The passionate ecstasy that engendered his poetry was excited by the stark, pagan purity of his sensuality, which found its talismanic representation in the tower struck by lightning.
Susan Johnston Graf, W B Yeats Twentieth Century Magus
The passionate ecstasy that engendered his poetry was excited by the stark, pagan purity of his sensuality, which found its talismanic representation in the tower struck by lightning.
Susan Johnston Graf, W B Yeats Twentieth Century Magus
Al: Fuckin’ pagan. Tell your God to ready for blood.
David Milch, Ted Mann, Deadwood, s03e01
An irregular hodgepodge of links gathered together … Omnium Gatherum for June 18th, 2014
“Moon, clouds, smoke, skeleton hunt in the air” from Restoring the Lost Sense: Jun 12, 2014 — Craig Conley, Abecedarian
“Thelemic visions, magickal texts, and the tedium of transgression: a talk with occult historian Gary Lachman about his new biography Aleister Crowley: Magick, Rock and Roll, and the Wickedest Man in the World (Tarcher).”
As is typical for esoteric movements of the modern period, the Theosophical current exhibits a deep ambivalence towards the professionalized natural sciences. Active in the middle of the so-called “clash” between science and religion in the latter half of the 19th century, Blavatsky and the early Theosophists sought a critical reconciliation, guided by the quest for esoteric “higher truth.” The negotiation with science and religion was clearly present from Blavatsky’s first major work, Isis Unveiled (1877), which dedicated one volume to a criticism of each, and has continued to twist and turn in various directions until the present day.
“Science” is, in short, a centrally important yet ambiguous “Other” for the entire Theosophical current.
The “system” is a house of cards that is perpetrated by force and fraud. I think that taking a stand against that in terms of magic and lifestyle is a worthy thing. But just like I say to people that reject materialism as anathema to spirituality: You must really live that view for it to have meaning.
It is not a matter of your values and your magic being in line. It is a matter of making your life be about something.
The occult community is doomed to be hijacked by right-wing nut-jobs and other idiots because it has become paralysed by its own desire to be “spiritual.”
Like its counterpart in fiction, the theater of the weird exists on the margins of mainstream culture, where its deadly accuracy when targeting the shibboleths of the cultural consensus can be safely muffled before its subversive potency does any visible damage.
For Ivšić, theatrical space offers the ideal spot for opening that space within the spectator that allows experience of individual singularity not as a rupture, but as a vitally essential difference that makes it possible for the world to breathe. He saw the play as the result of a dark conspiracy between the world and the individual, who intentionally withdraws from this relationship in order to return by means of the Trojan horse of fiction.
D&D Yoga can be played in many ways. The varying flavors range from that of a guided narrative while people do yoga to a far more interactive experience where players are in conversation and play a more active role in the campaign. For the first trial, we thought it would be wise to veer closer to the guided narrative side of things. Players still made decisions and rolled dice to dictate a few directions that the story took but generally we wanted to see how the experiment would play out and then build from there. As we proceed into future events we are building more interactivity into the game.
scanning whole books and making them searchable for research use is a fair use
the creation of a searchable, full text database is a ‘quintessentially transformative use’, that it was ‘reasonably necessary’ to make use of the entire works, that maintaining four copies of the database was reasonably necessary as well, and that the research library did not impair the market for the originals.
«Il conte Dracula è morto a Napoli, è stato sepolto nel cuore della città ed è ancora qui»: c’è un gruppo di persone che da settimane percorre strade e vicoli a caccia del segreto.
E non sono ragazzini sognatori, fanatici, esaltati, ma serissimi studiosi dell’università di Tallinn in Estonia. Sono convinti di ciò che fanno, sostengono di avere già in mano i documenti che provano la verità, così hanno avviato una campagna di ricerche sul territorio.
“Count Dracula died in Naples, was buried in the heart of the city and is still here”: there is a group of people who for weeks along the streets and alleys in search of the secret.
And kids are not dreamers, fanatics, exalted, but very serious scholars of the University of Tallinn in Estonia. They believe in what they do, they claim to have already got the documents to prove the truth, so they launched a campaign of research in the area.
His soul is even with the sun
Whose spirit and whose eye are one,
Who seeks not stars by day, nor light
And heavy heat of day by night.
