Tag Archives: racism

The Black Messiah

N.B.: In 2014, when I wrote this post, I provided the best information I had about this document. It is the current position of OTO that the document mentioned here was not authored by Aleister Crowley, writing as Gérard Aumont, but by Aumont proper. As of April 2018, Hymenaeus Beta posted A Note on Gérard Aumont which cogently makes the case that Aumont, and not Crowley, was the author of this document. I have begun a section at the library for information about and the writings of Gérard Aumont, which may be of interest. I have made some edits in brackets to this old post to reflect this new information.

A typed copy of The Black Messiah by Gérard Aumont has arrived at the Reading Room from an anonymous sender. This essay, circa 1926, [seemed at the time I wrote this to be] written by Aleister Crowley himself although he wrote it under the name of a Tunisian student (as he [seemed to have at the time I wrote this] with the contemporaneous essay The Secret Conference which appears in The Heart of the Master & Other Papers), is quoted from by Starr in The Unknown God: W. T. Smith and the Thelemites, and was published in the Yorke microfilm archives where it can be found by those who have access to that; but it is otherwise an apparently intentionally rare document to get to read.

Gerard Aumont Aleister Crowley The Black Messiah

“Writing under the name of a Tunisian disciple, Gérard Aumont, Crowley deepened his propaganda war against Krishnamurti, this time setting forth the battle in racial terms, which would most definitely not have swayed Theosophists. A regrettable example is his essay, The Black Messiah, where The Master Therion is touted as the white race’s savior, in contrast to Besant’s ‘marionette Messiah, a kala admi—a nigger!’ It was a new low in self-promotion.” — Martin P Starr, The Unknown God, p 165; quoting the essay.

And, yes, indeed, I feel the essay as a whole expresses just as reprehensible and nauseating a typical racist sentiment as you might think, but is particularly significant because in it [Aumont] explicitly links Thelemic and racist ideologies; moreover, in that peculiar way that racists have of interpreting religion and peace and love to include racism and war and hate:

“White men and women must choose between these alternatives: Will they yield, content to be the black man’s slave, after having been his master? or will they stand to, and reply by an energetic spiritual reaction, which will restore the threatened equilibrium of the races?

The white champion has appeared, He who, under the aegis of the Spiritual Masters of the planet, has proclaimed the Law of Thelema, the Law of Love, comprehended and directed by Will: the Law which bids each man pursue the proper orbit of his destiny, and develop himself around his own true centre of Light, will bring back welfare to his own race, and establish Peace with Victory upon the Earth.”

Even if one weakly apologises that [the author] was simply and only saying whatever otherwise ethically questionable propaganda was necessary to cajole rubes or just playing a role demanded by wearing his ring on a contrarian hand that day, as if those weren’t also problematic in and of themselves, this still seems to me to sustain as disgusting and damning stuff.

Obviously make up your own mind about such things, but this seems to me one of those times when eyes wide open and unclouded are required. Make of it what you will, but one way or another it seems this must be considered part of the whole corpus of […] writing and thought on the topic of Thelema. And, in my estimation, if one is to be intellectually honest and serious about The Comment (“All questions of the Law are to be decided only by appeal to my writings, each for himself”), a Thelemite’s religious duty is to study, and requires ready access to, all of Crowley’s writings (even when not explicitly Thelemic, though this one clearly is). [While this document, as it turns out now, shouldn’t be considered part of Crowley’s writings, I feel it is still important for members of the tradition to openly discuss problematic material and attitudes in the tradition, both historical and any ongoing, so that these can be addressed clearly, instead of suppressing or ignoring them, or stifling discussion about them, which lets them fester. I find it refreshing and heartening to see these and other problematic issues discussed more often lately, and openly, such as in Hymenaeus Beta’s public and prominent note as well as recent statements by Sabazius.]

