Tag Archives: Power

The symbolic syncretism of the Golden Dawn a century ago, which fused renaissance Hermeticism with oriental esoterics drawn from the European imperial experience, only fully flowered when Aleister Crowley added a battery of gnostic power techniques culled from diverse cultural sources.

Phil Hine, Condensed Chaos: An Introduction to Chaos Magic

Hermetic quote Hine Condensed sources

Edward expects things from this world…he holds it to a standard. Such people may have a kind of power in them. They can be creatures of great kindness, or great malice. Their expectations give them deep roots, deep sense of self.

J Kelley Anderson, Casting Shadows

it is intended to be a place where those who earnestly aspire to spirituality may find the external conditions necessary to cultivate it and to acquire the true “magic staff” that will securely support them on their voyage through eternity; namely, the power to recognise divine truth within their own selves–not by any capacity of their own, but by the power of the Light itself, which comes to all men if they are willing that the darkness should be driven away.

Franz Hartmann, With The Adepts

Those fifty pound bundles were power and potential in its purest form. It was countless acts of compassion and charity, or a lifetime without work. The amount was highly symbolic.

JMR Higgs, KLF: Chaos Magic Music Money

The following day, the unique advertisement is demolished; a new law is passed making the use of the words ‘right hand’ illegal; and a small emergency guillotine stands on every street-corner, ready to amputate all that threatens the state’s power.

Mike Russell, Nothing Is Strange

Idolatry Restor’d

Idolotry Restor’d: Witchcraft and the Imaging of Power by Daniel A Schulke, from Three Hands Press, was scheduled for release in November 2013, but appears to still be in pre-order. The special leather-bound edition is sold out, but deluxe and standard hardcover editions are still available.

Daniel A Schulke Idolatry Restor'd from Three Hands Press

“The translation of magical power to image is a matter well understood in so-called ‘primitive’ sorcery, in which occurs a mutual embodiment of re-presentation and the Represented. The Fetish, for example, apprehends a reciprocal process between Object and Creator that often begins long before chisels and adzes are set to wood, participating in its own reification. Many of these eldritch forms of image-making were concerned with accessing power, and it was only later, in the context of religious devotion, that their forms densified into ‘mere’ idols. With increasing levels of religious control over art, a Moiré pattern arises between the Artist and the forces of the Divine, which may either suppress individual visionary power in favor of canonized icons, or, when correctly accessed, give rise to an ‘heretical creativity’.

Witchcraft, because of its syncretic nature, partakes in multiple infusions of traditional image-making lore, including not only sorcery and religious iconography, but also science, craftsmanship, and the fine arts. However, because much of its images are used privately, and indeed created for a limited set of observers, they participate in a concentrated alembic of exposure wherein all who experience them do so in the context of magical practice and devotion. This intensity of private magical interaction provides a locus which enables the image to transcend its medium—and indeed that fetish known as ‘icon’—and generates living numen.

First published as an essay in the British folklore quarterly The Cauldron in 2009, Idolatry Restor’d drew upon the experiential arenas of magical practice and Image-Artistry which came to inform Schulke’s book Lux Haeresis (Xoanon, 2011). Here substantially expanded with illustrations prepared especially for the work, Idolatry Restor’d is a book of engaging fascinum for both Artists and Beholders alike, and strikes at the heart of magical image-aesthesis.” [via]