Him can no God cast down, whom none
Can lift in hope beyond the height
Of fate and nature and things done
By the calm rule of might and right
That bids men be and bear and do,
And die beneath blind skies or blue.
The monsters are multiplying. Just months after astronomers announced hints of a giant “Planet X” lurking beyond Pluto, a team in Spain says there may actually be two supersized planets hiding in the outer reaches of our solar system.
When potential dwarf planet 2012 VP113 was discovered in March, it joined a handful of unusual rocky objects known to reside beyond the orbit of Pluto. These small objects have curiously aligned orbits, which hints that an unseen planet even further out is influencing their behaviour. Scientists calculated that this world would be about 10 times the mass of Earth and would orbit at roughly 250 times Earth’s distance from the sun.
Now Carlos and Raul de la Fuente Marcos at the Complutense University of Madrid in Spain have taken another look at these distant bodies. As well as confirming their bizarre orbital alignment, the pair found additional puzzling patterns. Small groups of the objects have very similar orbital paths. Because they are not massive enough to be tugging on each other, the researchers think the objects are being “shepherded” by a larger object in a pattern known as orbital resonance.
Whilst not quite a household name, instead occupying a liminal status maintained by a principled refusal to be involved in any Hollywood adaptations of his work, Moore is widely regarded as the finest writer in the medium, and it is difficult to imagine how the comic book landscape would look without the enduring influence of his exceptional work. But it is equally difficult to imagine how From Hell (1989), his first major work beyond the costumed vigilantes and superheroes genre, and also his Magnum Opus, would have looked had he not discovered the work of Iain Sinclair. A quintessential writer’s writer, Sinclair is a Hendrix-cum-Kevin Shields of the English language, mixing scholarly historical research, formal training and technical linguistic virtuosity with a wildly impressionistic, stream-of-consciousness prose-poetry delivery that is dazzling, dizzying, and for those with literary pretensions, frankly dispiriting in its apparently effortless genius. Sinclair’s subject is predominantly London, most often East London, and the relationship between its history, its continually shifting cityscape and the psyche of those who inhabit it. Sharing similar concerns, themes and stylistic flourishes with Peter Ackroyd, both with works appearing in the eighties and nineties, this uniquely East London-focused micro-genre came to be dubbed ‘psychogeography’. Soon complemented by Will Self and others, the movement could be interpreted as a response to the corporatist regeneration of London’s East End by the Thatcherite Conservative government in the 1980s. The spatial and historical density of London allows for an unusually potent and apparently limitless store of inspiration, but what marks out Sinclair in particular is his ability to see patterns, sigils and correspondences where perhaps the rest of us see dog shit, broken fencing and inane graffiti.
Summer flowers are brought inside, painted the colours of sarees and gypsy vardos, and fill tea pots and canning jars. Nighshade, poppies, red clover, comfrey, daisies, sage flowers, and foxgloves. Some from the yard, some escaped from gardens into the neglected back alleys of the old neighbourhood. I know that by taking them home I am consuming them, making their already short lives even shorter, but I try my best to ask sweetly for their blessings before I snip off their heads and bring them home. I try my best to let them know why and what will be done with their beautiful sacrifice – their souls burned up like incense to be eaten by my own beloved spirits – eaters of flowers.
This paper presents a summary overview of how the Apocryphon of John, an apocalyptic work drawn from the Nag Hammadi Library, is explicitly the product of an syncretism between Greek language/philosophy and Jewish mythology/mysticism in the 1st century CE.