The essay itself ends with what appears to be a bit of […] poetry which I don’t immediately recognize appearing elsewhere, so I quote that here as well, though I personally find all this “free, equal” “Savior of the Earth” triumphalism to be strikingly and skin-crawlingly appropriate for what one would expect from extreme and exclusionary religion-infused racist ideological rants:

“Ho! for his chariot wheels that whirl afar!
His hawk’s eye flashing through the silver star!
Upon the heights his standard shall he plant
Free, equal, passionate, pagan, dominant,
Mystic, indomitable, self-controlled,
The red rose glowing of the cross of gold…

Yea! I will wait throughout the centuries
Of the Universal man-disease
Until that morn of his Titanic birth…
The Saviour of the Earth!”

Omnium Gatherum: March 12th, 2014

An irregular hodgepodge of links gathered together … Omnium Gatherum for March 12th, 2014

Little Wide Awake 1877 from Craig Conley, Abecedarian
An illustration from an 1877 issue of Little Wide Awake magazine.” — Craig Conley, Abecedarian

 

  • Ask Massively: And the money will follow” — Brianna Royce, Massively; from the two-pennies-to-rub-together dept.

    “My mother always told me, ‘Do what you love, and the money will follow.’ It’s not true. I wish it were. Sorry mom. It’s a dangerous thing to tell a geeky little girl something like that when she’s trying to decide whether to be a coroner, an international diplomat, or a butterfly. I did not become any of these things. I got a degree in what I loved, but the money followed only when I got a job I didn’t love to pay for my husband to do what he loved. My landing a job with Massively (almost four years ago!) was the product of an unrelated cross-country move, a lot of luck, and an unusual combination of otherwise mundane knowledge. It was not something I planned and executed meticulously as a career plan.”

  • #AmtrakResidency” — Amtrak; from the they-who-curse-the-bum-on-the-rods dept.

    “#AmtrakResidency was designed to allow creative professionals who are passionate about train travel and writing to work on their craft in an inspiring environment. Round-trip train travel will be provided on an Amtrak long-distance route. Each resident will be given a private sleeper car, equipped with a desk, a bed and a window to watch the American countryside roll by for inspiration. Routes will be determined based on availability.

    Applications will be accepted on a rolling basis and reviewed by a panel. Up to 24 writers will be selected for the program starting March 17, 2014 through March 31, 2015. A passion for writing and an aspiration to travel with Amtrak for inspiration are the sole criteria for selection. Both emerging and established writers will be considered.

    Residencies will be anywhere from 2-5 days, with exceptions for special projects.”

  • WIT researchers discover ‘lost’ Einstein model of universe” — Dick Ahlstrom, Irish Times; from the i-will-not-be-pushed-filed-stamped-indexed-briefed-debriefed-or-numbered dept.

    “‘I was looking through drafts, but then slowly realised it was a draft of something very different,’ Dr [Cormac] O’Raifeartaigh said. ‘I nearly fell off my chair. It was hidden in perfect plain sight. This particular manuscript was misfiled as a draft of something else.'”

     

  • Albert Einstein quote via “Albert Einstein, when he arrived in America, was shocked at how African Americans were treated.” — Emily, Dichotomization [also]; from the emperor’s-new-clothes dept.

    “There is a separation of colored people from white people in the United States. That separation is not a disease of colored people. It is a disease of white people. I do not intend to be quiet about it.”

  • On Gaia tests whether the hypothesis holds up to scientific scrutiny” — Scott K Johnson, Ars Technica; from the because-the-cosmos-is-also-within-us dept.

    “In the early 1970s, Lovelock—with the help of Lynn Margulis—developed the Gaia Hypothesis, which views the Earth and its ecosystems as resembling a sort of superorganism. Lovelock was working for NASA at the time, developing instruments that would aid the Viking landers in looking for signs of life on Mars, so he was thinking about how life interacts with its environment on a planetary scale. And Margulis was famed for her ideas about symbiosis.

    This intellectual background led to the idea that organisms are not just passive inhabitants riding a big rock that determined whether they lived or died. Organisms were active participants in the molding of their environment, tweaking and improving conditions as part of a massive, self-regulating system.

