Tag Archives: occult

Odd Jobs: so called not because they were varied or petty but because they could only be collectively described as odd; Missions into a world of mysticism, the occult and sometimes even the horrific and nightmarish. A world beyond a war, beyond man and his understanding.

Nikolai Bird, Cthulhu – Something in the Mud

Hermetic quote Bird Cthulhu jobs

Truly occult and Theosophical books ought to be prayers and poems; calculated to lift the heart and the mind of the reader up to the highest regions of thought, and aiding him to descend into the innermost sanctuary of his own being

Franz Hartmann, In The Pronaos of The Temple of Wisdom

Surrealism and the Occult

Surrealism and the Occult: Occultism and Western Esotericism in the Work and Movement of André Breton by Tessel M Bauduin, due in December from Amsterdam University Press, may be of interest.

Tessel M Bauduin Surrealism and the Occult from Amsterdam University Press

“This book offers a new perspective on a long-debated issue: the role of the occult in surrealism, in particular under the leadership of French writer André Breton. Based on thorough source analysis, this study details how our understanding of occultism and esotericism, as well as of their function in Bretonian surrealism, changed significantly over time from the early 1920s to the late 1950s.”

Omnium Gatherum: June 18th, 2014

An irregular hodgepodge of links gathered together … Omnium Gatherum for June 18th, 2014

Moon, clouds, smoke, skeleton hunt in the air from Restoring the Lost Sense: Jun 12, 2014, Craig Conley, Abecedarian
“Moon, clouds, smoke, skeleton hunt in the air” from Restoring the Lost Sense: Jun 12, 2014 — Craig Conley, Abecedarian

 

  • The Beast is Back — Erik Davis and Maja D’aoust interview Gary Lachman, Expanding Mind

    “Thelemic visions, magickal texts, and the tedium of transgression: a talk with occult historian Gary Lachman about his new biography Aleister Crowley: Magick, Rock and Roll, and the Wickedest Man in the World (Tarcher).”

  • Theosophical Attitudes towards Science: Past and Present — Egil Asprem

    As is typical for esoteric movements of the modern period, the Theosophical current exhibits a deep ambivalence towards the professionalized natural sciences. Active in the middle of the so-called “clash” between science and religion in the latter half of the 19th century, Blavatsky and the early Theosophists sought a critical reconciliation, guided by the quest for esoteric “higher truth.” The negotiation with science and religion was clearly present from Blavatsky’s first major work, Isis Unveiled (1877), which dedicated one volume to a criticism of each, and has continued to twist and turn in various directions until the present day.

    “Science” is, in short, a centrally important yet ambiguous “Other” for the entire Theosophical current.

  • Opting Out of the System — Inominandum, Strategic Sorcery

    The “system” is a house of cards that is perpetrated by force and fraud. I think that taking a stand against that in terms of magic and lifestyle is a worthy thing. But just like I say to people that reject materialism as anathema to spirituality: You must really live that view for it to have meaning.

    It is not a matter of your values and your magic being in line. It is a matter of making your life be about something.

  • Where the Occult & Pagan Community Lost the Plot — Nick Farrell

    The occult community is doomed to be hijacked by right-wing nut-jobs and other idiots because it has become paralysed by its own desire to be “spiritual.”

  • Theater as Plague: Radovan Ivšić and the Theater of the Weird — Jon Graham, Weird Fiction Review

    Like its counterpart in fiction, the theater of the weird exists on the margins of mainstream culture, where its deadly accuracy when targeting the shibboleths of the cultural consensus can be safely muffled before its subversive potency does any visible damage.

    For Ivšić, theatrical space offers the ideal spot for opening that space within the spectator that allows experience of individual singularity not as a rupture, but as a vitally essential difference that makes it possible for the world to breathe. He saw the play as the result of a dark conspiracy between the world and the individual, who intentionally withdraws from this relationship in order to return by means of the Trojan horse of fiction.

  • D&D Yoga — swi in collaboration with Sarah Dahnke and Eric Hagan [HT Erik Davis]

    D&D Yoga can be played in many ways. The varying flavors range from that of a guided narrative while people do yoga to a far more interactive experience where players are in conversation and play a more active role in the campaign. For the first trial, we thought it would be wise to veer closer to the guided narrative side of things. Players still made decisions and rolled dice to dictate a few directions that the story took but generally we wanted to see how the experiment would play out and then build from there. As we proceed into future events we are building more interactivity into the game.