The study of alchemy has posed a number of complications for historians. Among historians of science who wrote as late as the mid-20th century, alchemy was perceived to be a mystical philosophy, an obstacle to the progress of „rational‟ chemistry, and even a pathology of the mind. This rather out-dated tendency toward knee-jerk dismissals has, however, been recently curtailed as the wider community of medievalists and early modern historians began to understand alchemy on its own terms, having placed it firmly within in the context of an ‘alchemical worldview.’ The recent dialogue among historians concerning alchemy in Europe has chiefly been directed toward (a) understanding of what ‘alchemy’ actually meant to the people who lived amongst it or practiced it themselves; (b) determining to what extent alchemy was interrelated with the religious consciousness of its practitioners; and most noticeably (c) reconciling or collapsing a number of exaggerated, artificial, and misleading dichotomies within our modern perceptions of medieval and early modern alchemy. Was European alchemy a ‘theoretical’ or a ‘practical’ art? Was it a ‘spiritual’ or a ‘material’ pursuit? Was it a ‘medicinal’ or a ‘metallurgical’ practice? How and when was ‘alchemy’ differentiated from ‘chemistry’? Were they ‘on the fringes’ of learned society, or were they at the cutting edge of knowledge as defined by traditional institutions? Were alchemists outright ‘frauds’ (Betrüger) or misguided ‘fools’?
These are all questions which a handful of historians have recently tackled and shown to be somewhat misguided. Such dichotomies arose from the dialogue of recent centuries wherein scholars and theorists from various disciplines began exploring and reconceptualising alchemy and its history; each angle, each discipline, each perspective offered some rather rigid model for understanding alchemy, and many of these models crystallized into opposing camps. Alchemy, however, was never a static or monolithic pursuit and thus eludes any attempt to give such simple definitions. In response to this problem, it is this paper’s goal to flesh out the most recent scholarly dialogue – to outline and synthesize the most pertinent points made in the recent historical literature concerning alchemy. What I hope to show is how the most recent historical research tells us that ‘alchemy’ meant many different things to many different people at many different junctures in history, even among the relatively isolated practitioners of Europe. With no source of official authority such as the Church or the University to govern alchemy as a branch of knowledge, the art was free to take on and accumulate a number of its practitioners’ idiosyncrasies. Free as it was, as a model to explore and communicate features of the known universe, European alchemy was a rich and dynamic practice which contained within itself all of the artificial polarities mentioned above.
We have mistaken social and economic change for the result of our own advocacy. Marching in lock-step with what used to be called mainstream, but is now mono-culture, we have disenchanted ourselves, handed over our teeth and claws and bristling luxuriant furs. I will not be part of this process, because to do so is to be complicit with the very forces that are destroying all life on earth. It is time for Witchcraft not to choose, but to remember which side it is on in this struggle.
Each of these series draws on what I would say are the main characteristics of London’s soul. It’s old – continually inhabited since before Roman times; it’s powerful — but nowhere near as much as its past as the heart of an empire; it’s stubborn — enduring centuries of hardship and prosperity, adapting to huge changes in population and traumas ranging from plague to fire to Nazi bombs to the very modern stresses of wealth inequality. London changes — it has to — but there’s some core of its personality that always remains.
Of course, London as a whole is the sum of its parts, none of which are quite alike — the genius loci of Camden differs greatly from those of Catford and Chelsea. But each also touch the greater gestalt of the place. Inevitably, the best way to grasp the specific psychogeography of a place is to walk its streets.
You have not come to suffer. Rather you have come to escape from what binds you. Release yourself, and what has bound you will be undone. Save yourself, so that what is (in you) may be saved … Why are you hesitating?
If you’d like to participate in the next Omnium Gatherum, head on over to the Gatherum discussions at the Hrmtc Underground BBS.
Witchdom of the True: A Study of the Vana-Troth and the Practice of Seiðr by Edred Thorsson (as Edred), a 1999 paperback from Rûna Raven Press, is part of the collection at the Reading Room.
On the title page, this also has “Volume I: Lore and History” and “From a Manuscript Formerly Entitled ‘True Wicca'”.
“‘Edred does it again! The Witchdom of the True is an invaluable resource to Wiccans and to those who follow Asatru alike. In clear and compelling language, it restores the Vanir-faith to its place as an integral part of the dynamic and diverse Northern tradition. Long known as the leading light in the modern runic revival, Edred now pulls back the curtain of time to show us the origin of Wicca in the Vanir cult of he ancient Northlands. This is an exciting book, and a breath of fresh air in a field that long needed the windows and doors thrown open!’ — Stephen A. McNallen, Asatru Folk Assembly
Found in Witchdom of the True
· History of the Vanic Faith
· Survival and Revival of Witchdom
· Myth and Lore of the Lord and Lady
· Ritual Working Formula of Witchdom
· Lore of Witchcraft
· Lore of Seith
‘In this book the author finally makes clear once and for all the deep and ancient nature of the true cult of the Lord and Lady, its origins and mythology. Modern Wiccans will be delighted to have this lore clarified, and it is hoped the information will help transform the Wiccan movement in the next millennium by returning it to its natural roots.’ — Inga Steddinger, High Priestess, Author of Wiccan Sex Magic” — back cover
Esotericism and the Academy: Rejected Knowledge in Western Culture by Wouter J Hanegraaff, from Cambridge University Press, previously only available as a 2012 hardcover, is due to release as a paperback tomorrow, March 6th, 2014.