    In On Gaia: A Critical Investigation of the Relationship Between Life and Earth, University of Southampton Professor Toby Tyrrell sets out to comprehensively put the Gaia Hypothesis to the test, using everything we’ve learned about life and its history on our planet.”

  • Recreating the Cosmos in Our Druidic Ritual Order.” — Ian Corrigan, Into the Mound; from the we’re-made-of-star-stuff dept.

    “In my understanding, the basic steps of our Order of Ritual (OoR) amount to a recreation of the Indo-European cosmos. As in many traditional ritual systems, our rites are set in a cosmological diagram. Since our Order is written for modern, park-and-church-basement Paganism, we assume that this cosmic model must be rebuilt and reconsecrated for each ritual. Thus our sacrifices open with rites for consecrating the space and establish it as a gathering-place for the Gods & Spirits.”

  • A new “Cosmos: A Spacetime Odyssey” hosted by Neil deGrasse Tyson, presented by Fox and National Geographic, guest appearance by Giordano Bruno in the premiere [also]; from the we-are-a-way-for-the-cosmos-to-know-itself dept.

     

  • Petra monuments oriented according to celestial events” — Past Horizons; from the summer-sunday-and-a-year dept.

    “During the winter solstice, the sun is filtered into the Monastery at Petra, Jordan, illuminating the podium of a deity. Just at this moment, the silhouette of the mountain opposite draws the head of a lion, a sacred animal. These are examples from a study where researchers from Instituto de Astrofisica de Canarias and CSIC (Spain) showed how celestial events influenced the orientation of the great constructions of the Nabataeans.”

  • Research Suggests We Unconsciously React to Events Up to 10 Seconds Before They Happen” — The Mind Unleashed [HT Reality Sandwich]; from the wake-me-up-before-you-go-go dept.

    “Can your brain detect events before they even occur? That was the stunning conclusion of a 2012 meta-analysis of experiments from seven independent laboratories over the last 35 years, which found that the human body ‘can apparently detect randomly delivered stimuli occurring 1–10 seconds in the future’ (Mossbridge, Tressoldi, & Utts, 2012). In the studies, physiological readings were taken as participants were subjected to unpredictable events designed to activate the sympathetic nervous system (for example, showing provocative imagery) as well as ‘neutral events’ that did not activate the nervous system. These readings showed that the nervous system aligned with the nature of the event (activated/not activated) — and what’s more, the magnitude of the pre-event response corresponded with the magnitude of the post-event response.”

  • Scientists unlock mystery of out-of-body experiences (aka astral trips)” — Jordan Kushins, Sploid [HT Disinformation]; from the why-am-i-up-here-what-do-they-see-in-me dept.

    “The fMRI showed a ‘strong deactivation of the visual cortex’ while ‘activating the left side of several areas associated with kinesthetic imagery,’ which includes mental imagery of bodily movement. This is the part of the brain that makes it possible for us to interact with the world. It’s what makes you feel where your body is in relation to the world.”

  • Translation of Theodor Klauser at “Mithras scholar Vermaseren on the Mithras cranks” — Roger Pearse [HT rogueclassicism]; from the let-that-be-a-lesson-to-you dept.

    “Anyone who really wants to promote scholarship may not content themselves with uniting uncontrolled ideas and research into a seductive synthesis, written in an attractive form, for the slightest critical touch causes such constructs to collapse. The established rules of scholarly method cannot be ignored with impunity; even the most gifted may not skip over the necessarily lengthy process.”

  • Priestess Najah, via tweet.

    “Queen of Conjure, sacred Marie LaVeau. Her tomb needs restoration. Donate at http://www.saveourcemeteries.org

  • Maidens, Matrons, and Magicians: Women and Personal Ritual Power in Late Antique Egypt” by Meghan Paalz McGinnis, Masters Thesis, University of Louisville, 2012; from the sparks-fly-from-her-finger-tips dept.