  • Appeals Court Finds Scanning To Be Fair Use — NewYorkCountryLawyer, Slashdot

    scanning whole books and making them searchable for research use is a fair use

    the creation of a searchable, full text database is a ‘quintessentially transformative use’, that it was ‘reasonably necessary’ to make use of the entire works, that maintaining four copies of the database was reasonably necessary as well, and that the research library did not impair the market for the originals.

  • «Dracula è sepolto a Napoli, ecco dov’è la tomba» — Paolo Barbuto, Il Gazzettino

    «Il conte Dracula è morto a Napoli, è stato sepolto nel cuore della città ed è ancora qui»: c’è un gruppo di persone che da settimane percorre strade e vicoli a caccia del segreto.

    E non sono ragazzini sognatori, fanatici, esaltati, ma serissimi studiosi dell’università di Tallinn in Estonia. Sono convinti di ciò che fanno, sostengono di avere già in mano i documenti che provano la verità, così hanno avviato una campagna di ricerche sul territorio.

    “Count Dracula died in Naples, was buried in the heart of the city and is still here”: there is a group of people who for weeks along the streets and alleys in search of the secret.

    And kids are not dreamers, fanatics, exalted, but very serious scholars of the University of Tallinn in Estonia. They believe in what they do, they claim to have already got the documents to prove the truth, so they launched a campaign of research in the area.

  • From Algernon Charles Swinburne’s Songs Before Sunrise at “Save His Own Soul He Hath No Star” — Michael Gilleland, Laudator Temporis Acti

    His soul is even with the sun
    Whose spirit and whose eye are one,
    Who seeks not stars by day, nor light
    And heavy heat of day by night.
    Him can no God cast down, whom none
    Can lift in hope beyond the height
    Of fate and nature and things done
    By the calm rule of might and right
    That bids men be and bear and do,
    And die beneath blind skies or blue.

  • Two giant planets may cruise unseen beyond Pluto” — Nicola Jenner, NewScientist; from the where-is-your-astrology-now dept.

    The monsters are multiplying. Just months after astronomers announced hints of a giant “Planet X” lurking beyond Pluto, a team in Spain says there may actually be two supersized planets hiding in the outer reaches of our solar system.

    When potential dwarf planet 2012 VP113 was discovered in March, it joined a handful of unusual rocky objects known to reside beyond the orbit of Pluto. These small objects have curiously aligned orbits, which hints that an unseen planet even further out is influencing their behaviour. Scientists calculated that this world would be about 10 times the mass of Earth and would orbit at roughly 250 times Earth’s distance from the sun.

    Now Carlos and Raul de la Fuente Marcos at the Complutense University of Madrid in Spain have taken another look at these distant bodies. As well as confirming their bizarre orbital alignment, the pair found additional puzzling patterns. Small groups of the objects have very similar orbital paths. Because they are not massive enough to be tugging on each other, the researchers think the objects are being “shepherded” by a larger object in a pattern known as orbital resonance.

  • ‘A Funny Kind Of Relationship’ Alan Moore On Iain Sinclair — Nick Talbot, The Quietus

    Whilst not quite a household name, instead occupying a liminal status maintained by a principled refusal to be involved in any Hollywood adaptations of his work, Moore is widely regarded as the finest writer in the medium, and it is difficult to imagine how the comic book landscape would look without the enduring influence of his exceptional work. But it is equally difficult to imagine how From Hell (1989), his first major work beyond the costumed vigilantes and superheroes genre, and also his Magnum Opus, would have looked had he not discovered the work of Iain Sinclair. A quintessential writer’s writer, Sinclair is a Hendrix-cum-Kevin Shields of the English language, mixing scholarly historical research, formal training and technical linguistic virtuosity with a wildly impressionistic, stream-of-consciousness prose-poetry delivery that is dazzling, dizzying, and for those with literary pretensions, frankly dispiriting in its apparently effortless genius. Sinclair’s subject is predominantly London, most often East London, and the relationship between its history, its continually shifting cityscape and the psyche of those who inhabit it. Sharing similar concerns, themes and stylistic flourishes with Peter Ackroyd, both with works appearing in the eighties and nineties, this uniquely East London-focused micro-genre came to be dubbed ‘psychogeography’. Soon complemented by Will Self and others, the movement could be interpreted as a response to the corporatist regeneration of London’s East End by the Thatcherite Conservative government in the 1980s. The spatial and historical density of London allows for an unusually potent and apparently limitless store of inspiration, but what marks out Sinclair in particular is his ability to see patterns, sigils and correspondences where perhaps the rest of us see dog shit, broken fencing and inane graffiti.