“Academics tend to look on ‘esoteric’, ‘occult’ or ‘magical’ beliefs with contempt, but are usually ignorant about the religious and philosophical traditions to which these terms refer, or their relevance to intellectual history. Wouter Hanegraaff tells the neglected story of how intellectuals since the Renaissance have tried to come to terms with a cluster of ‘pagan’ ideas from late antiquity that challenged the foundations of biblical religion and Greek rationality. Expelled from the academy on the basis of Protestant and Enlightenment polemics, these traditions have come to be perceived as the Other by which academics define their identity to the present day. Hanegraaff grounds his discussion in a meticulous study of primary and secondary sources, taking the reader on an exciting intellectual voyage from the fifteenth century to the present day and asking what implications the forgotten history of exclusion has for established textbook narratives of religion, philosophy and science.” [via]
An irregular hodgepodge of links gathered together …
“In most European countries, including the UK, the slaughter of an animal is considered humane only if it is stunned before having its throat cut. Muslim and Jewish rules, however, require an animal to be fully alive, healthy, and intact before being killed, and this is often interpreted to mean it must be conscious. Many Muslims and Jews insist the swift technique of ritual slaughter prevents the animal from suffering. But animal welfare activists and their supporters beg to differ. … This is far from the first flare-up over ritual slaughter.”
“A libation without a prayer is just a spilled drink.”
“We sacrifice humans every day.”
“‘Religious Freedom’ used to be a shield, not a sword.”
“On many fronts in the culture wars, the momentum has usually been possessed by those who can best identify themselves with the ambivalent attitudes of a mushy middle ‘swing vote'”
“Los Angeles City Attorney Mike Feuer has filed a lawsuit against two unlicensed Christian mission homes for effectively torturing mentally disabled people if they refused to attend religious services, and forcing them to live in filthy conditions.”
“[Reason #]17. Law and Order
The mentality of homosexuals is anti-family and anti-marriage, which mindset is opposed to law and order.
Aleister Crowley (October 12, 1875 — December 1, 1947), the father of modern day Satanism, who massively promoted Satan-worship internationally, and notably so among world music stars, spoke against family and promoted homosexuality.
The mentality of his followers is therefore anti-family and anti-marriage.”
“These are women who are unsupported, either because they are single or widows. It is primarily connected to land. It happens with women who are economically well-off or self-sustaining.”
“They kept the [last Great Auk] tied up for three days until an ominous storm arose. Believing the bird was a witch responsible for their predicament, the men clubbed it to death.”
“Just thinking about Hell makes people ill and out of sorts, and they don’t even have to think that it’s real. It’s worse for the true believers: Individual belief in what the researchers referred to as ‘supernatural malevolence’ (Coming soon to pay-per-view!) was associated with bad coping skills, low self-esteem and poor health resiliency.”
“Hell isn’t just a religious idea, it’s a meme; an especially toxic one that we might be primed to believe in from birth — especially if you believe those studies that suggest we’re hardwired to believe in god. Hell is such a virulent, deadly little mind-virus that even secular minds have trouble fighting it off. And it seems that there’s a vested interest in keeping it strong.”
“When jihadists overran Timbuktu last year, residents mounted a secret operation to evacuate the town’s irreplaceable medieval manuscripts.”
“Undoubtedly the most extraordinary find discovered during the excavations at Helgo was a small, bronze Buddha. This devotional figure dates from circa the 6th century AD … probably arrived in Helgo via Swedish merchants whose eastern trade routes were concentrated along Russian rivers such as the Volga.”
