quite common.'”

  • Detection of primordial gravitational waves announced” — Matthew Francis, Ars Technica; from the bang-bang-that-awful-sound dept.

    “When the Harvard-Smithsonian Center for Astrophysics announced a press conference for a “Major Discovery” (capital letters in the original e-mail) involving an unspecified experiment, rumors began to fly immediately. By Friday afternoon, the rumors had coalesced around one particular observatory: the BICEP microwave telescope located at the South Pole. Over the weekend, the chatter focused on a specific issue: polarization in the Cosmic Microwave Background left over from the Big Bang. With the start of the press conference, it’s now clear that we’ve detected the first direct evidence of the inflationary phase of the Big Bang, in which the Universe expanded rapidly in size.”

  • Space Ripples Reveal Big Bang’s Smoking Gun” — Dennis Overbye, The New York Times; from the bang-bang-my-baby-shot-me-down dept.

    “One night late in 1979, an itinerant young physicist named Alan Guth, with a new son and a year’s appointment at Stanford, stayed up late with his notebook and equations, venturing far beyond the world of known physics.

    He was trying to understand why there was no trace of some exotic particles that should have been created in the Big Bang. Instead he discovered what might have made the universe bang to begin with.”

  • The Remnants of Prehistoric Plant Pollen Reveal that Humans Shaped Forests 11,000 Years Ago” — Josie Garthwaite, Smithsonian Magazine; from the ancient-anthropocene dept.

    “A new study of pollen samples extracted from tropical forests in southeast Asia suggests humans have shaped these landscapes for thousands of years. Although scientists previously believed the forests were virtually untouched by people, researchers are now pointing to signs of imported seeds, plants cultivated for food, and land clearing as early as 11,000 years ago—around the end of the last Ice Age.

    The study, to be published in the peer-reviewed Journal of Archaeological Science comes from researchers led by paleoecologist Chris Hunt, of Queen’s University, Belfast, who analyzed existing data and examined samples from Borneo, Sumatra, Java, Thailand and Vietnam.”

  • The Famished Road by Ben Okri [HT Literary Interest]; from the bring-me-a-dream dept.

    “We can redream this world and make the dream come real. Human beings are gods hidden from themselves.”

  • Hodges’ Constellation cards” — The World of Playing Cards; from the he-saw-stars-in-his-eyes dept.

    “The Ram, the Bull, the Heavenly Twins,
    And next the Crab, the Lion shines —
    The Virgin and the Scales,
    The Scorpion, Archer, and the Goat,
    The Man that Bears the Watering Pot,
    And Fish with glittering tails.”

    Charles Hodges Constellation cards at World of Playing Cards

     

  • Masonic Playing Cards” — The World of Playing Cards; from the know-when-to-hold-em dept.

    “This attractive pack commemorating the history of freemasonry has the Kings as masters of the lodge, the Queens and Jacks are other masonic officers while the Jokers are two operative masons. The deck contains two interpretation cards explaining the meaning of the Masonic symbolism.”

    Masonic Playing Cards at World of Playing Cards

     

  • Hermetic Library anthology artist Doleful Lions has a new release, Annotated Gilgamesh b/w Tearstreaked Monster.

     

  • Child’s illustrated garden of Satanic ritual abuse” — Cory Doctorow, Boing Boing; from the is-that-a-euphemism-in-your-pocket dept.

    “I want to go home. I already HAD the ‘magic surgery.’ They put a monster in me.”

    Child's illustrated garden of Satanic ritual abuse via Boing Boing

     

  • Ancient Egyptian Kitten Skeletons Hint at Cat Domestication” [HT Boing Boing]; from the curious-what’s-in-that-bag dept.

    “The skeletons of six cats, including four kittens, found in an Egyptian cemetery may push back the date of cat domestication in Egypt by nearly 2,000 years.