Tag Archives: Science Fiction – Action & Adventure

“You love the sea, don’t you, Captain?”

“Yes, I love it! The sea is everything. It covers seven-tenths of the globe. Its breath is pure and healthy. It is an immense desert where a man is never alone, for he can feel life quivering all about him. The sea is only a receptacle for all the prodigious, supernatural things that exist inside it; it is only movement and love; it is the living infinite, as one of your poets has said. And in fact, Professor, it contains the three kingdoms of nature — mineral, vegetable, and animal. This last is well represented by the four groups of zoophytes, by the three classes of articulata, by the five classes of mollusks, by three classes of vertebrates, mammals and reptiles, and those innumerable legions of fish, that infinite order of animals which includes more than thirteen thousand species, only one-tenth of which live in fresh water. The sea is a vast reservoir of nature. The world, so to speak, began with the sea, and who knows but that it will also end in the sea! There lies supreme tranquillity. The sea does not belong to tyrants.”

Jules Verne, Twenty Thousand Leagues Under the Sea [Amazon, Bookshop, Publisher, Local Library]

Hermetic quote Verne Twenty Thousand Leagues Under the Sea everything breath pure healthy immense desert man never alone feel life quivering prodigious supernatural movement love living infinite

The Player of Games

Hermetic Library Fellow T Polyphilus reviews The Player of Games [Amazon, Bookshop, Publisher, Local Library] by Iain M Banks, book 2 of The Culture.

Banks the Player of Games

I read this second novel of the Culture hot on the heels of Consider Phlebas, and despite the shared setting of the interstellar civilization of the Culture itself and a few formal similarities, the feel of each book differs widely from the other. They are both structured around an ambivalently sympathetic central character with special abilities, and told by an obscured narrator, but the pacing of Consider Phlebas is faster for having shorter and more numerous chapters, along with more incidents of catastrophic violence. Of course, the protagonist of the first book is a declared enemy of the Culture, while The Player of Games is himself a Culture man.

The context of the first book was a rare war involving the Culture as a belligerent, but this one accounts for an alternative way in which neighboring hostile powers might be managed. The Empire which serves as this book’s foil for the Culture is constructed with a lot of telling detail, and the game-as-pervasive-practice-and-pattern is played out here in a way that goes far beyond its archetype in the John Carter pulp adventure The Chessmen of Mars. I was a little disappointed that the complete opacity of the Culture’s relationship to terrestrial humanity was not at all relieved in this book, but it is set some centuries after the previous one, and thus also further from us in time.

For the screen-oriented sf set, I’d recommend the Culture books to those who are more sympathetic to the “left” trajectory of Star Trek as opposed to the “right” approach of Star Wars. I think there’s actually good fodder for the screen in this series (although not in the absence of capable screenwriters!), and their merits are not so much in their “literary” form or substance as in the accustomed genre pillars of world-building, technological imagination, social commentary, and “ideas” generally.

I will read more of these, but I’ll take a pause until Use of Weapons falls into my hands, rather than vaulting over the sequence to the next one that I already own a copy of.

Consider Phlebas

Hermetic Library Fellow T Polyphilus reviews Consider Phlebas [Amazon, Bookshop, Publisher, Local Library] by Iain M Banks, book 1 in The Culture series.

Banks Consider Phlebas

I had been intending for many years to read Iain M. Banks science fiction series The Culture, of which Consider Phlebas is the first volume. Because of this persistent aspiration, I collected several of the books before even beginning to read.

Considering how lauded The Culture is, I was surprised at the extent to which the book is pretty conventional space opera, but I certainly enjoyed it. The increasingly intelligent handling of interstellar travel in recent decades of sf seems to have left me with an allergy to FTL “jump drives,” although Banks does a little better than pure handwavium for the technology. The plotting and structure are not ordinary, and those who want straightforward adventure with triumphant endings might find this book unpalatable. The worldbuilding is ambitious, and it’s easy to see from just this one (of what I am assured is an extremely varied series) that there will be many interesting environments and large-scale events in these books.

Consider Phlebas is focused on a “short” half-century war between two interstellar powers, the Culture and the Idirans. The chief viewpoint character works as a spy for the Idirans, but there are “State of Play” chapters that offer the Culture perspective on events as well. A documentary conceit to provide greater narrative unity to the text is supplied in an epilogue. . . . . (Hover over to reveal spoiler) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The use of “A.D.” dating in the “historical” appendices is a curious choice. It does demonstrate that the Culture is older than modern terrestrial civilization, and that the events of the book are actually within our historical period although elsewhere in the galaxy. It does not establish what relationship, if any, the “humans” of the Culture have with Earth.