“The Helgo crozier is probably of Irish origin and would have formed part of a bishop’s staff. Dating from circa the 8th century AD, it was most likely stolen during a Viking raid on Ireland and brought back to Helgo as booty.”
“… a bronze ladle whose origins lie in North Africa, probably in the vicinity of modern-day Egypt. Decorated in small punch-marks, which define a Tree-of-Life symbol, the ladle was most likely used in ceremonies associated with the early Coptic church.”
“Yes, let’s build that Earth. Cast out the old gods and apocalyptic imaginaries as we work to build a new Earth, so desperately and agonizingly waiting, not for the passive, but for those ready to be born.”
“New records obtained by the Defending Dissent Foundation prove that the United States Army used a multi-agency spy network to gather intelligence on nonviolent, antiwar protesters and to disseminate their findings to both the FBI and local police departments.”
“Using online techniques to make something happen in the real or cyber world”
“Conversations on Twitter create networks with identifiable contours as people reply to and mention one another in their tweets. These conversational structures differ, depending on the subject and the people driving the conversation. Six structures are regularly observed: divided, unified, fragmented, clustered, and inward and outward hub and spoke structures. These are created as individuals choose whom to reply to or mention in their Twitter messages and the structures tell a story about the nature of the conversation.”
“Verbal descriptions of complex management situations are necessarily lodged in the left side of the brain. In order for us to be able to use the right side of the brain we need a repertoire of non-verbal images. That is precisely what this book sets out to provide. The images provided by drawings in this book enrich the perceptual map of the executive. The images allow him to add some right-brain thinking to his usual left-brain thinking. This makes it easier for the executive to recognise situations in a flash instead of having to build them up piecemeal.”
“Without the Higgs Field, there would be no mass terms in the equations … and everything you know would disappear in a split second.”
“What kinds of things are mathematical entities and theorems, that they are knowable in this way? Do they exist somewhere, a set of immaterial objects in the enchanted gardens of the Platonic world, waiting to be discovered? Or are they mere creations of the human mind?
This question has divided thinkers for centuries. It seems spooky to suggest that mathematical entities actually exist in and of themselves. But if math is only a product of the human imagination, how do we all end up agreeing on exactly the same math? Some might argue that mathematical entities are like chess pieces, elaborate fictions in a game invented by humans. But unlike chess, mathematics is indispensable to scientific theories describing our universe. And yet there are many mathematical concepts — from esoteric numerical systems to infinite-dimensional spaces — that we don’t currently find in the world around us. In what sense do they exist?”
“What is objective and universal may be called transpersonal, or ‘archetypal,’ in the Jungian sense; it is that more-than-human place we share with others, that ‘earthly ground of rock and soil that we share with the other animals and the plants’ (Abram 1996: 281). Merleau-Ponty: ‘My body is made of the same flesh as the world.’ Therefore, if we wish to look for the ‘real archetypes,’ we may want to pay attention to landscapes and their elements.”
“Things that we do or experience in private, things we might expect to read about in novels or talk about in therapy, have now generated a hidden-histories boomlet. The best of these works not only make the familiar strange, but they make us think differently about history and its intimate relation to our own lives.”
“Sleep, on the other hand, assassinates the person who might think about it. It’s not just that it’s a stretch to imagine how our sleep connects us to other times and places; it’s that we’re not even there when it happens. Dreaming is a possible exception, since it’s sometimes recoverable by our waking selves — which is part of why dreaming has a much longer historiography than the other 85 percent of the sleep cycle. But the other aspects of the sleeping self — characterized by non-productivity, maddening lumpishness, and obliviousness — are about as unavailable to us as is being born or dying.”
“Don’t be shy. Depending on your poll of choice, anywhere from a third to nearly half of you either believe in ghosts or are pretty sure you do. And if not ghosts, then aliens, mediums, or astrology, for which belief has either held steady or risen over the last couple of decades. More than two-thirds of Americans hold at least one paranormal—unsanctioned by religion—belief, according to the Baylor Religion Survey. That’s more than voted in the 2012 presidential election.”
“Apathy can only be overcome by enthusiasm, and enthusiasm can only be aroused by two things: first, an idea that takes the imagination by storm; and second, a concrete, intelligible plan for putting that idea into action.”