    “Utilizing an interdisciplinary approach to a variety of material, textual, and literary evidence, the aim of this thesis is to shed light on the realities — rather than stereotypes — of an important aspect of late ancient women’s experience: the use of ritual power. Patterns of gender differentiation in late antique Egyptian magic are investigated and shown to be connected to the particular aims to which numinous powers were employed, aims which were in turn bound up with the social roles expected of each sex. The majority of this study consists of a series of case studies of different types of women’s rituals of power, which emphasize examples of significant trends in ritual iconography, praxis, and context, both those which were typical of late antique Egyptian magic as a whole, and those which were uniquely female in character. The fact that female practitioners came from a wide array of socio-economic, ethnic, and religious backgrounds is also addressed.”

  • Tutankhamun’s Blood” by Jo Marchant, Matter; from the blood-feud dept.

    “[Yehia] Gad isn’t the first to attempt to test Tutankhamun’s DNA, but he is the first to get this far. Previous efforts by foreigners were cancelled at the last minute. After decades of outside interference, Egypt’s politicians were reluctant to hand over the keys to the pharaohs’ origins—especially when the results, if dropped into the crucible of the Middle East, might prove explosive.”

  • Israel reveals eerie collection of Neolithic ‘spirit’ masks” — Ilan ben Zion [HT David Metcalfe]; from the starting-with-the-man-in-the-mirror dept.

    “With vacant sockets and jaws agape, they stare at you like the skulls of the dead. They are 9,000-year-old masks found in the Judean Desert and Hills, and they are going on display for the first time next week at the Israel Museum in Jerusalem.”

  • Myrtle quoted in “Paganism in Israel: Where the Modern meets the Ancient” — Heather Greene, The Wild Hunt; from the grand-central-station dept.

    “Ever since the dawn of [humanity], even stretching back to the exits from Africa, people of different cultures have passed through this tiny country. There are places of worship to the Canaanite deities, Egyptian temples to Hathor, countless shrines to the Greek and Roman Gods, Phoenician influences and more.”

  • Consult the Oracle! [HT rogueclassicism]; from the ask-me-no-questions-i’ll-tell-you-no-lies dept.

    “The ancient Delphic Oracle was the inspiration for a recent application created by the Department of Classical Studies at the University College of London. This application will give the user the chance to have a unique experience. The application is very tempting and attractive as one can ask whatever he wishes online.” [via]

  • Shape-Shifter” — Michael Gilleland, Laudator Temporis Acti; from the i’m-gonna-git-you-sucka dept.

    “Zeus became a swan, a bull, a satyr, gold, for love of
           Leda, Europa, Antiope, Danaë.”

  • Jesus Wept” — Michael Gilleland, Laudator Temporis Acti; from the dacryphilia dept.

    “Some in the ancient world might have interpreted the act of weeping as evidence that Jesus was not God.”

  • Grimoire” — Michael Quinion, World Wide Words; from the cook-the-books dept.

    “The shift from book of grammar to book of magic isn’t as weird as it might seem. Few among the ordinary people in those times could read or write. For superstitious minds books were troubling objects. Who knew what awful information was locked up in them? For many people grammar meant the same thing as learning, and everybody knew that learning included astrology and other occult arts.”

  • California’s drought is so bad people are turning to witchcraft” — Holly Richmond, Grist; from the liquore-strega dept.

    “Did you know that witches help make Two-Buck Chuck? Sadly no one from The Craft is involved, but water witches are increasingly in demand in California as the state’s epic drought continues. John Franzia of the Bronco Wine Company, which makes Two-Buck Chuck and a slew of other wines, regularly uses diviners to find water underneath his California vineyards.”

  • Aleister Crowley and the Temptation of Politics, by Marco Pasi” — Clive Bloom, Times Higher Education; from the piecemeal-social-engineering dept.

    “Pasi’s book, which has already appeared in Italian and German, proves an admirable introduction to the complex magical and political connections of this most elusive of figures. Ironically, what the book proves is the opposite of its title, which is simply that magical practice and practical politics have never mixed, and the attempt to fit them together was a doomed and ‘childish’ project. Crowley’s ‘political’ legacy lies more properly in the politics of personal liberation that he advocated and in the counterculture he helped to create.”

