Majere, Pr.ODF reviews The R’lyeh Text by Robert Turner, introduction by Colin Wilson; in the archive of Bkwyrm’s Occult Book Reviews.
Another contributor has something to say about The R’lyeh Text:
This volume is a supplement to George Hays’ “Necronomicon: The Book Of Dead Names”, and is basically more of the same. Again, ignore the spurious “fragments” of garbage purporting to be pages from the Necronomicon and read the essays instead. If anything, they are even better than those in the previous volume – dealing with subjects incl. the Egyptian mysteries, Atlantis, creation myths, Lovecraft’s literary inspirations, and the tenuous Crowley-Lovecraft connection. Still, it’s certainly not to everyone’s tastes but as trash, it’s quite readable.
Julianus reviews The R’lyeh Text by Robert Turner, introduction by Colin Wilson; in the archive of Bkwyrm’s Occult Book Reviews.
This latest in a long line of H.P. Lovecraft pastiches is a sequel to Hay’s bogus Necronomicon of the 70’s, and it reassembles all the usual suspects from that project for … more of the same. Mr Hay’s editorial style is unusual in that, whereas the editor’s normal job is to prune irrelevancies leaving a concise text, here he has left nothing BUT irrelevancies to baffle the reader’s mind. From the crocodile-infested cover to Colin Wilson’s rambling introduction to Patricia Shore’s oblique concluding essay we are left feeling strangely … unfulfilled. It is especially ironic to see that Robert Turner is behind this, as he spent a good portion of his Elizabethan Magic fulminating against the Golden Dawn for making “inauthentic” additions to Dee’s Enochian system, and now he’s marketing THIS as the decoded contents of Dee’s cypher manuscripts! The supposed “main text” itself is rather inadequate and certainly nothing compared to the original it attempts to ape.
(Quite honestly, if these people continue to take their own insipidities and pass them off as my work, I will have no choice but to take the matter up with my Patrons.
– A. Alhazred )
Randall Boywer reviews Elizabethan Magic: The Art and The Magus by Robert Turner with Patricia Shore Turner and Robert E Cousins in the Bkwyrm archive.
About two-thirds of the book is devoted to Dee, Kelly, and things Enochian, with a good mix of historical background and actual Enochian Magical Stuff. Unfortunately, though, Turner follows the tradition of writers on Enochian magic: after mocking other writers on the subject and implying that he’s the only one who’s ever had an inkling about Enochian, he presents a text marred by simple errors of fact (e.g., on p. 17 two important dates are off by thirty years) and internal contradictions (e.g. on p. 4 he states emphatically that Liber Logaeth “contains not a vestige of text,” while on p. 22 he describes the contents of that text!). His work looks fairly sound overall, but such howlers make it impossible to trust him completely. One might adapt one of Turner’s own opprobria by suggesting that he displays the A.E. Waite brushmarks only too well.
The remainder of the book briefly discusses four other Elizabethan Mages, of whom one (Robert Turner, no relation, it seems, to the modern R.T.) was born some fifteen years after the death of Elizabeth I, and another (Thomas Jones) is considered a mage just because he was a cousin of Dr. Dee. The chapter on Turner is very interesting despite the anachronism, but that on Jones appears to be mere “filler.” The chapter on Robert Fludd is annoyingly brief, and barely mentions Fludd’s major works. I was delighted to read about the adventures of Simon Forman, a necromancer who amassed a considerable fortune as well as a considerable number of mistresses: he provides a refreshing contrast to pure-and-holy types like Fludd and the younger Turner.
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