“In a contemporary, and often unacknowledged, rebooting of Freud, many psychologists have concluded from such findings that unconscious associations and attitudes hold powerful sway over our lives—and that conscious choice is largely superfluous. ‘It is not clear,’ the Baylor College neuroscientist David Eagleman writes, ‘how much the conscious you—as opposed to the genetic and neural you—gets to do any deciding at all.'”
“‘The neural changes that we found associated with physical sensation and movement systems suggest that reading a novel can transport you into the body of the protagonist,’ Berns says. ‘We already knew that good stories can put you in someone else’s shoes in a figurative sense. Now we’re seeing that something may also be happening biologically.’
The neural changes were not just immediate reactions, Berns says, since they persisted the morning after the readings, and for the five days after the participants completed the novel.”
“When the analysis was complete, Meaney saw an intriguing pattern. For the most part, the brains of suicide victims had similar receptor levels to those of people who had died in accidents. But in the samples from victims of childhood abuse, receptor levels were lower — just as with the rats. When he homed in on the cause of the difference, things got even more interesting. Meaney discovered that the gene for the receptor was covered by a chemical blanket that effectively silenced it — exactly the same silencing mechanism as seen in the rats that suffered poor maternal care.
The implication was significant: an abusive childhood might turn the volume down on this vital stress-response gene, leaving the abused vulnerable to stress, and perhaps suicidal impulses, later in life.”
“The notion of genetic transmission of ‘social competence’ … may unsettle us. But studies … support this view.”
“The word ‘hipster’ invariably crops up in discussions about American film-maker Jim Jarmusch, not least because he looks the part. He is tall, lean, often wears shades and has a famous shock of hair that started turning silvery grey in his teens; his basso drawl completes the uncanny resemblance to a certain Hollywood great, which inspired Jarmusch to found a jokey secret society, The Sons of Lee Marvin.”
“It is hard to care deeply about something without any personal knowledge of it. Walking this road can start as simply as purchasing a regional field guide and going for a lot of walks with it, photographing and recording what you find. It can be as fun as taking an identification and foraging course with knowledgeable locals who will teach you ethics and proper stewardship as well to make sure you don’t damage or destroy the natural resources you’re learning to identify and use. Go camping, go travelling, go exploring, go on adventures in your bioregion. Walk the trails, canoe the lakes, explore the beach, climb the trees…
When you’re surrounded by nature, sit still, watch and listen.”
“You don’t decide to be a prophet. It happens to you, ruining your life, comforting distant people you’ve never met who may never thank you.”
“The heroes are usually wanderers … a symbol of longing, of the restless urge which never finds its object of nostalgia for the lost mother.”
“Your lizard brain is so reliably persistent that knowing how the trick is done doesn’t stop the effect from working.”
“Academic prose is, ideally, impersonal, written by one disinterested mind for other equally disinterested minds. But, because it’s intended for a very small audience of hyper-knowledgable, mutually acquainted specialists, it’s actually among the most personal writing there is. If journalists sound friendly, that’s because they’re writing for strangers. With academics, it’s the reverse.”
“Nikki Jardin states ‘A spiritual pilgrimage is a physical journey toward a place of sacred or religious significance.’ This definition fits with how many Pagans, Wiccans, and Polytheists have come to revere Pagan conventions and festivals: As yearly spiritual pilgrimages for transcendent and communal enlightenment.”
Jacques wrote me saying this is a “music video I made for a local band. It’s gets pretty pagan in the middle or so. I’m still trying to figure out exactly what it means. My mom said ‘I don’t believe in Human Sacrifice Jacques’ which is funny because she’s a christian.”
This is a great song, and the video has a fantastic retelling of an ancient, but timeless and raucous, bacchanalian story that reminds me of elements of Donna Tartt’s The Secret History, the 2nd season of True Blood, and that really popular DIONYSUS video from 2011.
With lyrics that speak about the sights and sounds of a Summer sun that sets, this summer is definitely both luscious and dangerous. A video about a social gathering that turns into an outdoor pagan orgia of ritual and dancing around Beltane fires, this seems to be pretty close to a perfect storm captured in one music video for someone like myself. Hey, there’s even a cameo by both the Horse Head Mask and the black egg from Jacques de Beaufort’s earlier Sanctum and Sacrum, so how can you resist watching now?