  • Alchemical Interpretations of Masonic Symbols in the Rituals of Russian Rosicrucians of the 18th-19th Centuries” (in Russian) — Yury Khalturin; from the watching-the-world-wake-up-from-history dept.

    “In the article symbolic mechanisms of the transmission of alchemical tradition within the Russian Rosicrucianism are analyzed. The main point of the article is the idea, that masonic symbols and their interpretations were not just a form of communicating the alchemical tradition, but also a mode of its transformation according to the principles of rosicrucian worldview. All the alchemical interpretations of masonic symbols in rosicrucian rituals could be reduced to paradigmatic and syntagmatic models. Within the ritual those symbols and interpretations realized two main functions — suggestive (creating the sacral atmosphere for getting the esoteric knowledge) and initiatic (initiation through the shift from one level of hidden sense to another), which changed social and existential status of the neophyte.”

  • Is there any super bad-ass Catholic weapon around out there?” — Benito Cereno, Burgeoning Lads of Science; from the ten-hail-marys-and-turn dept.

    “Some of these might be of dubious Catholicity, but they all at least have something to do with a saint or a relic, so there you have it.”

  • Mindscapes: The first recording of hallucinated music” — Helen Thomson, NewScientist’s Mindscapes; from the stop-children-what’s-that-sound dept.

    “‘It’s like having my own internal iPod,’ says Sylvia. While she goes about her daily life she hears music. It may sound to her as if a radio is playing, but it is entirely in her own head.

    Sylvia calls the hallucinations a nuisance, but they can be turned off, which has allowed researchers to work out what might cause them. The discovery paves the way for new treatments and hints at the cause of more common hallucinations, such as those associated with schizophrenia.”

  • Are Stonehenge’s Boulders Actually Big Bells?” — Robinson Meyer, The Atlantic [David Raffin]; from the everybody-must-get-stoned dept.

    “If you’re building a monument, why not build it out of stones that speak?

    ‘We don’t know of course that they moved them because they rang, but ringing rocks are a prominent part of many cultures,’ English archeologist Tim Darvill told the BBC. ‘Soundscapes of pre-history are something we’re really just beginning to explore.’

    It’s true. Academics and researchers are just beginning to think about what many historic places—both geographic and architectural—sounded like.”

  • Wagner & Me“, a movie with Stephen Fry, currently on Netflix; from the is-wagner-a-human-being-at-all dept.

     

  • Richard Wagner and his Operas, an online archive and resource.

     

  • Mathematicians Are Chronically Lost and Confused” — Soulskill, Slashdot; from the dazed-and-confused dept.

    “[Jeremy Kun] says it’s immensely important for mathematicians to be comfortable with extended periods of ignorance when working on a new topic. ‘The truth is that mathematicians are chronically lost and confused. It’s our natural state of being, and I mean that in a good way. …”

  • Roelof Nicolai quoted in “648 – Portolan Charts ‘Too Accurate’ to be Medieval” — Frank Jacobs, Big Think; from the maps-of-the-ancient-sea-kings dept.

    “Perhaps we should re-evaluate what we think was the state of science in Antiquity”

  • Scientists Revive a Giant 30,000 Year Old Virus From Ice” — bmahersciwriter, Slashdot; from the andromeda-strain dept.

    “It might be terrifying if we were amoebae. Instead, it’s just fascinating. The virus, found in a hunk of Siberian ice, is huge, but also loosely packaged, which is strange says evolutionary biologist Jean-Michel Claverie: ‘We thought it was a property of viruses that they pack DNA extremely tightly into the smallest particle possible, but this guy is 150 times less compacted than any bacteriophage [viruses that infect bacteria]. We don’t understand anything anymore!'”

H P Lovecraft’s Dark Arcadia

Hermetic Library fellow T Polyphilus reviews H. P. Lovecraft’s Dark Arcadia: The Satire, Symbology and Contradiction by Gavin Callaghan, from McFarland.