  • Eating Flower Spirits” — Sarah Anne Lawless

    Summer flowers are brought inside, painted the colours of sarees and gypsy vardos, and fill tea pots and canning jars. Nighshade, poppies, red clover, comfrey, daisies, sage flowers, and foxgloves. Some from the yard, some escaped from gardens into the neglected back alleys of the old neighbourhood. I know that by taking them home I am consuming them, making their already short lives even shorter, but I try my best to ask sweetly for their blessings before I snip off their heads and bring them home. I try my best to let them know why and what will be done with their beautiful sacrifice – their souls burned up like incense to be eaten by my own beloved spirits – eaters of flowers.

  • What Athens Has Got To Do With Jerusalem: The Marriage of Greek and Jewish Themes in the Apocryphon of John” — Dan Attrell

    This paper presents a summary overview of how the Apocryphon of John, an apocalyptic work drawn from the Nag Hammadi Library, is explicitly the product of an syncretism between Greek language/philosophy and Jewish mythology/mysticism in the 1st century CE.

  • Coincidentia Oppositorum: Exploring the Dialogue in the Recent Historical Literature of Medieval and Early Modern European Alchemy — Dan Attrell

    The study of alchemy has posed a number of complications for historians. Among historians of science who wrote as late as the mid-20th century, alchemy was perceived to be a mystical philosophy, an obstacle to the progress of „rational‟ chemistry, and even a pathology of the mind. This rather out-dated tendency toward knee-jerk dismissals has, however, been recently curtailed as the wider community of medievalists and early modern historians began to understand alchemy on its own terms, having placed it firmly within in the context of an ‘alchemical worldview.’ The recent dialogue among historians concerning alchemy in Europe has chiefly been directed toward (a) understanding of what ‘alchemy’ actually meant to the people who lived amongst it or practiced it themselves; (b) determining to what extent alchemy was interrelated with the religious consciousness of its practitioners; and most noticeably (c) reconciling or collapsing a number of exaggerated, artificial, and misleading dichotomies within our modern perceptions of medieval and early modern alchemy. Was European alchemy a ‘theoretical’ or a ‘practical’ art? Was it a ‘spiritual’ or a ‘material’ pursuit? Was it a ‘medicinal’ or a ‘metallurgical’ practice? How and when was ‘alchemy’ differentiated from ‘chemistry’? Were they ‘on the fringes’ of learned society, or were they at the cutting edge of knowledge as defined by traditional institutions? Were alchemists outright ‘frauds’ (Betrüger) or misguided ‘fools’?

    These are all questions which a handful of historians have recently tackled and shown to be somewhat misguided. Such dichotomies arose from the dialogue of recent centuries wherein scholars and theorists from various disciplines began exploring and reconceptualising alchemy and its history; each angle, each discipline, each perspective offered some rather rigid model for understanding alchemy, and many of these models crystallized into opposing camps. Alchemy, however, was never a static or monolithic pursuit and thus eludes any attempt to give such simple definitions. In response to this problem, it is this paper’s goal to flesh out the most recent scholarly dialogue – to outline and synthesize the most pertinent points made in the recent historical literature concerning alchemy. What I hope to show is how the most recent historical research tells us that ‘alchemy’ meant many different things to many different people at many different junctures in history, even among the relatively isolated practitioners of Europe. With no source of official authority such as the Church or the University to govern alchemy as a branch of knowledge, the art was free to take on and accumulate a number of its practitioners’ idiosyncrasies. Free as it was, as a model to explore and communicate features of the known universe, European alchemy was a rich and dynamic practice which contained within itself all of the artificial polarities mentioned above.

  • Rewilding Witchcraft — Peter Grey, Scarlet Imprint

    We have mistaken social and economic change for the result of our own advocacy. Marching in lock-step with what used to be called mainstream, but is now mono-culture, we have disenchanted ourselves, handed over our teeth and claws and bristling luxuriant furs. I will not be part of this process, because to do so is to be complicit with the very forces that are destroying all life on earth. It is time for Witchcraft not to choose, but to remember which side it is on in this struggle.