And, now I totally know what I’m doing next Summer.
The Hermetic Library video pool is a scavenger hunt for video from a living Western Esoteric Tradition. If you would like to submit your work for consideration, head over to the Hermetic Library video pool or contact the librarian.
Scarlet Imprint has announced Serpent Songs, a new anthology of voices of Traditional Craft, as available for pre-order. This was announced via their subscriber list, but embargoed until today, so I don’t have a link to the work yet but information on this should be available on their website shortly (and the Serpent Songs page is now up). This title will be initially available in a a couple of variously limited fetish editions with paperback and digital to follow.
“Serpent Songs are the words and works of those who remain untamed, Cunning Folk, Exorcists, Pellars, Sorgin, Witches and Mystics.
A collection of fifteen essays are introduced and curated by Nicholaj de Mattos Frisvold through whose contacts we encounter the worlds of lone individuals and tradition holders, from both family and clan, and are allowed a rare glimpse into the workings of the more secretive practitioners of the Craft.
Traditional Craft is intimately bound to the spirit of the land. Serpent Songs contains the accounts of Cornish and Basque witchcraft, the relatively unknown Swedish Trolldom, the persecuted Bogomils, and the oft misrepresented Italian Streghoneria. Members of 1734, Clan Tubal Cain and The Companie of the Serpent-Cross are among those who choose to share their experiences and perspectives. Light is shed on such important figures as Robert Cochrane, Evan John-Jones and Andrew Chumbley amongst others, but more than illustrious ancestors, Traditional Craft is revealed as a living throng.
These are the voices of those who work the art and this book details their practices, struggles and wayward journeys. Serpent Songs takes a crooked path through the landscape, from historical studies to practical acts, from lonely stone stiles set between deep hedges to the warm entrails of animals and forays into the caves and woods.
Serpent Songs is a wide ranging work that deals with the issues of witch blood, taboo, the other, the liminal state, fire, dream, art and need as vectors of the Craft. What emerges is not a narrow definition of what it means to engage in Traditional Craft, but a set of shared characteristics and approaches which become evident despite the cultural gulfs in place and time. This is a book of praxis, beliefs and their own definitions of the art itself rather than those applied to it by outsiders. These are the voices who for the most part operate in silence but now wish to be heard.
Prelude:The Other Blood – Nicholaj de Mattos Frisvold
The Witch’s Cross – Gemma Gary
The Spirit of True Blood – Shani Oates
Lezekoak – Arkaitz Urbeltz
A Gathering of Light and Shadows – Stuart Inman and Jane Sparkes
The Fall and Rise of an English Cunning One – Tony MacLeod
Streghoneria: A Roman Furnace – Nicholaj de Mattos Frisvold
But the House of my Father will Stand – Xabier Bakaikoa Urbeltz
Bucca and the Cornish Cult of Pellar – Steve Patterson
Exorcists, Conjurors and Cunning Men in Post-Reformation England – Richard Parkinson
The Liturgy of Taboo – Francis Ashwood
Trolldom – Johannes Gardback
The Bogomilian and Byzantine Influences on Traditional Craft – Radomir Rastic
But to Assist the Soul’s Interior Revolution: The art of Andrew Chumbley and aspects of Sabbatic Craft – Anne Morris
Passers-by: Potential, Crossroads & Waywaring on the Serpent Road – Jesse Hathaway Diaz
The Mysteries of Beast, Blood and Bone – Sarah Lawless”
“Witch Eye: A Journal of Feri Uprising is a quality print journal with full color covers published once a year, full or art, articles, spells and lore inspired by the F(a)eri(e) Tradition, meaning various permutations of the branch of witchcraft passed on from the teachings of Victor & Cora Anderson and Gwydion Pendderwen.
While much of our focus is rooted in the Feri (Faery) Tradition, we also offer many items of interest to the modern Pagan, Witch and Warlock.” [via]
“What of the Many Gods? Are they really all One? Are they distinct individuals? Is it the same deity in many cultures? We continue our development of a Pagan Systematic Theology by addressing the Gods Themselves and some thoughts on how to think about our work with Them.” [via]