Tag Archives: Rudyard Kipling

The Palace

When I was a King and a Mason—

A Master Proven and skilled—

I cleared me ground for a Palace

Such as a King should build.

I decreed and dug down to my levels;

Presently, under the silt,

I came upon the wreck of a Palace,

Such as a King had built.

 

There was no worth in the fashion—

There was no wit in the plan;

Hither and thither, aimless,

The ruined footings ran.

Masonry, brute, mishandled,

But carven on every stone,

“After me cometh a Builder;

Tell him I, too, have known.”

 

Swift to my use in my trenches,

Where my well-planned groundworks grew,

I tumbled his quoins and his ashlars,

And cut and rest them anew.

Lime I milled of his marbles;

Burned it, slacked it, and spread;

Taking and leaving at pleasure

The gifts of the humble dead.

 

Yet, I despised nor not gloried

Yet, as we wrenched them apart,

I read in the razed foundation

The heart of that builder’s heart.

As he has risen and pleaded,

So did I understand

The form of the dream he had followed

In the face of the thing he had planned.

 

When I was a King and a Mason,

In the open noon of my pride,

They sent me a Word from the Darkness—

They whispered and called me aside.

They said, “The end is forbidden.”

They said, “Thy use is fulfilled.

Thy Palace shall stand as that other’s—

The spoil of a King who shall build.”

 

I called my men from my trenches,

My quarries, my wharves, and my sheers;

All I had wrought I abandoned

To the faith of the faithless years.

Only I cut on the timber—

Only I carved on the stone:

“After me cometh a Builder;

Tell him I, too, have known!”

— Rudyard Kipling

British Poets and Secret Societies

British Poets and Secret Societies by Marie Roberts, the 1986 first US printing hardcover from Barnes & Noble Books, is part of the collection at the Reading Room.

Marie Roberts British Poets and Secret Societies from Barnes and Noble Books

“A surprisingly large number of English poets have either belonged to one or other secret society, or been strongly influenced by its tenets. one of the best known examples is Christopher Smart’s membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David; a study of this work in the light of Freemasonry has long been a desideratum. but many other poets have belonged to, or been influenced by (since in many cases membership is hard to prove) not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs. This study concentrates on five major examples: Smart, Burns, William Blake, William Butler Yeats and Rudyard Kipling. A number of other poets are considered in the course of the book, among them Churchill, Goldsmith, Scott, Shelley and Wilde. The author asks the question why so many poets have been powerfully attracted to the secret societies, and considers the effectiveness of poetry as a medium for conveying complex secret emblems and ritual. She shows how some poets believed that poetry would prove a hidden symbolic language in which to reveal great truths. The longevity of such symbolism as a poetic theme, particularly in Freemasonry, is particularly illuminating. The beliefs of these poets are as diverse as their practice, and the book is an unusually stimulating light on several major poets.” — flap copy

 

The Hermetic Library Reading Room is an imaginary and speculative future reification of the library in the physical world, a place to experience a cabinet of curiosities offering a confabulation of curation, context and community that engages, archives and encourages a living Western Esoteric Tradition. If you would like to contribute to the Hermetic Library Reading Room, consider supporting the library or contact the librarian.