  • London’s calling: the city as character in urban fantasy” — Ian ‘Cat’ Vincent, Spiral Nature

    Each of these series draws on what I would say are the main characteristics of London’s soul. It’s old – continually inhabited since before Roman times; it’s powerful — but nowhere near as much as its past as the heart of an empire; it’s stubborn — enduring centuries of hardship and prosperity, adapting to huge changes in population and traumas ranging from plague to fire to Nazi bombs to the very modern stresses of wealth inequality. London changes — it has to — but there’s some core of its personality that always remains.

    Of course, London as a whole is the sum of its parts, none of which are quite alike — the genius loci of Camden differs greatly from those of Catford and Chelsea. But each also touch the greater gestalt of the place. Inevitably, the best way to grasp the specific psychogeography of a place is to walk its streets.

  • Weekly Apocryphote: June 8-14 — April D DeConick, Forbidden Gospels

    You have not come to suffer. Rather you have come to escape from what binds you. Release yourself, and what has bound you will be undone. Save yourself, so that what is (in you) may be saved … Why are you hesitating?

 

If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.

Odd Scraps of Magical Wisdom at San Diego State through Aug 25th, 2014

Odd Scraps of Magical Wisdom exhibit from the Special Collections and University Archives Reading Room, Library and Information Access, San Diego State University runs through Aug 25th, 2014.

Odd Scraps of Magical Wisdom at San Diego State 2014

“The word occult describes a broad variety of ideas, beliefs, and practices. For some, the term has an entirely negative connotation, referring to black magic, devil worship and other such scary stuff. And some simply laugh at anything occult-related. But for many others, the term is applied liberally to a host of familiar interests, including astrology, Spiritualism, divination, magic, Tarot, alchemy, extra-sensory perception or ESP, and many types of ‘pseudoscience’ including palmistry, phrenology and numerology. The unifying theme along the way remains stepping outside of the mortal coil to explore the mysterious side of the universe.

However which way you define occult, it is true that a dichotomy of opposing practices may be found throughout the Western Esoteric Tradition, one tending toward the benevolent and the other, toward the malicious. Referred to as the Right-Hand and Left-Hand Paths, these opposing practices involve, in simpler terms, the use of white and black magic. Students of the Western Esoteric Tradition are as diverse as students of any other discipline, so resulting views vary wildly. A surprising number of organized religions also feature occult elements, including Neo-paganism, Wicca, Vodun (voodoo), Santería, Qabalah, and New Age – as well as some schools of Hinduism, Buddhism, Islam and Christianity, in fact.

In 2005, Hugh C. Hyde, known for his continued support of SDSU’s Living Writers series, made a generous donation of books belonging to his father, Lawrence Kaye Hyde. The collection, referred to by Kaye as his “occult library,” features over 2,000 titles on esoteric topics including the great majority of titles in this exhibit. Special Collections invites you to explore the secret teachings and many mysteries of the universe through the eyes of scholars, philosophers, mystics, whack jobs, and maniacs. We suspect you may be surprised to find occult roots in something very ordinary and familiar to you.”

Odd Scraps of Magical Wisdom at San Diego State 2014 witchcraft

Omnium Gatherum: June 11th, 2014

An irregular hodgepodge of links gathered together … Omnium Gatherum for June 11th, 2014

Mihai Mihu Dante's Inferno Lust
Mihai Mihu’s LEGO diorama for “Lust” from Dante's Inferno

 

  • The Householder’s Guide to Form and Deed” — Scott David Finch (author of A Little World Made Cunningly), Spiral Nature

    “After putting myself in too many people’s shoes, and seeing the world through everyone else’s eyes for too long, I start to become a warped and weary alien to myself. I no longer recognize my own face and I need to recharge. This is when I head to my studio to sit.”

  • How to Become a Living Douche! The Impressively Embarrassing Occultism of EA Koetting” — Thad McKraken, disinformation

    “I have to confess that what I’ve found mindblowing about exploring the Occult is that the church has slandered it as being daemon worship, and because of that, a group of gothed out weirdoes have decided that they love the idea worshipping Satan. Even though the Occult doesn’t actually involve that (it’s about mastering your daemons and making contact with your Holy Guardian Angel), they’re just going to make it about that anyway because they’re just…so…hard.”

