As an SF author, Leigh Brackett is known for her planetary romances, which are indeed very fine. But this novel, perhaps her most lauded book-length work, involves a more serious and credible look at the future of our society. Indeed, the book’s scenario for the not-so-distant time to come is not much less believable now than it was when she wrote it about sixty years ago. The only ways it seems dated are that she didn’t predict the microprocessor, or describe any anthropogenic climate change. Given the nature of the story, the first of these is not a significant lack.
In some features, this book resembles Logan’s Run, which I read recently. Both involve a protagonist rejecting a stultified society and looking for a possibly-mythical site of organized resistance which has continuity with the lost values of the past. Where Logan’s Run has Sanctuary, The Long Tomorrow has Bartorstown. But while Logan flees an urban technocracy, Brackett’s Len Colter is trying to escape an American anti-civilization in the etymological sense: a society that has overtly rejected the idea of the city, along with all of the industries and technologies of the twentieth and twenty-first centuries.
With this rural, piously conservative, post-apocalyptic environment as the setting for what is in large measure a coming-of-age story, the novel invites an even more direct comparison with John Wyndham’s The Chrysalids. On the whole, I consider Brackett more successful. She better realizes the ways in which even those oppressed by the prevailing morals have internalized them, and she traces a more extensive and nuanced process of maturation in her characters.
The Long Tomorrow reads quickly — “I finished The Long Tomorrow today,” I remarked paradoxically to my Other Reader — with digestibly short chapters divided into three component “books,” which might have been titled “Piper’s Run” (the village of Len’s childhood), “Refuge” (a community where his exile leads him as a young man), and “Bartorstown.” Although it was not issued as YA fiction, it would serve that increasingly sophisticated market well today. And it continues to deserve the attention of adults willing to reflect on social and technological change outside the myth of progress.