I expect to continue with The Player of Games fairly promptly.

The Jennifer Morgue

Hermetic Library Fellow T Polyphilus reviews The Jennifer Morgue [Amazon, Bookshop, Publisher, Local Library] by Charles Stross, book 2 of the Laundry Files series.

Stross The Jennifer Morgue

“The Laundry operations manual is notably short on advice for how to comport oneself when being held prisoner aboard a mad billionaire necromancer’s yacht, other than the usual stern admonition to keep receipts for all expenses incurred in the line of duty.” (167)

The Jennifer Morgue is one of Stross’ hacker-gique occult espionage books about Bob Howard, agent of Capital Laundry Services. (The initials of the organization are never written as such, so it took me until the middle of this second volume to get that BASIC joke!) Like its predecessor The Atrocity Archives, it is a terrific romp. Where Stross drew his literary spy inspiration from Len Deighton in the first book, this time around sees him looking to Ian Fleming and the Bond movies. Given the more “exoteric” — okay, crassly pop-cultural — status of the Bond material, Stross elects to make his nods to it more overt, metafictional even. Protagonist Bob is put in a position to exploit his memories of “the ritual Bond movie every Christmas afternoon on ITV since the age of two” (187), since he is fighting a supernatural opponent who is using the Bond plot formula as a magical mechanism. Stross manages to pack sardonic hilarity, genuinely stomach-churning horror, and sentimental uplift into this single novel. Oh, and weird sex. 

As with the first book, this one contains the titular novel, a bonus short story, and an essay reflecting on the espionage-adventure genre. The story “PIMPF” is a completely office-bound yarn, contrasting with the exotic travel and international entanglements of the novel, and it is funny in the nerdiest possible way. The essay didn’t seem as insightful as its counterpart in the first volume. Having chosen to place special attention on Bond villains, it seems to me that Stross erred terribly in neglecting to observe that Le Chiffre (from Casino Royale) was allegedly based on noted occultist Aleister Crowley, with whom Fleming was acquainted from their mutual employment by British intelligence services.

The Long Tomorrow

Hermetic Library Fellow T Polyphilus reviews The Long Tomorrow [Amazon, Bookshop (New), Publisher (New), Local Library] by Leigh Brackett.

Brackett The Long Tomorrow

As an SF author, Leigh Brackett is known for her planetary romances, which are indeed very fine. But this novel, perhaps her most lauded book-length work, involves a more serious and credible look at the future of our society. Indeed, the book’s scenario for the not-so-distant time to come is not much less believable now than it was when she wrote it about sixty years ago. The only ways it seems dated are that she didn’t predict the microprocessor, or describe any anthropogenic climate change. Given the nature of the story, the first of these is not a significant lack. 

In some features, this book resembles Logan’s Run, which I read recently. Both involve a protagonist rejecting a stultified society and looking for a possibly-mythical site of organized resistance which has continuity with the lost values of the past. Where Logan’s Run has Sanctuary, The Long Tomorrow has Bartorstown. But while Logan flees an urban technocracy, Brackett’s Len Colter is trying to escape an American anti-civilization in the etymological sense: a society that has overtly rejected the idea of the city, along with all of the industries and technologies of the twentieth and twenty-first centuries. 

With this rural, piously conservative, post-apocalyptic environment as the setting for what is in large measure a coming-of-age story, the novel invites an even more direct comparison with John Wyndham’s The Chrysalids. On the whole, I consider Brackett more successful. She better realizes the ways in which even those oppressed by the prevailing morals have internalized them, and she traces a more extensive and nuanced process of maturation in her characters. 

The Long Tomorrow reads quickly — “I finished The Long Tomorrow today,” I remarked paradoxically to my Other Reader — with digestibly short chapters divided into three component “books,” which might have been titled “Piper’s Run” (the village of Len’s childhood), “Refuge” (a community where his exile leads him as a young man), and “Bartorstown.” Although it was not issued as YA fiction, it would serve that increasingly sophisticated market well today. And it continues to deserve the attention of adults willing to reflect on social and technological change outside the myth of progress.