  • Dreamscripts in the Waking World” — William Kiesel, The Brooklyn Rail

    “One of the signs which has become a trademark of being in a dream is the inability to read the written word or at other times to decipher numbers on a clock face or elsewhere. Such figures most often appear to blur before the eyes. There are times when the oneiric traveller is blest with clarity of vision wherein the characters in the given instance are crystal clear, but such instances are typically rare. It is significant that there is a crossover between the experience of legible and illegible scripts in both the waking and dream worlds.”

    “With the use of oneiric praxis, sigils of the wake world can be brought to the dreamscape, as well as drawing the dream texts upon the waking consciousness. No doubt the viewing of sigillic devices could produce the atmosphere of the dream in the waking consciousness of one unaccustomed to seeing such scripts.”

  • Caveat Lecter” — Houghton Library Blog [HT Harvard Library]

    “Good news for fans of anthropodermic bibliopegy, bibliomaniacs and cannibals alike: tests have revealed that Houghton Library’s copy of Arsène Houssaye’s Des destinées de l’ame [The destiny of the soul] (FC8.H8177.879dc) is without a doubt bound in human skin.”

  • Earth’s backup: Sending religious texts to the moon” — Paul Marks, NewScientist

    “The first artefacts to shoot for the moon could be three religious and philosophical texts. The Torah on the Moon project, based in Tel Aviv, Israel, has been courting private firms to deliver a handwritten Jewish scroll, the Sefer Torah, to the lunar surface. If they succeed, later flights will carry Hindu scriptures called the Vedas and the ancient Chinese philosophical work, the I-Ching.

    Each document will be housed in a space-ready capsule designed to protect it from harsh radiation and temperature changes on the moon for at least 10,000 years.”

  • The Samuelson Clinic releases “Is it in the Public Domain?” handbook” – UC Berkeley School of Law [HT Boing Boing]

    “These educational tools help users to evaluate the copyright status of a work created in the United States between January 1, 1923 and December 31, 1977—those works that were created before today’s 1976 Copyright Act. Many important works—from archival materials to family photos and movies—were created during this time, and it can be difficult to tell whether they are still under copyright.”

  • Handbook to figure out what’s in the public domain” — Cory Doctorow, Boing Boing

    “This is probably the most esoteric question that normal people from all walks of life have to answer routinely; the Samuelson Clinic has really done an important public service here.”

  • Book of Soyga or Aldaraia sive Soyga vocor [PDF], edited and translated by Jane Kupin, Twilit Grotto [HT Joseph H Peterson]

    “Here begins the book Aldaraia in accordance with that which our authorities proclaimed to us; they were from God and from the celestial parts and it was revealed to them in the desert about celestial matters.”

  • The Self-Sacrifice of Our Own Individuality” — Michael Gilleland, Laudator Temporis Acti

    “We perform our task correctly only when we don’t force our own mind into every ancient book that falls into our hands; but rather read out of it what is already there.”

  • The Anagogic Role of Sunthemata in the Sacramental Liturgy of Pseudo-Dionysius” — Jeffrey S Kupperman

    “The Neoplatonic writings of the 6th century writer known as pseudo-Dionysius the Areopagite have influenced, and continue to influence, Christian theologians and esotericists, amongst others, to this day. Typically, a handful of Dionysius’ topics are discussed: his angelology, his sacramental theology, and his treatment of the divine names are on the top of the list. This paper treats one of these subjects, Dionysian sacraments”

  • Occultic and Masonic Influence in Early Mormonism” — Joel B Groat, Institute for Religious Research

    “The evidence of Joseph Smith’s close connection to occultism and Freemasonry, and how this influenced the origin and development of the LDS Church is not well known outside of scholarly circles. This article summarizes the evidence for Joseph’s personal involvement in both Freemasonry and occultism, and their influence on the Mormon religion.”

  • Christopher Lee makes heavy metal Don Quixote” — BBC News

    “Actor Sir Christopher Lee is marking his 92nd birthday by releasing an album of heavy metal cover versions.

    Two of the songs come from the Don Quixote musical Man of La Mancha, which was a Broadway smash in the 1960s.

    ‘As far as I am concerned, Don Quixote is the most metal fictional character that I know, the Hobbit star said.

    ‘Single handed, he is trying to change the world, regardless of any personal consequences. It is a wonderful character to sing.'”

  • Of course Thelema is satanic” — Thomas Zwollo, Spiral Nature

    “Thelema rejects all these notions that enslave humanity to a deity that would demand certain beliefs and actions and punish those who disobey. Satan represents the rejection of this belief system and the exultation of the individual. Is Satan central to Thelema? No. Is Satan mentioned in Thelema? Yes, frequently.”