Gavin Callaghan H P Lovecraft's Dark Arcadia from McFarland

Gavin Callaghan’s Dark Arcadia is a capable and engaging critical treatment of the weird fiction of H.P. Lovecraft. He brings an interesting combination of methods to this material. Recognizing Lovecraft’s professed interest in classical literature, he examines the allusions to antiquity and the possibility of satirical method in HPL’s stories. As a complementary tactic, he invokes psychoanalytic appraisals of Lovecraft’s authorial motives (strongly indulging Jungian approaches) to account for significant tropes in his output.

Although the publisher’s jacket copy praises Callaghan for “ignoring secondary accounts and various received truths,” he is clearly well-read in the existing body of Lovecraft criticism. While he brings some new ideas to the field, his most significant contradiction of “common knowledge” about HPL and his work is to consider the “cosmicism” of Lovecraft’s horror to be ornamental rather than essential. Callaghan asserts that the various instances of cosmic scenarios and phenomena in Lovecraft’s stories (actually rather outnumbered by more conventional gothic horror tropes and contexts) are simply grandiose exaggerations of the author’s familial mise-en-scène, and vehicles for his ambivalent antagonism toward the cultural decadents of his parents’ generation and his own. The “Old” and the “Elder” to which HPL attribute a veneer of deep time were, according to Callaghan, in living memory in the fact of their inspiration. The extra-dimensional hugeness of Lovecraft’s monsters simply reflects the subjective enormity of parental figures.

Callaghan also opposes the notion that there was in any sense a “mellowing” or relaxation of Lovecraft’s social and cultural conservativism in his later fiction. In the interpretive context Callaghan provides, he makes a persuasive case in this regard. Callaghan’s own value-position relative to Lovecraft’s ideological stances is not made especially clear. While he does indict HPL for his racism and misogyny, he also repeatedly implies sympathy for Lovecraft’s right-wing “acuity” (8). Callaghan notes with evident distaste, for example, the fact of “some branches of the modern Wicca movement finding allies and common cause with environmentalist, feminist, luddite, leftist, gay liberation, and other radical organizations” (207), and he refers to “the insanity of the sexual revolution” (8, 58).

The volume is divided into six loosely-interlinked essays, three longer and more general, and three shorter and of narrower scope. It opens with the long “Dark Arcadia,” in which the focus is on Lovecraft’s preference for Roman over Greek antiquity, and his satirical intent directed at the decadent culture of the late nineteenth and early twentieth centuries. Chapters three and six are the other long pieces, and they address the principal psychological materials that Callaghan discerns in the HPL oeuvre: “Behind the Locked Door” is about the paternal image with classical allusion to the myth of Theseus, and “HPL and the Magna Mater” provides an analysis of the Lovecraftian feminine. The smaller essays address Lovecraft’s use of apiary imagery, his trope of the “moon-ladder,” and an interpretation of the “coda” that concludes “The Shadow Over Innsmouth.”

Callaghan dedicates a section of his bibliography to an odd assortment of six works on occultism. His insightful remarks on Lovecraft’s antagonism for the Theosophical Society show that this reading was not wasted, but he generally hews to popular derision for modern occultists such as Aleister Crowley. (In this contempt, he probably tracks with Lovecraft, who appraised Crowley as a “queer duck.”) Callaghan’s gloss on the monumental Etidorhpa of John Uri Lloyd is quite superficial, but he deserves a point for mentioning it at all.

Callaghan gives a great deal of attention to a number of Lovecraft’s “lesser” stories and collaborations, such as “The Green Meadow,” “The Moon-Bog,” and “Medusa’s Coil,” suggesting that in those instances where the writer’s technique is less polished, his methods and motives may be more exposed. His insistence on the abiding Puritan character of Lovecraft’s orientation, as well as the polemical intent of stories that seem so focused on evocative mood, is tied together quite convincingly with a study of the psychological conditions that could inspire such polemics. The book is, on the whole, a fascinating read for anyone familiar with Lovecraft’s work. [via]

 

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