  • On the ‘itch’ within the Witch” — Nicholaj de Mattos Frisvold, The Starry Cave

    “I believe Traditional Witchcraft is a poetic reality humming the nocturnal mysteries of Night. I believe the Witch is concerned with Solace and comfort, the same solace we find resting in the Night. I believe the Witch is a creature tied to the land whose heart is a crossroad where the fire of Need gushes forth from the fountain of the soul like a veiled spring of fiery droplets of gold and silver.”

  • The Rosicrucian Vision” — Christopher McIntosh, New Dawn Magazine

    “The word ‘Rosicrucian’ is one that most readers will have heard many times. Yet if I were to ask for a definition of the word I would probably be given a wide variety of different answers. I might be told that it was something to do with esoteric Christianity, with alchemy, or with Cabala. All of these things are part of the answer, but not the whole answer.

    So what is Rosicrucianism? For the time being let us call it a current of thought and ideas which has been flowing through history for at least three and a half centuries and probably quite a bit longer, sometimes underground, sometimes coming to the surface, but always pushing human beings towards certain goals. I say that we can trace the current back three and a half centuries because that was when it first came to the surface. So let us go back to that moment in history.”

  • Pagan God From Bronze Age Caught By Unsuspecting Fisherman In Siberia” — Yasmine Hafiz, The Huffington Post; from the it-has-the-innsmouth-look dept

    “Nikolay Tarasov was fishing in a river near his home in Tisul, in the Kemerovo region of Siberia, when he caught something unexpected—and very old.”

    “Museum curators dated the figure to over 4,000 years old. Carved in horn which was later fossilized, the Bronze Age figurine shows a pagan god.”

    Pagan God from the Bronze Age caught by fisherman in Siberia

     

  • Circumambulating the Alchemical Mysterium” — Aaron Cheak, Reality Sandwich; an excerpt from Alchemical Traditions: From Antiquity to the Avant-Garde

    “Alchemy may be described, in the words of Baudelaire, as a process of ‘distilling the eternal from the transient’. As the art of transmutation par excellence, the classical applications of alchemy have always been twofold: chrysopoeia and apotheosis (gold-making and god-making)—the perfection of metals and mortals. In seeking to turn ‘poison into wine’, alchemy, like tantra, engages material existence—often at its most dissolute or corruptible—in order to transform it into a vehicle of liberation. Like theurgy, it seeks not only personal liberation—the redemption of the soul from the cycles of generation and corruption—but also the liberation (or perfection) of nature herself through participation in the cosmic demiurgy. In its highest sense, therefore, alchemy conforms to what Lurianic kabbalists would call tikkun, the restoration of the world.”

  • Plaidoyer for historical-critical Steiner research. Using the methodological example of Rudolf Steiner as a possible character in the Mysteriendramen.” — David W Wood

    “A main thesis of this paper is that one of the ways for Rudolf Steiner research to become more scientific is to proceed in accordance with a genuine historical and critical methodology. It attempts to show that even though some of Steiner’s chief critics support this method in theory, they often fall short of a historical-critical approach in practice. Using the example of the unresolved problem of whether Steiner could be a character in his own Mysteriendramen, the author provides a number of methodological, historical and biographical indications for approaching this problem. He tries to demonstrate the fruitfulness of this method by addressing the question of Steiner as a drama character from the new perspective of literary pseudonyms. In conclusion, he maintains that a scholarly historical-critical approach to spiritual science was advocated by Steiner himself.”

  • What Happens to the Brain During Spiritual Experiences? The field of neurotheology uses science to try to understand religion, and vice versa.” — Lynne Blumberg, The Atlantic

    “Since everyday and spiritual concerns are variations of the same thinking processes, [Andrew] Newberg thinks it’s essential to examine how people experience spirituality in order to fully understand how their brains work. Looking at the bigger questions has already provided practical applications for improving mental and physical health.”

  • Intolerance and Fanaticism” — Michael Gilleland, Laudator Temporis Acti

    “Men find it very hard to apply a little criticism to the sources of their beliefs and the origin of their faith. It is just as well; if we looked too close into first principles, we should never believe at all.”

  • Paradise Found: The ideal(ized) vision of Paul Gauguin.” — Daniel Goodman, The Weekly Standard [HT Arts & Letters Daily]

    “Gauguin’s art depicts Tahitians as they are sleeping, worshipping, and engaging in other quotidian activities. But whereas Cheever, Chekhov, Roth, John Updike, and other literary artists used their keen perceptive abilities in the pursuit of sober realism, Gauguin put his artistry to the purpose of imaginative proto-surrealism.

    Gauguin, who rejected European cultural and religious constraints, thought of himself as a savage in the eyes of the civilized world. Oviri (1894, his personal favorite amongst all his sculptures) and many of his other works were regarded as radical for a variety of reasons, not least because they subverted traditional, conventional ideas of feminine beauty.”

  • We need to talk about misogyny and sexism” — Psyche, Spiral Nature

    “Equality. That’s the secret agenda, folks. Feminism isn’t about women first, it’s about women too.”

  • Congo: A Group of Chimpanzees Seem to Have Mastered Fire” — World News Daily Report; from the fake-news-but-wouldn’t-it-be-wild-if dept.

    “It is however, the first time that a group of these primates develops some technical concepts as elaborate as these on their own. A few individual apes seem to have originally developed a rudimentary technique of rather poor efficiency, but the group gradually improved it through experimentation and observation over the last few months. They are now able to create and maintain a fire, which they have been using mostly to scare off predators and cook some of their food.”

  • On the Seventh Day, We Unplug: How and Why to Take a Tech Sabbath” — Brett & Katie McKay, The Art of Manliness

    “Taking a weekly Tech Sabbath allows us to step off this wheel of endless sameness. It’s a ritual that pushes us out of the norm, to pursue different activities, and use different parts of our brains. In so doing, it refreshes and rejuvenates our minds and spirit. It provides the motivation to unhook our wired craniums from the matrix of cyberspace and explore the pleasures of the real world.”

  • Kircher & Schott’s Computer Music of the Baroque” — Phil Legard, Larkfall

    “Here is a piece of music, which was composed with a sort of 17th century computer called the Organum Mathematicum, devised by Athanasius Kircher and fully described by his pupil and assistant Gaspar Schott”

     

  • Mihai’s Inferno: The 9 circles of Hell made in Lego” — The Brothers Brick [See also Boing Boing, MOCPages]

    “Mihai Mihu completed a series of creations depicting the 9 circles of Hell. While staying true to the theme of poetic justice served to the sinners, Mihai portrays the punishments through his own interpretations. The recurring architectural elements and portrayal of the sinners tie the scenes together in a way that’s easy for the viewer to transition through. In this short interview, the builder talks about his project and the individual circles of Hell.”

    Mihai Mihu Dante's Inferno

     

  • Techne: The State of the Art” — Damien Wolven [HT Joshua Madara]

    “If we really think that whatever kind of mind we generate from these efforts is going to be anything like us, then we’re probably in for a big surprise. We have to be prepared for—as opposed to scared about—the possibility that any machine intelligence will have vastly different concerns from us. “Occult Wisdom” means knowledge hidden from those who don’t know how to look for it and, without an understanding of how these new minds will experience our world, humanity will never know everything we might.

    As I’ve explored these ideas, over the years, I’ve found that the most valuable approaches have often come from the intersections that others might overlook. The intersection that’s been most useful to me is at the center of weird science, philosophy, religious studies, pop-culture, and magic. I’ve written articles, taught classes, and organized conferences arguing that “The Magical” is one of the most useful-but-underused tools we have for rethinking and understanding these ideas.”

  • The Flaw Lurking In Every Deep Neural Net” — mikejuk, Slashdot

    “If a deep neural network is biologically inspired we can ask the question, does the same result apply to biological networks? Put more bluntly, ‘Does the human brain have similar built-in errors?’ If it doesn’t, how is it so different from the neural networks that are trying to mimic it?”

  • We Aren’t the World” — Ethan Waters, Pacific Standard [HT Eleanor Saitta]

    “The potential implications of the unexpected results were quickly apparent to Henrich. He knew that a vast amount of scholarly literature in the social sciences—particularly in economics and psychology—relied on the ultimatum game and similar experiments. At the heart of most of that research was the implicit assumption that the results revealed evolved psychological traits common to all humans, never mind that the test subjects were nearly always from the industrialized West. Henrich realized that if the Machiguenga results stood up, and if similar differences could be measured across other populations, this assumption of universality would have to be challenged.

    Henrich had thought he would be adding a small branch to an established tree of knowledge. It turned out he was sawing at the very trunk. He began to wonder: What other certainties about “human nature” in social science research would need to be reconsidered when tested across diverse populations?”

 

If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.

Ancient Egyptian Magic

Ancient Egyptian Magic: Spells, Incantations, Potions, Stories, and Rituals by Bob Brier, is part of the collection at the Reading Room.

Bob Brier Ancient Egyptian Magic from Quill

Ancient Egyptian Magic is the first authoritative modern work on the occult practices that pervaded all aspects of life in ancient Egypt. Based on fascinating archaeological discoveries, it includes everything from how to write your name in hieroglyphs to the proper way to bury a king, as well as:

· Tools and training of magicians
· Interpreting dreams
· Ancient remedies for headaches, cataracts, and indigestion
· Wrapping a mummy
· Recipes for magic potions and beauty creams
· Explanations of amulets and pyramid power
· A spell to entice a lover
· A fortune-telling calendar

These subjects and many more will appeal to everyone interested in Egyptology, magic, parapsychology, and the occult; or ancient religions and mythology.” — back cover

Occult on Sep 26-28, 2014 in Salem, MA

OCCULT is a “weekend long Esoteric Salon honoring, exploring and celebrating the intertwining vines which feed both Magick and Creative Art” in Salem, MA on September 26th – 28th, 2014 with presentations, workshops, an art exhibition, and more; including participation by Richard Kaczynski, Sasha Chaitow, Greg Kaminsky, and K Lenore Siner.

Occult art salon in Salem MA 2014 poster

OCCULT
Sept 26th – 29th 2013, Salem, MA.

“Science arose from poetry—when times change the two can meet again on a higher level as friends.”
—Johann Wolfgang von Goethe

A weekend long Esoteric Salon honoring, exploring and celebrating the intertwining vines which feed both Magick and Creative Art.

Mission and Vision: To recognize that, especially together, both Magick and Art are greater than the sum of their parts, and each in dwells the other; they are rooted together. To raise consciousness, challenging false perceptions of separation between these so-imagined opposed sorceries. Through art as entertainment has its place and time, this Esoteric Salon moves us well past materialist commercialism. We recognize the power of Art to create spiritual movement and full expression to the divine Will—dancing, singing, painting, acting, sculpting,filming, poeting the ineffable. We confront the notion that the meaning and content of Art is not as important as its form and materials. With OCCULT, we seek to challenge old beliefs through the juxtaposition of beauty and magick, of art and ritual, blending the ingredients to make an event of highest harmony, a conjunctio of non-opposites.

“All Art is Magick…There is no more potent means than Art of calling forth true Gods to visible appearance.”—Aleister Crowley, Liber ABA, Part 3, Chapter X.

We answer the call of each of the planetary archetypes, and they inform us as to the achievement of best balance. Each offers a gift:

Luna: The co-creation of community, care for our sisters and brothers. A safe and challenging space to open and express.

Sol: Full expression of the Will! The Hero/Heroine’s Journey.

Mercury: Authentic communication and free expression. The co-creation and strengthening of network. The androgyne as symbol of inner wholeness.

Venus: Aesthetic beauty for its own pleasure. Sexuality as holy sacrament. Movement beyond mere adoration of the Feminine, to include Her co-sovereignty as well.

Mars: Fire. Passion. Blood pumping through the veins. Warriorship. The challenging of the Old Aeon, and the dare to fully embrace the New.

Jupiter: Philosophy, higher learning, expansion of thought and ideas.

Saturn: The honoring of the world of form, through artistic structure, Time and Space, and the expression of the invisible realm into the material one. The letting go of that which no longer serves.

Uranus: Innovation growth and change. Experimentation. Electrifying our minds, bodies, hearts. Dynamic movement.

Neptune: We honor The Dream. The ineffable, mystical force of Love and Soul that moves through the Artist and Mage alike. Spirit. Glamour. The Present Moment.

Pluto: We continue to Rebirth ourselves into this New Aeon. We shamanically honor the Shadow, and receive what the dark has to teach. We see the Luminosity in that Darkness.

“Magic in its earliest form is often referred to as ‘the art’. I believe this is completely literal. I believe that magic is art and that art, whether it be writing, music, sculpture, or any other form is literally magic. Art is, like magic, the science of manipulating symbols, words, or images, to achieve changes in consciousness.”—Alan Moore